The Distance Between Us
by Reyna Grande
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Book One: Chapter 2 Quotes

"What did you see?" I asked her. "'Who was that in the alley?"

"It was a man, a man on a horse," Mago whispered. The clop-clopping of the hooves grew fainter and fainter.

"So?" Carlos said.

"But he was dragging something behind him in a sack!"

"You're lying," Carlos said.

"I'm not, I swear I'm not," Mago insisted. "I swear I saw him drag a person away."

"We don’t believe you," Carlos said again. "Right, Reyna?" I nodded, but none of us could fall back to sleep.

"That's the devil making his rounds," Abuela Evila said the next morning when we told her what Mago had seen. "He's looking for all the naughty children to take back to Hell with him. So you three better behave, or the devil is going to take you away."

Mago told us not to believe anything Abuela Evila said. But at night, we huddled together even closer when we heard a horse pass by our window the sound of its hooves sending chills up our spines. Who would protect us if the devil came to steal us and take us far away where we would never see our parents again? I wondered. Every night, I would bury my face in my pillow and hold on tight to my sister.

Related Characters: Mago Grande Rodriguez (speaker), Carlos Grande Rodriguez (speaker), Abuela Evila (speaker), Reyna Grande Rodriguez (speaker)
Page Number and Citation: 16
Explanation and Analysis:
Here, Reyna reflects on the first night she and her siblings Mago and Carlos spent in their Abuela Evila’s house after their mother departed for the United States. This passage demonstrates the tools of abuse and manipulation Evila will come to use on her grandchildren over the course of their year-long stay with her. Evila makes her grandchildren sleep on a straw bed on the floor, directly below a window without panes, which looks down on the street below. When the children complain that terrible things are happening in the alleyway at night, Evila shows no concern for her grandchildren’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum d

Mago and I sat on the dirt floor, and she told me about the day I was born exactly the way Mami used to tell it. She pointed to the circle of rocks and a pile of ash and told me that during my birth, a fire had been on while Mami had squatted on the ground, over a straw mat, grabbing the rope hanging from the ceiling. When I was born, the midwife put me into my mother's arms. She turned to face the fire so that the heat would keep me warm. As I listened to Mago, I closed my eyes and felt the heat of the flames, and I heard Mami's heart beating against my ear.

Mago pointed to a spot on the dirt floor and reminded me that my umbilical cord was buried there. That way, Mami told the midwife, no matter where life takes her, she won't ever forget where she came from.

But then Mago touched my belly button and added something to the story my mother had never told me. She said that my umbilical cord was like a ribbon that connected me to Mami. She said, "It doesn’t matter that there's a distance between us now. That cord is there forever." I touched my belly button and thought about what my sister had said. I had Papi's photo to keep me connected to him. I had no photo of my mother, but now my sister had given me something to remember her by.

Related Characters: Mago Grande Rodriguez (speaker), Reyna Grande Rodriguez (speaker), Papi / Natalio Grande, Mami / Juana Rodriguez
Page Number and Citation: 21-22
Explanation and Analysis:
In this passage, Mago takes her younger sister Reyna—distressed by neighborhood children’s taunts of “huerfanita,” or “orphan”—to see the place where she was born, and to soothe her with the story of her birth. Mago’s story does indeed comfort Reyna, who finds solace in hearing about an instance when her mother cared for her, looked out for her, and wanted to ensure that she was both safe and grounded. Mago also points out that Reyna and her mother are always connected. Though this claim is, at the moment, rather tenuous, Reyna latches on to even the slightest chance to remain Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

Don Bartolo took my grandmother's coin from his pocket and handed it to me. "Don't ever think that your parents don't love you," he said. "It is because they love you very much that they have left."

As I walked home with the needle for my grandmother, I told myself that maybe Don Bartolo was right. I had to keep on believing my parents left me because they loved me too much and not because they didn't love me enough.

Related Characters: Mago Grande Rodriguez (speaker), Reyna Grande Rodriguez (speaker), Papi / Natalio Grande, Mami / Juana Rodriguez
Page Number and Citation: 22
Explanation and Analysis:
In this brief passage, Don Bartolo, a neighborhood shopkeeper whose children Reyna has recently tormented after they teased her for being an orphan, extends grace, kindness, and understanding to the angry, confused little girl. Rather than chastising Reyna for stepping out of line or behaving poorly, he both assures her that he understands where her anger comes from and attempts to impress upon her the knowledge that she need not be so angry—things are not exactly as they seem. Reyna and her siblings have been feeling unloved and abandoned, and their abusive grandparents and cruel cousin have not done anything Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas au

Book One: Chapter 5 Quotes

[Tía María Félix] left in the afternoon with little Javier. She promised Élida that one day soon she would send for her, and although she did eventually keep her promise, Élida had to stay behind for now and watch a taxicab take her mother away. Abuela Evila put her arm around Elida and held her while she cried. Elida buried her face in Abuela Evila's arms. It was so strange to see her crying. The ever-present mocking gaze was gone. The Élida that made fun of us, that laughed at us, that called us Los Huerfanitos, had been replaced by a weeping, lonely, heartbroken girl.

Mago grabbed our hands and took us to the backyard to give Élida privacy. "Los quiero mucho," she said, pulling us close to her. Then I realized how lucky Mago, Carlos, and I were. We at least had each other. Élida was on her own.

Related Characters: Reyna Grande Rodriguez (speaker), Mago Grande Rodriguez (speaker), Tía María Félix, Abuela Evila, Carlos Grande Rodriguez , Élida
Page Number and Citation: 46
Explanation and Analysis:
This passage, one of the novel’s major scenes of forgiveness through recognition, shows how the pampered and pompous Élida reacts when it is her turn to be left by the person she loves most. Though Élida’s parents, too, live in El Otro Lado and have left her with her grandmother, she torments Reyna, Mago, and Carlos for being orphans, cruelly telling them that their parents have left for good. In this moment, however, Reyna sees for the first time that Élida, too, is suffering a private pain, and harbors fears of being left behind forever. Reyna’s heart goes out to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut oc

Book One: Chapter 7 Quotes

Part of me was desperate to wear those shoes. They were new. They had been sent to us by our parents. They were from El Otro Lado! But then I thought about my parents, and the fact that they didn't even know what size shoe I wore made me want to throw them in the trash.

If they don't even know something as basic as the size of our shoes and clothes, what else don't they know about us? And what don't we know about them?

The question was there, but neither Carlos, Mago, nor I was courageous enough to ponder on it for long. As the oldest, it was clearer to Mago, more than to Carlos and me, that the distance between us and our parents was destroying our relationship more than any of us could have imagined.

Related Characters: Reyna Grande Rodriguez (speaker), Papi / Natalio Grande, Mago Grande Rodriguez , Carlos Grande Rodriguez , Mami / Juana Rodriguez
Page Number and Citation: 56-57
Explanation and Analysis:
In this scene, Reyna, Mago, and Carlos have just received a package from their parents in El Otro Lado. After hurriedly opening it, they find that it contains shoes and clothing—all of which are several sizes too small. As they contemplate the disappointing gift, they realize that perhaps their worst fear—being forgotten by their parents—has an even darker side to it. Their parents have not forgotten them, as the care package plainly shows—rather, their parents no longer know small, intimate things about them, and thus the emotional distance between them is shown to have grown considerably. Their parents no longer Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut

Book One: Chapter 10 Quotes

"Do you miss her?" I asked.

Mago glanced at the mountain one more time and then jumped off the track-changer. "Who, Mami? But she's back," she said. “And why were you crying?"

I started crying again. I didn't know why I still felt that familiar emptiness inside when I looked at the Mountain That Has a Headache even though my mother was back.

Carlos came over to us, smiling and pointing toward the house. "Can you believe she's here?" He took a deep breath and said, “Finally, everything is going to go back to how it was before she left."

Mami stood at the door and told us to come inside. As I looked at her in the doorway, beckoning us to come in, I knew why the emptiness and the yearning were still there. Carlos was wrong.

The woman standing there wasn't the same woman who had left.

Related Characters: Reyna Grande Rodriguez (speaker), Mago Grande Rodriguez (speaker), Carlos Grande Rodriguez (speaker), Mami / Juana Rodriguez
Page Number and Citation: 76
Explanation and Analysis:
Here, Mami has just returned to Mexico from El Otro Lado. Though at first, Reyna was delighted to have her mother back, she quickly realizes that her mother has changed during her time in El Otro Lado. She’s frustrated by the fact that neither Mago nor Carlos seem to notice the change that has taken place in their mother. Reyna is frightened, too, by the fact that she still feels an “emptiness” inside. This passage sets up one of the memoir’s major themes—the fact that distances between people, once close physically, are not always emotionally fixed. Often, the emotional rifts Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae

Book One: Chapter 11 Quotes

Out of all of us, Mago was the only one who harbored any hope that Papi would not forsake us. My mother's broken promise—that she'd be gone only a year—had caused a rift between them, so Mago's loyalty to my father remained strong. He had been gone for so long that in his absence he had become bigger than life in Mago's eyes. But regardless of how much she had changed, I was too happy to have my mother back to cling to the hope of seeing my father again. And I was angry at him. I didn't have a single memory of him and Mami together—of all of us together—and I felt cheated out of the family I yearned to have. Why did he have to go and fall in love with someone else? I wanted to know. Hadn't Mami always done what he had asked of her? Hadn't it been enough that she had followed him to El Otro Lado and left us behind?

Related Characters: Reyna Grande Rodriguez (speaker), Papi / Natalio Grande, Mago Grande Rodriguez , Mami / Juana Rodriguez
Page Number and Citation: 78
Explanation and Analysis:
In this passage, Mago holds onto some residual anger and pain despite Mami’s return. Though the physical distance between her and her mother has been closed, a large emotional distance remains. Mago is angry at her mother for having abandoned them, and even though the fact remains that Papi left before Mami and has stayed later than her, this distance has allowed for a reversal of the pain that accompanied Mami’s departure. Unable to really know her father, Mago puts him on a pedestal and reveres him. He has been gone so long, and grown so foreign to her, that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaeca

Book One: Chapter 14 Quotes

They hung Catalina by her feet so that the river would drain out of her. We all kneeled and prayed, and not once did I take my eyes off my cousin's bloated body, and I shuddered at seeing her like that, hanging by her feet, like the chickens at the meat section in el mercado, just as cold and lifeless. I was gripped with a fear so great, it made my stomach churn. What if something happened to me, Mago, Carlos, or Betty? What if, by the time Papi finishes his dream house, there’s no one left for him to keep safe? Or what if he never finishes it, what if he never returns, and we are left here to face the wolf all on our own?

Related Characters: Reyna Grande Rodriguez (speaker), Mago Grande Rodriguez , Carlos Grande Rodriguez , Betty
Related Symbols: Catalina
Page Number and Citation: 110-111
Explanation and Analysis:
In this passage, a horrible flood has ravaged Iguala. The rising and rushing river waters have swept away one of Reyna’s little cousins, and as a group of local men retrieve her lifeless body from the water and debris, Reyna is seized with a terrible fear. She has been longing for her father to come home for many years, and the longing has dulled through its length and repetition. Now, though, being confronted with a fatal, traumatic accident, Reyna’s longing takes on a new sense of urgency. She doesn’t want for her father to stay away so long that the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequ

Book One: Chapter 19 Quotes

"Go say hello to your father." Tía Emperatriz came up from behind us and pushed us toward him. I didn't want to go. All I wanted was to run away, run back to Abuelita Chinta's house, far away from him. I didn't want to see that look on his face. All those years staring at his photo, wishing that his eyes were not looking to the left but instead were looking at me. All those years wishing to be seen by him. And here he was, looking at me, but not really seeing me. He couldn't see past the tangled hair, the dirt on my face, my tattered clothes. He couldn't see the girl who had longed so much for this moment, to finally meet her father.

Related Characters: Reyna Grande Rodriguez (speaker), Tía Emperatriz (speaker), Papi / Natalio Grande, Abuelita Chinta
Page Number and Citation: 143
Explanation and Analysis:
In this passage, Reyna and her siblings have run from their Abuelita Chinta’s house to their Abuela Evila’s house, having been told that Papi is going to call them up on the phone there. When they arrive, however, they find their father sitting in the living room. What should have been a nice surprise becomes a moment of profound embarrassment, anxiety, and awkwardness as Reyna reflects on her and her father’s expectations for one another. Reyna has been waiting so long to see her father, and knows that he has been waiting to see her, too—because she was just a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempor

Book Two: Chapter 1 Quotes

I wanted to make my father proud. It still bothered me—as it would for many years—that my father had not wanted to bring me at first, and because of that I had a desperate desire for him to one day say, "Chata, you've made me a proud father. I'm so glad I didn't leave you in Mexico and instead brought you here."

I felt as if I owed him something, as if there was a debt that needed to be repaid. The way I could pay it back was to make him proud of my accomplishments, because they would be his accomplishments, too. Even now there are times when I think back on that moment when I begged my father to bring me to this country and the knowledge that he could have said no still haunts me. What would my life have been like then? I know the answer all too well.

Related Characters: Reyna Grande Rodriguez (speaker), Papi / Natalio Grande
Page Number and Citation: 173
Explanation and Analysis:
As Reyna starts school in El Otro Lado, she feels an immense amount of pressure, though she’s only in the first grade. She knows how high Papi’s expectations are—additionally, she feels that she needs to prove her worth to him in order to repay the “debt” she has incurred by asking him to bring her over to El Otro Lado. She knows, as an adult—and knew on some level as a child—that to stay in Iguala would be to live a life of poverty and misery, and that in coming to the United States she has been freed of that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occ

Book Two: Chapter 4 Quotes

Papi went back into his room with his beer, and while Mago helped me clean up in the bathroom, Mila made me scrambled eggs, even though I told her I wasn't hungry. Now I would have to eat the eggs because Papi would beat me for sure if I didn't eat Mila's food for the second time that night. As I showered, I cried and thought about my sweet grandmother. She would never have dumped a plate of food on my head. And I wouldn't have had to tell her why I couldn't eat the spaghetti. She would have known why right away. I thought about the Man Behind the Glass. He, too, wouldn't have dumped the spaghetti on my head because he was with me all those years, and he had listened to me tell him about my fears and my dreams. But the father in this house didn't know me. He didn't know me at all.

And I didn't know him.

Related Characters: Reyna Grande Rodriguez (speaker), Mago Grande Rodriguez , Abuelita Chinta, Papi / Natalio Grande
Page Number and Citation: 191
Explanation and Analysis:
Here, Papi has just dumped a plate of spaghetti on Reyna’s head when she refused to eat it because it reminded her of the roundworms she and her siblings suffered from back in Iguala. As Mago helps Reyna clean up, she cries and cries as she realizes that her father cannot—or simply will not—empathize with the profound struggles she has faced, or try to understand who she is. Papi has no room for nuance: when Reyna refuses to eat, he sees an ungrateful, stubborn child rather than a survivor of crushing poverty and trauma. Reyna weeps for the fact that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita de

Book Two: Chapter 8 Quotes

Back then we hadn't known where in Los Angeles Tía María Félix lived, and even if we had known, we probably wouldn't have gone to visit Élida. We just didn't have that kind of relationship with our cousin. My father wasn't close to his sister, either, and he never talked about visiting Tía María Félix, and for years we knew nothing about her. It wasn’t until he was in stage four of his cancer that he and Tía María Félix were finally reunited. My aunt would visit him daily, and they would spend hours reminiscing about times gone by and lamenting their broken relationships with their children. While my siblings and I had been struggling to overcome the gap that was created between us and our father when he'd left us behind, Élida had been doing the same thing with her mother. And like us, they had also failed to repair their relationship.

Immigration took a toll on us all.

Related Characters: Reyna Grande Rodriguez (speaker), Tía María Félix, Élida, Papi / Natalio Grande
Page Number and Citation: 207
Explanation and Analysis:
In this flash-forward, Reyna demonstrates how her little branch of the family was not the only nuclear unit affected by their larger family’s cycles of poverty, abuse, and trauma. Reyna’s spoiled cousin Élida, too, has been wrestling with horrible betrayals and feelings of abandonment—and her mother, María Félix, must reckon with the ways in which she has failed her daughter, and perpetuated the “distance” between them even after closing the physical gaps that separated them for so long. Every character in the book is forced, at some point, to come to terms with the tension between physical and emotional distance; Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque e

Book Two: Chapter 10 Quotes

Tía Güera had decided to leave her no-good husband and try her luck in this country. Mami was taking that as an opportunity to bring Betty here. So Tia Güera and Betty would both be making the long journey north together. The only thing was, Tia Güera said, that she would have to leave her own daughter behind with Abuelita Chinta. It made me sad to think of my cousin Lupita, of how now she was the one being abandoned, and I hoped that one day the cycle of leaving children behind would end.

Related Characters: Reyna Grande Rodriguez (speaker), Lupita , Tía Güera , Betty, Abuelita Chinta, Mami / Juana Rodriguez
Page Number and Citation: 222
Explanation and Analysis:
In this passage, Mami bring her daughter Betty to America, and Reyna’s own family grows one step closer to being reunited in full. The moment is bittersweet, though, as Reyna realizes that her cousin Lupita will have to be left behind. Just as trauma and abuse are cyclical and can tear families apart, as are abandonment and the feelings of betrayal it engenders. Reyna is saddened to think that the cycle of abandonment, pain, and misery has no end in her family—or in her home country—but can do little other than hope in the face of such a daunting realization.

Book Two: Chapter 11 Quotes

Papi was amazed. He asked me to play something. Mago rolled her eyes at me and left us alone. I took the sax from him and played the scale Mr. Adams had taught me, except I didn’t remember it that well. But Papi didn't criticize me for messing up. Instead he said, "You know, when I was in third grade, my teacher brought some drums to class and started to teach us how to play them. We couldn't take them home, but still, it was nice coming to school and having the chance to learn to play an instrument. I hoped to join the color guard when I got to sixth grade. But a few weeks later, when I turned nine, your grandfather said I was old enough to join him at the fields, and he pulled me out of school' I never got to play the drum again. And I've been working ever since."

Papi got up and headed to the refrigerator where he took out a Budweiser. Then he went into his room. I sat in the living room to practice my sax, but Mago and Carlos complained about the noise and sent me outside. I went to the yard and continued to practice, and I played with all my heart, for myself and for my papi, who never got another chance to play anything.

Related Characters: Reyna Grande Rodriguez (speaker), Papi / Natalio Grande, Carlos Grande Rodriguez , Mago Grande Rodriguez
Related Symbols: Reyna’s Alto Sax
Page Number and Citation: 233
Explanation and Analysis:
Since coming to America, Reyna has been desperate to find two things: both a way to make her father proud of her, and a way to express herself in the face of an embarrassing and difficult language barrier. When she picks up an alto sax on her first day of junior high, she realizes, to her delight, that she has found both of the things she has been searching for. The sax fills Papi with happy memories—and sad ones—and shows him that Reyna can do something that he was never given the chance to, which is the whole reason that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium r

Book Two: Chapter 15 Quotes

When my father beat me, and in his drunken stupor called me a pendeja and an hija de la chingada, I held on to the vision of the future he had given me during his sober moments. I thought about that vision when the blows came, because the father who beat me, the one who preferred to stay home and drink rather than to attend my band concerts or parent-teacher conferences, wasn't the same father who told me that one day I would be somebody in this country. That much I knew.

Related Characters: Reyna Grande Rodriguez (speaker), Papi / Natalio Grande
Page Number and Citation: 250
Explanation and Analysis:
In this chapter, Papi’s abuse of Reyna and her siblings escalates. This passage, taken from the beginning of the chapter, features Reyna reflecting on the coping mechanisms she used in order to get through Papi’s beatings. She told herself that the father who was beating her wasn’t her “real” father, reverting to her childish idea of her true father as the unimpeachable Man Behind the Glass—a man who sacrificed all for his children and who understood them better than anyone despite the distances between them. This idea of Papi is of course a falsehood, but Reyna is so traumatized that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde e

We understood what Papi must have gone through because we knew what Abuela Evila and Abuelo Augurio were like. But that didn't make us feel better. If Papi knew what it felt like to be abused by his parents, then shouldn't he understand how we felt? Shouldn't he try to be a better father? Also, it wasn't our fault that his own family had turned their backs on him, even going as far as stealing the house he worked so hard to build. So why take it out on us? Why take out all his frustrations and disappointments on us?

"I came back for you, didn't I?" he said to us sometimes when we would speak up.

Then we would shut up and lower our heads, and we would continue to take his beatings. Even the time he punched me in the nose so hard it broke, as I watched the drops of blood landing on my tennis shoe, I told myself that maybe he was right. We shouldn't expect anything better from him. He didn't forget us, after all. We were here because of him. I was in this country because of him. I begged him to bring me. I got what I wanted, after all. How could I complain now, simply because things weren't all that we had hoped for?

Related Characters: Reyna Grande Rodriguez (speaker), Papi / Natalio Grande, Abuelo Augurio, Abuela Evila
Page Number and Citation: 256
Explanation and Analysis:
In this passage, Reyna reflects on how she and her siblings handled—or failed to handle—their father’s abuse throughout their childhoods. They both understood why their father was the way he was and failed to understand how he could perpetuate the cruel treatment his own parents inflicted upon him. This passage explores the nature of cyclical abuse, and the ways in which trauma proliferates through generations and remains a central part of many families’ ways of relating to one another. Reyna and her siblings make excuses for their father, even as his inexcusable behavior intensifies—they are traumatized, and yet understand that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim ne

Book Two: Chapter 19 Quotes

I didn't know why I was so angry at my sister. How could she just sever the ties that bind us to this place, to these childhood friends of ours who weren’t able to escape this poverty like we did? I was so angry at her for quitting college and ruining her chances for a successful life. Now I realized that we owed it to them, our cousins, our friends, to do something with our lives. If not for us, then for them, because they would never be able to. I understood so clearly now why Papi said there were so many people who would die to have the opportunities we had, who would kill to get their hands on a green card. Mago's and Carlos's refusal to see that angered me more than anything.

Related Characters: Reyna Grande Rodriguez (speaker), Papi / Natalio Grande, Mago Grande Rodriguez , Carlos Grande Rodriguez
Page Number and Citation: 282
Explanation and Analysis:
In this passage, Mago and Reyna are on a trip to Mexico—their first since leaving nearly ten years earlier. While Reyna looks forward to using the trip to reconnect with her family members and childhood friends, Mago wants to travel to Acapulco to party—she is disgusted by their hometown of Iguala, and chastises Reyna for associating with the “trash” from their past. Reyna becomes hurt, angry, and sad, and she and Margo begin physically fighting one another—the first fight they’ve ever had. Reyna has, despite all of the abuse and cruelty, internalized a lot of Papi’s logic. She understands that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus

Book Two: Chapter 21 Quotes

When [Papi] came home, I didn’t hide in my bedroom. Instead, I went out to the kitchen and said, "Tomorrow I'm going to Pasadena City College to enroll." I waited for him to say no. I was ready for a fight. Bur my father looked at me, and whatever he saw in my eyes made him keep quiet. I turned around, and as I headed back to my room, he started to talk.

"You know, Chata, when my father took me to the fields to work, my job was to guide the oxen in a straight line. My father gave me a rod and said that if the oxen didn't listen to me, to hit them as hard as I could. I was nine years old, Chata. Do you understand?"

I took a deep breath, unable to say anything. I wanted to say something. I was still too angry to forgive all that he had done to me, but I wanted to understand what he was trying to tell me. But too soon, he had turned away from me. Too soon, he was opening the refrigerator door, taking out a Budweiser, and I knew that the father who had spoken just a minute ago was gone.

Related Characters: Reyna Grande Rodriguez (speaker), Papi / Natalio Grande (speaker), Abuelo Augurio
Page Number and Citation: 298
Explanation and Analysis:
After enduring years of abuse—and several months of particularly intense beatings and psychological manipulations—Reyna stops hiding from her father and at last announces that she is going against his will; she is planning on enrolling in college. Reyna expects a fight, but is surprised when her father actually opens up to her. In a rare sober and transparent moment, Papi reflects on his painful childhood. In addition to being abused by his own parents, Papi was forced to take on a controlling, physically cruel role at an early age. He does not explain everything to Reyna, but leaves her to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut

Book Two: Chapter 23 Quotes

Carlos and Mago were furious about what our father had done.

Carlos said, "I spent all that time helping him with the lawyer, defending him from Mila and her restraining orders, for what? So that he could just betray us like this?"

"I'm never speaking to him again," Mago said. "He used us. He just wanted us around because he was lonely and depressed, and now that he has her back he doesn’t need us!" Once again, we were orphans.

I thought about the border that separates the United States and Mexico. I wondered if during their crossing, both my father and mother had lost themselves in that no-man's-land. I wondered if my real parents were still there, caught between two worlds. I imagined them trying to make their way back to us. I truly hoped that one day they would.

Related Characters: Reyna Grande Rodriguez (speaker), Mago Grande Rodriguez (speaker), Carlos Grande Rodriguez (speaker), Mami / Juana Rodriguez , Papi / Natalio Grande, Mila Grande
Page Number and Citation: 315
Explanation and Analysis:
In this passage, Papi has just told Reyna that he is planning on getting back together with Mila, whom he has abused, humiliated, and nearly divorced. Her condition for taking him back, Papi says, is that he cut off all contact with Reyna, Mago, and Carlos. Reyna, who has been living with her father all summer and taking care of him, is shocked and hurt by the news, and when she tells her siblings, they are similarly angry. Reyna, however, having had time to absorb the blow, is more thoughtful about her and her siblings’ being “orphans” again. She understands Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in.
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