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Henry Allen
A traveling repairman who journeys the west coast from Seattle to San Diego and back each year in a covered wagon, mending household items, such as saucepans and scissors, and chasing the pleasant weather. When the tinker arrives on Elisa Allen’s farm in search of work, it is clear that she longs for the freedom that the tinker’s job affords him and the excitement of travel. Steinbeck describes the tinker as a large man, who, despite his grey beard and hair, does not appear old. He is dirty and wrinkled, and his eyes reveal a darkness that is vaguely threatening and not all together honest. Indeed, the tinker dupes Elisa into believing that he is interested in her and her chrysanthemums to secure work for himself. He claims that another customer is in search of good chrysanthemums for her own garden, and Elisa’s prize flowers are the best around. Elisa, immediately drawn to the man’s positive attention, supplies him with a pot of fresh chrysanthemum sprouts—after coming on to him in an overtly sexual manner, leaving them both uncomfortable and self-conscious. Of course, the fixer doesn’t really care about Elisa or her sprouts, and he throws the chrysanthemums unto the side of the road as soon as he leaves the Allens’ farm. Overall, Steinbeck’s representation of the tinker underscores the unfairness of America’s sexist society. The tinker is willing to lie and manipulate people in order to get what he wants. Still, as a man, he is permitted to define his own existence and profession, to live his life as he desires. This contrasts with Elisa, who, despite being a good and capable person, is denied the same freedom and opportunity simply because she is a woman.
The Tinker Quotes in The Chrysanthemums
The The Chrysanthemums quotes below are all either spoken by The Tinker or refer to The Tinker. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
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The Chrysanthemums Quotes
Elisa saw that he was a very big man. Although his hair and beard were greying, he did not look old. His worn black suit was wrinkled and spotted with grease. The laughter had disappeared from his face and eyes the moment that his laughing voice ceased. His eyes were dark, and they were filled with the brooding that gets in the eyes of teamsters and of sailors.
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In this passage, Steinbeck first introduces the tinker as he arrives on Elisa’s farm. He is described as a rather large man who appears disheveled in his dirty suit. The tinker is not portrayed as particularly handsome or appealing, which suggests that Elisa’s sexual attraction to him is about not his appearance, but rather his attention to and interest in her desires and talents. This passage is also the first hint of the tinker’s deceptive nature. His grey hair and bead are misleading and make him seem older than he really is. His eyes also betray him; there is no Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam conseq
Elisa’s voice grew husky. She broke in on him, “I’ve never lived as you do, but I know what you mean. When the night is dark – why, the stars are sharp-pointed, and there’s quiet. Why, you rise up and up! Every pointed star gets driven into your body. It’s like that. Hot and sharp and – lovely.”
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This quote takes place after Elisa tries to explain her “planters’ hands” to the tinker. Elisa says that when planting and working in the dirt, her hands instinctively know what to do. The tinker begins to compare this instinct with being in his wagon at night, and Elisa immediately interrupts him, reflecting her sexual eagerness and loneliness. Her voice takes on a throaty and seductive tone, and she admits that, as a woman, she has never been permitted to live the type of life he does, traveling alone in a wagon and searching for work. Despite this, Elisa is still Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque
Elisa stood in front of her wire fence watching the slow progression of the caravan. Her shoulders were straight, her head thrown back, her eyes half-closed, so that the scene came vaguely into them. Her lips moved silently, forming the words “Good-bye – good-bye.” Then she whispered, “That’s a bright direction. There’s a glowing there.” The sound of her whisper startled her. She shook herself free and looked to see whether anyone had been listening. Only the dogs had heard.
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Here, Elisa is watching the tinker as he drives away in his wagon, continuing on his journey up the coast. Elisa stands with her shoulders straight and her head held high. Any shame that she felt after her vaguely sexual encounter with the tinker is long gone. Their strange meeting and the tinker’s interest in her chrysanthemums leaves Elisa feeling empowered, and she longs for the freedom that the tinker’s life affords. Steinbeck’s description of Elisa’s eyes as “half-closed” and the haziness of her vision as she watches the tinker drive off gives this passage a dream-like quality, and this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus po
She tried no to look as they passed it, but her eyes would not obey. She whispered to herself sadly, “He might have thrown them off the road. That wouldn’t have been much trouble, not very much. But he kept the pot,” she exclaimed. “He had to keep the pot. That’s why he couldn’t get them off the road.”
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This passage transpires as Elisa and Henry drive into the town of Salinas for their date to celebrate the cattle purchase. On the way, Elisa notices that the tinker has thrown the chrysanthemum sprouts out onto the side of the road. Elisa instinctively knows what the pile of debris on the road is, and even though she doesn’t want to see her flower sprouts in such a state, she cannot look away. For the first time, Elisa is aware that her interaction with the tinker was not what she thought it was. He was not genuinely interested in her or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignis
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The Tinker Character Timeline in The Chrysanthemums
The timeline below shows where the character The Tinker appears in The Chrysanthemums. The colored dots and icons indicate which themes are associated with that appearance.
The Chrysanthemums
...and driven by an unkept man, advertising “Pots, pans, knives, scissors, lawn mores, Fixed.” As the tinker , a big man with a “worn black suit,” stops his wagon, he informs Elisa...
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Elisa is pleasant and warmly welcomes the tinker . She expresses an interest in his nomadic lifestyle—deeming it “a nice kind of a...
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As the tinker searches for another way to secure work from Elisa, his eyes fall on the chrysanthemum...
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...the garden and, forgetting her gloves, begins to unearth fresh chrysanthemum sprouts to give to the tinker . As she digs, Elisa tells the tinker how his customer should care for the...
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The tinker is confused as Elisa explains her “planters’ hands” and her ability to grow anything in...
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The tinker becomes uncomfortable and tells Elisa that her “planters’ hands” are similar to how he feels...
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The tinker quickly interjects that while the night sky may be lovely, it is difficult to enjoy...
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As the tinker begins to mend Elisa’s old saucepan, his demeanor instantly changes. He becomes “professional,” and as...
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Elisa chats with the tinker as he works. She asks him if he sleeps in the wagon at night, and...
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Elisa reminds the tinker to keep the sand moist in the pot of chrysanthemums. The tinker responds, “Sand, ma’am?”...
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...the side of the road, “but her eyes would not obey.” As the road bends, the tinker ’s caravan comes into view, and Elisa turns and looks at Henry so that she...
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