The Beggar’s Opera
by John Gay

Moral Corruption and Hypocrisy Theme Analysis

Themes and Colors
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
Opera, High Art, and Performance Theme Icon
LitCharts assigns a color and icon to each theme in The Beggar’s Opera, which you can use to track the themes throughout the work.
Moral Corruption and Hypocrisy Theme Icon
Moral Corruption and Hypocrisy Theme Icon

John Gay’s The Beggar’s Opera is set amidst a band of criminals and sex workers in early-18th-century London. The band’s mastermind, Peachum, profits from two jobs on opposite sides of the law: he buys and sells stolen goods, and he turns in the thieves who work for him. Peachum eventually learns that his daughter Polly has secretly married a dastardly highwayman, Macheath, so he carries out several ill-fated plots to have Macheath captured and executed. Though this is certainly nefarious, Peachum has good reason to worry: Macheath spends his free time partying with the “women of the town” and already has several other wives, including Lucy Lockit, the prison warden’s daughter. Lucy, for her part, tries to murder Polly, and her father, Lockit, accepts all kinds of bribes. The play’s other characters are no better, as many of Macheath’s close friends inform on him for a slice of Peachum’s reward. In short, the play illustrates how greed and selfishness drive people to act immorally and betray their friends.

Indeed, almost all of the characters have no qualms about using one another for personal gain, since all of their relationships are based on self-interest. Peachum makes this dynamic clear in the play’s first song, when he announces that “Each Neighbour abuses his Brother.” His song ultimately reflects the central moral logic at the heart of The Beggar’s Opera: namely, that everyone thinks that, though their own actions might be immoral, it doesn’t matter because everyone else’s are, too. When the play’s characters do talk about morality, it’s never to make amends for their actions, but only to point out how other people have wronged them. They often speak emptily about justice and morality to excuse their own misbehavior.

Of course, John Gay certainly played up his subjects’ vice and corruption for comic effect, as well as to satirize popular Italian operas’ obsession with virtue. But he also was making a serious point about the world—after all, his portrait of London’s criminal underworld and corrupt legal system was closely based on real life in the early 1700s. With this portrait, then, Gay suggests that humankind is inherently inclined towards corruption, evil, and hypocrisy. Yet, in a signature ironic twist, Gay also warns that it’s dangerous to accept this very principle: when we decide that everyone else is evil, we can too easily let ourselves off the hook for evil behavior, as well.

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Moral Corruption and Hypocrisy Quotes in The Beggar’s Opera

Below you will find the important quotes in The Beggar’s Opera related to the theme of Moral Corruption and Hypocrisy.

Act 1, Scene 1 Quotes

Through all the Employments of Life
Each Neighbour abuses his Brother;
Whore and Rogue they call Husband and Wife:
All Professions be-rogue one another.
The Priest calls the Lawyer a Cheat,
The Lawyer be-knaves the Divine;
And the Statesman, because he’s so great,
Thinks his Trade as honest as mine.

Related Characters: Peachum (speaker)
Page Number and Citation: 5
Explanation and Analysis:
Act I begins with Peachum singing this, the opera’s first aria (Air 1). Like all the others, it’s based on a common folk song that Gay’s 18th-century audiences likely would have recognized. And given the widespread corruption in England’s politics and economy, they likely would have agreed with Peachum’s lyrics, too. Peachum introduces himself by describing his pessimistic, dog-eat-dog view of human nature. He thinks that everyone is out for themselves, and most people willing to take advantage of others to get ahead. Thus, the wisest people are calculating and ruthless, and only fools place their trust in others—including even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit nequ

Act 1, Scene 3 Quotes

Robin of Bagshot, alias Gorgon, alias Bluff Bob, alias Carbuncle, alias Bob Booty.

Related Characters: Peachum (speaker), Robin of Bagshot (“Bob Booty”)
Related Symbols: Account Book
Page Number and Citation: 7
Explanation and Analysis:
Peachum goes through his account book, debating which of his thieves to turn in to the law for a bounty. (He also calls this impeaching them, or just ’peaching them—which is the source of his name.) The last name in his book is Robin of Bagshot, who also goes by several colorful aliases. Robin of Bagshot is an irrelevant minor character with no real role in the plot, but this line still speaks volumes about John Gay’s intention as a playwright. Above all, it helps explain why the play was so incredibly popular in 18th-century England. Namely, “Robin of Bagshot” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamu

Act 1, Scene 4 Quotes

You would not be so mad to have the Wench marry him! Gamesters and Highwaymen are generally very good to their Whores, but they are very Devils to their Wives.

Related Characters: Peachum (speaker), Mrs. Peachum, Macheath, Polly Peachum
Page Number and Citation: 9
Explanation and Analysis:
When Mrs. Peachum tells Peachum that their daughter Polly is planning to marry the highway robber Macheath, this is Peachum’s initial reaction. Like so many of this play’s apparent lessons about morality, Peachum’s line is comical because it is totally upside down. Whereas 18th-century society would have generally encouraged women to get married for the sake of family and financial stability, Peachum wants Polly to avoid marriage at all costs. He has a good reason, though: he thinks that, as soon as she gets married, her husband will start taking her for granted and focusing his attention on other women. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur e

I would indulge the Girl as far as prudently we can. In any thing, but Marriage! After that, my Dear, how shall we be safe? Are we not then in her Husband’s Power? For a Husband hath the absolute Power over all a Wife’s Secrets but her own. If the Girl had the Discretion of a Court Lady, who can have a dozen young Fellows at her Ear without complying with one, I should not matter it; but Polly is Tinder, and a Spark will at once set her on a Flame. Married! If the Wench does not know her own Profit, sure she knows her own Pleasure better than to make herself a Property! My Daughter to me should be, like a Court Lady to a Minister of State, a Key to the whole Gang. Married! If the Affair is not already done, I’ll terrify her from it.

Related Characters: Peachum (speaker), Polly Peachum, Macheath, Mrs. Peachum
Page Number and Citation: 10
Explanation and Analysis:
Peachum explains his opposition to Polly’s marriage in a bit more detail. He says that there’s no harm in her meeting different men, or even sleeping around with them—but marriage is a bridge too far. He even highlights his point with another clever political reference that his audiences would have loved: the “Minister of State” (Robert Walpole) manipulated many noblewomen in order to get his way in Parliament. What he means is that Polly should remain under his control instead of passing into Macheath’s. To fully grasp Peachum’s point, audiences must understand how marriage worked in the 1700s. In England Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus

Act 1, Scene 8 Quotes

POLLY. I did not marry him (as ’tis the Fashion) cooly and deliberately for Honour or Money. But, I love him.
MRS PEACHUM. Love him! worse and worse! I thought the Girl had been better bred. Oh Husband, Husband! her Folly makes me mad! my Head swims! I’m distracted! I can’t support myself—Oh!
[Faints.]

Related Characters: Polly Peachum (speaker), Mrs. Peachum (speaker), Peachum, Macheath
Page Number and Citation: 15
Explanation and Analysis:
Peachum and Mrs. Peachum are horrified to learn that Polly didn’t even marry Macheath for the right reasons—which, for them, means money. Instead, Polly insists that she got married for true love. The idea is so scandalous to Mrs. Peachum that she faints in distress. Once again, Gay turns conventional morality upside down for comic effect: the Peachums are just as dedicated to the principle of using other people for profit as ordinary people are to the storybook ideals of chivalry, monogamy, and romance. In fact, the Peachums don’t believe in love at all: they see it as a dangerous Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi ne

Act 1, Scene 9 Quotes

Money, Wife, is the true Fuller’s Earth for Reputations, there is not a Spot or a Stain but what it can take out. A rich Rogue now-a-days is fit Company for any Gentleman; and the World, my Dear, hath not such a Contempt for Roguery as you imagine.

Related Characters: Peachum (speaker), Mrs. Peachum, Polly Peachum, Macheath
Page Number and Citation: 17
Explanation and Analysis:
Peachum hatches a nefarious plan to turn Polly’s impulsive marriage to Macheath to his own benefit. Namely, if Peachum can turn in Macheath to the law and get him executed, then Polly (and therefore the Peachums) will get to keep everything he owns. Here, just before explaining his plan to Mrs. Peachum, Peachum briefly praises the power and beauty his favorite thing in the whole world: money. Like “Fuller’s Earth,” a clay that takes stains out of fabric, money clears the moral stains of the people who possess it. In the early 1700s, Peachum suggests, as Englishmen are making new Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possim

Act 1, Scene 10 Quotes

POLLY. What, murder the Man I love! The Blood runs cold at my Heart with the very Thought of it.
PEACHUM. Fye, Polly! What hath Murder to do in the Affair? Since the thing sooner or later must happen, I dare say, the Captain himself would like that we should get the Reward for his Death sooner than a Stranger. Why, Polly, the Captain knows, that as ’tis his Employment to rob, so ’tis ours to take Robbers; every Man in his Business. So that there is no Malice in the Case.

Related Characters: Peachum (speaker), Polly Peachum (speaker), Macheath
Page Number and Citation: 19
Explanation and Analysis:
When Peachum tells Polly about his plan to turn Macheath in to the authorities, she is understandably horrified. Her father is asking her to help him kill her husband, just for money. Worse still, he acts as though it’s obviously the right decision, and he has the gall to claim that “there is no Malice” involved in it at all. He even comes up with an elaborate rationalization for the plot: someone will turn in Macheath eventually for the reward, he says, so it might as well be them. For all intents and purposes, he is claiming that murder is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicab

Act 2, Scene 1 Quotes

We retrench the Superfluities of Mankind. The World is avaritious, and I hate Avarice. A covetous fellow, like a Jack-daw, steals what he was never made to enjoy, for the sake of hiding it. These are the Robbers of Mankind, for Money was made for the Free-hearted and Generous, and where is the Injury of taking from another, what he hath not the Heart to make use of?

Related Characters: Matt of the Mint (speaker)
Related Literary Devices:
Page Number and Citation: 26
Explanation and Analysis:
Act II opens with Macheath’s band of highwaymen drinking in a tavern, chattering about their exploits and adventures. They end up talking about why they choose to steal, and they explain why they actually think it’s ethical to do so. Jemmy Twitcher talks about “the Right of Conquest,” and then Matt of the Mint makes this point about why, as thieves, they are actually helping humankind. He claims that the thieves “retrench the Superfluities of Mankind”—meaning that they compensate for other people’s excesses. Specifically, they correct for the “avarice” (greed) of the rich, who are the real “Robbers of Mankind,” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellen

Act 2, Scene 3 Quotes

What a Fool is a fond Wench! Polly is most confoundedly bit.—I love the Sex. And a Man who loves Money, might as well be contented with one Guinea, as I with one Woman. The Town perhaps hath been as much oblig’d to me, for recruiting it with free-hearted Ladies, as to any Recruiting Officer in the Army. If it were not for us and the other Gentlemen of the Sword, Drury Lane would be uninhabited.

Related Characters: Macheath (speaker), Polly Peachum
Page Number and Citation: 28
Explanation and Analysis:
After he escapes from the Peachums’ house at the end of Act I, Macheath heads straight for his usual tavern, where he catches up with his robber buddies and then meets a group of his favorite “free-hearted Ladies.” Before they arrive, he gives this speech mocking Polly’s desperate love for him and making it clear that he has no intention of being a faithful husband. In fact, he ends up sounding just like Peachum: he declares that she’s a fool for taking love seriously and believing that he would even consider monogamy. In reality, he spends his time “recruiting [the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitati

Act 2, Scene 5 Quotes

Your Case, Mr Macheath, is not particular. The greatest Heroes have been ruin’d by Women. But, to do them justice, I must own they are a pretty sort of Creatures, if we could trust them.

Related Characters: Peachum (speaker), Jenny Diver, Macheath, Suky Tawdry
Page Number and Citation: 33
Explanation and Analysis:
Peachum captures Macheath with help from Jenny Diver and Suky Tawdry, then tells him this. Macheath’s great error was to trust the women who ended up informing on him. In reality, Peachum insists, women are no more trustworthy than men—but their special power is their ability to disarm men by pretending to be innocent, harmless, and stupid. By comparing Macheath to “the greatest Heroes,” of course, Peachum mocks the way that everyone else (Polly included) talks about him. In this speech, Peachum also points out the key difference between himself and Macheath. While they are both corrupt, immoral liars, Macheath Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam o

Act 2, Scene 7 Quotes

The Fees here are so many, and so exorbitant, that few Fortunes can bear the Expence of getting off handsomly, or of dying like a Gentleman.

Related Characters: Macheath (speaker), Lockit
Page Number and Citation: 35
Explanation and Analysis:
When Macheath arrives at Newgate Prison, the jailor (Lockit) immediately welcomes him back yet again and demands a bribe (or “Garnish”) from him. The amount of this bribe will determine which kind of shackles he gets. At first, Lockit gives Macheath the heaviest, most uncomfortable ones imaginable, but after he pays a hefty fee, Lockit switches them out for a pair that “sit as easy as a Glove.” Just before getting the new shackles, Macheath makes this complaint about how the prison is run: it’s so expensive to get dignified treatment that criminals like him will have to spend all Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore

Act 2, Scene 8 Quotes

But I promis’d the Wench Marriage.—What signifies a Promise to a Woman? Does not Man in Marriage itself promise a hundred things that he never means to perform? Do all we can, Women will believe us; for they look upon a Promise as an Excuse for following their own Inclinations.

Related Characters: Macheath (speaker), Polly Peachum, Lucy Lockit
Page Number and Citation: 36
Explanation and Analysis:
After his imprisonment, Macheath sits alone in his cell and contemplates what went wrong. (Of course, he’s not worried about whether he did something immoral—just how he managed to get caught for it.) He starts to complain about women and marriage. The problem, he concludes, is that women actually believe him when he promises to marry them. His argument is ridiculous and convoluted: he argues that women should know better than to trust men’s promises, but they should also do what men want them to (rather than “following their own Inclinations”). His worldview is as unsophisticated as a toddler’s: whatever Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et

Act 2, Scene 9 Quotes

How cruel are the Traytors,
Who lye and swear in jest,
To cheat unguarded Creatures
Of Virtue, Fame, and Rest!
Whoever steals a Shilling,
Through Shame the Guilt conceals:
In Love the perjur’d Villain
With Boasts the Theft reveals.

Related Characters: Lucy Lockit (speaker), Macheath, Polly Peachum
Page Number and Citation: 37
Explanation and Analysis:
After Macheath gets locked up in Newgate Prison, Lucy Lockit dramatically approaches him, accuses him of ruining her life, and sings multiple songs about his nefariousness (including this one, Air 28). In fact, this is the first time in the whole opera that anyone confronts him about his crimes at all. Lucy is pregnant with his child, but when he found out, he disappeared. He was supposed to marry Lucy, but now everyone knows about his marriage to Polly—Lucy included. Since he’s locked in jail, it seems that he can’t hide behind lies anymore (although, remarkably, he eventually finds a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam con

Act 2, Scene 10 Quotes

LOCKIT. We are treated too by them with Contempt, as if our Profession were not reputable.
PEACHUM. In one respect indeed, our Employment may be reckon’d dishonest, because, like Great Statesmen, we encourage those who betray their Friends.
LOCKIT. Such Language, Brother, any where else, might turn to your prejudice. Learn to be more guarded, I beg you.

Related Characters: Lockit (speaker), Peachum (speaker)
Page Number and Citation: 39
Explanation and Analysis:
After they turn Macheath in to Newgate, Peachum and Lockit start complaining about how the government fails to pay their bounties on time. Lockit is quite offended at the government’s corruption: he takes it as a personal insult, an insinuation that “our Profession [is] not reputable.” Of course, audiences are likely to find this irony hilarious. Lockit’s profession isn’t reputable; it’s completely dishonorable and corrupt. He spends his days turning criminals against each other and blackmailing prisoners for bribes. Apparently, in addition to honor, he completely lacks self-awareness, too. But Peachum sees this irony and points it out: he admits Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imp

Act 2, Scene 15 Quotes

MACHEATH. I am naturally compassionate, Wife; so that I could not use the Wench as she deserv’d; which made you at first suspect there was something in what she said.

LUCY. Indeed, my Dear, I was strangely puzzled.

MACHEATH. If that had been the Case, her Father would never have brought me into this Circumstance—No, Lucy,—I had rather dye than be false to thee.

LUCY. How happy am I, if you say this from your Heart! For I love thee so, that I could sooner bear to see thee hang’d than in the Arms of another.

Related Characters: Macheath (speaker), Lucy Lockit (speaker), Polly Peachum
Page Number and Citation: 46-47
Explanation and Analysis:
After Peachum drags Polly home from Newgate Prison, Macheath tells Lucy that Polly was making up the whole story about being married to him. But he offers a heartwarming explanation for why he wasn’t crueler to Polly: he is such a humane and compassionate man that he could not bear to watch a young woman suffer. And he is so perfectly honest that he could never bear to lie to Lucy. Needless to say, this is all absolute nonsense. Everything Polly said was true, and Macheath is only accusing her of lying so that he can manipulate Lucy into helping Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa.

Act 3, Scene 1 Quotes

When young at the Bar you first taught me to score,
And bid me be free of my Lips, and no more;
I was kiss’d by the Parson, the Squire, and the Sot.
When the Guest was departed, the Kiss was forgot.
But his Kiss was so sweet, and so closely he prest,
That I languish’d and pin’d ’till I granted the rest.

Related Characters: Lucy Lockit (speaker), Lockit, Macheath
Page Number and Citation: 49
Explanation and Analysis:
At the beginning of Act III, Lockit confronts Lucy about why she helped Macheath escape. (He’s not angry that she did it—only that she didn’t make him pay a bribe.) Lucy explains that she’s in love with Macheath, but Lockit angrily replies that Lucy should have learned that love is an illusion from her time working as a barmaid. She responds with this aria (Air 41), in which she muses that it was just the opposite. The men she met in the bar were dull and forgettable; they just wanted to enjoy themselves, but they weren’t truly interested in her. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tene

Love, Sir, is a Misfortune that may happen to the most discreet Woman, and in Love we are all Fools alike.—Notwithstanding all he swore, I am now fully convinc’d that Polly Peachum is actually his Wife.—Did I let him escape, (Fool that I was!) to go to her?—Polly will wheedle herself into his Money, and then Peachum will hang him, and cheat us both.

Related Characters: Lucy Lockit (speaker), Macheath, Lockit, Polly Peachum
Page Number and Citation: 49
Explanation and Analysis:
As she thinks through her actions, Lucy realizes that Macheath probably was manipulating her into helping him escape. She accepts that he isn’t actually going to marry her, which means that all his escape has accomplished is to deprive her and her father of the bounty payment they were expecting. But then, Lucy takes her speculation a bit too far by deciding that Polly must be Macheath’s real wife. Of course, this makes a certain kind of sense: Polly and Macheath could have acted out their whole fight in order to make Macheath’s lies more believable and convince Lucy to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eli

Act 3, Scene 2 Quotes

Lions, Wolves, and Vulturs don’t live together in Herds, Droves or Flocks.—Of all Animals of Prey, Man is the only sociable one. Every one of us preys upon his Neighbour, and yet we herd together.—Peachum is my Companion, my Friend—According to the Custom of the World, indeed, he may quote thousands of Precedents for cheating me—And shall not I make use of the Privilege of Friendship to make him a Return?

Related Characters: Lockit (speaker), Peachum
Page Number and Citation: 50
Explanation and Analysis:
Lockit is convinced that Peachum helped Macheath escape in order to re-arrest him and then claim the full bounty. In this scene, Lockit ponders how to get his revenge. He decides to go cheat Peachum, just like Peachum cheated him. In fact, he justifies this decision by making the same point as Peachum, Macheath, the thieves, and the sex workers—namely, that it’s just human nature for people to manipulate and steal from one another. (In fact, his claim that “Every one of us preys upon his Neighbour” appears to be a specific reference to one of Peachum’s lines from Air Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos

Act 3, Scene 4 Quotes

We, Gentlemen, have still Honour enough to break through the Corruptions of the World.—And while I can serve you, you may command me.

Related Characters: Macheath (speaker), Matt of the Mint, Ben Budge
Page Number and Citation: 52
Explanation and Analysis:
After his second major escape, Macheath meets two members of his gang (Ben Budge and Matt of the Mint) in a gambling-house. Just like in the second act, they have a high-minded conversation about principles and honor. Macheath even sings a song about how hard it is to find true friends who care about more than money (Air 44). And then he says this utterly absurd line, which may be the purest example of how John Gay uses dramatic and situational irony to create humor. Needless to say, Macheath and his gang are not honorable people; they do not “break Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

Act 3, Scene 8 Quotes

Among the Men, Coquets we find,
Who Court by turns all Woman-kind;
And we grant all their Hearts desir’d,
When they are flatter’d, and admir’d.
The Coquets of both Sexes are Self-lovers, and that is a Love no other whatever can dispossess. I fear, my dear Lucy, our Husband is one of those.

Related Characters: Polly Peachum (speaker), Macheath, Lucy Lockit
Page Number and Citation: 60
Explanation and Analysis:
When Polly and Lucy meet at Newgate, even though Lucy is secretly trying to murder Polly, their conversation is unusually civil. They actually agree that Macheath has manipulated them both and appear to understand each other’s perspectives. Then, Polly sings this song, Air 50, explaining why she thinks Macheath was the real problem. Her insight is surprising—for the whole play so far, she has been hopelessly in love with Macheath, and she hasn’t questioned his character, even though every conceivable sign pointed to him being a liar and manipulator. Now, Polly finally sees the bigger picture. As she explains here, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta i

Act 3, Scene 11 Quotes

POLLY. Hither, dear Husband, turn your Eyes.

LUCY. Bestow one Glance to cheer me.

POLLY. Think with that Look, thy Polly dyes.

LUCY. O shun me not—but hear me.

POLLY. ’Tis Polly sues.

LUCY. –––––––––––’Tis Lucy speaks.

POLLY. Is thus true Love requited?

LUCY. My Heart is bursting.

POLLY. ––––––––––––––––––Mine too breaks.

LUCY. Must I

POLLY. –––––––Must I be slighted?

Related Characters: Polly Peachum (speaker), Lucy Lockit (speaker), Macheath
Page Number and Citation: 62
Explanation and Analysis:
When Macheath returns to prison, Lucy and Polly fight for his attention, but he does his best to ignore them both. So they sing this dramatic duet, Air 52, proclaiming their love and asking whether he feels the same. This may seem confusing and contradictory: just a few scenes ago, Lucy and Polly agreed that Macheath does not truly love them. But while they have finally realized that he is a womanizing liar, they both still hope that he is still in love with them. In this song, their voices practically intermingle, as they complain in unison against Macheath’s willingness Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident

LOCKIT. Macheath’s time is come, Lucy.—We know our own Affairs, therefore let us have no more Whimpering or Whining.

[…]

PEACHUM. Set your Heart at rest, Polly.—Your Husband is to dye to-day.—Therefore, if you are not already provided, ’tis high time to look about for another.

Related Characters: Peachum (speaker), Lockit (speaker), Polly Peachum, Macheath, Lucy Lockit
Page Number and Citation: 63-64
Explanation and Analysis:
Lucy and Polly both beg their fathers to spare Macheath. Peachum could find new evidence to overturn Macheath’s conviction, and Lockit could set him free, but they both refuse. The audience may be relieved, because Macheath’s death will finally put an end to his misdeeds, but Lucy and Polly are devastated. Indeed, even if Lockit and Peachum have made the right decision, they have made it for the wrong reasons: they want their £40 reward from the government once Macheath is executed. This underlines how cruel and self-interested they both are—they put their own profits above their daughters’ hearts. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaq

Act 3, Scene 13 Quotes

The Condemn’d Hold.
MACHEATH, in a melancholy Posture.

AIR 58. Happy Groves.
O cruel, cruel, cruel Case!
Must I suffer this Disgrace?

AIR 59. Of all the Girls that are so smart.
Of all the Friends in time of Grief,
When threatning Death looks grimmer,
Not one so sure can bring Relief,
As this best Friend, a Brimmer.

Related Characters: Macheath (speaker)
Page Number and Citation: 65
Explanation and Analysis:
Macheath languishes on death row, singing as he awaits his execution. Contrary to the image of courage, honor, and strength that he projects to the world, he actually faces death with desperation and cowardice. He gets comfort not from his fellow thieves or any loved ones, but rather from his “best Friend, a Brimmer” (a drink that is full up to the brim). And he doesn’t repent for his crimes or lies—he just drinks and complains about his woes. In fact, Macheath doesn’t seem interested in accountability at all: he leaves behind a trail of chaos and destruction everywhere he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. A

Act 3, Scene 15 Quotes

[Enter Women and Children.]
What—four Wives more!—This is too much.—Here—tell the Sheriffs Officers I am ready.
[Exit MACHEATH guarded.]

Related Characters: Macheath (speaker)
Page Number and Citation: 68
Explanation and Analysis:
Just before Macheath goes to his execution, the jail guards announce that he has several more surprise visitors: four more women who call themselves his wives, plus their four children—all of whom belong to him. Of course, these women are visiting for some unspoken combination of reasons: to say goodbye, to proclaim their love, to ask Macheath to recognize their children, and to make their own claims on his estate. Frustrated, Macheath decides that he would rather just die than have to face them—which goes to show how deeply he cares about the women he gets involved with. Besides emphasizing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officii

Act 3, Scene 16 Quotes

PLAYER. But, honest Friend, I hope you don’t intend that Macheath shall be really executed.

BEGGAR. Most certainly, Sir.—To make the Piece perfect, I was for doing strict poetical Justice.—Macheath is to be hang’d; and for the other Personages of the Drama, the Audience must have suppos’d they were all either hang’d or transported.

PLAYER. Why then, Friend, this is a down-right deep Tragedy. The Catastrophe is manifestly wrong, for an Opera must end happily.

BEGGAR. Your Objection, Sir, is very just; and is easily remov’d. For you must allow, that in this kind of Drama, ’tis no matter how absurdly things are brought about.—So—you Rabble there—run and cry a Reprieve—let the Prisoner be brought back to his Wives in Triumph.

PLAYER. All this we must do, to comply with the Taste of the Town.

Related Characters: The Beggar (speaker), The Player (speaker), Macheath
Page Number and Citation: 68-69
Explanation and Analysis:
Just before Macheath is to be executed at the end of The Beggar’s Opera, the two characters from the work’s meta-theatrical introduction—the Beggar and the Player—rush onstage to stop it. The Player insists that “an Opera must end happily,” and the Beggar gladly obliges by changing the final scene, so that Macheath lives and goes free instead of facing execution. As a result, the Beggar’s “strict poetical Justice” falls apart, and Macheath manages to escape certain death once again, just as he did at the end of Act I and Act II. This exchange raises the question of what it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque place

BEGGAR. Through the whole Piece you may observe such a similitude of Manners in high and low Life, that it is difficult to determine whether (in the fashionable Vices) the fine Gentlemen imitate the Gentlemen of the Road, or the Gentlemen of the Road the fine Gentlemen.—Had the Play remain’d, as I at first intended, it would have carried a most excellent Moral. ’Twould have shown that the lower Sort of People have their Vices in a degree as well as the Rich: And that they are punish’d for them.

Related Characters: The Beggar (speaker), Peachum, Macheath
Related Literary Devices:
Page Number and Citation: 69
Explanation and Analysis:
At the end of his conversation with the Player, the Beggar directly tells the audience what his work’s primary moral was supposed to be: society is unjust because, even though the rich and the poor are equally corrupt, the rich get away with their crimes, while the poor get punished for theirs. Naturally, the audience would have understood this as yet another criticism of England’s political and economic system. In fact, the Beggar’s talk about the “similitude of Manners in high and low Life” confirms that audiences are right to interpret other elements of the play as metaphors for the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissim

Act 3, Scene 17 Quotes

MACHEATH. Thus I stand like the Turk, with his Doxies around;
From all Sides their Glances his Passion confound;
For black, brown, and fair, his Inconstancy burns,
And the different Beauties subdue him by turns:
Each calls forth her Charms, to provoke his Desires:
Though willing to all; with but one he retires.
But think of this Maxim, and put off your Sorrow,
The Wretch of To-day, may be happy To-morrow.

Related Characters: Macheath (speaker), Polly Peachum
Related Literary Devices:
Page Number and Citation: 70
Explanation and Analysis:
The Beggar’s Opera ends with Macheath going free and leading the whole cast in an unexpectedly jovial song and dance number. His song satirically celebrates his infidelity and makes it clear that he’ll never change: he loves being surrounded by “Doxies” (mistresses or sex workers), and he admits that “his Inconstancy burns” (meaning that he will not stay with any of them). He will take turns with “the different Beauties” and “retire” (go to bed) with one at a time, but the basic pattern will never break: he will never stay faithful, and none of them will ever be happy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. D