The Decameron
The Decameron
by Giovanni Boccaccio

The Decameron: Day 8: Ninth Tale Summary & Analysis

Summary
Analysis
Before beginning her tale, Lauretta notes that some people’s ignorance means that they’re practically begging to be pranked. Tricksters who return tit for tat or who prank gullible people shouldn’t be judged too harshly. Master Simone da Villa is one of those gullible people. After studying medicine at Bologna, he moves to Florence grandly dressed but not very wise. Among his eccentricities, he shows a great deal of curiosity about his neighbors and is always asking questions about everyone, especially Bruno and Buffalmacco.
Lauretta’s tale critiques an educated—yet still unwise—man. It thus participates in The Decameron’s argument about merit, proving that personal characteristics (like intelligence and common sense) are stronger indicators of a person’s worth than markers of their status, like titles (such as “Doctor”) or wealth. As soon as she introduces the names of Bruno and Buffalmacco (in this, their third appearance in the tales), the audience is primed to expect hijinks and trickery.
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Noting that Bruno and Buffalmacco are always happy and carefree, despite being poor painters, Simone da Villa concludes that they must have a secret source of money. He cultivates Bruno’s friendship, and Bruno is delighted by the doctor’s evident gullibility. After hosting Bruno for breakfast a few times, Simone asks how he and his friend support themselves, and Bruno reveals that they, unable to live on their work alone, obtain the “pleasures and necessities of life” by “go[ing] the course.”
Simone cannot see the irony of the situation when, in trying to figure out how Bruno and Buffalmacco always seem to be happy despite their lack of income, he becomes their frequent host. In contrast, the clever and wily Bruno makes a quick mark of Simone and creates a trick designed to bilk him of as many of the pleasures and necessities of life—money, food, and wine—as he can. His suggestion of secret knowledge, as in other tales, provides cover for his trick, since it suggests something a person would want or need to keep quiet to avoid the attention of the church or secular authorities.
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Simone da Villa begs to know what “going the course” means. Bruno is reluctant to share the secret for fear of being punished. But he so respects the physician’s “ineptitude” that he will risk it if Simone promises absolute secrecy. He tells the doctor that he and Buffalmacco are members of a secret society, formed some years ago when a group of Florentine nobles persuaded the great Scottish necromancer Michael Scott to leave behind two of his disciples to minister to their needs. The company, made of men “rich or poor, patrician or plebian,” meets twice a month to grant the wishes of its members.
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The secret society has banquets in beautiful rooms served by handsome servants; the plates, silverware, and cups are made of silver and gold; the food and wine are rich, delicious, and never-ending; and everyone wears fine and rich clothing. But the highlight is the beautiful women who are magically provided for the members from the four corners of the world. Many of them are powerful queens, who cavort with society members in splendid beds after dinner. Buffalmacco prefers the Queen of France, while Bruno likes the Queen of England. These rich ladies are happy to give the painters a few thousand florins now and then.
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Although Simone da Villa’s medical wisdom is great (or great enough to treat a baby’s thrush, at least) he is stunned to learn about “going the course,” and he wants to join the secret society himself. But he decides to first curry Bruno’s favor with more hospitality. He invites Bruno for breakfast and supper regularly and displays “boundless affection” for him. In gratitude, Bruno paints several murals—including a chamber-pot over the front door—for Simone.
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Every so often, Bruno describes a society meeting, stringing Simone da Villa along with tidbits about the women he calls for. When Simone feels that Bruno is “sufficiently in his debt,” he asks to be initiated. He plans to wish for “the comeliest serving wench you’ve seen,” whom he met a year ago in “Cacavincigli.” Although he offered her money at the time, she turned him down. He also has a lot to offer the company: not only is he a doctor, but he’s handsome, and an excellent singer. He bursts into song to prove it, and Bruno compliments his “cacophonous voice.” The doctor goes on to point out that he’s a nobleman (although his parents both came from the country), with a fine collection of books and nice clothes.
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Bruno would comply with Simone da Villa’s request—both because he loves him “as a brother” and because his words are “seasoned with so much wisdom”—if he could. If he gives his word “as a gentleman and a moron” to keep it secret, Bruno will tell him how to get in. Simone must befriend Buffalmacco, since he is the next captain, and his opinion on new members will hold greater weight. Buffalmacco is already “dying to meet [Simone].” In his ridiculous eagerness, Simone loses no time in meeting Buffalmacco, and the painters stuff themselves “like princes” at his table.
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When Simone da Villa asks Buffalmacco for admittance into the secret society, he offers so many “pearls of wisdom” that Buffalmacco tells him that it seems more like he studied how to “capture men’s minds…with [his] wisdom and…singular ways” than medicine in Bologna. Simone replies that he was very popular in Bologna where he “made everybody laugh because [he] was very popular” every time he opened his mouth. Eventually, Buffalmacco offers Simone his “equivocal promise” to enroll him in the company.
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Buffalmacco also promises Simone da Villa the “Countess of Cesspool” as his mistress; she will help him forget his serving wench. He explains that she is a great lady who makes her presence known everywhere in the world; even monks honor her with their “big bass drum.” Her symbols are the rod and bucket, and her vassals include “Baron Ffouljakes, Lord Dung, Viscount Broomhandle…and the Earl of Loosefart.” Simone doesn’t catch exactly what he's saying because he was raised in Bologna.
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Within a few days, Bruno and Buffalmacco explain to Simone da Villa how he will be inducted. That night, after dark, he must put on his best clothes—because the Countess of Cesspool wants to make him into a Knight of the Bath—and wait on Santa Maria Novella’s crypts. A black, horned creature will come to fetch him. He must not let it frighten him, though it will try. When it comes to him, he will climb on its back, but he must not hold on with his hands or call on God or the saints. Breaking any of these rules will land him “in a stinking mess.” Simone recounts two anecdotes to demonstrate his bravery: once he carried a girl to bed despite her protests, and once he passed a fresh grave without fear.
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As darkness falls, Simone da Villa gives his wife an excuse for going out. Tall, sturdy Buffalmacco disguises himself as the demonic creature and goes to the church square where he leaps about and hisses in an alarming way. When he approaches Simone, the doctor is “terrified out of his wits,” but he manages to climb onto Buffalmacco’s back, whispering “God preserve me.”
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Buffalmacco carries Simone da Villa through the city and along ditches where “farmers…pour the offerings of the Countess of Cesspool” to fertilize their fields. He suddenly seizes one of Simone’s feet and throws him into the ditch, snarling and leaping around before running back to Bruno, who is hidden nearby. Simone climbs out of the ditch with great difficulty, scrapes off as much ooze as he can, and goes home, where Bruno and Buffalmacco eavesdrop on his wife’s reception. While Simone tries to clean up, she says he deserved it for going to see another woman.
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The next morning, Bruno and Buffalmacco paint bruises on their chests and visit Simone da Villa, who still reeks. They complain that they were mercilessly beaten after their nominated member failed the initiation. Their informant told them that Simone trembled like a leaf when he climbed on the beast and that he invoked God’s name. He apologizes profusely and (to keep his misadventure quiet) he entertains them more lavishly than before.
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