The Collector
by John Fowles
Themes and Colors
Power and Control Theme Icon
Class and Snobbery Theme Icon
Painting vs. Photography Theme Icon
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LitCharts assigns a color and icon to each theme in The Collector, which you can use to track the themes throughout the work.
Class and Snobbery Theme Icon
Class and Snobbery Theme Icon

In The Collector, Frederick Clegg comes from a working class background, which influences his worldview and sense of self-worth. His feelings of inferiority and resentment towards the upper classes manifest in his obsession with Miranda, an art student from a privileged background. Clegg’s desire to possess Miranda is not just about physical control but also about bridging the social chasm that separates them. He believes that by capturing and detaining her, he can elevate himself and gain her respect—something he feels he could never do in his normal social life.

Miranda embodies the attitudes and values of the upper class. She is cultured, educated, and confident in her superiority, which she does not hesitate to express. During many of her interactions with Clegg, she is condescending, even though she claims to detest snobbery. This condescension exposes the class divide between them and reinforces Clegg’s feelings of inadequacy. Despite her imprisonment, Miranda’s sense of superiority remains intact, as she continues to regard Clegg with a mixture of pity and disdain, even as she attempts to manipulate him to secure her freedom.

Through Miranda and Clegg’s interactions, the novel critiques rigid mid-20th-century class structures and the prejudices they engender. Clegg’s actions can be seen as a twisted form of rebellion against a society that has marginalized him, while Miranda’s fate underscores the vulnerability of the privileged when stripped of their societal protections. For all of her snobbery, Miranda never manages to escape Clegg’s grasp. Meanwhile, for his part, Clegg moves on to another victim, suggesting that class struggle is cyclical in nature. In the end, the novel suggests that class is a fundamental social marker that surfaces even in the most extreme situations, demonstrating how deeply entrenched class is in English society.

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Class and Snobbery Quotes in The Collector

Below you will find the important quotes in The Collector related to the theme of Class and Snobbery.

Part 1 Quotes

The only times I didn’t have nice dreams about her being when I saw her with a certain young man, a loud noisy public-school type who had a sports car. I stood beside him once in Barclays waiting to pay in and I heard him say, I’ll have it in fivers; the joke being it was only a cheque for ten pounds. They all behave like that. Well, I saw her climb in his car sometimes, or them out together in the town in it, and those days I was very short with the others in the office, and I didn’t use to mark the X in my entomological observations diary (all this was before she went to London, she dropped him then). Those were days I let myself have the bad dreams. She cried or usually knelt. Once I let myself dream I hit her across the face as I saw it done once by a chap in a telly play. Perhaps that was when it all started.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 4-5
Explanation and Analysis:
Here, Clegg reflects on his intense feelings towards Miranda, the art student who is the object of his obsession. Clegg is deeply infatuated with Miranda and his emotions veer from admiration to resentment. The quote highlights his extreme sensitivity to any perceived competition for her affection. The “loud noisy public-school type” with the sports car represents a social world and confidence that Clegg lacks. This man, who casually jokes about money in a way that Clegg finds distasteful, symbolizes everything Clegg feels excluded from and inferior to. The sports car and the man’s demeanor are representations of a lifestyle that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium e

She often went on about how she hated class distinction, but she never took me in. It’s the way people speak that gives them away, not what they say. You only had to see her dainty ways to see how she was brought up. She wasn’t la-di-da, like many, but it was there all the same. You could see it when she got sarcastic and impatient with me because I couldn’t explain myself or I did things wrong. Stop thinking about class, she’d say. Like a rich man telling a poor man to stop thinking about money.

I don’t hold it against her, she probably said and did some of the shocking things she did to show me she wasn’t really refined, but she was. When she was angry she could get right up on her high horse and come it over me with the best of them. There was always class between us.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 39
Explanation and Analysis:
Here, Clegg is reflecting on the class dynamics that are constantly at play in his conversations with Miranda. Clegg observes that despite Miranda’s vocal disdain for class distinctions, her upbringing is evident in her mannerisms and speech. Her refined behavior and condescension when he fails to meet her expectations reinforce his feelings of inferiority. Clegg’s analogy—comparing Miranda’s admonitions to stop thinking about class to a rich man telling a poor man to forget about money—suggests that he has thought about this issue far more than Miranda gives him credit for. She thinks his interest in money comes from greed when Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis.

She just looked at me.

“Ferdinand,” she said. “They should have called you Caliban.”

Related Characters: Miranda Grey , Frederick Clegg
Page Number and Citation: 62
Explanation and Analysis:
This is something Miranda says to Clegg after he frustrates her due to his lack of interest and understanding of art. It includes references to the novel’s most important intertextual reference: Shakespeare’s The Tempest. In Shakespeare’s play, Ferdinand is the noble and handsome prince who falls in love with Miranda, the daughter of Prospero. He represents virtue, love, and the promise of a hopeful future. On the other hand, Caliban is depicted as a brutish creature who Prospero enslaves and Miranda despises. Caliban embodies the darker aspects of human nature, including lust, anger, and a desire for dominance. By addressing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asp

Part 2 Quotes

Power. It’s become so real.

I know the H-bomb is wrong. But being so weak seems wrong now too.

I wish I knew judo. Could make him cry for mercy.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 123
Explanation and Analysis:
This is an excerpt from Miranda’s first journal entry after Clegg kidnaps her. Here, she reflects on the nature of power, suggesting that previously it only existed for her as an abstraction. Miranda has had many conversation about power and the ways power can lead to violence, such as in the case of H-bomb, which is her most pressing political cause. However, she has never witnessed the devastation of the H-bomb firsthand, nor has she been victim to extreme uses of force. As a person from the upper classes, Miranda is used to being the powerful, not the powerless, even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores.

Upstairs, bedrooms, lovely rooms in themselves, but all fusty, unlived-in. A strange dead air about everything. Downstairs what he (he would) called “the lounge” is a beautiful room, much bigger than the other rooms, peculiarly square, you don’t expect it, with one huge crossbeam supported on three uprights in the middle of the room, and other crossbeams and nooks and delicious angles an architect wouldn’t think of once in a thousand years. All massacred, of course, by the furniture. China wild duck on a lovely old fireplace. I couldn’t stand it, I got him to retie my hands in front and then I unhooked the monsters and smashed them on the hearth.

That hurt him almost as much as when I slapped his face for not letting me escape.

Related Characters: Miranda Grey (speaker), Frederick Clegg, G.P.
Page Number and Citation: 134
Explanation and Analysis:
In this quotation, Miranda describes seeing the upstairs of Clegg’s home for the first time. Although the bones of the house impress her, what Clegg has done to it offends her sensibilities. Elsewhere in the novel, Clegg often blames Miranda’s sudden change in mood on her being a woman, as he thinks women are hysterical and are therefore subject to rapid changes in mood. While Miranda usually is far more deliberate in her behavior than Clegg gives her credit for, here she becomes temporarily unhinged because she finds Clegg’s taste so insulting. She does not smash the china because she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis

I’m so superior to him. I know this sounds wickedly conceited. But I am. And so it’s Ladymont and Boadicaea and noblesse oblige all over again. I feel I’ve got to show him how decent human beings live and behave.

He is ugliness. But you can’t smash human ugliness.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 137
Explanation and Analysis:
Here, Miranda is once again thinking about her superiority to Clegg after he fails to understand anything she tries to teach him about art. There are a number of allusions in this quotation that should be clarified. First, Ladymont is a fictional place where Miranda went to boarding school. As such, it represents the values of a privileged class of people. Meanwhile, Boadicaea is a legendary British queen who led a revolt against Roman rule. Finally, noblesse oblige refers to the concept that those of higher status have a duty to act honorably towards those who are less privileged. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in.

7. But you don’t compromise with your background. You cut off all the old you that gets in the way of the maker you. If you’re suburban (as I realize D and M are—their laughing at suburbia is just a blind), you throw away (cauterize) the suburbs. If you’re working class, you cauterize the working class in you. And the same, whatever class you are, because class is primitive and silly.

Related Characters: Miranda Grey (speaker), Frederick Clegg, G.P.
Page Number and Citation: 152
Explanation and Analysis:
During one of her journal entries about G.P., Miranda lists several things G.P. taught her, this quote being one of them. Here, G.P. is suggesting that, to be a true artist, one must sever themselves from their class background. Both he and Miranda like to claim that “class is primitive and silly” because they are sitting at the top of the social ladder. As Clegg says elsewhere in the novel, it is easy for a rich man to tell a poor man not to worry about money; the same is true of social classes more broadly. Often, Miranda criticizes Clegg Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis

Between them Caroline and M have every quality I hate in other women. I had a sort of despair for days afterwards, thinking how much of their rotten, pretentious blood I must have in me. Of course, there are times when I like Caroline. Her briskness. Her enthusiasm. Her kindness. And even all the pretentiousness that’s so horrid next to the real thing—well, it’s better than nothing. I used to think the world of her when she came to stay. I used to love staying with her. She backed me up when there was the great family war about my future. All that till I lived with her and saw through her. Grew up.

Related Characters: Miranda Grey (speaker), G.P.
Page Number and Citation: 161
Explanation and Analysis:
Caroline is Miranda’s aunt and “M” is Miranda’s shorthand for her mother. In this quote, Miranda is describing her dislike of the new middle class, which both Caroline and Miranda’s mother represent. In particular, she hates their pretension, even though she spends a great deal of time with G.P., who others feel is pretentious. What Miranda fails to consider is that her political opinions are informed by her personal life. Miranda likes to think of herself as embodying principles that are superior to those of the middle class that she was brought up in. However, really it seems that she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis

I felt sorry for Caliban this evening. He will suffer when I am gone. There will be nothing left. He’ll be alone with all his sex neurosis and his class neurosis and his uselessness and his emptiness. He’s asked for it. I’m not really sorry. But I’m not absolutely unsorry.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 208-209
Explanation and Analysis:
In this quote Miranda reflects on her feelings toward Clegg, whom she refers to as Caliban, drawing from Shakespeare’s The Tempest. She expresses a momentary pity for him, acknowledging that he will suffer greatly after she is gone. At the end of The Tempest, Caliban acknowledges his mistakes and vows to do better. As a result, Prospero forgives him and leaves the island, allowing Caliban a chance to reclaim his autonomy. However, here, Miranda thinks she is leaving Clegg to a fate that is far more dire. Although Miranda’s escaping Clegg would amount to a reinstatement of the social order—much Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus t

I hate them. I hate the uneducated and the ignorant. I hate the pompous and the phoney. I hate the jealous and the resentful. I hate the crabbed and the mean and the petty. I hate all ordinary dull little people who aren’t ashamed of being dull and little. I hate what G.P. calls the New People, the new-class people with their cars and their money and their tellies and their stupid vulgarities and their stupid crawling imitation of the bourgeoisie.

Related Characters: Miranda Grey (speaker), Frederick Clegg
Page Number and Citation: 221
Explanation and Analysis:
This is a rant Miranda goes on in an entry where she is particularly frustrated with Clegg and her chances of escaping him. Whenever Miranda is upset, she tends to take her anger out by reverting to class-based discourse, which makes her feel superior. She feels the need to resort to politics because it is her primary lens for viewing the world, and she does not know where else to turn. However, politics does not help her understand Clegg. While parts of him resemble “the New People,” he is a monster and his monstrousness cannot be explained by his class. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut ali

Part 4 Quotes

I have not made up my mind about Marian (another M! I heard the supervisor call her name), this time it won’t be love, it would just be for the interest of the thing and to compare them and also the other thing, which as I say I would like to go into in more detail and I could teach her how. And the clothes would fit. Of course I would make it clear from the start who’s boss and what I expect.

But it is still just an idea. I only put the stove down there today because the room needs drying out anyway.

Related Characters: Frederick Clegg (speaker), Marian, Miranda Grey
Page Number and Citation: 305
Explanation and Analysis:
This is the quote that ends the novel, as Clegg transfers his obsession with Miranda over to Marian. His casual mention of Marian’s name and the acknowledgment of her as “another M” suggests a disturbing pattern in his behavior, as he seems to replace Miranda with Marian seamlessly. His statement that this time “it won’t be love” indicates a shift from his previous delusion of romantic interest to a more calculated, detached approach. He plans to capture her out of curiosity and to compare her to Miranda, consciously treating the act as an experiment rather than an emotional connection. Additionally, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Molliti