The Custody of the Pumpkin
by P.G. Wodehouse
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Clarence Threepwood, Ninth Earl of Emsworth Character Analysis

Lord Emsworth is Freddie’s father and the protagonist of the story. An English aristocrat and owner of the Blandings estate, Emsworth is an amiable but absentminded man, described as being “capable of but one thought at a time.” With little else to do around the castle, Emsworth primarily concerns himself with trivial and simplistic pastimes, such as playing with gadgets or fretting over his prize pumpkin. Emsworth’s aimlessness and lack of meaningful responsibilities suggests that the 20th century nobility have become somewhat irrelevant in modern times. However, a traditionalist at heart, Emsworth continues to take great pride in his heritage, and as such he is furious to discover his son’s engagement to Aggie, the cousin of the estate’s head gardener, McAllister. Emsworth views Aggie as unworthy of his son due to her humble parentage, but his attempt to force McAllister to break up the couple results in the gardener’s resignation, jeopardizing the health of Lord Emsworth’s prize pumpkin. Emsworth’s inability to control either his son or his employee imply that as well as having less relevance, modern earls no longer command automatic respect from their subjects. Emsworth eventually meets Aggie’s father, wealthy businessman Mr Donaldson, whose success exposes Emsworth’s prejudiced assumptions as old fashioned and incompatible with modern reality. In the end, Emsworth puts aside his pride in order to undo the damage done while trying to sabotage the relationship. This newfound humility is what ultimately revives Emsworth’s beloved vegetable and allows him to win first prize at the Shrewsbury Show.

Clarence Threepwood, Ninth Earl of Emsworth Quotes in The Custody of the Pumpkin

The The Custody of the Pumpkin quotes below are all either spoken by Clarence Threepwood, Ninth Earl of Emsworth or refer to Clarence Threepwood, Ninth Earl of Emsworth. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Aristocracy and Power Theme Icon
).

The Custody of the Pumpkin Quotes

If [Freddie] was allowed to live at London, he piled up debts and got into mischief; and when you jerked him back into the purer surroundings of Blandings Castle, he just mooned about the place, moping broodily. Hamlet’s society at Elsinore must have had much the same effect on his stepfather as did that of Freddie Threepwood at Blandings on Lord Emsworth.

Related Characters: Clarence Threepwood, Ninth Earl of Emsworth, The Honourable Frederick Threepwood (“Freddie”)
Page Number and Citation: 116
Explanation and Analysis:
This is the reader’s first introduction to Freddie, which serves to establish the character’s defining traits (financially irresponsible and prone to “mischief”) and neatly summarizes the driving conflict between Lord Emsworth and his seemingly irresponsible son. Where Emsworth adores Blandings Castle, which acts as both literal and symbolic confirmation of his noble heritage, Freddie hates the estate and longs for a more modern existence in the city. Freddie’s rejection of Blandings implies a disregard for his aristocratic legacy, and speaks to the 20th century’s fading interest in the monarchy. Notably, Emsworth compares himself here to the character of Claudius from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusanti

And, though normally a fair-minded and reasonable man, well aware that modern earls must think twice before pulling the feudal stuff on their employés, he took on the forthright truculence of a large landowner of the early Normal period ticking off a serf.

Related Characters: Clarence Threepwood, Ninth Earl of Emsworth, Angus McAllister
Page Number and Citation: 118
Explanation and Analysis:
After the castle’s head gardener, Angus McAllister, refuses Lord Emsworth’s unreasonable order to banish Aggie, Emsworth responds with a desperate attempt to pull rank on his employee. This attempt highlights Emsworth’s frustration over his decreased authority as a 20th-century aristocrat. The Lord directly acknowledges that as a “modern earl,” he should know better than to expect unquestioning obedience from his employees, and by comparing his own attitude to that of a “large landowner of the early Norman period” (which occurred nine centuries prior), he admits that this is a comically outdated way for an aristocrat to behave. However, despite this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt d

A curious expression came into Angus McAllister’s face—always excepting the occupied territories. It was the look of a man who has not forgotten Bannockburn, a man conscious of belonging to the country of William Wallace and Robert the Bruce.

Related Characters: Angus McAllister, Clarence Threepwood, Ninth Earl of Emsworth
Page Number and Citation: 118
Explanation and Analysis:
In this passage, McAllister resists his employer’s inappropriate attempt to flaunt his power. Whereas Lord Emsworth represents the modern nobility, here the story establishes Angus McAllister as a symbol of the modern working class, who as of the early 1900s had begun to take back some control from the nobility. During this period, the lower classes had seized primary control over the House of Commons, and the rise of trade unions saw workers demanding better rights and greater respect from their more wealthy employers. The comparison between McAllister’s refusal to follow orders and Bannockburn—a battle during the First War of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedi

He had gone with King George to show his Gracious Majesty the pumpkin promising the treat of a lifetime; and, when they arrived, there in the corner of the frame was a shrivelled thing the size of a pea. He woke, sweating, with the Sovereign’s disappointed screams ringing in his ears[.]

Related Characters: Clarence Threepwood, Ninth Earl of Emsworth
Related Symbols: Lord Emsworth’s Pumpkin
Page Number and Citation: 119
Explanation and Analysis:
Following McAllister’s resignation, Lord Emsworth becomes concerned for the wellbeing of his prize pumpkin, which he had hoped would win first place at the Shrewsbury Show. His anxiety over the vegetable’s success causes a vivid dream in which the pumpkin dies, and Emsworth’s failure disappoints the King himself. This sequence exposes Emsworth’s skewed and inflated sense of importance as an aristocrat, truly believing that his pumpkin would not only attract the attentions of the King, but that the King would find it to be “the treat of a lifetime.” For Emsworth, the death of the pumpkin would mean failing his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occa

He hated London. He loathed its crowds, its smells, its noises; its omnibuses, its taxis, and its hard pavements. And, in addition to all its other defects, the miserable town did not seem to be able to produce a single decent head gardener. He went from agency to agency, interviewing candidates and not one of them came within a mile of meeting his requirements. He disliked their faces, he distrusted their references.

Related Characters: Clarence Threepwood, Ninth Earl of Emsworth
Page Number and Citation: 120
Explanation and Analysis:
After traveling to London in search of a new head gardener, only to come up short, Emsworth vents his frustrations by reflecting on his hatred of the city. Emsworth’s description paints London as an intense attack on the senses, listing the town’s defects in quick succession so as to emphasize its fast-paced and overwhelming atmosphere. The Lord’s attitude towards London are reflective of his feelings of displacement and irrelevance as an aristocrat in the 20th century. In addition to these feelings of insignificance, Lord Emsworth’s rejection of the city and all it has to offer underlines his prejudiced attitude and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita d

In a crass and materialistic world there must inevitably be a scattered few in whom pumpkins touch no chord. The Hon. Frederick Threepwood was one of these. He was accustomed to speak in mockery of all pumpkins[.]

Related Characters: The Honourable Frederick Threepwood (“Freddie”), Clarence Threepwood, Ninth Earl of Emsworth
Related Symbols: Lord Emsworth’s Pumpkin
Page Number and Citation: 122
Explanation and Analysis:
Upon meeting Freddie in London, the Lord becomes convinced that cats have destroyed his beloved pumpkin—a notion that Freddie finds hilarious. This scene once more establishes a sharp generational divide between father and son. Whereas Emsworth views his pumpkin as a matter of grave importance, Freddie, like the reader, finds his father’s anxiety over the vegetable laughable. Freddie’s dismissal of the pumpkin, which the story has firmly established as a symbol of aristocracy and familial legacy, implies a shifting social attitude towards notions of heritage, particularly in younger generations. Unlike Emsworth, Freddie does not feel any inherent responsibility towards his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Inci

There is that about a well-set-out bed of flowers which acts on men who love their gardens like a drug, and he was in a sort of trance. Already he had completely forgotten where he was, and seemed to himself to be back in his paradise of Blandings.

Related Characters: Clarence Threepwood, Ninth Earl of Emsworth
Page Number and Citation: 123
Explanation and Analysis:
After learning of Freddie’s sudden elopement with Aggie Donaldson, the head gardener’s cousin, Lord Emsworth becomes dazed and seeks refuge in Kensington Gardens. In stark contrast to the city, Emsworth considers the gardens to be a place of peace and respite. This is largely due to the fact that they remind him of a place where he is still recognized as having some level of authority, namely his “paradise” of Blandings.  Emsworth’s instinct to retreat back to Blandings when faced with a modern and fast-paced world that he cannot control implies a desire to return to a more traditional social Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi

Without a thought of annoying or doing harm to anybody, he appeared to have unchained the fearful passions of a French Revolution; and there came over a sense of how unjust it was that this sort of thing should be happening to him, of all people – a man already staggering beneath the troubles of a Job.

Related Characters: Clarence Threepwood, Ninth Earl of Emsworth
Page Number and Citation: 124
Explanation and Analysis:
After illegally picking flowers in the park, a displeased mob confronts Emsworth. This scene is a continuation of the theme of revolution and civil uprising against an increasingly useless monarchy. Emsworth emphasises this point by his comparison between his “unjust” punishment and the French Revolution, a period in 18th-century France that saw the monarchy executed for their incompetence and greed. However, Emsworth once again fails to recognize the relevance of his own metaphor, and he is completely bewildered by his persecution, despite the fact that he has committed a blatant (if only minor) crime. Emsworth’s reaction to the mob suggests Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delect

There is every reason to suppose that Mr Donaldson had subscribed for years to those personality courses advertised in the magazines which guarantee to impart to the pupil who takes ten correspondence lessons the ability to look the boss in the eye and make him wilt. Mr Donaldson looked Lord Emsworth in the eye, and Lord Emsworth wilted.

Related Characters: Clarence Threepwood, Ninth Earl of Emsworth, Mr Donaldson, Niagara “Aggie” Donaldson
Page Number and Citation: 125
Explanation and Analysis:
This is the reader’s first introduction to Mr Donaldson, Aggie Donaldson’s father. Until this point, Lord Emsworth has held the misplaced belief that due to the Donaldsons’ lack of noble heritage, the family must be beneath him. However, their first interaction categorically disproves this point, and it establishes the primary contrast between the two characters. Emsworth’s assumption that Mr Donaldson learned how to wield power through “correspondence lessons” implies that Donaldson’s influence is the result of hard work and effort, whereas Emsworth was simply born into his title. Of the two, it is ultimately Donaldson who comes across as the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut oc

“Ten million? Ten million? Did you say you had ten million dollars?”

“Between nine and ten, I suppose. Not more. You must remember,” said Mr Donaldson, with a touch of apology, “that conditions have changed very much in America of late. […] But things are coming back. Yes, sir, they’re coming right back. I am a firm believer in President Roosevelt and the New Deal.”

Related Characters: Mr Donaldson (speaker), Clarence Threepwood, Ninth Earl of Emsworth
Page Number and Citation: 126
Explanation and Analysis:
During their first meeting, Lord Emsworth discovers Mr Donaldson to be immensely wealthy. This fact further disproves Emsworth’s preconceived notion that the Donaldsons must be poor, and it turns Mr Donaldson himself into a symbol of the Industrial Revolution, and the unprecedented financial success many derived from the era. Whereas prior to the revolution a man like Mr Donaldson may have never found success, in the aftermath he has proven himself able to not only match the wealth of nobles such as Lord Emsworth, but to have exceeded it. This once again suggests that the modern social climate is changing, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores.

In an age of rush and hurry like that of today, an age in which there are innumerable calls on the time of everyone, it is possible that here and there throughout the ranks of those who have read this chronicle there may be one or two who for various reasons found themselves unable to attend the last Agricultural Show at Shrewsbury.

Related Characters: Clarence Threepwood, Ninth Earl of Emsworth, Angus McAllister
Page Number and Citation: 127
Explanation and Analysis:
In this final scene, Emsworth, having reconciled with Angus McAllister, attends the Shrewsbury Agricultural Show with his titular winning pumpkin. Though this is indeed a success for Lord Emsworth, Wodehouse’s narration acknowledges that for many, such successes will go unnoticed, as the majority of people are too preoccupied by the modern world and its “innumerable calls” to so much as acknowledge the monarchy. This once more highlights the triviality of the upper classes, whose achievements are now so minor that the general public simply ignore them. The story ends with a suggestion that in this “age of rush and hurry,” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidu
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Clarence Threepwood, Ninth Earl of Emsworth Character Timeline in The Custody of the Pumpkin

The timeline below shows where the character Clarence Threepwood, Ninth Earl of Emsworth appears in The Custody of the Pumpkin. The colored dots and icons indicate which themes are associated with that appearance.
The Custody of the Pumpkin
Nature vs. Modernization Theme Icon
Subversion of Social Class Theme Icon
As the sun rises on the idyllic pastures of the Blandings estate, Lord Emsworth, accompanied by his faithful butler, Beach, sits with his eye to a powerful telescope. Emsworth... (full context)
Nature vs. Modernization Theme Icon
...father, who has no idea what to do with the boy. Though Freddie loves London, Emsworth has banned him from the city due to his habit of amassing debt and getting... (full context)
Subversion of Social Class Theme Icon
Emsworth is devastated by this revelation. He had hoped that someday Freddie would marry an “eligible... (full context)
Aristocracy and Power Theme Icon
Subversion of Social Class Theme Icon
Following this conversation, Emsworth rushes across the terrace to confront McAllister. Despite being “well aware that modern earls must... (full context)
Aristocracy and Power Theme Icon
Nature vs. Modernization Theme Icon
The pumpkin is a matter of grave importance to Lord Emsworth, as it marks a gap in his family’s “scroll of honour.” While at first glance... (full context)
Aristocracy and Power Theme Icon
Nature vs. Modernization Theme Icon
Emsworth wakes with the “Sovereign’s disappointed screams ringing in his ears,” and decides that while reinstating... (full context)
Nature vs. Modernization Theme Icon
On the third day of this visit, after failing to find a single suitable candidate, Emsworth reflects on his hatred of the city, in particular “its crowds, its smells, its noises;... (full context)
Nature vs. Modernization Theme Icon
A short time later, peace comes across Lord Emsworth as he enters the park, and takes in the “consoling glory” of nature. Recovering from... (full context)
Aristocracy and Power Theme Icon
Nature vs. Modernization Theme Icon
Subversion of Social Class Theme Icon
With this act, the park-keeper labels Emsworth “a dangerous criminal” and “the blackest type of evil-doer.” The keeper begins to scold Emsworth,... (full context)
Aristocracy and Power Theme Icon
Nature vs. Modernization Theme Icon
Subversion of Social Class Theme Icon
It is at this moment Emsworth glances at his spectators and finds among them McAllister and Mr Donaldson. The Lord appeals... (full context)
Aristocracy and Power Theme Icon
Subversion of Social Class Theme Icon
With his ordeal over, Emsworth finally meets with Aggie’s father, Mr Donaldson. Emsworth prepares for this conversation by drawing himself... (full context)
Aristocracy and Power Theme Icon
Subversion of Social Class Theme Icon
With this conversation done, Emsworth turns his attentions to McAllister. Though Emsworth’s “tongue seem[s] to cleave his palette,” he puts... (full context)
Aristocracy and Power Theme Icon
Nature vs. Modernization Theme Icon
Subversion of Social Class Theme Icon
Some time later, Emsworth and McAllister attend the Shrewsbury Show. Lord Emsworth’s sworn enemy, Sir Gregory Parsloe-Parsloe, offers the... (full context)