Zenobia Character Analysis

The most curious part of the matter was, that, long after my slight delirium had passed away—as long, indeed, as I continued to know this remarkable woman—her daily flower affected my imagination, though more slightly, yet in very much the same way. The reason must have been, that, whether intentionally on her part, or not, this favorite ornament was actually a subtile expression of Zenobia’s character.

Then, also, as anybody could observe, the freedom of her deportment (though, to some tastes, it might commend itself as the utmost perfection of manner, in a youthful widow, or a blooming matron) was not exactly maidenlike. What girl had ever laughed as Zenobia did! What girl had ever spoken in her mellow tones! Her unconstrained and inevitable manifestation, I said often to myself, was that of a woman to whom wedlock had thrown wide the gates of mystery. Yet, sometimes, I strove to be ashamed of these conjectures. I acknowledged it as a masculine grossness—a sin of wicked interpretation, of which man is often guilty towards the other sex—thus to mistake the sweet, liberal, but womanly frankness of a noble and generous disposition. Still, it was of no avail to reason with myself, nor to upbraid myself. Pertinaciously the thought—‘Zenobia is a wife! Zenobia has lived, and loved! There is no folded petal, no latent dew-drop, in this perfectly developed rose!’—irresistibly that thought drove out all other conclusions, as often as my mind reverted to the subject.

“Did you ever see a happy woman in your life? Of course, I do not mean a girl—like Priscilla, and a thousand others, for they are all alike, while on the sunny side of experience—but a grown woman. How can she be happy, after discovering that fate has assigned her but one single event, which she must contrive to make the substance of her whole life? A man has his choice of innumerable events.”

Thus, as my conscience has often whispered me, I did Hollingsworth a great wrong by prying into his character, and am perhaps doing him as great a one, at this moment, by putting faith in the discoveries which I seemed to make. But I could not help it. Had I loved him less, I might have used him better. He—and Zenobia and Priscilla, both for their own sakes and as connected with him—were separated from the rest of the Community, to my imagination, and stood forth as the indices of a problem which it was my business to solve.

Now, as I looked down from my upper region at this man and woman—outwardly so fair a sight, and wandering like two lovers in the wood—I imagined that Zenobia, at an earlier period of youth, might have fallen into the misfortune above indicated. And when her passionate womanhood, as was inevitable, had discovered its mistake, there had ensued the character of eccentricity and defiance, which distinguished the more public portion of her life.

“It is my belief—yes, and my prophecy, should I die before it happens—that, when my sex shall achieve its rights, there will be ten eloquent women, where there is now one eloquent man. Thus far, no woman in the world has ever once spoken out her whole heart and her whole mind. The mistrust and disapproval of the vast bulk of society throttles us, as with two gigantic hands at our throats! We mumble a few weak words, and leave a thousand better ones unsaid. You let us write a little, it is true, on a limited range of subjects. But the pen is not for woman. Her power is too natural and immediate. It is with the living voice, alone, that she can compel the world to recognize the light of her intellect and the depth of her heart!”

“I hate to be ruled by my own sex; it excites my jealousy and wounds my pride. It is the iron sway of bodily force, which abases us, in our compelled submission. But, how sweet the free, generous courtesy, with which I would kneel before a woman-ruler!”

“Yes, if she were young and beautiful,” said Zenobia, laughing. “But how if she were sixty, and a fright?”

Even her characteristic flower, though it seemed to be still there, had undergone a cold and bright transfiguration; it was a flower exquisitely imitated in jeweller’s work, and imparting the last touch that transformed Zenobia into a work of art.

“Oh, this stale excuse of duty!” said Zenobia, in a whisper so full of scorn that it penetrated me like the hiss of a serpent. “I have often heard it before, from those who sought to interfere with me, and I know precisely what it signifies. Bigotry; self-conceit; an insolent curiosity; a meddlesome temper; a cold-blooded criticism, founded on a shallow interpretation of half-perceptions; a monstrous scepticism in regard to any conscience or any wisdom, except one’s own; a most irreverent propensity to thrust Providence aside, and substitute one’s self in its awful place—out of these, and other motives as miserable as these, comes your idea of duty!”

Nor was her reputation seriously affected by the report. In fact, so great was her native power and influence, and such seemed the careless purity of her nature, that whatever Zenobia did was generally acknowledged as right for her to do. The world never criticised her so harshly as it does most women who transcend its rules. It almost yielded its assent when it beheld her stepping out of the common path, and asserting the more extensive privileges of her sex, both theoretically and by her practice. The sphere of ordinary womanhood was felt to be narrower than her development required.

“Ah, this is very good!” said Zenobia, with a smile. “What strange beings you men are, Mr. Coverdale!—is it not so? It is the simplest thing in the world, with you, to bring a woman before your secret tribunals, and judge and condemn her, unheard, and then tell her to go free without a sentence. The misfortune is, that this same secret tribunal chances to be the only judgment-seat that a true woman stands in awe of, and that any verdict short of acquittal is equivalent to a death-sentence!”

“It is all self!” answered Zenobia, with still intenser bitterness. “Nothing else; nothing but self, self, self! The fiend, I doubt not, has made his choicest mirth of you, these seven years past, and especially in the mad summer which we have spent together. I see it now! I am awake, disenchanted, disenthralled! Self, self, self! You have embodied yourself in a project. You are a better masquerader than the witches and gipsies yonder; for your disguise is a self-deception.”

“A moral? Why, this:--that, in the battlefield of life, the downright stroke, that would fall only on a man’s steel head-piece, is sure to light on a woman’s heart, over which she wears no breastplate, and whose wisdom it is, therefore, to keep out of the conflict. Or this:--that the whole universe, her own sex and yours, and Providence, or Destiny, to boot, make common cause against the woman who swerves one hair’s breadth out of the beaten track.”

“But I am weary of this place, and sick to death of playing at philanthropy and progress. Of all the varieties of mock-life, we have surely blundered into the very emptiest mockery, in our effort to establish the one true system. I have done with it […]. It was, indeed, a foolish dream! Yet it gave us some pleasant summer days and bright hopes, while they lasted. It can do no more; nor will it avail us to shed tears over a broken bubble.”

It was a woful thought, that a woman of Zenobia’s diversified capacity should have fancied herself irretrievably defeated on the broad battle-field of life, and with no refuge, save to fall on her own sword, merely because Love had gone against her. It is nonsense, and a miserable wrong—the result, like so many others, of masculine egotism—that the success or failure of woman’s existence should be made to depend wholly on the affections, and on one species of affection; while man has such a multitude of other chances, that this seems but an incident.