The Bluest Eye
by Toni Morrison

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LitCharts assigns a color and icon to each theme in The Bluest Eye, which you can use to track the themes throughout the work.
Race and Racism Theme Icon
Race and Racism Theme Icon

Race and racism are complicated issues in The Bluest Eye. Unlike typical portrayals of racism, involving white hatred against blacks, The Bluest Eye primarily explores the issue of racism occurring between people of color. There are few white characters in Morrison's novel, and no major white characters, yet racism remains at the center of the text. Because the novel involves mostly black characters, "whiteness" exists on a spectrum. Race is not only defined by the color of one's skin, the shape of one's features, or the texture of one's hair, but also by one's place of origin, socioeconomic class, and educational background. "Whiteness" is associated with virtue, cleanliness, and value, while being black is associated with immorality, dirtiness, and worthlessness.

These ideas of race, having to do with cleanliness, virtue, and value, become internalized to varying degrees by different characters. Internalizing these ideas of race ultimately leads to racial self-hatred among the characters of The Bluest Eye, which creates various forms of dysfunction in the characters' lives. Mrs. Macteer, for example, is unusually harsh with Claudia when she gets sick, because sickness signifies uncleanliness, which is related to being black. Likewise, Soaphead Church, who can't stand the dirtiness he associates with black women, directs his sexual desires toward children.

The novel's characters use the other black individuals as reference points against which they judge their own "whiteness" and sense of self-worth. Distinctions are drawn based on the shade of one's skin, the hue of one's eyes, and the texture of one's hair, but when these markers fall short in defining one's race, characters opt for socioeconomic, educational, religious, regional, and hereditary differences to define their "whiteness". Geraldine attempts to separate herself and her family from appearing black by straightening her hair, using lotion on Junior's skin to keep it from becoming ashen, and keeping her home immaculately clean. Likewise, Soaphead Church uses his white heritage, place of origin, and educational background to define his "whiteness".

Characters lacking any marker of "Whiteness" suffer the most. The theme of race, and the destructive force of racial self-hatred reach a climax during Pecola's rape. This moment offers the literal and metaphorical pinnacle of racial self-hatred. After the rape, Pecola must bear the metaphorical internalization of Cholly's racial self-hatred through the trauma she carries forward, and literally, as she carries her father's baby.

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Race and Racism Quotes in The Bluest Eye

Below you will find the important quotes in The Bluest Eye related to the theme of Race and Racism.

Prologue Section 2 Quotes

Quiet as it's kept, there were no marigolds in the fall of 1941. We thought, at the time, that it was because Pecola was having her father's baby that the marigolds did not grow. A little examination and much less melancholy would have proved to us that our seeds were not the only ones that didn't sprout; nobody's did…It had never occurred to either of us that the earth itself might have been unyielding. We had dropped our seeds in our own little plot of black dirt just as Pecola's father had dropped his seeds into his own plot of black dirt. Our innocence and faith were no more productive than his lust or despair.

Related Characters: Claudia MacTeer (speaker), Pecola Breedlove, Cholly Breedlove
Related Symbols: Marigolds
Related Literary Devices:
Page Number and Citation: 3-4
Explanation and Analysis:
The opening paragraph of the novel reveals much about the narrative to come. The first phrase, "quiet as it's kept," signals that the story is set and narrated from within a certain community, and suggests that the coming events are not openly discussed within that community for the sake of maintaining respectability. This hints at the pervasive desire among the characters in the novel to disassociate themselves with behaviors they deem degraded and sinful, behaviors that are often linked (in the novel's American setting) to blackness.Throughout this passage, there is a tense juxtaposition between the childish naïveté of Claudia, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenet

Chapter 1 Quotes

Knowing that there was such a thing as outdoors bred in us a hunger for property, for ownership. The firm possession of a yard, a porch, a grape arbor. Propertied black people spent all their energies, all their love, on their nests.

Related Characters: Claudia MacTeer (speaker)
Related Literary Devices:
Page Number and Citation: 16
Explanation and Analysis:
Claudia has explained that Pecola's father Cholly burned their house down, thereby putting the family "outdoors"––meaning he made them homeless. Claudia reflects on the terror and shame associated with being outdoors, and adds that this inspires an obsession with home ownership. Here, Morrison shows how African American communities are deeply affected by fear and aversion to social exclusion and destitution. Although there might not be anything inherently wrong with the desire for home ownership, Claudia's statement that "propertied black people spent all their energies, all their love, on their nests" suggests a disproportionate fixation with property. This is, of course, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volu

Cholly Breedlove, then, a renting black, having put his family outdoors, had catapulted himself beyond the reaches of human consideration. He had joined the animals; was indeed, an old dog, a snake, a ratty nigger.

Related Characters: Claudia MacTeer (speaker), Cholly Breedlove
Page Number and Citation: 16
Explanation and Analysis:
Having explained the belief that being "outdoors" is the worst thing that could happen to a person, Claudia describes the community's denunciation of Cholly for putting his family in this position. In the eyes of the community, Cholly is reduced to the status of an animal, and, significantly, is called "a ratty nigger." The use of this racial slur shows that the community in the novel associates shameful behavior with blackness, or at least a particular version of blackness from which it strives to distinguish itself. Indeed, one of the main themes of The Bluest Eyeis the way internalized racism Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut ve

When I learned how repulsive this disinterested violence was, that it was repulsive because it was disinterested, my shame floundered about for refuge. The best hiding place was love. Thus the conversion from pristine sadism to fabricated hatred, to fraudulent love. It was a small step to Shirley Temple.

Related Characters: Claudia MacTeer (speaker)
Page Number and Citation: 21
Explanation and Analysis:
Claudia has described her initial resentment of white baby dolls, admitting that she harmed and dismembered a white doll she was given, and adding that she felt the impulse to do the same to little white girls in real life. However, the realization that real girls would visibly and audibly react to this pain makes her feel ashamed of her violent urges, and in response she attempts to force herself to love white girls, saying this "was a small step to Shirley Temple" (whom Frieda and Pecola love). Here Claudia displays remarkable emotional sophistication and maturity for someone who is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Vo

"How do you do that? I mean how do you get someone to love you?"

Related Characters: Pecola Breedlove (speaker)
Page Number and Citation: 30
Explanation and Analysis:
Pecola has gotten her period for the first time, and Frieda has explained to her and Claudia that Pecola can now have a baby if somebody loves her. In response, Pecola asks how you get someone to love you, but at this point Frieda is asleep so only Claudia hears, and she does not know how to answer. This is a highly emotive moment in the novel, with several layers of meaning. On the surface, this conversation is an example of the girls' innocence, revealing their childish naïveté about sex, relationships, and pregnancy. However, Morrison discloses the fact that Pecola Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic

Chapter 2 Quotes

The Breedloves lived there, nestled together in the storefront. Festering together in the debris of a realtor's whim. They slipped in and out of the box of peeling grey, making no stir in the neighborhood, no sound in the labor force, and no wave in the mayor's office. Each member of the family in his own cell of consciousness, each making his own patchwork quilt of reality—collecting fragments of experience here, pieces of information there.

Related Characters: Samuel Breedlove, Pecola Breedlove, Cholly Breedlove, Pauline Breedlove
Page Number and Citation: 32
Explanation and Analysis:
Having introduced the abandoned storefront where the Breedloves live, the unnamed narrator goes on to describe the family themselves. The image the narrator builds is of people who are trapped, dirty, broken, invisible, and in some ways barely human. The word "festering" in particular points to a sense of ugliness and hopelessness, and the phrase "each member of the family in his own cell of consciousness" suggests that the Breedlove's dilapidated residence is closer to a prison than a family home. By invoking animality and imprisonment, the narrator connects the Breedloves' misfortune with many negative stereotypes about African American life. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Oc

Chapter 3 Quotes

[The Breedloves] lived there because they were poor and black, and they stayed because they believed they were ugly.

Related Characters: Cholly Breedlove, Pecola Breedlove, Samuel Breedlove, Pauline Breedlove
Page Number and Citation: 36
Explanation and Analysis:
The narrator explains that the Breedloves do not live in the storefront as a temporary measure while they transition to more appropriate housing—they seem to be there permanently. Although the Breedloves are forced to live there because they are poor and black, the reason they do not try to leave is because they "believed they were ugly." Here the narrator draws a clear contrast between social forces outside of the control of any one individual and the psychic condition produced by these forces that in turn exacerbates their effects. While it would be incorrect to say that the narrator blamesthe Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam

You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their own conviction.

Related Characters: Pecola Breedlove, Samuel Breedlove, Pauline Breedlove, Cholly Breedlove
Related Literary Devices:
Page Number and Citation: 37
Explanation and Analysis:
The narrator has described the Breedloves' facial features, which do not sound particularly strange or grotesque but actually fairly ordinary ("they had high cheekbones, and their eyes turned forward"). The narrator explains that it is not the Breedloves' features themselves that are particularly ugly, but that the "source" of their ugliness is their beliefthat they are ugly. This emphasizes the earlier point that the Breedloves remain stuck in dire circumstances because they are convinced that this is what they deserve. Note that Morrison does not imply that believing in your own beauty is a simple or easy choice; rather, over Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea susc

It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights—if those eyes of hers were different, that is to say, beautiful, she herself would be different.

Related Characters: Pecola Breedlove
Related Symbols: Blue Eyes
Page Number and Citation: 44
Explanation and Analysis:
With her parents fighting, Pecola has wished for God to make her disappear, and she imagines her body evaporating limb by limb; however, she is not able to make her eyes disappear, even in her head. The narrator then describes Pecola's wish for "different... beautiful" eyes. In the racist society in which she lives, this means blue eyes—the ultimate signifier of whiteness. Here Morrison contrasts Pecola's innocent childish daydream about having blue eyes with the dark reality of Pecola's life. At only eleven, Pecola has to deal with poverty, a violent home life, and a highly racist culture that deems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta i

He does not see her, because there is nothing to see. How can a fifty-two-year-old white immigrant storekeeper with the taste of potatoes and beer in his mouth, his mind honed on the Virgin Mary, his sensibilities blunted by a permanent awareness of loss, see a little black girl?

Related Characters: Pecola Breedlove
Related Symbols: Blue Eyes
Page Number and Citation: 46
Explanation and Analysis:
Pecola has gone to the store owned by Mr. Yacabowski to buy candy, but when she presents her three pennies Mr. Yacabowski appears to look straight through her. The narrator describes the barriers of gender, age, and especially race that prevent Mr. Yacabowski seeing Pecola––barriers that make her invisible to him in the same way that her family occupies an invisible, ghost-like position within the neighborhood. Again, this passage highlights the importance of eyes, and maintains the close association between the themes of vision and visibility and race. Morrison shows that there is no such thing as objective vision, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut

To eat the candy is somehow to eat the eyes, eat Mary Jane. Love Mary Jane. Be Mary Jane.

Related Characters: Pecola Breedlove
Related Symbols: Blue Eyes
Page Number and Citation: 48
Explanation and Analysis:
Having bought the Mary Janes (a kind of candy) at the candy store, Pecola looks at the wrappers, which feature a smiling white girl with blond hair and blue eyes. As she eats the candy, Pecola associates this consumption with her desire to "be Mary Jane"––to have the white features that are associated with beauty. This passage shows that the link between whiteness and beauty in American culture is so pervasive that it even extends to food. Pecola cannot eat candy without being reminded that she is not white and that she is therefore not considered beautiful in the society Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Chapter 4 Quotes

We were lesser. Nicer, brighter, but still lesser…what was the secret? What did we lack? Why was it important? And so what? Guileless and without vanity, we were still in love with ourselves then. We felt comfortable in our skins, enjoyed the news that our senses released to us, admired our dirt, cultivated our scars, and could not comprehend this unworthiness.

Related Characters: Claudia MacTeer (speaker)
Page Number and Citation: 72
Explanation and Analysis:
Claudia and Frieda have fought with the wealthy, light-skinned new girl at school, Maureen, who called them black and ugly. As they walk home, Claudia ponders the nature of racism, incredulously wondering why anyone would think that she and her sister are inferior. In this passage Claudia's sharp understanding of how class and colorism affects the relative social position of everyone within her African American community (and beyond) contrasts with her innocent confusion about what she must "lack" in order to be deemed "lesser." This contrast works to show that, although racism and colorism operate according to their own, internally Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima

Chapter 5 Quotes

White kids; his mother did not like him to play with niggers. She had explained to him the difference between colored people and niggers. They were easily identifiable. Colored people were neat and quiet; niggers were dirty and loud… The line between colored and nigger was not always clear; subtle and telltale signs threatened to erode it, and the watch had to be constant.

Related Characters: Geraldine, Louis Junior
Page Number and Citation: 85
Explanation and Analysis:
The narrator has introduced Geraldine, a strict, uptight black woman who aspires to whiteness. Geraldine forbids her son, Junior, from playing with people she identifies as "niggers," instead insisting that he play with "colored" children. This distinction revolves around notions of "respectability" and proximity to a white ideal; once again, Morrison shows that even within African American communities, racism works to oppress those whose class and skin color are furthest from society's racist ideal of whiteness. Thus even though almost all the characters in the novel are African Americans living in a racist nation, within the black community itself there Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperi

Chapter 6 Quotes

Mrs. Breedlove's skin glowed like taffeta in the reflection of white porcelain, white woodwork, polished cabinets, and brilliant copperware.

Related Characters: Claudia MacTeer (speaker), Pauline Breedlove
Page Number and Citation: 105
Explanation and Analysis:
Claudia and Frieda have gone with Pecola to the house of the white family where her mother works. Claudia observes that, in her maid's uniform, Mrs. Breedlove looks nicer than she had ever seen her previously, and describes how Mrs. Breedlove's skin glows against the elegant backdrop of the kitchen. On one level, this description echoes the association of whiteness and wealth with beauty. In contrast to her shabby home in the storefront, the house where Mrs. Breedlove works is expensively furnished, and the kitchen's polished interiors seem to make Mrs. Breedlove herself look more beautiful to Claudia. This perhaps Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

Chapter 7 Quotes

Along with the idea of romantic love, she was introduced to another—physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion. In equating physical beauty with virtue, she stripped her mind, bound it, and collected self-contempt by the heap.

Related Characters: Pauline Breedlove
Page Number and Citation: 120
Explanation and Analysis:
In this part of the novel, the narrator presents Mrs. Breedlove's life story, tracing the early stages of her relationship with Cholly and her first pregnancy. After becoming pregnant, Mrs. Breedlove starts going to the movies, a habit that introduces her to the "idea" of physical beauty, and specifically the equation of surface-level beauty with inner goodness. In this key passage, the narrator describes physical beauty (along with romantic love) as "the most destructive ideas in the history of human thought." Note that there is a distinction here between beauty and love as abstract, undefined concepts, and the way that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore

Chapter 8 Quotes

Sullen, irritable, he cultivated his hatred of Darlene. Never once did he consider directing his hatred toward the hunters. Such an emotion would have destroyed him. They were big, white, armed men. He was small, black, and helpless. His subconscious knew what his conscious mind did not guess—that hating them would have consumed him, burned him up like a piece of soft coal, leaving only flakes of ash and a question mark of smoke…For now, he hated the one who had created the situation, the one who bore witness to his failure, his impotence.

Related Characters: Cholly Breedlove
Page Number and Citation: 148-149
Explanation and Analysis:
This section of the novel is devoted to describing Cholly's history, including his first sexual experience. What began as an innocent and positive interaction between Cholly and a young black girl called Darlene turns sour and violent when the couple are discovered by a pair of white men, who force them to keep having sex while the men watch and taunt them. This episode comes to define Cholly as a person, instilling in him a deep sense of shame and self-contempt, along with a lifelong violent hatred of women. This passage explains Cholly's seemingly illogical reaction of blaming himself and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa.

His soul seemed to slip down into his guts and fly into her, and the gigantic thrust he made into her then provoked the only sound she made—a hollow suck of air in the back of her throat. Like the rapid loss of air from a circus balloon.

Related Characters: Pecola Breedlove, Cholly Breedlove
Page Number and Citation: 161
Explanation and Analysis:
Cholly has arrived home so drunk that he is barely able to recognize his surroundings. He approaches Pecola, who is washing dishes, and rapes her. Pecola is so shocked that she remains rigidly still and silent, only making a sound when Cholly ejaculates. This sound connects to Pecola's earlier observation that, when her parents have sex, the only thing she can hear is silence and choking noises––leading her to associate these sounds with sex and love.In this passage, the sound Pecola makes is compared to a rapidly deflating balloon, implying that her whole self has been instantly crushed and hollowed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas a

Chapter 10 Quotes

I thought of the baby that everybody wanted dead, and saw it very clearly. It was in a dark, wet place, its head covered with great O's of wool, the black face holding, like nickels, two clean black eyes…no synthetic yellow bangs suspended over marble-blue eyes, no pinched nose and bowline mouth. More strongly than my fondness for Pecola, I felt a need for someone to want the black baby to live—just to counteract the universal love of baby dolls, Shirley Temples, and Maureen Peals.

Related Characters: Claudia MacTeer (speaker), Maureen Peal, Pecola Breedlove
Related Symbols: Blue Eyes
Page Number and Citation: 188
Explanation and Analysis:
Claudia and Frieda have heard rumors that Pecola is pregnant with her father's baby, and they are the only ones in the neighborhood who sympathize with Pecola. In contrast to the rest of the community, Claudia hopes the baby lives, and muses that if the baby was wanted, this would be a counteracting force to the glorification of whiteness that pervades American society. She imagines a vision of the baby, using positive terms to describe its blackness ("clean black eyes"), and framing white features as ugly ("synthetic yellow bangs... pinched nose"). This echoes Claudia's earlier feelings of resentment toward the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae e

We had defended ourselves since memory against everything and everybody considered all speech a code to be broken by us, and all gestures subject to careful analysis; we had become headstrong, devious, and arrogant. Nobody paid us any attention, so we paid very good attention to ourselves. Our limitations were not known to us—not then.

Related Characters: Claudia MacTeer (speaker)
Page Number and Citation: 189
Explanation and Analysis:
Claudia and Frieda realize they are alone in wanting Pecola's baby to survive, and Claudia describes this as a familiar feeling, reflecting the fact that she and her sister have always existed in a world of their own. As young black girls, Claudia and Frieda are belittled on account of their race, gender, and age; they have no access to structural power and are not taken seriously by anyone around them. However, rather than responding to this by accepting their lowly status, the sisters grow determined to figure out the world for themselves: "Nobody paid us any attention, so we Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea.

Chapter 11 Quotes

The birdlike gestures are worn away to a mere picking and plucking her way between the tire rims and the sunflowers, between Coke bottles and milkweed, among all the waste and beauty of the world—which is what she herself was. All of our waste which we dumped on her and which she absorbed. And all of our beauty, which was hers first and which she gave to us.

Related Characters: Claudia MacTeer (speaker), Pecola Breedlove
Page Number and Citation: 203
Explanation and Analysis:
In the final section of the novel, Pecola's baby has died and she has gone mad; she lives alone with her mother, shunned by society. Claudia describes Pecola both as existing among waste and being a form of waste herself, having absorbed the community's hatred and shame. This passage shows that oppressed groups of people––such as the African American community depicted in the novel––often use individuals like Pecola to make them feel better about themselves. Claudia's statement that the community's beauty belonged to Pecola first and that she "gave" it to them might at first seem strange, as throughout the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollit

It was the fault of the earth, the land, of our town. I even think now that the land of the entire country was hostile to the marigolds that year. This soil is bad for certain kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear, and when the land kills of its own volition, we acquiesce and say the victim had no right to live.

Related Characters: Claudia MacTeer (speaker)
Related Symbols: Marigolds
Related Literary Devices:
Page Number and Citation: 204
Explanation and Analysis:
In the final paragraph of the novel, Claudia connects Pecola's fate directly to the marigolds. Just as "the soil is bad for certain kinds of flowers," so is society as we know it bad for certain kinds of people, such as poor black girls like Pecola, who are told they are ugly and shunned by their communities. With this analogy, Morrison suggests that no one person is to blame for the fact that the community was a "hostile" environment in which there was no possibility for Pecola to thrive. However, she emphasizes that the people in the community are at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Si