The Collector
by John Fowles
✓

or to save your progress

Themes and Colors
Power and Control Theme Icon
Class and Snobbery Theme Icon
Painting vs. Photography Theme Icon
Gender Roles Theme Icon
LitCharts assigns a color and icon to each theme in The Collector, which you can use to track the themes throughout the work.
Gender Roles Theme Icon
Gender Roles Theme Icon

In The Collector, gender roles shape the dynamics between Frederick Clegg and Miranda, revealing the power imbalances and societal expectations imposed on both characters. For his part, Clegg embodies a patriarchal mindset, where his perception of masculinity is intertwined with possession. His kidnapping of Miranda is both an act of obsession and a manifestation of his desire to assert ownership over her. This reflects a broader societal tendency to objectify and subordinate women, albeit taken to an extreme. Miranda, on the other hand, projects a progressive and liberated femininity, or at least she tries to. She is independent and assertive, qualities that clash with Clegg’s traditionalist views. Throughout her captivity, Miranda resists the passive role Clegg attempts to impose on her. She continually challenges his authority, regularly trying to escape through all means available to her, including her sexuality.

However, to some extent, both Miranda and Clegg misjudge each other. Miranda assumes that Clegg captured her because he is interested in sex, a quality she associates with men. However, although Clegg certainly has repressed desires, sex is not his primary motivator. Rather, it is love that motivates Clegg, however misguided that might seem. For his part, whenever Clegg does not understand Miranda’s behavior, he assumes she is doing something irrational because she is a woman. Often, Miranda will rapidly and deliberately change her mood because she wants to provoke Clegg or get him to leave her alone. Clegg’s inability to respect Miranda’s intelligence leaves him vulnerable to her emotional manipulations and escape attempts. Clegg suffers because he does not understand Miranda, a person he claims to love. However, it is Miranda who suffers far more for Clegg’s mistake. After she offers Clegg sex, he no longer thinks she is special and feels less inclined to take proper care of her. This neglect is the catalyst for Miranda’s subsequent illness, which in turn results in her death. Through this disturbing ending, the novel suggests that while both men and women suffer due to rigid gender roles, it is women who bear the greater burden.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Gender Roles ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Gender Roles appears in each chapter of The Collector. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
chapter length:
Get the entire The Collector LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
The Collector PDF

Gender Roles Quotes in The Collector

Below you will find the important quotes in The Collector related to the theme of Gender Roles.

Part 1 Quotes

That was the day I first gave myself the dream that came true. It began where she was being attacked by a man and I ran up and rescued her. Then somehow I was the man that attacked her, only I didn’t hurt her; I captured her and drove her off in the van to a remote house and there I kept her captive in a nice way. Gradually she came to know me and like me and the dream grew into the one about our living in a nice modern house, married, with kids and everything. It haunted me.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 14
Explanation and Analysis:
This quote illustrates Frederick Clegg’s ability to distort and rationalize his thoughts and actions. The transition in his dream from rescuer to captor reveals a deep-seated conflict within him: he simultaneously wants to protect and possess Miranda. This duality highlights his inability to distinguish between love and control. His belief that he can keep her “captive in a nice way” demonstrates a dangerous delusion, as when he goes on to kidnap her, he convinces himself that his actions are benign and even justified. The evolution of the dream into a domestic fantasy shows his yearning for a conventional relationship, though Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. V

“You know who I am. You must know my father’s not rich or anything. So it can’t be ransom.”

It was uncanny, hearing her think it out.

“The only other thing is sex. You want to do something to me.”

She was watching me. It was a question. It shocked me.

Related Characters: Miranda Grey , Frederick Clegg
Page Number and Citation: 33
Explanation and Analysis:
Clegg has just kidnapped Miranda. In this passage, Miranda logically deduces Clegg’s motives, which sheds light on the psychological dynamics of her captivity. By eliminating ransom as a motive, Miranda is forced to confront the possibility that Clegg wants to sexually assault her, which she knows she is especially vulnerable to as a woman. This confrontation is not just about her immediate physical safety but also about the broader implications of male dominance and control. Miranda’s ability to articulate her fears and directly question Clegg disrupts the power dynamic, momentarily shifting control to her as she forces him to confront Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi nece

“It’s not a little thing. It’s terrible that you can’t treat me as a friend. Forget my sex. Just relax.”

I’ll try, I said. But then she wouldn’t sit by me again.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 69
Explanation and Analysis:
Here, Miranda and Clegg are sitting together and looking at an artbook. Miranda starts to chastise Clegg when she realizes he is not listening to anything she is saying because he is thinking about touching her. Earlier in the novel, Miranda expressed fear that Clegg would sexually assault her because he does not realize the source of his impulses. Clegg claims that sex is not at the base of his attraction to her, but this quote provides more evidence that the opposite is true. Although Clegg is an extreme example, the frustration Miranda expresses here is one that she also Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui

I know what some would think, they would think my behaviour peculiar. I know most men would only have thought of taking an unfair advantage and there were plenty of opportunities. I could have used the pad. Done what I liked, but I am not that sort, definitely not that sort at all. She was like some caterpillar that takes three months to feed up trying to do it in a few days. I knew nothing good would come of it, she was always in such a hurry. People today always want to get things, they no sooner think of it they want to get it in their hands, but I am different, old-fashioned, I enjoy thinking about the future and letting things develop all in good time.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 100-111
Explanation and Analysis:
Here, Clegg is angry with Miranda because she tried to escape after learning Clegg is not intending to let her go as he promised. The passage shows how Clegg justifies his behavior, which he contrasts with what he assumes would be the actions of other men. He recognizes he’s not behaving normally, yet he clings to an image of himself as being morally superior. By asserting that most men would have taken advantage of the situation, Clegg tries to elevate himself as morally superior because he refrains from outright physical or sexual abuse, despite the numerous opportunities. This, of course, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. M

She made me look a proper fool. I knew what she was thinking, she was thinking this was why I was always so respectful. I wanted to do it, I wanted to show her I could do it so I could prove I was really respectful. I wanted her to see I could do it, then I would tell her I wasn’t going to, it was below me, and below her, it was disgusting.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 105-106
Explanation and Analysis:
In this scene, Clegg is recounting the night when Miranda attempts to seduce him. Clegg is scared to admit he wants sexual attention from Miranda and is even more frightened when she decides to give it to him unprompted. Elsewhere, Clegg will show that he can handle female sexuality if he feels in control of the situation. However, here, Miranda takes the lead, and it makes him deeply uncomfortable. Despite his discomfort with sex, he still wants to prove to Miranda that he is a man, which in this case he thinks means achieving an erection. He implies that doing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferend

It was no good, she had killed all the romance, she had made herself like any other woman, I didn’t respect her anymore, there was nothing left to respect.

Related Characters: Frederick Clegg (speaker), Miranda Grey
Page Number and Citation: 110
Explanation and Analysis:
Here, Clegg is describing how he no longer feels love toward Miranda following Miranda’s attempt to seduce him. Up to this point in the novel, it is clear to Miranda that Clegg has repressed sexual urges. In attempting to calm these urges and offer herself to Clegg sexually, Miranda loses Clegg’s respect and romantic interest. What is odd about Clegg’s formulation of their relationship is that he seems to want a sexless romance with Miranda. He thought she was above using sex to get what she wants, but she proved otherwise as far as he is concerned. As is the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempo

Part 2 Quotes

People like your bloody aunt think I’m a cynic, a wrecker of homes. A rake. I’ve never seduced a woman in my life. I like bed, I like the female body, I like the way even the shallowest of women become beautiful when their clothes are off and they think they’re taking a profound and wicked step. They always do, the first time. Do you know what is almost extinct in your sex?

He looked sideways at me, so I shook my head.

Innocence.

Related Characters: Miranda Grey (speaker), G.P., Frederick Clegg
Page Number and Citation: 186-187
Explanation and Analysis:
This quote comes from Miranda’s recollection of a conversation with G.P. and is an important part of the novel’s commentary on gender dynamics. G.P.’s speech provides insight into his somewhat contradictory views on women and relationships. He vehemently denies being a cynic, a home-wrecker, or a rake, suggesting a defensiveness about his reputation and a desire to assert a different self-image. He claims never to have seduced a woman, yet he admits to enjoying women’s bodies and the intimacy of sex. All of this paints a picture of a man who at least believes that women simply can’t help but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imp

Part 4 Quotes

I have not made up my mind about Marian (another M! I heard the supervisor call her name), this time it won’t be love, it would just be for the interest of the thing and to compare them and also the other thing, which as I say I would like to go into in more detail and I could teach her how. And the clothes would fit. Of course I would make it clear from the start who’s boss and what I expect.

But it is still just an idea. I only put the stove down there today because the room needs drying out anyway.

Related Characters: Frederick Clegg (speaker), Marian, Miranda Grey
Page Number and Citation: 305
Explanation and Analysis:
This is the quote that ends the novel, as Clegg transfers his obsession with Miranda over to Marian. His casual mention of Marian’s name and the acknowledgment of her as “another M” suggests a disturbing pattern in his behavior, as he seems to replace Miranda with Marian seamlessly. His statement that this time “it won’t be love” indicates a shift from his previous delusion of romantic interest to a more calculated, detached approach. He plans to capture her out of curiosity and to compare her to Miranda, consciously treating the act as an experiment rather than an emotional connection. Additionally, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Molliti