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Day 10: Fourth Tale
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in The Decameron, which you can use to track the themes throughout the work.
Love and Sex
Men and Women
Moderation and Excess
Intelligence
Class and Character
Faith vs. Religion
Summary
Analysis
While Emilia agrees that Gentile de’ Carisendi’s generosity was great, her story will show that it is possible for a man to be even more generous with a lady. Gilberto and his wife Madonna Dianora live in Udine, in the cold northern mountains of Italy. Ansaldo Gradense has fallen in love with Dianora but hasn’t won her heart despite his noble manners and martial prowess.
Emilia suggests that Gentile, in giving up something that never truly belonged to him, was not as generous as Lauretta claimed. Thus, when readers are introduced to Gilberto, his wife Dianora, and Dianora’s admirer, they are primed to expect that the men’s control or ownership over Dianora’s sexuality will be in play.
Active
Themes
Madonna Dianora, tired of Ansaldo Gradense’s attention, decides to rid herself of him with an impossible task. She tells his messenger that she will “love him and do his bidding” if he proves his love by making her a garden in the middle of January. If he can’t, and he continues to provoke her, she will tell her husband and relatives and they will make him stop. Although Ansaldo realizes that she’s trying to frustrate his desire, he persists until he finds a Magician who can create the garden—for a large fee.
Dianora, like several other ladies in the tale, simply isn’t interested in Ansaldo. Her rejection threatens the assumption that a man’s love and honor alone were supposed to be sufficient to earn (or demand) a woman’s affections. Because of these assumptions, women in her position must be careful and clever to successfully dismiss such unwanted lovers, and Dianora attempts, like Monna Piccarda (VIII, 4) and Francesca de’ Lazzari (IX, 1), to impose an impossible task on him. It’s fitting that she asks for a garden, both because gardens are symbolically places of love, but also because they are places where reality is suspended. Thus, Dianora is suggesting that she’ll have sex with Ansaldo when January turns into May—in other words, never. Yet, Ansaldo is willing to cheat. On the one hand, this suggests his steadfast love and the power of love to dictate his actions. But on the other, it calls into question whether he is truly as honorable as he asserts himself to be.
Active
Themes
In the exact middle of January, the Magician conjures a beautiful garden, and Ansaldo Gradense presents its fruits and flowers to Madonna Dianora, both to show her how deeply he loves her and to remind her of her promise. Dianora can’t hide her anguish from Gilberto, and she explains the rash promise she made to Ansaldo. Gilberto chides her foolishness, first for listening to Ansaldo, then for bartering with him. But, because it was an honest mistake on her part and because he’s afraid that Ansaldo will have the Magician harm them if she breaks her word, he commands her to go to Ansaldo. If she can’t convince him to release her from her promise, without “loss of honor,” she should “give him her body.”
Active
Themes
Madonna Dianora doesn’t want to do this, but she ultimately obeys Gilberto’s command. She catches Ansaldo Gradense by surprise when she knocks on his door the next day. He calls the Magician to witness the fruits of his charm, then asks Dianora why she’s come to him alone. She says her Gilberto sent her because he pays “more regard to the labors of your unruly love than to his own or his wife’s reputation.” Only by her husband’s command is she willing to submit to her admirer’s pleasures.
Active
Themes
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Deeply moved by “Gilberto’s liberality,” Ansaldo Gradense’s desire turns to compassion. He promises to treat Madonna Dianora as a sister if she takes his thanks for the “immense courtesy he has shown me” to Gilberto. After the delighted Dianora tells her husband what happened, he and Ansaldo become best friends. Inspired by Gilberto’s offer of his wife’s sexual favors to Ansaldo and Ansaldo’s generous release of Dianora, the Magician waives his fee.
Active
Themes
Emilia, like Lauretta, challenges her audience to decide who is the more generous lover: Gentile de’ Carisendi, for returning a lover he found nearly dead, or Ansaldo Gradense, for giving up a lady who was ready to throw herself into his very arms? In her opinion, Ansaldo is the clear winner.
Active
Themes
