The Changeling

by

Thomas Middleton and William Rowley

Teachers and parents! Our Teacher Edition on The Changeling makes teaching easy.

Beatrice Character Analysis

Beatrice (sometimes called “Beatrice Joanna” by her loved ones) is Vermandero’s daughter. After her father arranges for her to marry Alonzo de Piracquo, the beautiful Beatrice conspires with her father’s servant DeFlores to kill Alonzo, paving the way for her marriage to her beloved Alsemero. But while Beatrice’s liberal use of her money and her willingness to deceive others allow her to execute the first steps of her plan, DeFlores’s insistence on having sex with her sets them both on a tragic course. As the play’s antagonist, Beatrice personifies nearly everything The Changeling sets out to critique. Beatrice’s inability to control her passions—whether it is her dislike for Alonzo and DeFlores or her sudden commitment to Alsemero—is directly responsible for her tragic end. She appears innocent and beautiful but is in fact deceitful and cruel. She treats people as commodities, attempting to pay DeFlores off and ordering him to kill her lady-in-waiting, Diaphanta, when she ceases to be of use. Moreover, Beatrice blames the stars she was born under for all of her cruelty rather than taking responsibility for any of the harm she causes. By making the play’s central character so villainous, The Changeling sets itself up as a cautionary tale—for audiences, Beatrice is a perfect example of what not to do.

Beatrice Quotes in The Changeling

The The Changeling quotes below are all either spoken by Beatrice or refer to Beatrice. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Appearance vs. Reality Theme Icon
).
Act 1, Scene 1 Quotes

BEATRICE: Be better advised, sir:
Our eyes are sentinels unto our judgments
And should give certain judgment what they see;
But they are rash sometimes, and tell us wonders
Of common things, which when our judgments find,
They can then check the eyes, and call them blind.

Related Characters: Beatrice (speaker), Alsemero
Related Symbols: Eyes
Related Literary Devices:
Page Number: 349
Explanation and Analysis:
Act 1, Scene 2 Quotes

LOLLIO: Yes, sir, for every part has his hour: we wake at six and look about us, that’s eye-hour; at seven we should pray, that's knee-hour; at eight walk, that's leg-hour; at nine gather flowers and pluck a rose, that's nose-hour; at ten we drink, that’s mouth-hour; at eleven lay about us for victuals, that’s hand-hour; at twelve go to dinner, that’s belly-hour.

Related Characters: Lollio (speaker), Beatrice, Vermandero, Alibius
Related Symbols: Eyes
Page Number: 356
Explanation and Analysis:
Act 2, Scene 1 Quotes

BEATRICE: Methinks I love now with the eyes of judgment
And see the way to merit, clearly see it.
A true deserver like a diamond sparkles,
In darkness you may see him, that’s in absence,
Which is the greatest darkness falls on love;
Ye he is best discern’d then
With intellectual eyesight.

Related Characters: Beatrice (speaker), DeFlores, Alsemero, Alonzo de Piracquo, Jasperino
Related Symbols: Diamonds, Eyes
Page Number: 361
Explanation and Analysis:

ALONZO: I should depart
An enemy, a dangerous, deadly one
To any but thyself, that should but think
She knew the meaning of inconstancy,
Much less the use practice; yet w’are friends.
Pray let no more be urg’d; I can endure
Much, till I meet an injury to her,
Then I am not myself. Farewell, sweet brother.
How much we are bound to heaven to depart lovingly.
Exit.

TOMAZO: Why, here is love's tame madness; thus a man
Quickly steals into his vexation.

Related Characters: Alonzo de Piracquo (speaker), Tomazo de Piracquo (speaker), Beatrice, Alsemero, Antonio
Page Number: 366
Explanation and Analysis:
Act 3,  Scene 3 Quotes

LOLLIO: This is easy, sir, I’ll warrant you: you have about you fools and madmen that can dance very well; and ‘tis no wonder, your best dancers are not the wisest men; the reason is, with often jumping they jolt their brains down into their feet, that their wits lie more in their heels than their heads […]

ISABELLA: Y’have a fine trade on’t,
Madmen and fools are a staple commodity.

ALIBIUS: O wife, we must eat, wear clothes, and live;
Just at the lawyer’s haven we arrive,
By madmen and fools we both do thrive.

Related Characters: Isabella (speaker), Alibius (speaker), Lollio (speaker), Beatrice, Vermandero, Alonzo de Piracquo
Page Number: 382
Explanation and Analysis:
Act 3, Scene 4 Quotes

BEATRICE: Look you, sir, here’s three thousand golden florins:
I have not meanly thought upon thy merit.

DEFLORES: What, salary? Now you move me […]
Do you place me in the rank of verminous fellows,
To destroy things for wages? Offer gold?
The life blood of man! Is anything
Valued too precious for my recompense?

BEATRICE: I understand thee not.

DEFLORES: I could ha’ hir’d
A journeyman murder in this rate,
And mine own conscience might have slept at ease
And have had the work brought home.

BEATRICE [Aside]: I’m in a labyrinth;
What will content him? I would be rid of him.—
I’ll double the sum, sir.

Related Characters: Beatrice (speaker), DeFlores (speaker), Alonzo de Piracquo
Page Number: 385
Explanation and Analysis:

DEFLORES: Look but into your conscience, read me there,
‘Tis a true book, you'll find me there your equal.
Push! Fly not to your birth, but settle you
In what the act has made you, y’are no more now;
You must forget your parentage to me:
Y’are the deed’s creature; by that name
You lost your first condition, and I challenge you,
As peace and innocency has turn’d you out, and made you one with me […]
Though thou writ’st made, thou whore in thy affection!
‘Twas changed from thy first love, and that's a kind
Of whoredom in thy heart.

Related Characters: Beatrice (speaker), DeFlores (speaker), Alsemero, Vermandero
Page Number: 387
Explanation and Analysis:

BEATRICE: Vengeance begins;
Murder I see is followed by more sins.
Was my creation in the womb so curs’d,
It must engender with a viper first?

Related Characters: Beatrice (speaker), DeFlores
Related Literary Devices:
Page Number: 387
Explanation and Analysis:
Act 4, Scene 1 Quotes

DIAPHANTA: Are you serious still? Would you resign
Your first night’s pleasure, and give money too?

BEATRICE: As willingly as live. [Aside.] Alas, the gold
Is but a by-bet to wedge in the honor […]
Y’are too quick, I fear, to be a maid.

DIAPHANTA: How? Not a maid? Nay, then you urge me, madam;
Your honorable self is not a truer
With all your fears upon you—

BEATRICE [Aside.]: Bad enough then.

DIAPHANTA: Than I with all my lightsome joys about me.

Related Characters: Beatrice (speaker), Diaphanta (speaker), DeFlores, Alsemero, Alonzo de Piracquo
Related Literary Devices:
Page Number: 392
Explanation and Analysis:
Act 4, Scene 2 Quotes

ALSEMERO [Aside.]: Push, modesty’s shrine is set in yonder forehead.
I cannot be too sure though.—My Joanna!

Related Characters: Alsemero (speaker), Beatrice, DeFlores, Vermandero, Jasperino
Page Number: 398
Explanation and Analysis:
Act 5, Scene 1 Quotes

[VOICE] (within): Fire, fire, fire!

BEATRICE: Already? How rare is that man’s speed!
How heartily he serves me! His face loathes one,
But look upon his care, who would not love him?
The east is not more beauteous than his service.

[VOICE] (within): Fire, fire, fire!

Related Characters: Beatrice (speaker), DeFlores, Alsemero, Diaphanta
Page Number: 408
Explanation and Analysis:
Act 5, Scene 3 Quotes

BEATRICE: ‘Tis innocence that smiles, and no rough brow
Can take away the dimple in her cheek.
Say I should strain a tear to fill the vault,
Which would you give the better faith to?

ALSEMERO: ‘Twere but hypocrisy of a sadder colour,
But the same stuff; neither your smiles nor tears
Shall move or flatter me from my belief:
You are a whore!

BEATRICE: What a horrid sound it hath!
It blasts a beauty to deformity;
Upon what face soever that breath falls,
It strikes it ugly. O you have ruin’d
What you can ne’er repair again.

ALSEMERO: I’ll all demolish, and seek out truth within you,
If there be any left.

Related Characters: Beatrice (speaker), Alsemero (speaker), Jasperino
Related Literary Devices:
Page Number: 415
Explanation and Analysis:

ALSEMERO: I ask you, sir;
My wife’s behindhand with you, she tells me,
For a brave bloody blow you gave for her sake
Upon Piracquo.

DEFLORES: Upon? ‘Twas quite through him, sure;
Has she confess’d it?

ALSEMERO: As sure as death to both of you,
And much more than that.

DEFLORES: It could not be much more;
‘Twas but one thing, and that—she’s a whore.

ALSEMERO: It could not choose but follow. O cunning devils!
How should blind men know you from fair-fac’d saints?

Related Characters: DeFlores (speaker), Alsemero (speaker), Beatrice, Alonzo de Piracquo
Page Number: 417
Explanation and Analysis:

VERMANDERO: A host of enemies enter’d my citadel
Could not amaze like this: Joanna! Beatrice-Joanna!

BEATRICE: O come not near me, sir, I shall defile you:
I am that of your blood was taken from you
For your better health; look no more upon’t,
But cast it to the ground regardlessly,
Let the common sewer take it from distinction.
Beneath the stars, upon yon meteor,
Ever hung my fate, ‘mongst things corruptible;
I ne’er could pluck it from him.

Related Characters: Beatrice (speaker), Vermandero (speaker), DeFlores, Alsemero
Page Number: 419
Explanation and Analysis:

ALSEMERO: Here’s beauty chang’d
To ugly whoredom; here, servant obedience
Changed to a master sin, imperious murder;
I, a suppos’d husband, chang’d embraces
With wantonness, but that was paid before;
Your change is come too, from an ignorant wrath
To a knowing friendship. Are there any more on’s?

ANTONIO: Yes, sir; I was chang’d too, from a little ass as I was to a great fool as I am […]

FRANCISCUS: I was chang’d from a little wit to be stark mad,
Always for the same purpose.

Related Characters: Alsemero (speaker), Antonio (speaker), Franciscus (speaker), Beatrice, DeFlores, Tomazo de Piracquo
Page Number: 419
Explanation and Analysis:
Epilogue Quotes

ALSEMERO: All we can do to comfort one another,
To stay a brother’s sorrow for a brother,
To dry a child from a kind father’s eyes,
Is to no purpose, it rather multiplies:
Your only smiles have power to cause relive
The dead again, or in their rooms to give
Brother a new brother, father a child;
If these appear, all griefs are reconcil’d.

Related Characters: Alsemero (speaker), Beatrice, DeFlores, Vermandero, Tomazo de Piracquo
Page Number: 421
Explanation and Analysis:
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Beatrice Quotes in The Changeling

The The Changeling quotes below are all either spoken by Beatrice or refer to Beatrice. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Appearance vs. Reality Theme Icon
).
Act 1, Scene 1 Quotes

BEATRICE: Be better advised, sir:
Our eyes are sentinels unto our judgments
And should give certain judgment what they see;
But they are rash sometimes, and tell us wonders
Of common things, which when our judgments find,
They can then check the eyes, and call them blind.

Related Characters: Beatrice (speaker), Alsemero
Related Symbols: Eyes
Related Literary Devices:
Page Number: 349
Explanation and Analysis:
Act 1, Scene 2 Quotes

LOLLIO: Yes, sir, for every part has his hour: we wake at six and look about us, that’s eye-hour; at seven we should pray, that's knee-hour; at eight walk, that's leg-hour; at nine gather flowers and pluck a rose, that's nose-hour; at ten we drink, that’s mouth-hour; at eleven lay about us for victuals, that’s hand-hour; at twelve go to dinner, that’s belly-hour.

Related Characters: Lollio (speaker), Beatrice, Vermandero, Alibius
Related Symbols: Eyes
Page Number: 356
Explanation and Analysis:
Act 2, Scene 1 Quotes

BEATRICE: Methinks I love now with the eyes of judgment
And see the way to merit, clearly see it.
A true deserver like a diamond sparkles,
In darkness you may see him, that’s in absence,
Which is the greatest darkness falls on love;
Ye he is best discern’d then
With intellectual eyesight.

Related Characters: Beatrice (speaker), DeFlores, Alsemero, Alonzo de Piracquo, Jasperino
Related Symbols: Diamonds, Eyes
Page Number: 361
Explanation and Analysis:

ALONZO: I should depart
An enemy, a dangerous, deadly one
To any but thyself, that should but think
She knew the meaning of inconstancy,
Much less the use practice; yet w’are friends.
Pray let no more be urg’d; I can endure
Much, till I meet an injury to her,
Then I am not myself. Farewell, sweet brother.
How much we are bound to heaven to depart lovingly.
Exit.

TOMAZO: Why, here is love's tame madness; thus a man
Quickly steals into his vexation.

Related Characters: Alonzo de Piracquo (speaker), Tomazo de Piracquo (speaker), Beatrice, Alsemero, Antonio
Page Number: 366
Explanation and Analysis:
Act 3,  Scene 3 Quotes

LOLLIO: This is easy, sir, I’ll warrant you: you have about you fools and madmen that can dance very well; and ‘tis no wonder, your best dancers are not the wisest men; the reason is, with often jumping they jolt their brains down into their feet, that their wits lie more in their heels than their heads […]

ISABELLA: Y’have a fine trade on’t,
Madmen and fools are a staple commodity.

ALIBIUS: O wife, we must eat, wear clothes, and live;
Just at the lawyer’s haven we arrive,
By madmen and fools we both do thrive.

Related Characters: Isabella (speaker), Alibius (speaker), Lollio (speaker), Beatrice, Vermandero, Alonzo de Piracquo
Page Number: 382
Explanation and Analysis:
Act 3, Scene 4 Quotes

BEATRICE: Look you, sir, here’s three thousand golden florins:
I have not meanly thought upon thy merit.

DEFLORES: What, salary? Now you move me […]
Do you place me in the rank of verminous fellows,
To destroy things for wages? Offer gold?
The life blood of man! Is anything
Valued too precious for my recompense?

BEATRICE: I understand thee not.

DEFLORES: I could ha’ hir’d
A journeyman murder in this rate,
And mine own conscience might have slept at ease
And have had the work brought home.

BEATRICE [Aside]: I’m in a labyrinth;
What will content him? I would be rid of him.—
I’ll double the sum, sir.

Related Characters: Beatrice (speaker), DeFlores (speaker), Alonzo de Piracquo
Page Number: 385
Explanation and Analysis:

DEFLORES: Look but into your conscience, read me there,
‘Tis a true book, you'll find me there your equal.
Push! Fly not to your birth, but settle you
In what the act has made you, y’are no more now;
You must forget your parentage to me:
Y’are the deed’s creature; by that name
You lost your first condition, and I challenge you,
As peace and innocency has turn’d you out, and made you one with me […]
Though thou writ’st made, thou whore in thy affection!
‘Twas changed from thy first love, and that's a kind
Of whoredom in thy heart.

Related Characters: Beatrice (speaker), DeFlores (speaker), Alsemero, Vermandero
Page Number: 387
Explanation and Analysis:

BEATRICE: Vengeance begins;
Murder I see is followed by more sins.
Was my creation in the womb so curs’d,
It must engender with a viper first?

Related Characters: Beatrice (speaker), DeFlores
Related Literary Devices:
Page Number: 387
Explanation and Analysis:
Act 4, Scene 1 Quotes

DIAPHANTA: Are you serious still? Would you resign
Your first night’s pleasure, and give money too?

BEATRICE: As willingly as live. [Aside.] Alas, the gold
Is but a by-bet to wedge in the honor […]
Y’are too quick, I fear, to be a maid.

DIAPHANTA: How? Not a maid? Nay, then you urge me, madam;
Your honorable self is not a truer
With all your fears upon you—

BEATRICE [Aside.]: Bad enough then.

DIAPHANTA: Than I with all my lightsome joys about me.

Related Characters: Beatrice (speaker), Diaphanta (speaker), DeFlores, Alsemero, Alonzo de Piracquo
Related Literary Devices:
Page Number: 392
Explanation and Analysis:
Act 4, Scene 2 Quotes

ALSEMERO [Aside.]: Push, modesty’s shrine is set in yonder forehead.
I cannot be too sure though.—My Joanna!

Related Characters: Alsemero (speaker), Beatrice, DeFlores, Vermandero, Jasperino
Page Number: 398
Explanation and Analysis:
Act 5, Scene 1 Quotes

[VOICE] (within): Fire, fire, fire!

BEATRICE: Already? How rare is that man’s speed!
How heartily he serves me! His face loathes one,
But look upon his care, who would not love him?
The east is not more beauteous than his service.

[VOICE] (within): Fire, fire, fire!

Related Characters: Beatrice (speaker), DeFlores, Alsemero, Diaphanta
Page Number: 408
Explanation and Analysis:
Act 5, Scene 3 Quotes

BEATRICE: ‘Tis innocence that smiles, and no rough brow
Can take away the dimple in her cheek.
Say I should strain a tear to fill the vault,
Which would you give the better faith to?

ALSEMERO: ‘Twere but hypocrisy of a sadder colour,
But the same stuff; neither your smiles nor tears
Shall move or flatter me from my belief:
You are a whore!

BEATRICE: What a horrid sound it hath!
It blasts a beauty to deformity;
Upon what face soever that breath falls,
It strikes it ugly. O you have ruin’d
What you can ne’er repair again.

ALSEMERO: I’ll all demolish, and seek out truth within you,
If there be any left.

Related Characters: Beatrice (speaker), Alsemero (speaker), Jasperino
Related Literary Devices:
Page Number: 415
Explanation and Analysis:

ALSEMERO: I ask you, sir;
My wife’s behindhand with you, she tells me,
For a brave bloody blow you gave for her sake
Upon Piracquo.

DEFLORES: Upon? ‘Twas quite through him, sure;
Has she confess’d it?

ALSEMERO: As sure as death to both of you,
And much more than that.

DEFLORES: It could not be much more;
‘Twas but one thing, and that—she’s a whore.

ALSEMERO: It could not choose but follow. O cunning devils!
How should blind men know you from fair-fac’d saints?

Related Characters: DeFlores (speaker), Alsemero (speaker), Beatrice, Alonzo de Piracquo
Page Number: 417
Explanation and Analysis:

VERMANDERO: A host of enemies enter’d my citadel
Could not amaze like this: Joanna! Beatrice-Joanna!

BEATRICE: O come not near me, sir, I shall defile you:
I am that of your blood was taken from you
For your better health; look no more upon’t,
But cast it to the ground regardlessly,
Let the common sewer take it from distinction.
Beneath the stars, upon yon meteor,
Ever hung my fate, ‘mongst things corruptible;
I ne’er could pluck it from him.

Related Characters: Beatrice (speaker), Vermandero (speaker), DeFlores, Alsemero
Page Number: 419
Explanation and Analysis:

ALSEMERO: Here’s beauty chang’d
To ugly whoredom; here, servant obedience
Changed to a master sin, imperious murder;
I, a suppos’d husband, chang’d embraces
With wantonness, but that was paid before;
Your change is come too, from an ignorant wrath
To a knowing friendship. Are there any more on’s?

ANTONIO: Yes, sir; I was chang’d too, from a little ass as I was to a great fool as I am […]

FRANCISCUS: I was chang’d from a little wit to be stark mad,
Always for the same purpose.

Related Characters: Alsemero (speaker), Antonio (speaker), Franciscus (speaker), Beatrice, DeFlores, Tomazo de Piracquo
Page Number: 419
Explanation and Analysis:
Epilogue Quotes

ALSEMERO: All we can do to comfort one another,
To stay a brother’s sorrow for a brother,
To dry a child from a kind father’s eyes,
Is to no purpose, it rather multiplies:
Your only smiles have power to cause relive
The dead again, or in their rooms to give
Brother a new brother, father a child;
If these appear, all griefs are reconcil’d.

Related Characters: Alsemero (speaker), Beatrice, DeFlores, Vermandero, Tomazo de Piracquo
Page Number: 421
Explanation and Analysis: