Definition of Imagery
In Letter 31, Celie describes Harpo's behavior as he watches Sofia leave. Walker utilizes imagery in this scene to communicate the nature of Harpo's self-inflicted misery:
Harpo sit on the steps acting like he don’t care. He making a net for seining fish. He look out toward the creek every once in a while and whistle a little tune. But it nothing compared to the way he usually whistle. His little whistle sound like it lost way down in a jar, and the jar in the bottom of the creek.
Letter 55, penned by Nettie after her ship docks in Africa, includes an interesting reflection on the parallels between letter-writing and prayer. The following passage from Nettie's letter utilizes figurative language and sensory imagery to equate the two processes:
Unlock with LitCharts A+And whether God will read letters or no, I know you will go on writing them; which is guidance enough for me. Anyway, when I don’t write to you I feel as bad as I do when I don’t pray, locked up in myself and choking on my own heart. I am so lonely, Celie.
In Letter 55, Nettie describes an encounter she had with Sofia in town. Nettie uses imagery and figurative language to relate her impression of Sofia's odd behavior to Celie:
Unlock with LitCharts A+[T[here was [Sofia] looking like the very last person in the world you’d expect to see waiting on anybody, and in particular not on anybody that looked like [the mayor's wife]. I spoke. But just speaking to me seemed to make her embarrassed and she suddenly sort of erased herself. It was the strangest thing, Celie! One minute I was saying howdy to a living woman. The next minute nothing living was there. Only its shape.