The Bridge of San Luis Rey
by Thornton Wilder

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The Bridge of San Luis Rey Quotes

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Part 1: Perhaps an Accident Quotes

If there were any plan in the universe at all, if there were any pattern in a human life, surely it could be discovered mysteriously latent in those lives so suddenly cut off. Either we live by accident and die by accident, or we live by plan and die by plan.

Related Characters: Brother Juniper (speaker)
Related Symbols: The Bridge of San Luis Rey
Page Number and Citation: 7
Explanation and Analysis:
In the first chapter, Brother Juniper shares his fascination with the bridge collapse and his hope that it can lead to greater understanding of the divine plan that he believes must govern human life. As a Roman Catholic monk, Brother Juniper’s entire worldview and self-conception rest on the belief that God actively participates and intervenes in everyday life; moreover, Brother Juniper believes that it’s possible to explain God’s intentions using rational investigative methods. While the novel doesn’t really dispute the existence of God—in fact, it often voices a hope that God does exist—it does argue that it’s impossible for humans Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam v

It seemed to Brother Juniper that it was high time for theology to take its place among the exact sciences and he had long intended putting it there. What he had lacked hitherto was a laboratory […] but this collapse of the bridge of San Luis Rey was a sheer Act of God. It afforded a perfect laboratory. Here at last one could surprise His intentions in a pure state.

Related Characters: Brother Juniper (speaker)
Related Symbols: The Bridge of San Luis Rey
Page Number and Citation: 7
Explanation and Analysis:
Here, Brother Juniper outlines the methods that he will use to investigate the bridge collapse. Although he’s a cleric, his rhetoric is highly scientific and precise—he uses the phrases “exact science,” “laboratory,” and “pure state.” However, Brother Juniper’s commitment to rationality and clear intentions will not bring him further understanding or appreciation of the divine; instead, it puts him in a kind of competition with God, attempting to “surprise” him and in a sense beat God at his own game. Brother Juniper’s bumbling attempts to turn the forces of science on complex theological questions is the source of much comic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostr

Some say that we shall never know and that to the gods we are like flies that the boys kill on a summer day, and some say, on the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God.

Related Symbols: The Bridge of San Luis Rey
Page Number and Citation: 9
Explanation and Analysis:
At the end of the first chapter, the narrator proposes two lenses through which the events of the novel may be interpreted. At first, the second choice seems obviously more desirable. In the first clause, the narrator brings up the possibility that the world is controlled by casually malevolent deities—or, in a more modern sense, a world in which no deity exists to provide structure to human life. The second option, positioning everyday events within a larger divine plan, provides comfort and stability. However, as the novel progresses, this option poses its own problems—if God is all-knowing, omnipotent, and benevolent, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus e

Part 2: The Marquesa de Montemayor Quotes

But her biographers have erred in one direction as greatly as the Franciscan did in another; they have tried to invest her with a host of graces, to read back into her life and person some of the beauties that abound in her letters, whereas all real knowledge of this wonderful woman must proceed from the act of humiliating her and divesting her of all beauties save one.

Related Characters: Doña María
Page Number and Citation: 13
Explanation and Analysis:
One of the novel’s chief concerns is the role art plays in perpetuating human memory. The tension between the importance of reflecting on real life through art, and the inability of art to mirror reality with perfect faithfulness, will appear throughout the novel. It’s especially relevant with regard to Doña María—as an artist she is consummately witty and accomplished, and by writing she’s eventually able to conceive of her own flaws and improve her character. However, for most of the novel she appears as an eccentric and extremely self-centered woman. Both Doña María’s art and her personality reflect important and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus c

She was one of those persons who have allowed their lives to be gnawed away because they have fallen in love with an idea several centuries before its appointed appearance in the history of civilization. She hurled herself against the obstinacy of her time in her desire to attach a little dignity to women.

Related Characters: The Abbess
Related Symbols: Churches and Abbeys
Page Number and Citation: 27
Explanation and Analysis:
In her first appearance, the Abbess is characterized in almost heroic terms—although it’s clear that most of her heroism will be fruitless and unrecognized. Women’s rights is just one of the many causes to which the nun devotes herself—she’s also committed to helping the poor, the mentally ill, and orphans such as Pepita and Esteban. The Abbess’s idealism, and the energy with which she carries out her projects, stems from her strong religious convictions. Thus, she demonstrates that the Roman Catholic Church can inspire individuals to altruism and bring out the best aspects of their character. At the same time, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

At times, after a day’s frantic resort to such invocations, a revulsion would sweep over her. Nature is deaf. God is indifferent. Nothing in man’s power can alter the course of law. Then on some street-corner she would stop, dizzy with despair, and lean against a wall would long to be taken from a world that had no plan in it.

Related Characters: Doña María, Doña Clara / Condesa Clara
Page Number and Citation: 32
Explanation and Analysis:
After Doña María’s daughter, Doña Clara, reveals that she is pregnant, Doña María goes into a frenzy of worry that either her daughter or the baby will die during delivery. In order to avert such a disaster, she resorts to every religious and superstitious method possible, praying constantly and searching out even the most absurd folk remedies for her daughter to try. In a different context, Doña María is repeating Brother Juniper’s mistakes—she’s assuming without question that there is a divine entity controlling even the smallest aspects of human life, and she assumes that that this deity can be understood Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accu

She was listening to the new tide of resignation that was rising within her. Perhaps she would learn in time to permit both her daughter and her gods to govern their own affairs.

Related Characters: Doña María, Doña Clara / Condesa Clara
Related Symbols: Churches and Abbeys
Page Number and Citation: 33
Explanation and Analysis:
At the height of her worry over Doña Clara’s pregnancy, Doña María makes a pilgrimage to a church outside of Lima in order to pray for her daughter’s delivery. Of course, Doña María doesn’t receive any audible divine assurance that her daughter’s pregnancy will proceed safety. However, she does have a moment of spiritual epiphany that causes her to relinquish her need for control over the events around her. This helps her on two fronts. It allows her to form a more complex relationship to the divine, based not on rational explanation but on unforced feeling. Moreover, it allows her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas de

She had talked to Pepita as to an equal. Such speech is troubling and wonderful to an intelligent child and Madre María del Pilar had abused it. She had expanded Pepita’s vision of how she should feel and act beyond the measure of her years.

Related Characters: The Abbess , Pepita
Page Number and Citation: 34
Explanation and Analysis:
While Doña María is praying at the church of Cluxambuqua, Pepita sits alone in the hotel and begins a letter to the Abbess. As a woman, the Abbess is a notable contrast to Pepita’s mistress: while Doña María is consumed by her own problems and her indulgent feelings of self-pity, the Abbess is completely oriented towards helping others and stewarding the city’s charitable works. However, as a parental figure, the Abbess is surprisingly similar to Doña María. Her behavior towards Pepita reflects the Abbess’ own interests—worry over her approaching old age and the desire that someone will take over her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates

She had never brought courage to either life or love. Her eyes ransacked her heart. She thought of the amulets and her beads, her drunkenness […] she thought of her daughter. She remembered the long relationship, crowded with the wreckage of exhumed conversations, of fancied slights, of inopportune confidences […].

Related Characters: Doña María, Pepita
Page Number and Citation: 37
Explanation and Analysis:
While Pepita is preparing her dinner, Doña María reads the girl’s letter to the Abbess. She’s struck by the bravery Pepita expresses—although the young girl feels lonely and unhappy in Doña María’s service, she maintains her trust in the Abbess and her willingness to do whatever the Abbess decides is best. Doña María is usually oblivious and insensitive to the troubles of those around her, but her epiphany in the church has made her more sensitive and outward-looking. It seems like she will try to form relationships grounded not in her own self-interest but in selfless love. In a way, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim ne

Part 3: Esteban Quotes

[…] for just as resignation was a word insufficient to describe the spiritual change that came over the Marquesa de Montemayor on that night in the inn in Cluxambuqua, so love is inadequate to describe the tacit almost ashamed oneness of these brothers […] there existed a need of one another so terrible that it produced miracles as naturally as the charged air of a sultry day produces lightning.

Related Characters: Esteban, Manuel
Related Literary Devices:
Page Number and Citation: 43
Explanation and Analysis:
Switching to a different narrative thread, the novel describes the extremely close bond between two orphaned twin brothers, Manuel and Esteban. Although their relationship is completely different from the family dynamics that govern Doña María’s life, by calling her to mind the novel points out that their bond shares the obsessive quality of her maternal love—just as her obsession with her daughter leaves room for nothing else in Doña María’s life, Manuel and Esteban cultivate no other friendships because of their wholehearted closeness to each other. It’s also interesting that the novel points out the impossibility of language to fully Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Und

Pleasure was no longer as simple as eating; it was being complicated by love. Now was beginning that crazy loss of one’s self, that neglect of everything but one’s dramatic thoughts about the beloved, that feverish inner life all turning upon the Perichole and which would so have astonished and disgusted her had she been permitted to divine it.

Related Characters: Manuel, Camila Perichole / Micaela Villegas
Page Number and Citation: 45
Explanation and Analysis:
After seeing her once at the theater, Manuel falls instantly in love with the Perichole. In his obsessive love, he’s markedly similar to Doña María—the same loss of independent identity and even physical decay attend his passion that characterize her fervor over Doña Clara. Their similarities point out that obsessive love can occur—and be equally destructive—in romantic and platonic contexts. Moreover, Manuel’s sudden attack of love shows that even he responds strongly, if unwillingly, to art. He’s seen the Perichole many times offstage without being impressed by her; it’s only when she’s acting, elevated by her talent as an artist, Dolorem et quae. Exercitationem non aut. Eve

It was merely that in the heart of one of them there was left room for an elaborate imaginative attachment and in the heart of the other there was not. Manuel could not quite understand this […] but he did understand that Esteban was suffering […] and at once, in one unhesitating stroke of the will, he removed the Perichole from his heart.

Related Characters: Manuel, Esteban, Camila Perichole / Micaela Villegas
Page Number and Citation: 50
Explanation and Analysis:
Manuel’s obsessive love for the Perichole almost drives him and Esteban apart, but Manuel realizes this at the last moment and decides to overcome his romantic love in favor of familial love. This is an extremely poignant moment of brotherly compassion and sacrifice that differentiates Manuel from other characters (namely Doña María) who grapple with obsessive love—unlike them he’s still able to perceive and act on the feelings of those around him, rather than just his own. However, even within the context of his sibling relationship he’s acting on a somewhat restrictive and draconian concept of love. Esteban’s concept of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectu

He was the awkwardest speaker in the world apart from the lore of the sea, but there are times when it requires a high courage to speak the banal. He could not be sure the figure on the floor was listening, but he said, “We do what we can. We push on, Esteban, as best we can.”

Related Characters: Captain Alvarado (speaker), Esteban
Page Number and Citation: 63
Explanation and Analysis:
After Manuel’s death, Esteban suffers an utter breakdown as he tries to mourn the loss of his brother and understand his own identity as an independent man, rather than part of a pair. It’s impossible for anyone to console him during this process—even the Abbess falls short—and he flirts with the idea of suicide. Finally, the Abbess dispatches Captain Alvarado to talk to him. A brave and respected explorer, Captain Alvarado is defined by the loss of his own daughter some years ago. It’s this shared sense of grief that allows him to connect to Esteban and provide him with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicab

Part 4: Uncle Pio Quotes

In the third place he wanted to be near those that loved Spanish literature and its masterpieces, especially in the theater. He had discovered all that treasure for himself, borrowing or stealing from the libraries of his patrons, feeding himself upon it in secrecy […].

Related Characters: Uncle Pio
Page Number and Citation: 72
Explanation and Analysis:
Again switching to another character’s narrative, the novel describes Uncle Pio’s life in Spain before he immigrated to Peru. As a scrappy young man living off odd jobs in Madrid’s seedy underbelly, Uncle Pio becomes obsessed with the art of Spanish drama—he finds all kinds of pretexts to visit the theater and educates himself on the genre he loves. Uncle Pio’s self-motivated passion illustrates the fundamentally egalitarian nature of art—even though it’s a mark of the highest culture, it’s also relatable and accessible to someone like Uncle Pio, with little formal education. It also shows the ability of art to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Exp

Her whole nature became gentle and mysterious and oddly wise; and it all turned to him. She could find no fault in him and she was sturdily loyal. They loved one another deeply but without passion. He respected the slight nervous shadow that crossed her face when he came too near her. But there arose out of this denial itself the perfume of a tenderness, that ghost of passion which, in the most unexpected relationship, can make even a whole lifetime devoted to irksome duty pass like a gracious dream.

Related Characters: Uncle Pio, Camila Perichole / Micaela Villegas
Page Number and Citation: 74
Explanation and Analysis:
The Perichole’s relationship to Uncle Pio is complex and sometimes troubling—he raised her like a father but he’s also her coach, servant, and occasionally flirtatious confidante. It doesn’t seem to fit the mold of a “positive” parent-child relationship. However, the novel clearly shows that under Uncle Pio’s care, the abused young girl grows up into an accomplished and “wise” young woman. While Doña María is obsessed with the idea of motherhood, and constantly proclaims her love for Doña Clara, it’s Uncle Pio who quietly becomes a decent parent. Moreover, their relationship shows the role of art in bringing out the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque er

The Archbishop knew that most of the priests of Peru were scoundrels. It required all his delicate Epicurean education to prevent his doing something about it; he had to repeat over to himself his favorite notions: that the injustice and unhappiness of the world is a constant; that the theory of progress is a delusion; that the poor, never having known happiness, are insensible to misfortune. Like all the rich he could not bring himself to believe that the poor (look at their houses, look at their clothes) could really suffer.

Related Characters: Archbishop of Lima
Related Symbols: Churches and Abbeys
Related Literary Devices:
Page Number and Citation: 81
Explanation and Analysis:
In the Archbishop’s first appearance, the novel delicately and humorously satirizes the hypocrisy and self-indulgence that drive his character. The scion of the Church in Peru, he’s supposed to reflect Christian virtues of piety and selflessness; however, he just dines extravagantly and enriches himself at the expense of his impoverished parishioners. Although this is a comical passage, there’s a serious contrast between his willful indifference to the plight of the poor and the compassion and altruism that have led the Abbess to devote her entire life to these people. The Archbishop demonstrates the lurking hypocrisy and selfishness of the same Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut ali

“How absurd you are,” she said smiling. “You said that as boys say it. You don’t seem to learn as you grow older, Uncle Pio. There is no such thing as that kind of love and that kind of island. It’s in the theater you find such things.”

Related Characters: Camila Perichole / Micaela Villegas (speaker), Uncle Pio
Page Number and Citation: 89
Explanation and Analysis:
At the height of her ascension into snobby Limean society, the Perichole contracts smallpox and loses her famous good looks. Most of her supposed friends turn on her, and only Uncle Pio stands by her, although she’s carefully distanced herself from her old friend over the years. However, when Uncle Pio voices his loyalty and love for her, she refuses to believe that such feelings can be genuine. The Perichole makes two mistakes here. First, she believes herself unable to command such devotion, especially now that her looks are gone; Uncle Pio attributes this lack of self-worth to the fact Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus

This assumption that she need look for no more devotion now that her beauty had passed proceeded from the fact that she had never realized any love save love as passion. Such love, though it expends itself in generosity and thoughtfulness, though it give birth to visions and to great poetry, remains among the sharpest expressions of self-interest. Not until it has passed through a long servitude, through its own self-hatred, through mockery, through great doubts, can it take its place among the loyalties.

Related Characters: Camila Perichole / Micaela Villegas (speaker)
Page Number and Citation: 90
Explanation and Analysis:
After she loses her extraordinary beauty to smallpox, the Perichole distances herself from all her friends because she believes no one will love her anymore. Here, the novel makes its most explicit statement on the differences between obsessive and selfless love. While the Perichole has had many affairs and experienced “love as passion,” these relationships have all been shallow manifestations of her vanity or her own desires. In contrast, Uncle Pio’s love for her, which begun when he had nothing to gain from her and has endured even though she has long spurned and abused him, exemplifies love that consists Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum do

Part 5: Perhaps an Intention Quotes

And on that afternoon Brother Juniper took a walk along the edge of the Pacific. He tore up his findings and cast them into the waves; he gazed for an hour upon the great clouds of pearl that hang forever upon the horizon of the sea, and extracted from their beauty a resignation that he did not permit his reason to examine. The discrepancy between faith and the facts is greater than is generally assumed.

Related Characters: Brother Juniper
Page Number and Citation: 99
Explanation and Analysis:
Throughout the novel, Brother Juniper has attempted to rationalize and explain worldly phenomena by a “scientific” analysis of God’s plan. In one humorous episode, he even rates local villagers on a piety scale to determine who most “deserved” to die in a disease epidemic (much to his dismay, the seemingly most pious people, undeserving of death, were largely the ones who died). However, unable to discern any rhyme or reason, he tears up his papers and throws them into the ocean. Paradoxically, although this gesture reflects Brother Juniper’s frustration and lack of understanding, he gains “resignation” and tranquility by observing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nos

I shall spare you Brother Juniper’s generalizations. They are always with us. He thought he saw in the same accident the wicked visited by destruction and the good called early to Heaven. He thought he saw pride and wealth confounded as an object lesson to the world, and he thought he saw humility crowned and rewarded for the edification of the city.

Related Characters: Brother Juniper
Page Number and Citation: 101
Explanation and Analysis:
Although Brother Juniper experiences a moment of understanding when he tears up his papers and watches them float away, he still continues with his ill-fated attempt to create a comprehensive biography of the victims of the bridge collapse. His project draws him into highly judgmental thinking: in his conclusions, he lauds some characters and condemns others as sinners, taking reductive and hardline stances on personal character that the novel generally condemns. Moreover, he can’t even determine any comprehensible idea of God’s plan. Brother Juniper’s obsession with gleaning some sort of spiritual meaning of the bridge collapse prevents him from truly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam volup

“All, all of us have failed. One wishes to be punished. One is willing to assume all kinds of penance, but do you know, my daughter, that in love—I scarcely dare say it—but in love our very mistakes don’t seem to be able to last long?”

Related Characters: The Abbess (speaker), Camila Perichole / Micaela Villegas, Doña Clara / Condesa Clara
Related Symbols: Churches and Abbeys
Page Number and Citation: 106
Explanation and Analysis:
Some time after the bridge collapse, Doña Clara arrives in Peru to mourn her late mother. Immediately seeking out the Abbess for spiritual counsel, Doña Clara confesses that she never behaved as she should have during her mother’s lifetime. Rather than chastising her for this sin, the Abbess emphasizes her similarity to other people—namely herself and Camila Perichole, now a nun—both in their grief and the imperfection of their conduct towards those they love. Here, shared grief and empathy is able to provide meaningful comfort and recognition and atonement of past sins. Moreover, it’s important that while other clerics, like Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi ne

But the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning.

Related Characters: The Abbess
Related Symbols: Churches and Abbeys
Page Number and Citation: 107
Explanation and Analysis:
After her conference with Doña Clara, the Abbess visits the hospital in her abbey to say goodnight to her patients. While she speaks to them, she is struck not only by her grief for Pepita and Esteban, who have died in the collapse, but for the imminent loss of even their memories, as everyone who knows them will eventually die as well. Although the Abbess derives serenity and stability from her religious convictions, this is a serious moment of doubt—she wonders whether any life can have meaning if it is so soon forgotten. However, she recovers her peace of mind Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae vol
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