The City & the City

by

China Miéville

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The City & the City: Chapter 21 Summary & Analysis

Summary
Analysis
Borlú and Dhatt go back into the office and try to act normally, but they feel paranoid. Dhatt agrees to arrange getting a militsya uniform for Yolanda, and one for Borlú as well, just to make the process of crossing the border smoother. Eventually, Bowden calls Yallya’s phone. Borlú offers to get him out, and although Bowden refuses to reveal his location, he wants to come and will keep calling Yallya’s phone. Meanwhile, Dhatt protests this plan because he doesn’t have documents for Bowden, but Borlú begs him to do what he can and to bring another uniform in case Bowden shows up. At 7pm, Corwi announces she has everything ready on the Besź side.
It is significant that the climax of the novel involves the illegal crossing of the border between Besźel and Ul Qoma. Bear in mind that any unlawful violation of the border (all of which falls under the category of breach) is the most serious crime a person can commit in the two cities. The fact that Borlú and Dhatt are attempting it anyway is thus a gesture of rebellion against the norms of their societies.   
Themes
Borders and Doubles Theme Icon
Seeing vs. Unseeing Theme Icon
Crime vs. Punishment Theme Icon
Quotes
Meanwhile, Borlú and Dhatt make final arrangements with those they are leaving behind in Ul Qoma, including telling the Gearys that they have must speak to a new contact in the militsya—something Borlú feels bad about. At half past midnight, Bowden calls again. Borlú tells him he has “one shot,” and if he wants to leave, he should meet them by the traffic gate outside Copula Hall at 7pm the next day. On that day, Borlú doesn’t check out of his hotel. He leaves his belongings there, all except his copy of Between the City and the City.
It is unclear whether Borlú brings “Between the City and the City” with him because he does not want to expose himself as having bought a censored book, or because he believes the book will help him solve the case. Indeed, perhaps the book has become a kind of talisman for Borlú, not useful for its information but as a symbol of dissident knowledge.
Themes
Borders and Doubles Theme Icon
Crime vs. Punishment Theme Icon
Paranoia, Conspiracy, and Illicit Knowledge Theme Icon
Borlú takes a taxi to Yolanda’s hideout. His driver is a Kurdish refugee who has been living in Ul Qoma for four years and speaks highly of it. Borlú asks him to point out his favorite places in the city. When Borlú finally gets to Yolanda, he tells her to prepare to leave. He instructs her to warn Aikam that he’s not coming, because he doesn’t want “a scene at Copula Hall.” When Yolanda tells him this Aikam protests, but she promises to call him from Canada. In the car, Dhatt gives Borlú and Yolanda militsya uniforms to change into. When they arrive at Copula Hall, the guards do not ask any questions, but usher them straight through. As Borlú walks through, he sees the familiar sights of Besźel in the distance.
In this passage, Borlú and the rest of his group get tantalizingly close to successfully crossing the border. The fact that the security staff do not even ask questions shows how much law enforcement officials are able to get away with simply by virtue of being superficially identifiable as figures of authority.
Themes
Borders and Doubles Theme Icon
Seeing vs. Unseeing Theme Icon
Crime vs. Punishment Theme Icon
Borlú thinks he sees Corwi, but in that moment, Dhatt alerts him to a man walking behind them. He is wrapped up in winter clothing, which is perfectly ordinary, but is walking in a strange, aggressive manner. Dhatt and Borlú attempt to push Yolanda ahead. The bundled man reaches into his jacket and Borlú instinctively does the same, before remembering that his gun has been taken. There is a sound. The man shouts his name and Borlú realizes it is Bowden. Dhatt is shouting; both he and Yolanda have been shot. Chaos ensues, and Borlú sees people fleeing from a figure pointing a rifle.
This dramatic moment is so shocking in part because it contains a reversal of assumptions. Whereas before, Bowden was framed as a victim of the violence surrounding Mahalia’s murder, he is now revealed to be a perpetrator. The fact that he raises a weapon at Borlú immediately makes him a candidate as the possible murderer of Mahalia.
Themes
Borders and Doubles Theme Icon
Seeing vs. Unseeing Theme Icon
Crime vs. Punishment Theme Icon
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