The Comedy of Errors
by William Shakespeare
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The Comedy of Errors: Dramatic Irony 3 key examples

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Definition of Dramatic Irony

Dramatic irony is a plot device often used in theater, literature, film, and television to highlight the difference between a character's understanding of a given situation, and that of the... read full definition
Dramatic irony is a plot device often used in theater, literature, film, and television to highlight the difference between a character's understanding of a given... read full definition
Dramatic irony is a plot device often used in theater, literature, film, and television to highlight the difference between a... read full definition

Key Examples in The Comedy of Errors

Act 2, Scene 2
Explanation and Analysis—Confusion:

Dramatic irony is perhaps the primary comedic tool employed by Shakespeare in The Comedy of Errors. There is, throughout the entirety of the play, a significant gap between characters’ understanding of their situation and the audience's understanding of the situation. This gap is emphasized at various points in the text, as characters respond with exasperation or fury to the various misunderstandings and mix-ups that drive the plot. Take, for example, this conversation between Antipholus of Syracuse and Dromio of Syracuse in Act 2, Scene 2: 

ANTIPHOLUS OF SYRACUSE
How now, sir? Is your merry humor altered?
As you love strokes, so jest with me again.
You know no Centaur? You received no gold?
Your mistress sent to have me home to dinner?
My house was at the Phoenix? Wast thou mad,
That thus so madly thou didst answer me?

DROMIO OF SYRACUSE
What answer, sir? When spake I such a word?

Act 4, Scene 3
Explanation and Analysis—Call Me by My Name:

In one of the play’s few soliloquies, Antipholus of Syracuse wonders to himself about the strange and inexplicable friendliness he has encountered in Ephesus:

There’s not a man I meet but doth salute me
As if I were their well-acquainted friend,
And everyone doth call me by my name.
Some tender money to me; some invite me; […]
Sure these are but imaginary wiles,
And Lapland sorcerers inhabit here

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Act 4, Scene 4
Explanation and Analysis—A Gentle Nation:

In a speech punctuated with dramatic irony, Dromio of Syracuse entreats Antipholus of Syracuse to stay another night in Ephesus on account of the supposedly kind and gentle nature of the Ephesians. He says: 

Faith, stay here this night. They
will surely do us no harm. You saw they speak us
fair, give us gold. Methinks they are such a gentle
nation that, but for the mountain of mad flesh that
claims marriage of me, I could find in my heart to
stay here still, and turn witch

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