LitCharts assigns a color and icon to each theme in The Decameron, which you can use to track the themes throughout the work.
Love and Sex
Men and Women
Moderation and Excess
Intelligence
Class and Character
Faith vs. Religion
Summary
Analysis
Just as the rest of the day’s tales have almost all recalled something said on an earlier occasion, Lauretta’s tale will answer Pampinea’s from Day 7 by describing a much less brutal vendetta where the revenge outweighed the initial harm.
This tale looks back to VII, 8—the story of Elena’s punishment for repudiating and mocking the lovesick scholar Rinieri—but in its critique of excessive revenge, it also engages with the imbalance and excess typified by Cecco Fortarrigo in IX, 4.
Active
Themes
In Florence, there is a glutton called Ciacco. His humble means are unequal to his appetite, but he’s cultured and witty enough to impose himself on the wealthy for meals. His rival in professional mooching is Biondello, an elegantly dressed, dapper little man.
Thanks to an episode in Dante Alighieri’s Divine Comedy in which a glutton named “Ciacco” speaks to Dante in hell, by Giovanni Boccaccio’s day, the name had become a shorthand for those with excessive tastes for food and wine. Ciacco’s rival, Biondello, combines the sins of gluttony and vanity in his dapper appearance, although the two otherwise seem evenly matched.
Active
Themes
One morning during Lent, Ciacco finds Biondello buying fish at the market. Although he’s buying for Vieri de’ Cherchi, Biondello tells Ciacco the fish is for a meal at Corso Donati’s home, which he suggests Ciacco attend. At what seems like an appropriate hour, Ciacco presents himself at Corso Donati’s home and is welcomed to breakfast. But he is surprised when the meal ends without a hint of the fine fish. Indignant at Biondello’s prank, Ciacco vows to repay him.
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Active
Themes
A few days later, Ciacco hires a man to take a wine bottle to Messer Filippo Argenti—a wealthy and ill-tempered man—with a request from Biondello to “rubify [it] … with some of [his] excellent red wine.” Filippo, quick to take offense, is enraged by what he believes to be Biondello’s mockery. So when Ciacco tells Biondello that Messer Filippo wants to see him, and Biondello approaches the gentleman, Filippo punches him in the face, tears his clothes, musses his hair, and dumps him in the mud. A group of onlookers eventually disentangle Biondello and explain about the request for wine. Impotently protesting his innocence, Biondello slinks home.
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After his bruises heal, Biondello meets Ciacco in the street. Ciacco asks how Filippo Argenti’s wine tasted, and Biondello replies he thought it was as good as Ciacco must have found Corso Donati’s fish. Warning him that another invitation to breakfast like that will earn Biondello another one of these drinks, Ciacco warns Biondello that it’s better to silently dislike him than to try to pay him back.
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