The Chocolate War
by Robert Cormier
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Themes and Colors
The Individual vs. Society Theme Icon
Control vs. Chaos Theme Icon
Masculinity, Violence, and Power Theme Icon
Tradition Theme Icon
LitCharts assigns a color and icon to each theme in The Chocolate War, which you can use to track the themes throughout the work.
Tradition Theme Icon
Tradition Theme Icon

Trinity High School is steeped in tradition. There is a hierarchy within the student body in which seniors are at the top of the food chain; every year, each student must sell twenty-five boxes of chocolate in a schoolwide fundraiser; a powerful group of students called the Vigils, which has operated behind the scenes for years despite repeated conflicts with faculty and administration, effectively rules the school. All of these traditions go unquestioned—until Jerry Renault refuses to take part in the chocolate sale, challenging the status quo and breaking with tradition. Set in the mid-1970s, a time of great social change and upheaval, Cormier uses his “young adult” novel The Chocolate War to demonstrate how tradition for its own sake is often used as a means of maintaining systems of power and control—so the struggle for freedom means challenging an unnecessary connection to tradition. At the same time, Cormier argues, humans naturally cling to ritual, and so some traditions cannot be toppled.

From the very start of the novel, the traditions that rule Trinity High are shown to do more harm than good. The Vigils are perhaps the most striking and definitive “tradition” at Trinity—but even within this longstanding secret society, there are threats to its structure. The group’s secretary, Obie, is “bored” and “disgusted” by how the society is run. Archie Costello is not the president of the Vigils, but as the deviser and assigner of the often dangerous, risky, or simply cruel dares, pranks, and missions the society doles out, he holds the most power in the entire school. At the start of the novel, Obie’s disdain for Archie signals unrest even within the traditions that govern Trinity, and foreshadows how Jerry’s protest against the chocolate sale will gain a foothold and begin to rattle those traditions from within.

Near the start of the book, Brother Leon, the Assistant Headmaster who is in charge of the chocolate sale each year, announces to his pet student Archie that each boy’s quota will be doubled this year. The school is in financial jeopardy, and Leon is counting on the chocolate sale to raise at least forty thousand dollars. Archie himself—one of the staunchest upholders of Trinity tradition—is skeptical about the new, more demanding numbers, and wonders whether the student body will remain loyal to the tradition of the chocolate sale when they learn how many they each have to sell, and at an increased price to boot.

The Goober is given a difficult assignment by the Vigils, but he reluctantly accepts, knowing that it is “tradition here at Trinity” to do the bidding of the Vigils no matter the personal cost.. He is supposed to visit the school after dark and loosen the screws in one of the Brothers’ classrooms. As The Goober carries out the assignment, he struggles and despairs—he fears he will never loosen all the screws on all the desks, chairs, and blackboards before sunrise—until masked members of the Vigils come to his aid. This instance shows that even the Vigils know that their traditions are in jeopardy, and that the escalating pranks and dares Archie is assigning are not tenable. It also shows, however, how desperate the Vigils are to ensure that their traditions are upheld and that their will is done.

As Jerry, motivated by his own fear of becoming a thoughtless participant in traditions that discourage individualistic thought and elevate groupthink, resists several Trinity traditions (refusing to kowtow to his upperclassmen, fighting for an unlikely role on the football team, refusing to sell chocolates, shirking an assignment from the almighty Vigils), Cormier shows just how much it costs an individual to revolt against deeply entrenched tradition. Jerry’s rebellion against the Vigils is in many ways symbolic of the larger changes happening in American society in the 1970s—changes that sought to establish more freedom of speech, thought, and action. Jerry does not know exactly what it is that he wants out of his revolt, but he knows that to give in to tradition is to live out his worst fear; he does not want to be an unquestioning participant in power structures that do not serve him, better him, or allow him any agency.

Jerry’s balking at tradition makes him an outcast, however—though a select few admire his headstrong ways, most of his classmates prove themselves to be too mired in tradition to take up Jerry’s cause or support him. Notorious bully Emile Janza, at Archie’s behest, accuses Jerry of being homosexual and rallies a group of neighborhood kids to beat him up; The Goober, Jerry’s best friend, calls out sick from school rather than confront the tidal wave of anger and confrontation that overtakes Trinity as the end of the chocolate sale approaches. Trinity is no place for outsiders, or for anyone who does not want to participate in the traditions it holds dear.

In the end, Jerry is beaten nearly to death by Emile Janza in a boxing match staged by the Vigils before the whole school—a new “tradition” in and of itself. Forced to compensate for the extra boxes of chocolate unsold by Jerry, the Vigils have staged a raffle with a violent prize; students get to submit instructions for who should hit whom, and how, and where. As Jerry faces down Janza, it becomes clear that the disruption of one tradition at Trinity will only give rise to newer, even darker ones. Though Jerry has succeeded in changing the fabric of Trinity and sparking a conversation, he has failed to topple its oldest, most arcane tradition: the reign of the Vigils. Trinity’s obsession with tradition has not changed, only the traditions themselves.

The traditions that govern Trinity High can be seen as parallels for the traditions and mechanisms of power that govern the world more largely. Cormier chooses a high school as a setting for this experiment in revolution and the toppling of tradition to show how, even on a small scale, deeply entrenched traditions are not easily overturned. Though he does argue that Jerry is successful in starting a conversation at Trinity and rising up against the tide of conformity and traditionalism, his larger suggestion—that it takes repeated and concentrated attempts at change to actually effect it—is both gloomy and hopeful.

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Tradition Quotes in The Chocolate War

Below you will find the important quotes in The Chocolate War related to the theme of Tradition.

Chapter 3 Quotes

Jerry walked to the bus like a sleepwalker. He hated confrontations. His heart hammered. He climbed aboard, dropped his token in the coin box and lurched to his seat as the bus moved away from the curb.

He sat down, breathed deeply, closed his eyes. Go get your bus, square boy. […] You’re missing a lot of things in the world, better not miss that bus.

A big put-on, of course. That was their specialty, people like that. Putting people on. Nothing else to do with their lives, piddling away their lives.

And yet. . . Yet, what? He didn't know. He thought of his life—going to school and coming home. Even though his tie was loose, dangling on his shirt, he yanked it off. He looked up at the advertising placards above the windows, wanting to turn his thoughts away from the confrontation.

Related Characters: Jerry Renault (speaker)
Page Number and Citation: 20-21
Explanation and Analysis:
In this passage, Jerry has just had a confrontation with a hippie. The hippie caught Jerry staring at him and his friends, and approached Jerry to warn him not to stare at their group as if they were “sub-human.” The hippie then said that it was Jerry who was, as a “square,” the real sub-human. The confrontation has rattled Jerry, and though he tries to soothe himself by telling himself that the hippie was simply picking on him for lack of anything better to do, the conversation has shaken something loose inside of him. Jerry knows that much of his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessita

Chapter 4 Quotes

“How many boxes?"

“Twenty thousand."

Archie whistled in astonishment. He usually didn't blow his cool that easily, particularly with someone like Brother Leon. But the image of twenty thousand boxes of chocolates being delivered here to Trinity was ridiculous. Then he saw the mustache of moistness on Brother Leon's upper lip, the watery eyes and the dampness on his forehead. Something clicked. This wasn't the calm and deadly Leon who could hold a class in the palm of his hand. This was someone riddled with cracks and crevices. Archie became absolutely still, afraid that the rapid beating of his heart might betray his sudden knowledge, the proof of what he'd always suspected, not only of Brother Leon but most grownups, most adults: they were vulnerable, running scared, open to invasion.

Related Characters: Brother Leon (speaker), Archie Costello (speaker)
Related Symbols: Chocolate
Page Number and Citation: 22-23
Explanation and Analysis:
In this passage, Brother Leon begins attempting to recruit Archie—and, by proxy, the powerful Vigils—to back his chocolate sale, even though the quantity of chocolates the Trinity boys must sell has doubled, along with the price of each box. Archie can see from the start of this passage that Brother Leon is under some kind of stress or pressure, and is in a vulnerable state. As the novel progresses and Brother Leon’s mental state deteriorates as the chocolate sale vacillates between successful enterprise and much-loathed dud, Archie’s observation that Brother Leon is nervous and unsettled about the sale will echo Dolorem et quae. Exercitationem non a

Chapter 5 Quotes

He had beaten the black box for three years—could he do it again? Or was his luck running out? Would the law of averages catch up to him? A tremor ran along his arm as he extended his hand toward the box. He hoped no one had noticed. Reaching inside, he grabbed a marble, concealed it in the palm of his hand. He withdrew his hand, held the arm straight out, calmly now, without shiver or tremor. He opened his hand. The marble was white.

The corner of Archie's mouth twitched as the tension of his body relaxed. He had beaten them again. He had won again. I am Archie. I cannot lose.

Related Characters: Archie Costello (speaker)
Related Symbols: The Black Box
Page Number and Citation: Book Page 37
Explanation and Analysis:
The black box is the one mechanism within the powerful secret society of the Vigils that serves to temper the group’s actions. The group’s assigner, when giving out assignments, must always consult the black box to see whether he will have to carry out his own assignment himself. The black box is a sort of failsafe meant to protect the Vigils—and the school—from people like Archie; sadistic, power-hungry egomaniacs who would wreak havoc on the community just for fun. Archie’s confidence wanes just momentarily when he reaches into the box each time, but as soon as he sees that he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi nece

Chapter 9 Quotes

"Hey, Dad."

"Yes, Jerry?"

"Were things really fine at the store today?"

His father paused near the kitchen doorway, puzzled. “What do you mean, Jerry?"

“I mean, every day I ask you how things are going and every day you say fine. Don't you have some great days? Or rotten days?”

“A drugstore's pretty much the same all the time, Jerry. The prescriptions come in and we fill them—and that’s about it.”

[…]

Was life that dull, that boring and humdrum for people? He hated to think of his own life stretching ahead of him that way, a long succession of days and nights that were fine, fine—not good, not bad, not great, not lousy, not exciting, not anything.

Related Characters: Jerry Renault (speaker), Jerry’s Father (speaker)
Page Number and Citation: 60-61
Explanation and Analysis:
In this passage, Jerry, realizing that his father says that his day was “fine” each and every day, attempts to dig a little deeper and connect with his father, with whom his relationship has been strained in the months since his mother’s death. Jerry’s father, however, tells Jerry that his days are, more often than not, truly just “fine.” Jerry, still fearful of being “square” and boring after his encounter with the hippie, is slightly devastated to hear that the truth of his father’s life—and perhaps adult life more generally—is that it is filled with dullness and mediocrity, and is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mo

Chapter 13 Quotes

“Let me get this straight, Renault,” Brother Leon said and his voice brought the room under his command again. "I called your name. Your response could have been either yes or no. Yes means that like every other student in this school you agree to sell a certain amount of chocolates, in this case fifty boxes. No—and let me point out that the sale is strictly voluntary, Trinity forces no one to participate against his wishes, this is the great glory of Trinity—no means you don't wish to sell the chocolates, that you refuse to participate. Now, what is your answer? Yes or no?"

“No.”

The Goober stared at Jerry in disbelief. Was this Jerry Renault who always looked a little worried, a little unsure of himself even after completing a beautiful pass, who always seemed kind of bewildered—was this him actually defying Brother Leon? Not only Brother Leon but a Trinity tradition?

[…]

"You may pick up your chocolates in the gym, gentlemen,” Brother Leon said, his eyes bright—wet-bright. "Those of you who are true sons of Trinity, that is. I pity anyone who is not." That terrible smile remained on his face. "Class dismissed," Leon called although the bell had not sounded.

Related Characters: Brother Leon (speaker), Jerry Renault (speaker), The Goober
Related Symbols: Chocolate
Page Number and Citation: 82-83
Explanation and Analysis:
In this passage, Jerry refuses to participate in the chocolate sale right to its director’s face. Brother Leon is infuriated by Jerry’s refusal, though he himself admits that Jerry is well within his rights to refuse the chocolates. This passage demonstrates how deeply wedded to tradition Trinity truly is—though there are no rules about participating in the sale, tradition creates pariahs out of those who shirk it. In the simple act of refusing the chocolates, Jerry has marked himself as an enemy of Trinity tradition, and therefore has outcast himself from ever being recognized as one of its “true sons.”

Chapter 19 Quotes

Jerry opened his locker. He had thumbtacked a poster to the back wall of the locker on the first day of school. The poster showed a wide expanse of beach, a sweep of sky with a lone star glittering far away. A man walked on the beach, a small solitary figure in all that immensity. At the bottom of the poster, these words appeared—Do I dare disturb the universe? By Eliot, who wrote the Waste Land thing they were studying in English. Jerry wasn't sure of the poster's meaning. But it had moved him mysteriously. It was traditional at Trinity for everyone to decorate the interior of his locker with a poster. Jerry chose this one.

Related Characters: Jerry Renault (speaker)
Related Symbols: Jerry’s Poster
Page Number and Citation: 123
Explanation and Analysis:
This passage is an interesting one, as Jerry, inspired by the poster in his locker, furthers his commitment to breaking with tradition even as he knowingly participates in an established Trinity tradition by hanging the poster in the first place. Jerry clearly wants to be a “true son of Trinity” and participate in its history—he longs to join the football team, has accepted the Vigils’ assignment, and has engaged in the tradition of hanging a poster in his locker. Still, his poster choice betrays his subconscious desire to “disturb the universe,” and actually break with the traditions and rituals that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores s

“Renault."

It would be so easy, really, to yell “Yes." To say, “Give me the chocolates to sell, Brother Leon." So easy to be like the others, not to have to confront those terrible eyes every morning. Brother Leon finally looked up. The tempo of the roll call had broken.

“No," Jerry said.

He was swept with sadness, a sadness deep and penetrating, leaving him desolate like someone washed up on a beach, a lone survivor in a world full of strangers.

Related Characters: Jerry Renault (speaker), Brother Leon (speaker)
Related Symbols: Chocolate, Jerry’s Poster
Page Number and Citation: 124
Explanation and Analysis:
Shortly after surveying his poster and questioning what it means to “disturb the universe,” Jerry finds himself back in Brother Leon’s class, once again subjected to the Brother’s cruel torment. While disturbing the universe seems exciting and thrilling in theory, the cold, hard reality of rebellion is a lonely thing—and as Jerry considers how much he has already sacrificed, and how much more he will have to suffer in pursuit of his goal of disturbance, he feels very isolated indeed. Jerry’s poster features a man walking along a beach in silent contemplation—Jerry’s feeling of being washed up on a beach Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea s

Chapter 22 Quotes

“Renault… zero," Brother Leon said, his voice a sibilant whisper. "Can you imagine that, Cochran? A Trinity boy who has refused to sell the chocolates? Do you know what's happened, Cochran? Do you know why the sales have fallen off?"

“I don't know, Brother Leon," Brian said lamely.

“The boys have become infected, Cochran. Infected by a disease we could call apathy. A terrible disease. Difficult to cure."

What was he talking about?

“Before a cure can be found, the cause must be discovered. But in this case, Cochran, the cause is known. The carrier of the disease is known."

Brian knew what he was getting at now. Leon figured that Renault was the cause, the carrier of the disease. As if reading Brian's mind, Leon whispered “Renault . . . Renault. . ."

Like a mad scientist plotting revenge in an underground laboratory, for crying out loud.

Related Characters: Brother Leon (speaker), Brian Cochran (speaker), Jerry Renault
Related Symbols: Chocolate
Page Number and Citation: 146-147
Explanation and Analysis:
In this passage, Brian Cochran—who is already wary of the shady, unhinged Brother Leon—witnesses the depths of Leon’s obsession with Jerry Renault’s revolt against the chocolate sale. Leon has so much hatred for Jerry that he thinks of him as a “disease” that must be cured. This metaphor of Jerry’s rebellion as something infectious—something that threatens to sweep up and “contaminate” the entire student body—will be repeated throughout the novel, but it is perhaps most potent in this quotation, as Leon, like a “mad scientist” bent on eradicating the disease that is Jerry, quietly plots revenge against the boy. It Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occa

Chapter 23 Quotes

"Look, Jerry. There's something rotten in that school. More than rotten." He groped for the word and found it but didn't want to use it. The word didn't fit the surroundings, the sun and the bright October afternoon. It was a midnight word, a howling wind word.

"The Vigils?" Jerry asked. He'd lain back on the lawn and was looking at the blue sky, the hurrying autumn clouds.

"That's part of it," The Goober said. He wished they were still running. "Evil," he said.

"What did you say?"

Crazy. Jerry would think he'd flipped. "Nothing," Goober said. “Anyway, I'm not going to play football. It's a personal thing, Jerry." He took a deep breath. "And I'm not going out for track next spring."

They sat in silence.

"What's the matter, Goob?" Jerry finally asked, voice troubled and loaded with concern.

"It's what they do to us, Jerry."

Related Characters: The Goober (speaker), Jerry Renault (speaker)
Page Number and Citation: 151
Explanation and Analysis:
The Goober has been having intensely conflicted feelings since his own Vigil assignment, which involved loosening the screws in Brother Eugene’s classroom so that all of the furniture fell apart. The incident, rumor has it, drove Eugene from the school, so deeply affected was he by the petty cruelty and disorientation of the prank. Now, Goober tells Jerry that he plans to quit the football team. Jerry is confused, and wants to know what The Goober’s reasoning is; The Goober can only answer that there is something terrible inside of Trinity that preys upon people like Jerry and The Goober. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio

Chapter 25 Quotes

Carter blew air out of his mouth in exasperation. He was losing patience with Archie's cat and mouse crap. He had sat here for two years watching Archie play his silly games with kids, having Archie act the big shot as if he ran the show. Carter carried the responsibility for the assignments on his shoulders. As president, he also had to keep the other guys in line, keep them psyched up, ready to help make Archie's assignments work. And Carter wasn't crazy about this chocolate stuff. It was something beyond the control of The Vigils. It involved Brother Leon and he didn't trust Leon as far as he could throw him. Now, he watched the kid Renault, looking as if he was ready to faint with fright, his face pale and eyes wide with dread, and Archie having fun with him. Jesus, Carter hated this psychological crap. He loved boxing where everything was visible—the jabs, the hooks, the roundhouse swings, the glove in the stomach.

Related Characters: Carter (speaker), Archie Costello, Brother Leon, Jerry Renault
Related Symbols: Chocolate
Page Number and Citation: 162-163
Explanation and Analysis:
Carter, as captain of the football team and head of the Vigils, is ostensibly the most powerful person in the school. His power is contested, though, by Archie the assigner’s claim to control over the student body of Trinity, and Archie’s sly, insidious brand of psychological torture does inspire more fear and squeamishness, it seems, than Carter’s almost regal dominance. Carter believes in a more concrete kind of control, as opposed to Archie’s desire for a control mechanism that inspires chaos. Physical violence, though, has an element of chaos in it, too, one that Carter may not yet be ready Dolorem et quae. Exerci

Chapter 28 Quotes

The morning after that first night phone call, Jerry opened his locker and shook his head in disbelief. His poster had been smeared with ink or some kind of blue paint. The message had been virtually obliterated. Do I dare disturb the universe? was now a grotesque jumble of unconnected letters. It was such a senseless, childish act of vandalism that Jerry was more awed than angered. Who'd do such a crazy thing? Looking down, he saw that his new gym sneakers had been slashed, the canvas now limp shreds, rag-like. He'd made the mistake of leaving them here overnight.

Ruining the poster was one thing, a gross act, the work of the animal—and all schools had animals, even Trinity. But there was nothing prankish about ruining the sneakers. That was deliberate, somebody sending him a message.

The telephone calls.

That attack on the football field.

Now this.

He closed the locker quickly so no one would see the damage. For some reason, he felt ashamed.

Related Characters: Jerry Renault (speaker)
Related Symbols: Jerry’s Poster
Page Number and Citation: 182-183
Explanation and Analysis:
In this passage, Jerry opens his locker to find that it has been vandalized—his poster has been desecrated and his sneakers have been ripped to shreds. The vandalism that has been done to his locker is “childish”—in other words, it is chaotic and seemingly without direction. The annihilation of the poster seems pointed, but the destruction of the shoes is violent and almost sadistic. As Jerry realizes that he is being sent a message—not just through this act of vandalism, but through all of the other assaults and embarrassments, small and large, which have befallen him over the past several Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provide

Chapter 30 Quotes

“Goober sold his fifty boxes," someone called. Cheers, applause and ear-splitting whistles. The Goober started to step forward in protest.

He had only sold twenty-seven boxes, damn it. He had stopped at twenty-seven to show that he was supporting Jerry, even though nobody knew, not even Jerry. And now the whole thing evaporated and he found himself sinking back in the shadows, as if he could shrivel into invisibility. He didn't want trouble. He'd had enough trouble, and he had held on. But he knew his days at Trinity would be numbered if he walked into that group of jubilant guys and told them to erase the fifty beside his name.

Out in the corridor, The Goober's breath came fast. But otherwise he felt nothing. He willed himself to feel nothing. He didn't feel rotten. He didn't feel like a traitor. He didn't feel small and cowardly. And if he didn't feel all these things, then why was he crying all the way to his locker?

Related Characters: The Goober (speaker), Jerry Renault
Related Symbols: Chocolate
Page Number and Citation: 197
Explanation and Analysis:
In this passage, Goober is harassed and victimized in an unlikely way. He has intentionally stopped selling chocolates, he reveals, in a show of solidarity with Jerry’s own protest, and yet he is singled out by the Vigils and held up as a beacon of Trinity pride and tradition. Given The Goober’s conflicted feelings about Trinity—and his belief that something rotten or even evil lies within the very fabric of the school—being forcibly aligned with the chocolate sale hurts The Goober deeply and even frightens him. He is afraid to admit to these feelings, and attempts to repress them in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligen

Chapter 31 Quotes

"You listen,” Janza said, cool now, knowing he had struck a vulnerable spot. “You're polluting Trinity. You won't sell the chocolates like everybody else and now we find out you're a fairy." He shook his head in mock, exaggerated admiration. "You're really something, know that? Trinity has tests and ways of weeding the homos out but you were smart enough to get by, weren't you? You must be creaming all over—wow, four hundred ripe young bodies to rub against . . ."

"I'm not a fairy," Jerry cried.

“Kiss me," Janza said, puckering his lips grotesquely.

"You son of a bitch," Jerry said.

The words hung on the air, verbal flags of battle. And Janza smiled, a radiant smile of triumph. This is what he'd wanted all along, of course. This had been the reason for the encounter, the insults.

"What did you call me?" Janza asked.

“A son of a bitch," Jerry said, measuring out the words, saying them deliberately, eager now for the fight.

Related Characters: Emile Janza (speaker), Jerry Renault (speaker)
Related Symbols: Chocolate
Page Number and Citation: 202
Explanation and Analysis:
In this passage, Janza—at Archie’s behest—corners Jerry after school and begins taunting him, accusing him of being a homosexual and calling him a “queer” and a “fairy” in an attempt to incite Jerry to anger. Jerry knows what Janza is doing, and for a while consciously tries to resist rising to his bait. But as Janza lays the abuse on thicker and thicker, Jerry finds himself incapable of not making some move to defend himself. Though he knows he is giving Janza exactly what he wants in getting angry and cursing at him, Jerry decides that defending himself, no matter Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati

Chapter 37 Quotes

Triumphantly, he watched Janza floundering on weak, wobbly knees. Jerry turned toward the crowd, seeking—what? Applause? They were booing. Booing him. Shaking his head, trying to reassemble himself, squinting, he saw Archie in the crowd, a grinning, exultant Archie. A new sickness invaded Jerry, the sickness of knowing what he had become, another animal, another beast, another violent person in a violent world, inflicting damage, not disturbing the universe but damaging it. He had allowed Archie to do this to him.

And that crowd out there he had wanted to impress? To prove himself before? Hell, they wanted him to lose, they wanted him killed, for Christ's sake.

Related Characters: Jerry Renault (speaker), Emile Janza, Archie Costello
Page Number and Citation: 242
Explanation and Analysis:
As Jerry finally gets a hit in on Janza, who has been pummeling him and threatening not just to harm him but embarrass him in front of the whole school, he feels a sense of pride. Jerry is the good guy and Janza is the bully—this is the narrative that Jerry, at least, has in his head. But to the bloodthirsty, riled students of Trinity, Jerry, who broke with tradition, is the traitor and the outcast—Jerry is the one the Trinity boys want to see fall. Realizing that he has, due to Archie’s influence, become a pawn in his own Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste

Chapter 38 Quotes

"It'll be all right, Jerry."

No it won't. He recognized Goober's voice and it was important to share the discovery with Goober. He had to tell Goober to play ball, to play football, to run, to make the team, to sell the chocolates, to sell whatever they wanted you to sell, to do whatever they wanted you to do. He tried to voice the words but there was something wrong with his mouth, his teeth, his face. But he went ahead anyway, telling Goober what he needed to know. They tell you to do your thing but they don't mean it. They don't want you to do your thing, not unless it happens to be their thing, too. It’s a laugh, Goober, a fake. Don't disturb the universe, Goober, no matter what the posters say.

Related Characters: The Goober (speaker), Jerry Renault (speaker)
Related Symbols: Chocolate, Jerry’s Poster
Page Number and Citation: 248
Explanation and Analysis:
In the wake of the climactic fight between Jerry and Janza, Jerry lies beaten—physically, emotionally, and psychologically—in the arms of his only friend and ally. The Goober attempts to console Jerry while they wait for an ambulance to arrive, but Jerry has been so thoroughly flattened and defeated that he cannot connect to The Goober’s kind words. Jerry, after all of his struggle against the institution of Trinity and its mindless traditions, has ultimately failed; the Vigils still rule the school, Brother Leon’s sale, for all intents and purposes, was a financial success, and the traditions that govern Trinity have Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit.

Chapter 39 Quotes

“Maybe the black box will work the next time, Archie," Obie said. “Or maybe another kid like Renault will come along."

Archie didn't bother to answer. Wishful thinking wasn't worth answering. He sniffed the air and yawned. “Hey, Obie, what happened to the chocolates?"

"The guys raided the chocolates in the confusion. As far as the money’s concerned, Brian Cochran has it. We'll have some kind of drawing next week at assembly."

Archie barely listened. He wasn't interested. He was hungry. “You sure all the chocolates are gone, Obie?"

“I'm sure, Archie.”

"You got a Hershey or anything?"

“No.”

The lights went off again. Archie and Obie sat there awhile not saying anything and then made their way out of the place in the darkness.

Related Characters: Obie (speaker), Archie Costello (speaker), Jerry Renault
Related Symbols: Chocolate
Page Number and Citation: 252-253
Explanation and Analysis:
In the novel’s final passage, Obie and Archie sit alone in the stands above the football field, privately reckoning—or not reckoning—with all that has just transpired. Obie hopes aloud that someone or something will one day stop Archie, who has just received the tacit support of Brother Leon even after being caught red-handed by Brother Jacques; it seems as if nothing, not even fate, will ever interfere with Archie’s slow accrual of more and more power. Archie, though, seems almost bored, completely unaffected by all of the violence he has orchestrated and the madness which has transpired largely because of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occ