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Day 9: Ninth Tale
Themes
Key
LitCharts assigns a color and icon to each theme in The Decameron, which you can use to track the themes throughout the work.
Love and Sex
Men and Women
Moderation and Excess
Intelligence
Class and Character
Faith vs. Religion
Summary
Analysis
Dioneo begins his tale with an excuse for his off-color stories. Just as a black crow enhances the beauty of a flock of white doves by the contrast, his foolish tales augment the other narrators’ excellence. Today’s offering will highlight the contrast between his tales and theirs, so he begs more than the usual indulgence.
The fact that Dioneo is excusing his story before it begins suggests that it will be even more off-color than his previous offerings. However, he also makes a case for moderation and balance, claiming, in essence, that all things are acceptable in moderation. Since the rest of the tales are mostly sober, excellent, and within the bounds of moral propriety, Dioneo’s tales can’t threaten the balance of The Decameron generally. In addition, he claims that a little bit of nonsense and obscenity throws the virtues of the other tales into even starker relief.
Themes
In Barletta, a priest named Father Gianni di Barolo supplements his meager church income by small-time trading, carrying his wares to local fairs on his mare. He befriends another poor trader—whom he familiarly calls Neighbor Pietro—who carries his goods on a donkey. Whenever either man is in the other’s town, they stay together. But Pietro and his wife Gemmata have one little bed, so in Barletta, Gianni must sleep on a heap of straw in the stable.
The relationship between Father Gianni and Pietro is as even and reciprocal as possible. But Father Gianni is relatively better off since he has two revenue streams (trading and his church income), and he doesn’t have a wife to support. The slight imbalance in the hospitality the two men can show each other means that the priest must sleep in the stable instead of in the home.
Themes
When Father Gianni visits, Gemmata offers to stay with a friend so that he can share the bed with Neighbor Pietro. Father Gianni politely declines, saying that he’s comfortable in the stable. There, he has a magic ritual to turn his mare into a woman to sleep with. Gemmata is astonished at this thought, and she wants Pietro to learn the magic to turn her into a horse. That way, she can help him carry goods and make more money. Eventually, Father Gianni promises to show Pietro how it’s done—especially the hardest part, which is fastening on the tail. They will start before dawn the next day.
Themes
Just before dawn, Neighbor Pietro and Gemmata summon Father Gianni—still in his nightshirt—to teach them. Extracting a promise that they will follow his instructions and never utter a word, no matter what they see or hear, he has Gemmata undress and pose on hands and knees, like a horse. Fondling her face, he says “This be a fine mare’s head;” then he does the same to the rest of her body parts. When he strokes her breasts, he gets an erection. He goes on to stroke her back, belly, rump, and legs. And when it’s time for the tail, he lifts his shirt, grabs his rod, and sticks it in “the place made for it,” saying “And this be a fine mare’s tail.”
Themes
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Neighbor Pietro, who had been silent, exclaims that he doesn’t want the tail. Father Gianni finishes his business, then tells Pietro that this interruption ruined the magic and there’s no way to fix it. Pietro doesn’t mind, since he didn’t like the part about the tail, which the priest stuck on too low, and which he himself could have added. Father Gianni retorts that Pietro wouldn’t have known how to do it as well as he himself did. At this point, Gemmata interrupts, angry with her husband for ruining the spell and their chances of making more money. And Neighbor Pietro doesn’t ask Father Gianni for favors ever again.
Themes
