The Bonfire of the Vanities
by Tom Wolfe
Maria is having an affair with Sherman, and she is Arthur Ruskin’s wife. She is behind the wheel of the car when it strikes Henry, and she argues strongly against Sherman when he says they should go to the police and tell them what happened after the hit-and-run. Maria also refers to both Roland and Henry using racist slurs, underlining the novel’s view that Maria and Sherman’s deep-seated racism causes the hit-and-run. The novel suggests that Sherman views Maria in strictly instrumental terms. That is, Sherman doesn’t necessarily see Maria as a person worthy of his genuine care, consideration, and respect. Instead, he values her insofar as she provides him with something he wants. At the start of the novel, Sherman wants Maria to provide him with sexual gratification. After the hit-and-run, Maria becomes useful to Sherman insofar as she will help prove that Sherman wasn’t driving the car when it hit Henry. In contrast to Sherman, the novel suggests that Maria genuinely cares for Sherman and that perhaps she would not have turned on him—as she ultimately does in her grand jury testimony—if she had not caught him surreptitiously trying to record her confessing to driving the car during the hit-and-run.

Maria Quotes in The Bonfire of the Vanities

The The Bonfire of the Vanities quotes below are all either spoken by Maria or refer to Maria. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Morality, Power, and Self-Interest Theme Icon
).

Prologue Quotes

They’re going down a stairway. They’re clattering on some metal strips. He’s in one piece. The mob isn’t even on his heels. He’s safe—his heart sinks. They’re not even trying to follow him. They never really tried to touch him. And in that moment…he knows. He knows even before his mind can put it all together.

“I did the wrong thing […] I panicked. I’ve lost it all.”

Related Characters: The Mayor (speaker), Maria, Roland, Henry Lamb, Reverend Bacon, Sherman
Page Number and Citation: 8
Explanation and Analysis:

Chapter 1 Quotes

The Masters of the Universe were a set of lurid, rapacious plastic dolls that his otherwise perfect daughter liked to play with. They looked like Norse gods who lifted weights, and they had names such as Dracon, Ahor, Mangelred, and Blutong. They were unusually vulgar, even for plastic toys. Yet one fine day, in a fit of euphoria, after he had picked up the telephone and taken an order for zero-coupon bonds that had brought him a $50,000 commission, just like that, this very phrase had bubbled up into his brain. On Wall Street he and a few others—how many?—three hundred, four hundred, five hundred?—had become precisely that…Masters of the Universe. There was…no limit whatsoever!

Related Characters: Sherman , Judy, Campbell, Maria, Henry Lamb
Related Symbols: Masters of the Universe Dolls
Page Number and Citation: 11
Explanation and Analysis:

All at once Sherman was aware of a figure approaching him on the sidewalk, in the wet black shadows of the town houses and the trees. Even from fifty feet away, in the darkness, he could tell. It was that deep worry that lives in the base of the skull of every resident of Park Avenue south of Ninety-sixth Street—a black youth, tall, rangy, wearing white sneakers. Now he was forty feet away, thirty-five. Sherman stared at him. Well, let him come! I’m not budging! It’s my territory! I’m not giving way for any street punks!

The black youth suddenly made a ninety-degree turn and cut straight across the street to the sidewalk on the other side. The feeble yellow of a sodium-vapor streetlight reflected for an instant on his face as he checked Sherman out.

He had crossed over! What a stroke of luck!

Not once did it dawn on Sherman McCoy that what the boy had seen was a thirty-eight-year-old white man, soaking wet, dressed in some sort of military-looking raincoat full of straps and buckles, holding a violently lurching animal in his arms, staring, bug-eyed, and talking to himself.

Related Characters: Sherman , Maria, Judy
Page Number and Citation: 16-17
Explanation and Analysis:

Chapter 3 Quotes

No wonder marriages used to hold up better. Sherman’s parents and their friends had all had plenty of servants, and the servants had worked long hours and lived in. If you were unwilling to argue in front of the servants, then there wasn’t much opportunity to argue at all.

Related Characters: Sherman , Judy, Sherman’s Father, Maria
Page Number and Citation: 52
Explanation and Analysis:

Chapter 4 Quotes

He had saved a woman. The time had come to act like a man, and he had acted and prevailed. He was not merely a Master of the Universe; he was more; he was a man.

Related Characters: Sherman , Maria, Roland, Henry Lamb
Related Symbols: Masters of the Universe Dolls
Page Number and Citation: 100
Explanation and Analysis:

Chapter 9 Quotes

“You’re thinking about ‘honor students’ and ‘higher achievers’ and all that, and that’s natural enough, as I say. But at Colonel Jacob Ruppert High School, an honor student is somebody who attends class, isn’t disruptive, tries to learn, and does all right at reading and arithmetic.”

“Well, let’s use that standard. By that standard, is Henry Lamb an honor student?”

“By that standard, yes.”

“Thank you very much, Mr. Rifkind.”

Related Characters: Mr. Rifkind (speaker), Fallow (speaker), Sherman , Maria, Vogel, Henry Lamb
Related Symbols: The City Light Newspaper
Page Number and Citation: 228
Explanation and Analysis:

Chapter 12 Quotes

One of the Lion’s maxims was “A lie may fool someone else, but it tells you the truth: you’re weak.”

Related Characters: Sherman , Sherman’s Father, Judy, Freddy, Henry Lamb, Maria, Roland, Fallow
Related Symbols: The City Light Newspaper
Page Number and Citation: 283-284
Explanation and Analysis:

Chapter 14 Quotes

He was experiencing the resentment of those who discover that, despite their own grave condition, the world goes on about its business, heartless, without even so much as a long face.

Related Characters: Sherman , Maria, Judy, Roland, Henry Lamb, Martin, Goldberg
Page Number and Citation: 338
Explanation and Analysis:

Chapter 18 Quotes

[Kramer] saw it before the words were even out of his mouth…the drawing…by the courtroom artist…He could see it as if the TV screen were already right in front of him…Assistant District Attorney Lawrence N. Kramer…on his feet…his forefinger raised…his massive sternocleidomastoid muscles welling out…But how would the artist deal with his skull, where he had lost so much hair? Well, if the drawing did justice to his powerful frame, no one would notice. The courage and the eloquence…that’s what they would see. The whole city of New York would see it. Miss Shelly Thomas would see it.

Related Characters: Maria, Sherman , Reverend Bacon, Shelly Thomas, Weiss, Henry Lamb, Roland, Kramer
Page Number and Citation: 421
Explanation and Analysis:

Chapter 24 Quotes

Imagine! Him! The budding star of the McCoy case—and no place—no place at all!—in the very Babylon of the twentieth century!—to take a lovely willing girl with brown lipstick. He wondered what was going through her mind at this moment.

In fact, she was thinking about the way men are in New York. Every time you go out with one, you have to sit there and listen to two or three hours of My Career first.

Related Characters: Roland, Maria, Shelly Thomas, Kramer, Sherman , Henry Lamb
Page Number and Citation: 532
Explanation and Analysis:

Chapter 25 Quotes

“You’ve never been through anything like this. I don’t doubt you’ve seen a lot of it, but you’ve never been through it. I can’t explain the feeling. All I can tell you is that I’m already dead, or the Sherman McCoy of the McCoy family and Yale and Park Avenue and Wall Street is dead. Your self—I don’t know how to explain it, but if, God forbid, anything like this ever happens to you, you’ll know what I mean. Your self…is other people, all the people you’re tied to, and it’s only a thread.”

Related Characters: Sherman (speaker), Killian, Judy, Campbell, Henry Lamb, Roland, Maria
Page Number and Citation: 547-548
Explanation and Analysis:

Chapter 26 Quotes

If an old man was dying on the carpet a few feet from your table, what was the proper thing to do? Offer your services? But there was already a traffic jam there in the aisle between the rows of tables. Clear the area and give him air and come back later to complete the meal? But how would empty tables help the man? Stop eating until the drama had played itself out and the old man was out of sight? But the orders were in, and the food had begun to arrive, and there was no sign of any halt—and this meal was costing about $150 per person, once you added in the cost of the wine, and it was no mean trick getting a seat in a restaurant like this in the first place. Avert your eyes? Well, perhaps that was the only solution. So they averted their eyes and returned to their picturesque dishes…but there was something damned depressing about it all, because it was hard for your eyes not to wander every few seconds to see if, f’r Chrissake, they hadn’t moved the stricken hulk. A man dying! O mortality! Probably a heart attack, too!

Related Characters: Arthur Ruskin, Maria, Fallow
Page Number and Citation: 567-568
Explanation and Analysis:

Chapter 29 Quotes

An excellent feeling came over Kramer, in every cell and every neural fiber. In that instant, the instant of that little swallow, his scuffed attaché case meant nothing, nor did his clodhopper shoes nor his cheap suit nor his measly salary nor his New York accent nor his barbarisms and solecisms of speech. For in that moment he had something that these Wasp counselors, these immaculate Wall Street partners from the universe of the Currys & Goads & Pesteralls & Dunnings & Spongets & Leaches would never know and never feel the inexpressible pleasure of possessing. And they would remain silent and polite in the face of it, as they were right now, and they would swallow with fear when and if their time came. And he now understood what it was that gave him a momentary lift each morning as he saw the island fortress rise at the crest of the Grand Concourse from the gloom of the Bronx. For it was nothing less than the Power, the same Power to which Abe Weiss himself was totally given over. It was the power of the government over the freedom of its subjects.

Related Characters: Maria, Weiss, Sherman , Kramer
Page Number and Citation: 611
Explanation and Analysis:

Chapter 30 Quotes

“I’m not Sherman McCoy anymore. I’m somebody else without a proper name. I’ve been that other person ever since the day I was arrested. I knew something…something fundamental had happened that day, but I didn’t know what it was at first. At first I thought I was still Sherman McCoy, and Sherman McCoy was going through a period of very bad luck. Over the last couple of days, though, I’ve begun to face up to the truth. I’m somebody else. I have nothing to do with Wall Street or Park Avenue or Yale or St. Paul’s or Buckley or the Lion of Dunning Sponget.”

Related Characters: Sherman (speaker), Roland, Sherman’s Father, Killian, Henry Lamb, Maria
Page Number and Citation: 647-648
Explanation and Analysis:

“You know the way they can take a dog, a house pet, like a police dog that’s been fed and pampered all its life, and train it to be a vicious watchdog?”

“I’ve heard of it,” said Killian.

“I’ve seen it done,” said Quigley. “I saw it done when I was on the force.”

“Well, then you know the principle,” said Sherman. “They don’t alter that dog’s personality with dog biscuits or pills. They chain it up, and they beat it, and they bait it, and they taunt it, and they beat it some more, until it turns and bares its fangs and is ready for the final fight every time it hears a sound.”

“That’s true,” said Quigley.

“Well, in that situation dogs are smarter than humans,” said Sherman. “The dog doesn’t cling to the notion that he’s a fabulous house pet in some terrific dog show, the way the man does. The dog gets the idea. The dog knows when it’s time to turn into an animal and fight.”

Related Characters: Sherman (speaker), Ed Quigley (speaker), Killian (speaker), Reverend Bacon, Maria, Henry Lamb, Roland
Page Number and Citation: 648
Explanation and Analysis:

Chapter 31 Quotes

Yes—but I’m doing something illegal! Around and around it went in his mind as the tape rolled on…And Sherman McCoy, he who had now vowed to be his animal self, discovered what many had discovered before him. In well-reared girls and boys, guilt and the instinct to obey the rules are reflexes, ineradicable ghosts in the machine.

Related Characters: Roland, Kramer, Sherman , Killian, Henry Lamb, Maria, Judge Kovitsky
Page Number and Citation: 668
Explanation and Analysis:

“What makes you think you can come before the bench waving the banner of community pressure? The law is not a creature of the few or of the many.”

Related Characters: Judge Kovitsky (speaker), Henry Lamb, Kramer, Killian, Sherman , Roland, Maria
Page Number and Citation: 671
Explanation and Analysis:

Epilogue Quotes

In an unusual development, Mr. Weiss was forced to remove the prosecutor of the first trial, Lawrence N. Kramer, from the case when it was disclosed that Mr. Kramer had interceded with a landlord to secure the so-called rent-controlled love nest apartment for a friend, Shelly Thomas, an advertising copywriter.

Related Characters: Henry Lamb, Weiss, Shelly Thomas, Sherman , Maria, Kramer
Page Number and Citation: 684
Explanation and Analysis:

Mr. Fallow, winner of a Pulitzer Prize for his coverage of the McCoy case, could not be reached for comment. He was reportedly on a sailing vessel in the Aegean Sea with his bride of two weeks, Lady Evelyn, daughter of Sir Gerald Steiner, the publisher and financier.

Related Characters: Henry Lamb, Maria, Sherman , Gerald Steiner, Fallow, Shelly Thomas
Related Symbols: The City Light Newspaper
Page Number and Citation: 685
Explanation and Analysis:
Get the entire The Bonfire of the Vanities LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
The Bonfire of the Vanities PDF

Maria Character Timeline in The Bonfire of the Vanities

The timeline below shows where the character Maria appears in The Bonfire of the Vanities. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...a phone booth and dials a number. He asks the person who picks up if Maria is there. On the other end of the line, Judy asks, “Sherman, is that you?”... (full context)
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Sherman climbs the stairs at the rundown townhouse where Maria sublets an apartment. Marshall the dog is happy to be inside out of the rain.... (full context)
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Maria tells Sherman not to worry about what happened. She says he shouldn’t even lie; just... (full context)
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
After leaving Maria’s, Sherman returns home to his apartment. At first, he doesn’t see Judy, but he eventually... (full context)
Chapter 4
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
...tells Judy he’s working late and takes his Mercedes roadster, worth $48,000, to pick up Maria at the airport. Sherman’s tried diligently to dote on Judy and spend time with Campbell... (full context)
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Sherman and Maria drive to a part of the Bronx where the people are mostly Latinx or Black.... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...He charges and throws the tire at them. He runs back to the car, where Maria is now in the driver’s seat. One of the men rushes toward the car with... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
As they drive back to Maria’s apartment, Sherman recalls a sound he heard as they drove away from the two men.... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...After all, they only offered to help and didn’t make any movement toward him and Maria until after Sherman threw the tire at them. But Sherman tries to dispel those doubts.... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Sherman then thinks that together he and Maria faced the worst New York could throw at them, and they prevailed. Maria and Sherman... (full context)
Chapter 6
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...at work, Sherman can’t concentrate. He keeps thinking about the thudding sound he heard when Maria drove away the night before. He’s scoured the papers for any mention of a hit-and-run... (full context)
Chapter 10
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Truth and Bias Theme Icon
...the beach. Sherman tries to follow the conversation around him but finds himself thinking about Maria and the hit-and-run. To comfort himself, he reminds himself that he wasn’t the one driving.... (full context)
Chapter 11
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
After work, Sherman goes to see Maria at her apartment, and the two discuss the article in The City Light about the... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Maria tells the man that he’ll have to pay for the chair and tells him again... (full context)
Chapter 12
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Freddy then asks Sherman if Maria will tell the same story about the accident and brings up the idea that Maria... (full context)
Chapter 14
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...him again with his lawyer. Once they’re gone, Sherman thinks he has to talk to Maria immediately, but Judy and Campbell return before Sherman has a chance to call her. Sherman... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...be back before they have to go to dinner. He leaves the apartment and dials Maria’s number from a payphone but can’t get ahold of her. He wanders around outside to... (full context)
Chapter 15
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...seating arrangements for dinner and is shocked to see that he’ll be sitting next to Maria. He had no idea she would be at the party. As Sherman continues to walk... (full context)
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
At dinner, Maria is engaged in conversation, so Sherman turns to the person next to him, Mrs. Rawthrote.... (full context)
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Eventually, Maria turns to Sherman at the table. Sherman tries to avoid calling any attention to the... (full context)
Chapter 16
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...if he has any info about Sherman and the case. Killian then asks Sherman if Maria would be willing to make a sworn statement. Sherman isn’t sure, but he says he’ll... (full context)
Chapter 17
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Meanwhile, at work, Sherman tries in vain repeatedly to get ahold of Maria. He gets so desperate he leaves his name and number at the house Maria shares... (full context)
Chapter 24
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...can about Roland and use it to their advantage. Quigley says he’s also tracked down Maria. She’s in Italy with a painter named Chirazzi. She was at a house in Lake... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...second person who was in the car with Sherman during the hit-and-run. Her name is Maria Ruskin, and she’s Arthur Ruskin’s wife. She’s also romantically linked to Chirazzi (who Fallow knows... (full context)
Chapter 26
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
After Fallow gets the tip that Maria was the unknown woman with Sherman when they hit Henry Lamb, Gerald Steiner comes up... (full context)
Chapter 28
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
...a plan. He wants Sherman to wear a wire to try and get evidence from Maria that she was the one driving the car that hit Henry Lamb. Sherman is reluctant... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Truth and Bias Theme Icon
...distinctly American. After the service is over, Fallow rushes toward the front to speak to Maria, but Sherman reaches Maria before him. While Fallow is standing directly behind Sherman, he hears... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Maria tells Sherman that she doesn’t want to talk about any of this at Arthur’s funeral,... (full context)
Chapter 29
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Truth and Bias Theme Icon
...newest edition of The City Light. The headline of the article, written by Fallow, names Maria as the unknown woman with Sherman at the time of the hit and run. Weiss... (full context)
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
...the wealth and opulence around him, and his voice falters as he starts to question Maria. But then Maria takes a large gulp, revealing that she is afraid, and Kramer feels... (full context)
Morality, Power, and Self-Interest Theme Icon
Transactional Relationships Theme Icon
...to see Killian at his office. Killian tells him that after the news story naming Maria came out, Maria called him (Killian). She wants to meet Sherman. Before Sherman goes to... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Maria also says that Kramer has been threatening her. Essentially, she says, if she testifies against... (full context)
Chapter 30
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...witness, who testifies that Sherman was driving the car when it hit Henry and that Maria then got in the driver’s seat and drove away. Kramer then calls Maria as a... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Maria says she then got into the driver’s seat, and when Sherman got back in, she... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...Killian shows him the latest edition of The City Light. Fallow’s front-page story is about Maria’s “love nest” and says that she paid $750 per month to sublet the rent-controlled apartment,... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Sherman also isn’t sure how the landlord could know exactly how much Maria paid for the apartment because he knows that neither Maria nor the person she sublet... (full context)
Morality, Power, and Self-Interest Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Sherman returns to Killian’s office, and Killian and Quigley show him a recording from Maria’s apartment. On the recording, Maria and Sherman talk on the night after the first article... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
Killian says that there are two issues with the recording. First, Maria doesn’t confess straightforwardly to driving the car. Second, the recording was made illegally, so it... (full context)
Chapter 31
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...the court clerk. Killian says he has a tape that Sherman recorded of him and Maria speaking. The tape comes from a few days before Maria provided her grand jury testimony.... (full context)
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
After the recording is finished, Killian says it’s clear that Maria had ample incentive to provide false testimony for the grand jury. Kramer objects again, but... (full context)
Epilogue
Morality, Power, and Self-Interest Theme Icon
Stereotypes, Ignorance, and Racism  Theme Icon
Wealth, Class, and Status  Theme Icon
Transactional Relationships Theme Icon
Truth and Bias Theme Icon
...authorities discovered that he made a deal with the landlord to have Shelly Thomas rent Maria’s secret apartment. Maria also recently married the painter Chirazzi. Judy and Campbell have moved to... (full context)