The Blazing World
by Margaret Cavendish
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Margaret Cavendish Character Analysis

The author of The Blazing World is the Duchess’s real-life counterpart and the wife of the real-life Duke William Newcastle. In the book’s prefatory note and epilogue, Cavendish directly addresses the reader to explain why she wrote the book and how it relates to her Observations upon Experimental Philosophy. She also comments extensively on the relationship between fact and fiction by writing herself into the novel—for instance, by writing about how the Duchess invents a “celestial world” of her own and tells her friends all about her friendship with the Empress.

Margaret Cavendish Quotes in The Blazing World

The The Blazing World quotes below are all either spoken by Margaret Cavendish or refer to Margaret Cavendish. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Fiction, Fancy, and Utopia Theme Icon
).

To the Reader Quotes

Though I cannot be Henry the Fifth, or Charles the Second, yet I endeavour to be Margaret the First; and although I have neither power, time nor occasion to conquer the world as Alexander and Caesar did; yet rather than not to be mistress of one, since Fortune and the Fates would give me none, I have made a world of my own: for which no body, I hope, will blame me, since it is in every one’s power to do the like.

Related Characters: Margaret Cavendish (speaker), Fortune, The Empress
Page Number and Citation: 124
Explanation and Analysis:
In her introductory note to The Blazing World, Margaret Cavendish explains what motivated her to write the book. She has great social, political, and intellectual ambitions, but as a woman without royal lineage living in the 17th century, she has no practical way to achieve them. Even though her husband is a powerful Duke, Cavendish will never wield true political power, nor will her contemporaries take her seriously as a philosopher or scientist. Thus, lacking options in the real world, she turns to fantasy instead. As Cavendish explains here, fiction allows her to create an imaginary parallel world, a utopia Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Per

Part 1 Quotes

But alas! those few men which were in it, not knowing whither they went, nor what was to be done in so strange an adventure, and not being provided for so cold a voyage, were all frozen to death, the young Lady only, by the light of her beauty, the heat of her youth, and protection of the gods, remaining alive: neither was it a wonder that the men did freeze to death; for they were not only driven to the very end or point of the Pole of that world, but even to another Pole of another world, which joined close to it; so that the cold having a double strength at the conjunction of those two Poles, was insupportable: at last, the boat still passing on, was forced into another world.

Related Characters: Margaret Cavendish (speaker), The Empress
Related Symbols: Fire, Blazes, and Light
Page Number and Citation: 125-6
Explanation and Analysis:
At the beginning of The Blazing World, a vile merchant abducts a young noblewoman in hopes of making her his wife. The gods angrily blow the merchant’s ship towards the icy North Pole, where he and his crew freeze to death. But the Lady survives the cold because her beauty and youth keep her warm, and she sails on into the parallel universe—the Blazing World—where she will soon become the Empress. In addition to setting the stage for the rest of the book’s eccentric plot, this passage helps contextualize Cavendish’s writing in relation to the literary norms and genres of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. De

They made their ships and tacklings ready to sail over into the island, where the Emperor of their Blazing World (for so it was called) kept his residence; very good navigators they were; […] above the rest, they had an extraordinary art, much to be taken notice of by experimental philosophers, and that was a certain engine, which would draw in a great quantity of air, and shoot forth wind with a great force; this engine in a calm, they placed behind their ships, and in a storm, before; for it served against the raging waves, like canons against an hostile army, or besieged town.

Related Characters: Margaret Cavendish (speaker), The Empress, The Emperor
Page Number and Citation: 128-9
Explanation and Analysis:
After the Lady arrives in the Blazing World, the world’s inhabitants take her to meet the Emperor in his city, Paradise. While the Blazing World’s extraordinary hybrid creatures already signal that this world is very different from the Lady’s—and the reader’s—native one, its superiority isn’t clear until the Lady sees its navigation technology. The Blazing World’s inhabitants have extraordinary engines that let them speed across the oceans. Of course, scientists in Cavendish’s time knew that such technology was possible—after all, she is describing engines similar to modern steam engines. This shows how Cavendish saw great potential in the kind of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Co

No sooner was the Lady brought before the Emperor, but he conceived her to be some goddess, and offered to worship her; which she refused, telling him, (for by that time she had pretty well learned their language) that although she came out of another world, yet was she but a mortal; at which the Emperor rejoicing, made her his wife, and gave her an absolute power to rule and govern all that world as she pleased. But her subjects, who could hardly be persuaded to believe her mortal, tendered her all the veneration and worship due to a deity.

Related Characters: Margaret Cavendish (speaker), The Empress, The Emperor
Page Number and Citation: 132
Explanation and Analysis:
When the Lady arrives in the Blazing World, its inhabitants immediately take her to their Emperor, who lives in the glorious, jewel-studded city of Paradise. The Emperor and his subjects see the beautiful, otherworldly Lady as a goddess and start to worship her. Unlike the evil merchant who kidnaps the Lady at the beginning of the book, the Emperor is noble and wise. When he decides to marry the Lady, she welcomes his offer and becomes the all-powerful Empress. This scene sets up the rest of the book, in which the Lady rules and learns all about the Blazing World, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit volupt

The bear-men being exceedingly troubled at her Majesty’s displeasure concerning their telescopes, kneeled down, and in the humblest manner petitioned that they might not be broken; for, said they, we take more delight in artificial delusions, than in natural truths. Besides, we shall want employments for our senses, and subjects for arguments; for were there nothing but truth, and no falsehood, there would be no occasion for to dispute, and by this means we should want the aim and pleasure of our endeavours in confuting and contradicting each other; neither would one man be thought wiser than another, but all would either be alike knowing and wise, or all would be fools; wherefore we most humbly beseech your Imperial Majesty to spare our glasses, which are our only delight, and as dear to us as our lives.

Related Characters: Margaret Cavendish (speaker), The Bear-Men, The Empress
Related Literary Devices:
Page Number and Citation: 142
Explanation and Analysis:
After becoming the Empress of the Blazing World, Cavendish’s protagonist sets out trying to understand her new kingdom. She learns about its government and religion, then dedicates ample time to its science, which is far more specialized than science in her native world. In fact, each of the Blazing World’s numerous hybrid animal-races specializes in one field of knowledge, and collectively, they know far more about their world than Cavendish’s contemporaries in England did about theirs. Of course, when Cavendish was writing, modern scientific disciplines did not yet exist—in this passage, she is meeting with the bear-men, who are experimental Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel voluptatum. Assumenda officia maiores. Voluptatem sint velit. Quod quia sapiente. Cum sunt quo. Accusamus veritatis voluptatum. Rerum est et. Aut autem sit. Soluta dolor fuga. Debitis ut est. Inventore qui voluptas. Velit corporis saepe. Distinctio veritatis enim. Natus inventore perspiciatis. Eaque labore vel. Libero sunt eum. Est libero quia. Dolor eum doloremque. Omnis enim iusto. Ipsa quia nesciunt. Doloremque et omnis. Aut sint debitis. Velit ut id. Id aut omnis. Adipisci id doloribus. Quis nihil pe

And thus the Empress, by art, and her own ingenuity, did not only convert the Blazing World to her own religion, but kept them in a constant belief, without enforcement or blood-shed; for she knew well, that belief was a thing not to be forced or pressed upon the people, but to be instilled into their minds by gentle persuasions; and after this manner she encouraged them also in all other duties and employments, for fear, though it makes people obey, yet does it not last so long, nor is it so sure a means to keep them to their duties, as love.

Related Characters: Margaret Cavendish (speaker), The Empress
Related Symbols: Fire, Blazes, and Light
Page Number and Citation: 164
Explanation and Analysis:
After she finishes meeting all of the Blazing World’s different species groups, the Empress decides to convert the whole kingdom to her own religion. She builds two chapels—one of the shining star-stone, to represent Heaven, and one of the flaming fire-stone, to represent Hell. Next, she trains a corps of women preachers to spread the gospel throughout the Blazing World. Soon, everyone follows the Empress’s religion, and the Blazing World becomes even more peaceful and harmonious than before. This scene shows how Cavendish envisions the role of religion in society. Specifically, she views it as an important tool that leaders Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore la

Then I will have, answered she, the soul of some ancient famous writer, either of Aristotle, Pythagoras, Plato, Epicurus, or the like. The spirit said, that those famous men were very learned, subtle, and ingenious writers, but they were so wedded to their own opinions, that they would never have the patience to be scribes. Then, said she, I’ll have the soul of one of the most famous modern writers, as either of Galileo, Gassendus, Descartes, Helmont, Hobbes, H. More, etc. The spirit answered, that they were fine ingenious writers, but yet so self-conceited, that they would scorn to be scribes to a woman. But, said he, there’s a lady, the Duchess of Newcastle, which although she is not one of the most learned, eloquent, witty and ingenious, yet is she a plain and rational writer, for the principle of her writings, is sense and reason.

Related Characters: Margaret Cavendish (speaker), The Immaterial Spirits, The Duchess, The Emperor, The Empress
Page Number and Citation: 181
Explanation and Analysis:
The spirits offer to help the Empress write down her philosophy by providing her with a scribe. She enthusiastically accepts their offer and asks for a famous philosopher as a scribe—but the spirits explain that these men’s souls won’t want to write down someone else’s ideas (especially a woman’s). Instead, the spirits propose a “plain and rational” woman, the Duchess of Newcastle—or Margaret Cavendish herself. Cavendish introduces herself into the book for several reasons. It allows her to create a surprising plot twist, give the Empress a female companion, and emphasize how writers can start to experience the fictions they Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labo

If your Majesty were resolved to make a Cabbala, I would advise you, rather to make a poetical or romancical Cabbala, wherein you can use metaphors, allegories, similitudes, etc. and interpret them as you please.

Related Characters: The Empress (speaker), Margaret Cavendish (speaker), The Duchess (speaker), The Duke of Newcastle
Page Number and Citation: 183
Explanation and Analysis:
When the Duchess Margaret Cavendish visits the Empress to help with her Cabbala, the two women quickly become close Platonic friends. (Of course, this friendship also represents the way that people can learn and grow by bonding with fictional characters.) The Empress asks for the Duchess’s advice about her Cabbala, the book of philosophy she wishes to write, and the Duchess recommends writing a “poetical or romancical Cabbala.” In other words, rather than a logical explanation or a scriptural interpretation of the meaning of God and the universe, the Duchess proposes that the Empress present her philosophical beliefs in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis.

We wonder, proceeded the spirits, that you desire to be Empress of a terrestrial world, when as you can create your self a celestial world if you please. What, said the Empress, can any mortal be a creator? Yes, answered the spirits; for every human creature can create an immaterial world fully inhabited by immaterial creatures, and populous of immaterial subjects, such as we are, and all this within the compass of the head or scull. […] And since it is in your power to create such a world, what need you to venture life, reputation and tranquility, to conquer a gross material world? For you can enjoy no more of a material world than a particular creature is able to enjoy, which is but a small part.

Related Characters: Margaret Cavendish (speaker), The Empress (speaker), The Immaterial Spirits (speaker), The Duchess, Fortune
Related Symbols: Fire, Blazes, and Light
Related Literary Devices:
Page Number and Citation: 185-6
Explanation and Analysis:
The Duchess is very disappointed to be an ordinary mortal, and not an all-powerful ruler like the Empress. When she learns this, the Empress promises to help the Duchess find a world to rule, and she calls the spirits for help. But the spirits advise the Duchess to stop trying to rule a real physical world, and start building her own “celestial world” instead. Of course, a “celestial world” is a spiritual or imaginary world—so creating a “celestial world” simply means imagining an alternate fantasy world. Put differently, the spirits are advising the Duchess to write fiction. Imagining world domination Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imp

[The Duchess] resolved to make a world of her own invention, and this world was composed of sensitive and rational self-moving matter; indeed, it was composed only of the rational, which is the subtlest and purest degree of matter; [… this] world after it was made, appeared so curious and full of variety, so well ordered and wisely governed, that it cannot possibly be expressed by words, nor the delight and pleasure which the Duchess took in making this world of her own.

Related Characters: Margaret Cavendish (speaker), The Empress, The Duchess
Page Number and Citation: 188
Explanation and Analysis:
The spirits convince the Duchess to create an imaginary “celestial world” so that she can become all-powerful, like the Empress. Then, she starts to imagine her perfect world. It’s full of “rational self-moving matter”—which is Cavendish’s term for souls—and in its beauty and perfection, it closely resembles the Blazing World. Of course, in the book, the Duchess is already inside this world, and the Empress already rules it. But this raises the complex, unanswerable question of what kind of world the Blazing World is. Is it someone’s “celestial world?” (Yes: it’s a fiction written by Cavendish.) Is it a physical Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a d

Lest the Emperor, or any of his subjects should know of her travel, and obstruct her design, she sent for some of the spirits she had formerly conversed withal, and enquired whether none of them could supply the place of her soul in her body at such a time, when she was gone to travel into another world? They answered, yes, they could; for not only one, said they, but many spirits may enter into your body, if you please.

Related Characters: Margaret Cavendish (speaker), The Emperor, The Duchess, The Immaterial Spirits, The Empress
Page Number and Citation: 189
Explanation and Analysis:
When she decides to go visit the Duchess’s native world, the Empress debates how she can temporarily leave her job ruling the Blazing World without causing trouble. Of course, the only part of her that needs to leave is the thinking part, her rational soul. In Cavendish’s philosophy, this soul is merely a very light object that resides inside the body and can travel freely outside it. As a result, the Empress decides that her soul will fly away with the Duchess, while other people’s souls will temporarily occupy her body, so that it looks like she’s still present in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque

Thus those two female souls travelled together as lightly as two thoughts into the Duchess her native world; and which is remarkable, in a moment viewed all the parts of it, and all the actions of all the creatures therein, especially did the Empress’s soul take much notice of the several actions of human creatures in all the several nations and parts of that world, and wondered that for all there were so many several nations, governments, laws, religions, opinions, etc. they should all yet so generally agree in being ambitious, proud, self-conceited, vain, prodigal, deceitful, envious, malicious, unjust, revengeful, irreligious, factious, etc.

Related Characters: Margaret Cavendish (speaker), The Emperor, The Duchess, The Empress
Page Number and Citation: 190
Explanation and Analysis:
After they become dear friends, the Empress and Duchess travel to the Duchess’s world—the real Earth, where Cavendish actually lives. (This makes three different worlds in the book: the Empress’s native world, the Blazing World, and Cavendish’s real world.) The Duchess and Empress observe Earth’s social and political order in a sudden flash of insight, then conclude that the Blazing World truly is superior: while Earth is full of division and conflict, the Blazing World is peaceful and united. Diverse people and cultures might populate the Earth, but they bicker and compete for power instead of cooperating. So Cavendish thinks Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deser

When the soul of the Empress viewed the King and Queen, she seemed to be in amaze, which the Duchess’s soul perceiving, asked the Empress how she liked the King, the Queen, and all the royal race? She answered, that in all the monarchs she had seen in that world, she had not found so much majesty and affability mixed so exactly together, that none did overshadow or eclipse the other; and as for the Queen, she said, that virtue sat triumphant in her face, and piety was dwelling in her heart, and that all the royal family seemed to be endued with a divine splendour: but when she had heard the King discourse, she believed, that Mercury and Apollo had been his celestial instructors; and my dear lord and husband, added the Duchess, has been his earthly governor.

Related Characters: The Empress (speaker), The Duchess (speaker), Margaret Cavendish (speaker), The Duke of Newcastle
Related Symbols: Fire, Blazes, and Light
Page Number and Citation: 192
Explanation and Analysis:
When the Duchess and the Empress’s souls visit the English royal court, they agree that the King and Queen are the finest monarchs on Earth. This will probably be no surprise to the reader—throughout the whole book, Cavendish takes pains to flatter the English royal family and praise her husband. She deeply believes in the monarchy, primarily because of how much wealth she and her husband stand to gain from it. In fact, Cavendish is so close to the monarchy that readers ought to question whether she truly believes that absolute monarchy is the best form of government, or is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque erro

But one thing I forgot all this while, which is, that although thoughts are the natural language of souls, yet by reason souls cannot travel without vehicles, they use such language as the nature and propriety of their vehicles require, and the vehicles of those two souls being made of the purest and finest sort of air, and of a human shape; this purity and fineness was the cause that they could neither be seen nor heard by any human creature; when as, had they been of some grosser sort of air, the sound of that air’s language would have been as perceptible as the blowing of Zephyrus.

Related Characters: Margaret Cavendish (speaker), The Empress, The Duchess
Page Number and Citation: 193
Explanation and Analysis:
When the Empress and Duchess decide to go visit the Duke together, Cavendish’s narrator briefly pauses the action to clarify that the Empress and Duchess are souls traveling around in light, imperceptible “vehicles” (or bodies) made of air. It’s easy to dismiss this digression as an unimportant product of Cavendish’s eccentricity, poor editing, or both. And yet it is also crucial for understanding the relationship between Cavendish’s philosophy of nature and her faith in the imagination. Namely, for Cavendish, imagination is really a physical process, a reordering of the rational matter in the brain, which helps explain its practical effects Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molest

The Duke’s soul being wise, honest, witty, complaisant and noble, afforded such delight and pleasure to the Empress’s soul by her conversation, that these two souls became enamoured of each other; which the Duchess’s soul perceiving, grew jealous at first, but then considering that no adultery could be committed amongst Platonic lovers, and that Platonism was divine, as being derived from divine Plato, cast forth of her mind that Idea of jealousy. Then the conversation of these three souls was so pleasant, that it cannot be expressed; for the Duke’s soul entertained the Empress’s soul with scenes, songs, music, witty discourses, pleasant recreations, and all kinds of harmless sports; so that the time passed away faster than they expected.

Related Characters: Margaret Cavendish (speaker), The Empress, The Duchess, The Duke of Newcastle, Fortune
Related Symbols: Fire, Blazes, and Light
Page Number and Citation: 194-5
Explanation and Analysis:
When the Duchess decides to introduce the Empress to her husband, the Duke of Newcastle, the Duchess and Empress’s souls enter the Duke’s body, and then all three souls mingle inside. Just like the Empress and the Duchess, the Empress and the Duke became Platonic friends (or Platonic lovers) because of their great appreciation for one another’s virtues. Understandably, the Duchess is initially surprised to see her husband fall in love with her best friend—until she remembers the crucial difference between Platonic and romantic love. In fact, Cavendish wrote this scene to help clarify and popularize the concept of Platonic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum.

Fortune hearing thus Honesty’s plain speech, thought it very rude, and would not hearken to Truth’s judgement, but went away in a passion: at which, both the Empress and Duchess were extremely troubled, that their endeavours should have no better effect: but Honesty chid the Duchess, and said, she was to be punished for desiring so much Fortune’s favours; for it appears, said she, that you mistrust the gods’ blessings: at which the Duchess wept, answering Honesty, that she did neither mistrust the gods’ blessings, nor rely upon Fortune’s favours; but desired only that her lord might have no potent enemies.

Related Characters: Margaret Cavendish (speaker), Honesty, Fortune, The Duke of Newcastle, The Duchess, Prudence, The Empress
Page Number and Citation: 200
Explanation and Analysis:
After Fortune, Folly, and Rashness speak out against the Duke of Newcastle, Prudence and Honesty speak in his defense. They criticize Fortune for abandoning the Duke and ask for him to receive justice—but all to no avail. Furious about Honesty’s matter-of-fact criticisms, Fortune disappears and does not return. Clearly, the Duke will not be winning her favor. In the context of the book as a whole, this is an unusual turn of events because it shows that the Empress and Duchess’s power is profoundly limited. In every other part of life, they use their awesome power to crush their enemies Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetu

Part 2 Quotes

The Empress before she came in sight of the enemy, sent some of her fish- and bird-men to bring her intelligence of their fleet; and hearing of their number, their station and posture, she gave order that when it was night, her bird-men should carry in their beaks some of the mentioned fire-stones, with the tops thereof wetted; and the fish-men should carry them likewise, and hold them out of the water; for they were cut in the form of torches or candles, and being many thousands, made a terrible show; for it appeared as if all the air and sea had been of a flaming fire; and all that were upon the sea, or near it, did verily believe, the time of judgement, or the last day was come, which made them all fall down, and pray.

Related Characters: Margaret Cavendish (speaker), The Giants, The Empress, The Fish-Men, The Bird-Men, The Bear-Men
Related Symbols: Fire, Blazes, and Light
Page Number and Citation: 208
Explanation and Analysis:
The Empress raises an army to save her native country from its enemies. After she leads her forces back through the passage that originally took her from her native world to the Blazing World, she orders them to approach the enemy and make a spectacular show of force. Thousands of troops wield the Blazing World’s magical fire-stone, which the Empress has managed to turn into a weapon because of her scientists’ long, dogged effort to understand the Blazing World’s special natural phenomena. The entire world appears to burn, and the enemy thinks that Judgment Day has come. Cavendish uses this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima po

The Empress appeared upon the face of the water in her imperial robes; in some part of her hair she had placed some of the star-stone, near her face, which added such a lustre and glory to it, that it caused a great admiration in all that were present, who believed her to be some celestial creature, or rather an uncreated goddess, and they all had a desire to worship her; for surely, said they, no mortal creature can have such a splendid and transcendent beauty, nor can any have so great a power as she has, to walk upon the waters, and to destroy whatever she pleases, not only whole nations, but a whole world.

Related Characters: Margaret Cavendish (speaker), The Bird-Men, The Empress, The Fish-Men, The King of ESFI
Related Symbols: Fire, Blazes, and Light
Page Number and Citation: 214-5
Explanation and Analysis:
After the Empress finishes her military campaign and establishes an absolute monarchy over her native world for the King of ESFI, she decides to make one final appearance. She dresses in star-stone and reveals herself to her native world’s princes, who are so impressed by her beauty and power that they assume that she must be a goddess. Beyond the daring gender reversal involved in male princes submitting to a woman warrior in the 17th century, this scene is significant because it repeats a similar event from the beginning of the book. Namely, the Emperor also mistook the Empress for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissim

ln time of the voyage, both the Empress’s and Duchess’s soul were very gay and merry, and sometimes they would converse very seriously with each other.

Related Characters: Margaret Cavendish (speaker), The Duchess, The Empress
Page Number and Citation: 216
Explanation and Analysis:
After conquering her native world and handing control to the King of ESFI, the Empress celebrates with the Duchess on their voyage back to the Blazing World. This may seem like an irrelevant, minor detail, but it actually represents the core of Cavendish’s message about politics and society. Cavendish believes in using terror and brainwashing to establish an absolute monarchy over the whole world, but only because she genuinely believes that this is the best way to maintain peace. Thus, by the end of the book, the Empress’s work is done: she has conquered and created stability in both of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

The Empress asked, are those good plays that are made so methodically and artificially? The Duchess answered, they were good according to the judgement of the age, or mode of the nation, but not according to her judgement; for truly, said she, in my opinion, their plays will prove a nursery of whining lovers, and not an academy or school for wise, witty, noble, and well-behaved men. But I, replied the Emperor, desire such a theatre as may make wise men; and will have such descriptions as are natural, not artificial. If Your Majesty be of that opinion, said the Duchess’s soul, then my plays may be acted in your Blazing World, when they cannot be acted in the Blinking World of Wit; and the next time I come to visit Your Majesty, I shall endeavour to order Your Majesty’s theatre, to present such plays as my wit is capable to make.

Related Characters: The Duchess (speaker), The Emperor (speaker), The Empress (speaker), The Duke of Newcastle, Margaret Cavendish
Page Number and Citation: 220
Explanation and Analysis:
When the Empress and Duchess return to the Blazing World, they learn that the Emperor is making some changes around the palace. Specifically, he’s adopting two new habits: horse-training (the Duke of Newcastle’s passion) and theater (the Duchess’s passion). Of course, this is a perfect illustration of Platonic love: the Emperor bonds with the Duke and Duchess over their excellence in horse-training and theater, and this inspires him to pursue the same goals. In turn, he wants to put on plays that inspire others to become more wise and virtuous. Meanwhile, Cavendish uses this conversation about theater to express her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptat

One time the Duchess chanced to discourse with some of her acquaintance, of the Empress of the Blazing World, who asked her what pastimes and recreations Her Majesty did most delight in? The Duchess answered, that she spent most of her time in the study of natural causes and effects, which was her chief delight and pastime, and that she loved to discourse sometimes with the most learned persons of that world.

Related Characters: Margaret Cavendish (speaker), The Empress, The Duchess
Page Number and Citation: 221-2
Explanation and Analysis:
In the closing paragraph of The Blazing World, Cavendish writes about the Duchess telling other people in her own world about her experiences with the Empress in the Blazing World. She goes into great detail about the Empress’s life, leisure, and governance; she describes the Blazing World’s unusual hybrid people, strange weather, exotic fruits, and ethereal music. In other words, the Duchess starts to tell stories, spreading the news about her journey and the otherworldly splendors of the Blazing World. This conclusion’s significance can be easy to miss: it brings the book back to where it began. In other words, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re

Epilogue Quotes

By this poetical description, you may perceive, that my ambition is not only to be Empress, but Authoress of a whole world; and that the worlds I have made, both the Blazing and the other Philosophical World, mentioned in the first part of this description, are framed and composed of the most pure, that is, the rational parts of matter, which are the parts of my mind; which creation was more easily and suddenly effected, than the conquests of the two famous monarchs of the world, Alexander and Caesar: neither have I made such disturbances, and caused so many dissolutions of particulars, otherwise named deaths, as they did; for I have destroyed but some few men in a little boat, which died through the extremity of cold, and that by the hand of Justice, which was necessitated to punish their crime of stealing away a young and beauteous Lady.

Related Characters: Margaret Cavendish (speaker), The Empress
Related Literary Devices:
Page Number and Citation: 224
Explanation and Analysis:
The Epilogue returns to Cavendish’s authorial voice, as she describes the process of writing The Blazing World and its companion work, Observations Upon Experimental Philosophy. Readers may find this shift jarring, as Cavendish’s voice is, by design, often indistinguishable from her characters’ voices. For instance, she praises fantasy using the same language as the Empress and the Duchess—two characters she invented to represent different versions of herself. By imagining the Blazing World into existence, just like her characters, Cavendish enjoyed herself, satisfied her hunger for power, and tested out many of her philosophical ideas (like the notion that everything is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volupt

If any should like the world I have made, and be willing to be my subjects, they may imagine themselves such, and they are such, I mean, in their minds, fancies or imaginations; but if they cannot endure to be subjects, they may create worlds of their own, and govern themselves as they please: but yet let them have a care, not to prove unjust usurpers, and to rob me of mine; for concerning the Philosophical World, I am Empress of it myself; and as for the Blazing World, it having an Empress already, who rules it with great wisdom and conduct, which Empress is my dear Platonic friend; I shall never prove so unjust, treacherous and unworthy to her, as to disturb her government, much less to depose her from her imperial throne, for the sake of any other; but rather choose to create another world for another friend.

Related Characters: Margaret Cavendish (speaker), The Empress, The Duchess
Related Literary Devices:
Page Number and Citation: 224-5
Explanation and Analysis:
At the very end of her Epilogue to The Blazing World, Cavendish explicitly clarifies a point that she has repeatedly alluded to throughout the entire book: she believes that readers should use her fantasy world as a model for building and exploring their own. She doesn’t want to just show readers how she imagined a marvelous Blazing World—she also wants to help them do the same thing, because she thinks that everyone can benefit from cultivating their imaginations. Yet, in this passage, Cavendish also makes another peculiar request to her readers: she asks them not to interfere with the Blazing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima aute
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Margaret Cavendish Character Timeline in The Blazing World

The timeline below shows where the character Margaret Cavendish appears in The Blazing World. The colored dots and icons indicate which themes are associated with that appearance.
To the Reader
Fiction, Fancy, and Utopia Theme Icon
Gender Hierarchy and Women’s Freedom Theme Icon
Love and Friendship Theme Icon
The book opens with a poem by Margaret Cavendish’s husband, William Newcastle. He compares Cavendish creating the Blazing World to Columbus discovering America, and... (full context)
Fiction, Fancy, and Utopia Theme Icon
Philosophy, Science, and Religion Theme Icon
Then, in her author’s note, Cavendish explains why she published The Blazing World alongside the more serious Observations Upon Experimental Philosophy.... (full context)
Fiction, Fancy, and Utopia Theme Icon
Gender Hierarchy and Women’s Freedom Theme Icon
Cavendish will be “a happy creatoress” if the reader enjoys her Blazing World, but if not,... (full context)
The Epilogue to The Reader
Fiction, Fancy, and Utopia Theme Icon
Gender Hierarchy and Women’s Freedom Theme Icon
Philosophy, Science, and Religion Theme Icon
Love and Friendship Theme Icon
Margaret Cavendish writes that she wants “not only to be Empress, but Authoress of a whole world.”... (full context)