The Bonesetter’s Daughter

by

Amy Tan

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The Bonesetter’s Daughter: Part Three: Chapter One Summary & Analysis

Summary
Analysis
Ruth can tell that Mr. Tang, the translator she hires to translate LuLing’s story, loves LuLing, though he’s yet to meet her in person. Tang is 80 and a survivor of World War II, the Chinese Civil War, the Cultural Revolution, and bypass surgery.
Part of Mr. Tang's love for LuLing might come from the fact that they have experienced firsthand the same wars and political upheaval that consumed China over the first half of the 20th century. Their similar pasts lay the groundwork for a powerful bond.
Themes
Memory, Culture, and the Past  Theme Icon
Meanwhile, Ruth has moved in with LuLing full-time. When she announces her plans to Art, she was annoyed when he acted as though she were overreacting. Art demanded to know whether any problems in their relationship contributed to Ruth’s decision. Ruth initially insisted that her choice has nothing to do with them but faltered, admitting that she wasn’t sure. She paused before expressing her dissatisfaction with the separate directions their lives have taken. At any rate, she informed him, LuLing was her priority now, and they could sort through their problems later.
Ruth’s frankness about her reasons for moving in with LuLing suggests a turning point in their relationship. It also marks a turning point in Ruth’s ability to defend herself and open up to others. Her willingness to speak honestly about her dissatisfaction with her relationship with Art might be the impetus that enables them to heal and repair what is broken. Ruth’s decision to make LuLing her priority reflects her renewed commitment to understanding her mother and past. She’s now willing to make sacrifices on behalf of her mother, who has made countless sacrifices for her. For the first time in years, their relationship seems to be headed in the right direction.
Themes
Secrecy and Misunderstanding  Theme Icon
Memory, Culture, and the Past  Theme Icon
Women’s Solidarity  Theme Icon
Ruth lies to LuLing about her reasons for moving in with her, claiming to have a new work assignment writing a children’s book about animals for which she’d like LuLing to contribute the illustrations. Ruth sees how comforted LuLing is by the request and can’t believe she hasn’t asked her to illustrate before. It would have been so simple to make her mother happy all these years. Ruth sleeps in her childhood bedroom and can’t help but feel that there are two versions of her: Ruth 1969, and Ruth 1999.
Still, Ruth remains unable to be frank with LuLing about her reasons for moving back in. The sad aspect of this is that although Ruth might emotionally be ready to pursue a more open, honest relationship with LuLing, LuLing’s dementia forces Ruth to lie to her mother to prevent her from getting agitated and confused.
Themes
Secrecy and Misunderstanding  Theme Icon
Memory, Culture, and the Past  Theme Icon
Women’s Solidarity  Theme Icon
LuLing and Ruth often talk about ghosts. Ruth takes out the old tea tray and offers to communicate with Precious Auntie, and LuLing always accepts Ruth’s offer, though she pretends not to be too overeager. One night, LuLing asks Ruth what happened between her and Art. LuLing advises Ruth that the relationship failed because they hadn’t married before moving in together, which was what she’d said when Ruth and Art had first moved in together. Ruth is impressed by what LuLing can remember. She disagrees with much of what LuLing says but realizes there’s some truth to it: she has “felt like a leftover” to Art these past several years, always low on his list of priorities.
Ruth goes out of her way to offer to do something for LuLing that she had previously only done when LuLing asked. Her attitude toward her mother shifts as she begins to see LuLing as a priority rather than a burden. Similarly, rather than disregarding LuLing’s opinions about her relationship, Ruth considers them objectively and comes to see that her mother’s observations have some truth to them.
Themes
Secrecy and Misunderstanding  Theme Icon
Memory, Culture, and the Past  Theme Icon
Storytelling  Theme Icon
Women’s Solidarity  Theme Icon
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Furthermore, living apart from Art makes Ruth realize that their relationship has developed real problems: she recognizes how she’s bent over backwards to “accommodate” him without expecting any accommodation in return. Suddenly, she finds herself feeling free and more content to be apart from him—a feeling she’d always thought she’d get after losing LuLing, not Art.
Living apart from Art helps Ruth understand how unequal their relationship has become over the years. Her desire for acceptance led her to “accommodate” him repeatedly at the expense of her own needs.
Themes
Secrecy and Misunderstanding  Theme Icon
One night, when Ruth brings LuLing over to the flat to prepare dinner, Art draws near to hear and suggests she get GaoLing to watch LuLing while they retreat to the bedroom for a “conjugal visit.” Ruth feels an instinctual pull toward Art but can’t bring herself to give in to him. She tells him her mother will know what they’re doing. Ruth feels let down when Art immediately walks away.
Ruth has reversed her priorities since the beginning of the novel. She’s beginning to appreciate the countless sacrifices LuLing has made in comparison to the limited sacrifices Art has made to accommodate her needs.
Themes
Memory, Culture, and the Past  Theme Icon
Women’s Solidarity  Theme Icon
During the second month of their separation, Ruth suggests that Art come over to LuLing’s for dinner sometime rather than Ruth having to bring LuLing over to the flat. After that, Art and the girls come over to LuLing’s house twice a week. During one such visit, Dory complains about Art’s cooking ineptitude and demands to know when Ruth is coming home. Ruth feels happy to know the girls miss her. Dory even asks if they can come over and stay at LuLing’s, and a couple of weekends later, she and Fia camp out on an inflatable mattress in Ruth’s bedroom. On another night, Ruth acquiesces to Art’s request for a sleepover, though they only cuddle.
Dory’s remark shows that Ruth’s earlier anxieties about the girls not needing her were unwarranted. Ruth’s stay at LuLing’s place teaches Art and his daughters that they’ve taken Ruth for granted. On the other hand, Ruth has also become more receptive toward acknowledging the good things in her life and accepting love. She’s more receptive of the girls’ and Art’s love because she believes that she deserves it.
Themes
Secrecy and Misunderstanding  Theme Icon
Memory, Culture, and the Past  Theme Icon
Storytelling  Theme Icon
Women’s Solidarity  Theme Icon
At the end of two months, Mr. Tang calls to tell Ruth that he’s finished translating LuLing’s story. He asks to deliver the papers himself, wanting to meet the woman who wrote them. Ruth warns Mr. Tang that LuLing might not be that same woman when he arrives, but Mr. Tang suspects that won’t be the case.
Mr. Tang believes that LuLing’s story will ensure that the woman she was before dementia took hold of her still lives on, even as her condition worsens. Implicit in his theory is the notion that writing has a permanence that outlasts the decaying body and persists across time. LuLing knows this, too, which is why she felt it necessary to commit her story to paper in the first place.
Themes
Memory, Culture, and the Past  Theme Icon
Storytelling  Theme Icon
Ruth bathes and dresses LuLing for dinner with Mr. Tang that night, informing her that her admirer from China will be visiting her. Mr. Tang arrives at 7:00, bearing the papers in one hand and a bag of oranges for LuLing in the other. LuLing compliments Mr. Tang’s Beijing dialect of Chinese and suddenly becomes bashful, much to Ruth’s delight. As LuLing and Mr. Tang begin to speak, LuLing seems to grow less confused. Mr. Tang asks LuLing about her life in China, and LuLing is overjoyed when he is familiar with Pan Kai Jing, Yenching University, and Peking Man. At the end of the evening, Mr. Tang asks to join them again, and LuLing excitedly invites him to come over tomorrow.
LuLing’s bashfulness reflects her attraction to Mr. Tang, whose career as an intellectual possibly reminds her of her first husband, Kai Jing. LuLing’s positive reaction to Mr. Tang pleases Ruth because it shows that LuLing is still willing to accept love into her life. Her mother has long been miserable and closed off from the world, yet Mr. Tang’s willingness to listen to her story validates her experiences and shows her the value of opening up to others. LuLing’s memory loss is bittersweet. Her dementia is by no means a fortunate development in her life. But the new distance it creates between LuLing and the memories that used to completely control her life and restrict her happiness gives her a new sort of freedom.
Themes
Secrecy and Misunderstanding  Theme Icon
Memory, Culture, and the Past  Theme Icon
Storytelling  Theme Icon
Quotes
After Mr. Tang leaves, Ruth stays up late reading the pages he translated. The documents are supposed to contain the truth, yet Ruth finds that they only raise more questions than they answer. The papers suggest that LuLing is five years older than Ruth has always thought she was—which would mean that her much earlier response to Dr. Huey had been correct. The papers show Ruth that many of the things she’d assumed were signs of LuLing’s deteriorating mental state have actually been right all along. Furthermore, they prove to her the loyalty GaoLing and LuLing have for each other, despite not being full sisters.  Still, many things about LuLing’s story sadden Ruth.  She realizes that LuLing’s desire to find and bury Precious Auntie’s bones was her way of saying, “I’m sorry and I forgive you, too.”
At long last, LuLing reads her mother’s story. Unfortunately, like LuLing before her, Ruth reads the story too late to repair her relationship with her mother. Although LuLing is still alive, her illness means she and Ruth won’t really be able to make amends, just as LuLing couldn’t make amends with Precious Auntie by burying her bones. Still, reading the story is a profoundly meaningful experience for Ruth. It enables her to make peace in her own heart and begin letting go of her unresolved resentfulness toward LuLing for the way she treated Ruth in childhood. She also relates to her mother in a way she never has before. When Ruth remarks how LuLing’s desire to bury Precious Auntie’s bones was LuLing’s way of saying, “I’m sorry and I forgive you, too,” she repurposes the apology that she wrote in her journal as a teenager—something she couldn’t bring herself to convey to LuLing in person. She sees herself, her mother, and Precious Auntie as flawed women who share as much trauma and hurt as they do tradition and pride. All though each woman has inflicted harm on another, they are still worthy of forgiveness and closure, and no wrongdoing is wretched enough to sever the familial ties that bind them to each other.
Themes
Secrecy and Misunderstanding  Theme Icon
Memory, Culture, and the Past  Theme Icon
Storytelling  Theme Icon
Women’s Solidarity  Theme Icon
Quotes
Ruth calls Art the next day to tell him about LuLing’s story and expresses her wish that her mother would have told her these things years ago. Art pauses before admitting that he, too, wishes he’d said certain things long ago. He takes back what he’d said years ago, “about not wanting to have assumptions about love,” though he initially misremembers Ruth being the one who said it. At any rate, he explains, he sees the error in this way of thinking and realizes he wants them to be able to rely on their long-term commitment to each other. Finally, Art admits that he didn’t know what he’d had with Ruth until she moved out.
Ruth’s newfound ability to be open with Art prompts Art to respond with a new openness toward Ruth. Oddly, her efforts to accommodate him and not create conflict were part of what created friction in their relationship all along. However, once Ruth is open with Art and begins to assert herself, conflict begins to lessen, and Art recognizes how important Ruth is to him. It was secrecy that drove them apart, just as secrecy drove Ruth and LuLing apart.
Themes
Secrecy and Misunderstanding  Theme Icon
Ruth realizes she doesn’t know how to respond to Art. On the one hand, he’s speaking the words she’s so longed to hear. At the same time, she realizes that hearing them now only makes her sad. She admits this to Art, who tells her that’s okay. Before they hang up, Art expresses concern about Ruth’s ability to care for LuLing and suggests they put her in an assisted living facility. Ruth balks at the suggestion but sees Art’s concern as his efforts to show her he loves her. She agrees to consider assisted living, but only if LuLing is okay with it. 
The old Ruth might have accepted Art’s overtures of love to accommodate his wishes and make him happy, but the new Ruth prioritizes her own needs and pauses to consider whether she is interested in repairing her relationship with Art. Reading LuLing’s manuscript puts Ruth more in touch with her family and herself.
Themes
Secrecy and Misunderstanding  Theme Icon
Memory, Culture, and the Past  Theme Icon
Storytelling  Theme Icon
Women’s Solidarity  Theme Icon
Soon after, LuLing shows Ruth a legitimate-looking letter from the “California Department of Public Safety” concerning a radon leak. Ruth is impressed with Art’s design skills. The notice outlines the state’s plan to relocate tenants to a “free five-star” hotel experience at a nearby facility. LuLing agrees to the arrangement. Ruth calls Art to tell him his plan worked, though she feels guilty about tricking LuLing. Art insists on paying for at least the first three months.
This letter is another clever instance in which events from Ruth’s life parallel events from LuLing’s. Art’s letter from the “California Department of Public Safety” is a thematic variation on the forged letter from the Japanese Army that GaoLing and Sister Yu delivered to Fu Nan to trick him into believing Japanese soldiers had captured GaoLing. Creating these links shows how Ruth’s life is an extension of LuLing’s: the culmination of inherited traits, traumas, and circumstances.
Themes
Memory, Culture, and the Past  Theme Icon
Women’s Solidarity  Theme Icon
Ruth and Art arrive at Mira Mar Manor to scope out the place before LuLing’s arrival. A sophisticated-looking man named Edward Patel greets them and gives them a facility tour. Mira Mar Manor is luxurious and impressive, and the old folks there seem happy. Still, Ruth remains reluctant to leave LuLing there. She breaks down when Mr. Patel describes the women acting out their maternal instincts on the orchid plants the facility supplies its residents.
Mr. Patel’s comment about the orchids moves Ruth because it reminds her of LuLing’s endearing love for her. LuLing’s illness puts Ruth in an incredibly difficult situation. She feels she owes it to LuLing to care for her in her old age, yet LuLing’s condition requires around-the-clock care that Ruth simply cannot provide.
Themes
Secrecy and Misunderstanding  Theme Icon
Memory, Culture, and the Past  Theme Icon
Storytelling  Theme Icon
Women’s Solidarity  Theme Icon
Ruth and Art raise their concerns about LuLing’s dementia, and Mr. Patel ensures them the facility is equipped to handle such cases. Ruth is flabbergasted when Mr. Patel informs her of the cost—over $3,000 per month—but Art informs her he’s willing to pay and that it’s worth it. Ruth tries to argue with Art, but ultimately, she has no choice but to simply accept and thank him for the help he’s offering her. Ruth and Art return to Mira Mar Manor with LuLing later. To Ruth’s surprise, her mother doesn’t seem opposed to staying there.
Art's insistence on paying for LuLing's stay reflects his overall development. In paying for LuLing's treatment, he shows that he is willing to absorb Ruth's life into his, taking on her challenges as though they are his.
Themes
Memory, Culture, and the Past  Theme Icon