The Doll’s House
by Katherine Mansfield
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The Doll’s House Quotes

For, really, the smell of paint coming from that doll's house…was quite enough to make any one seriously ill, in Aunt Beryl's opinion. Even before the sacking was taken off. And when it was….

There stood the doll’s house, a dark, oily, spinach green, picked out with bright yellow. Its two solid little chimneys, glued on to the roof, were painted red and white, and the door, gleaming with yellow varnish, was like a little slab of toffee. Four windows, real windows, were divided into panes by a broad streak of green. There was actually a tiny porch, too, painted yellow, with big lumps of congealed paint hanging along the edge.

But perfect, perfect little house! Who could possibly mind the smell? It was part of the joy, part of the newness.

Related Characters: Aunt Beryl, Isabel Burnell , Kezia Burnell, Lottie Burnell
Related Symbols: The Doll’s House
Page Number and Citation: 314
Explanation and Analysis:
The first description of the doll’s house does not make it seem particularly nice or valuable. In addition to its strong odor, the house has garish coloring, clunky exterior features, and lumps of paint caked on the porch. While Aunt Beryl focuses all of these imperfections, thinking it smells enough to make someone sick, the Burnell sisters are more innocently absorbed in the novelty and excitement the doll’s house brings to their lives. Later, the other girls in the village will all jockey for position in hopes of being invited next to see the doll’s house, clumps of paint and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecat

That is the way for a house to open! Why don’t all houses open like that? How much more exciting than peering through the slit of a door into a mean little hall with a hatstand and two umbrellas! That is—isn’t it?—what you long to know about a house when you put your hand on the knocker. Perhaps it is the way God opens houses at dead of night when He is taking a quiet turn with an angel…

“O-oh!” The Burnell children sounded as though they were in despair. It was too marvelous; it was too much for them. They had never seen anything like it in their lives.

Related Characters: Else Kelvey, Lil Kelvey, Kezia Burnell
Related Symbols: The Doll’s House
Page Number and Citation: 314-315
Explanation and Analysis:
Here the narrator slips into second person, speaking directly to the reader while describing the intricacies of the house’s interior. The inside of the doll’s house is much finer than its somewhat rough exterior. Mansfield seems to be suggesting that appearances can be deceiving, which, in turn, can be read as a critique of the class-based prejudices evident throughout the village. The villagers ostracize the Kelveys, for example, in part because of their hand-me-down clothing. Lil and Else’s appearance may be strange and garish, but Mansfield asks the reader to look past it to see that they are little girls Dolorem et qua

But what Kezia liked more than anything, what she liked frightfully, was the lamp. It stood in the middle of the dining-room table, an exquisite little amber lamp with a white globe. It was even filled all ready for lighting, though, of course, you couldn’t light it. But there was something inside that looked like oil, and moved when you shook it.

The father and mother dolls…were really too big for the doll's house. They didn't look as though they belonged. But the lamp was perfect. It seemed to smile at Kezia, to say, “I live here.”

Related Characters: Else Kelvey, Kezia Burnell
Related Symbols: The Lamp
Related Literary Devices:
Page Number and Citation: 315
Explanation and Analysis:
When the Burnell sisters see inside the doll’s house for the first time, Kezia fixates on a small oil lamp. Despite all the finer details of the house—like its plush red carpets and golden picture frames—Kezia adores the functional yet modest lamp most of all. Kezia’s interest in the lamp underscores her innocence and speaks to her youthful ability to see beauty in small, seemingly insignificant things. Kezia also does not fancy the lamp arbitrarily, but because it seems to fit so well in the house. While the mother and father dolls seem a little too large for their surroundings, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut

For it had been arranged that while the doll’s house stood in the courtyard they might ask the girls at school, two at a time, to come and look. Not to stay to tea, of course, or to come traipsing through the house. But just to stand quietly in the courtyard while Isabel pointed out the beauties…

Related Characters: Isabel Burnell
Related Symbols: The Doll’s House
Page Number and Citation: 315-316
Explanation and Analysis:
That the Burnell sisters can only invite two girls at a time to see the doll’s house reflects the snobbery and prejudice of the Burnell household. The girls from school may be invited to come over, but they are not invited to stay long and play. Instead, they can only enter the courtyard—not even the house itself—to get a brief glance at the toy. Through this, Mansfield seems to suggest the rather rude ways the Burnells try to distinguish themselves from the others in the town, and further underscores the family’s vanity. Only invited guests are allowed inside the home, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor a

Playtime came and Isabel was surrounded. The girls of her class nearly fought to put their arms round her, to walk away with her, to beam flatteringly, to be her special friend. She held quite a court under the hung pine trees...the only two who stayed outside the ring were the two who were always outside, the Kelveys. They knew better than to come anywhere near the Burnells.

Related Characters: Lil Kelvey, Else Kelvey, Isabel Burnell
Related Symbols: The Doll’s House
Page Number and Citation: 316
Explanation and Analysis:
Upon her arrival at school, the popular Isabel had told the other girls that she had something to share with them (that is, news of the doll’s house) at playtime. When playtime rolls around, Isabel is surrounded by girls eagerly awaiting the new gossip. The Kelveys do not even think about entering the circle with the other girls, however, because they know they are not welcome. The Kelveys are outsiders specifically because they are much poorer than the others; despite being children, the girls at school already behave according to the strict class rules that their parents, and society at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati

For the fact was, the school the Burnell children went to was not at all the kind of place their parents would have chosen if there had been any choice. But there was none. It was the only school for miles. And the consequence was all the children in the neighborhood, the Judge’s little girls, the doctor’s daughters, the storekeeper’s children, the milkman’s, were forced to mix together.

Related Characters: Else Kelvey, Lil Kelvey, Kezia Burnell, Lottie Burnell, Isabel Burnell
Related Literary Devices:
Page Number and Citation: 316
Explanation and Analysis:
Though the Burnells are the wealthiest family in their country village, Mansfield suggests that they are, themselves, in a rather precarious social position. They cannot send their daughters to a fancy school in town, as they live too far out in the country. Instead, they must settle for sending their daughters to school with children from lower classes and who have working class parents. Such diversity is not considered a benefit to the Burnell sisters’ education, but rather a consequence they must endure. For all of their vanity, Mansfield suggests that the Burnells are ultimately provincial, narrow minded, and not Dolorem et quae. Exercitationem non aut. Eveniet dolo

But the line had to be drawn somewhere. It was drawn at the Kelveys. Many of the children, including the Burnells, were not allowed even to speak to them…the Kelveys were shunned by everybody.

Related Characters: Lil Kelvey, Else Kelvey, Isabel Burnell , Kezia Burnell, Lottie Burnell
Related Literary Devices:
Page Number and Citation: 316
Explanation and Analysis:
Immediately after listing all the lower and working class children the Burnell sisters are forced to “mix” with, the narrator notes that the villagers arbitrarily draw a line at the Kelveys. As the poorest of all, Lil and Else Kelvey become easy targets for the other villagers. The insecurities and class tensions that plague the village are channeled into resentment and exclusion of the Kelveys as obvious outsiders to protect everyone else’s place as insiders. Throughout the story the other girls are cruel to the Kelveys largely in an effort to reaffirm their own social status. By distancing themselves from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt do

They were the daughters of a spry, hardworking little washerwoman, who went about from house to house by the day. This was awful enough. But where was Mr. Kelvey? Nobody knew for certain. But everybody said he was in prison. So they were the daughters of a washerwoman and a gaolbird. Very nice company for other people’s children!

Related Characters: Else Kelvey, Lil Kelvey
Related Literary Devices:
Page Number and Citation: 316-317
Explanation and Analysis:
Upon further explaining the Kelveys’ background, the narrator seems to slip into the consciousness of the village as a whole. The tone reflects what the other villagers have agreed to believe about the Kelveys and how they parrot gossip about the poor family. The Kelveys are conspicuously poor, wearing hand me down clothes made of fabrics that their mother gets from the homes she cleans, and the absence of the family’s father only adds to their shame. Rather than feel sympathy for the hardworking mother or her two young daughters, the people of the town only worry about the influence Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam

But whatever our Else wore she would have looked strange. She was a tiny wishbone of a child, with cropped hair and enormous solemn eyes—a little white owl. Nobody had ever seen her smile; she scarcely ever spoke.

Related Characters: Else Kelvey
Related Literary Devices:
Page Number and Citation: 317
Explanation and Analysis:
Upon describing Else, the narrator emphasizes how, though Else’s clothing marks her poverty, it is not inherently linked to her character. Mansfield continues to suggest that looks are deceptive, and to care only about the Kelveys’ outward appearance denies them their full, complex humanity. Else’s eyes, rather than her clothes, hint at her depth of feeling. When, at the end of the story, Else wants to go into the courtyard to see the doll’s house—something Lil thinks it is a bad idea—it is her imploring eyes that manage to convince her sister to agree. The fact that Else rarely smiles Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi.

Where Lil went our Else followed. In the playground, on the road going to and from school, there was Lil marching in front and our Else holding on behind. Only when she wanted anything or when she was out of breath, our Else gave Lil a tug, a twitch, and Lil stopped and turned round. The Kelveys never failed to understand each other.

Related Characters: Lil Kelvey, Else Kelvey
Page Number and Citation: 317
Explanation and Analysis:
The narrator continues to describe the way the Kelveys interact with each other, and in doing so underscores the strength of their bond. While the rest of the town gossips about the Kelveys, Lil and Else themselves rarely speak at all. This does not mean they do not communicate, however. Despite their communication being subtler—a system of tugs, gestures, and glances—they never misunderstand each another. This contrasts with the cruel, false gossip that is readily spread around the village. Mansfield seems to suggest that such incessant talk does not inherently constitute meaningful communication. Instead, attention and care are what establish Dolorem et quae. Exercitationem non aut

Emmie Cole started the whisper.

“Lil Kelvey’s going to be a servant when she grows up.”

“O-oh, how awful!” said Isabel Burnell, and she made eyes at Emmie.

Emmie swallowed in a very meaning way and nodded to Isabel as she’d seen her mother do on those occasions.

“It’s true—it’s true—it’s true,” she said.

Related Characters: Emmie Cole (speaker), Isabel Burnell (speaker), Lil Kelvey
Page Number and Citation: 318
Explanation and Analysis:
After all the girls at school have seen the doll’s house, and there is little more to say about it at lunch, they start picking on the Kelveys. This may be more out of boredom than anything else, yet further underscores the girls’ desire to align themselves with the Burnells by ostracizing the Kelveys. Mansfield also subtly suggests that the girls are not naturally inclined to be cruel to the Kelveys; Emmie’s gestures are not natural, but affectations and habits she has picked up by watching her mother gossip. Class prejudice and cruelty are not innate, then, but rather are Dolorem et quae. Ex

“Is it true you’re going to be a servant when you grow up, Lil Kelvey?” shrilled Lena.

Dead silence. But instead of answering, Lil only gave her silly, shamefaced smile. She didn’t seem to mind the question at all. What a sell for Lena! The girls began to titter.

Lena couldn’t stand that. She put her hands on her hips; she shot forward. “Yah, yer father’s in prison!” she hissed, spitefully.

Related Characters: Lena Logan (speaker), Else Kelvey, Lil Kelvey
Page Number and Citation: 319
Explanation and Analysis:
When Lena, one of the more popular girls at school, tries to insult the Kelveys at lunch, things don’t go as planned. She had expected to get a rise out of Lil, but Lil only smiles in response. Lil’s silence is more of an insult to Lena than Lena’s insult is to Lil. The other girls start to laugh, and Lena, desperate to save face, reaches for the easiest thing she can think to say that will put her back into a position of power. Rather than let the Kelveys make a fool of her, she reminds the Kelveys that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibu

Isabel and Lottie, who liked visitors, went upstairs to change their pinafores. But Kezia thieved out back. Nobody was about; she began to swing on the big white gates of the courtyard. Presently, looking along the road, she saw two little dots. They grew bigger, they were coming towards her…Now she could see that they were the Kelveys. Kezia stopped swinging. She slipped off the gate as if she was going to run away. Then she hesitated. The Kelveys came nearer, and beside them walked their shadows, very long, stretching right across the road with their heads in the buttercups. Kezia clambered back on the gate; she had made up her mind; she swung out.

Related Characters: Kezia Burnell, Else Kelvey, Lil Kelvey
Related Symbols: The White Gates
Related Literary Devices:
Page Number and Citation: 319
Explanation and Analysis:
When the Burnell sisters get home from school and learn that the family has visitors, Lottie and Isabel go inside to change into more presentable clothing. Kezia, as the youngest, does not seem to care much whether or not she sees the visitors, or how she looks to them. This reflects her independence and lack of concern with social propriety. That she sneaks out back also foreshadows the defiance she will show a few moments later, when, despite what everyone else has told her to do, she invites the Kelveys in to see the doll’s house anyway. The gates Kezia Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaqu

Suddenly there was a twitch, a tug at Lil's skirt. She turned round. Our Else was looking at her with big, imploring eyes; she was frowning; she wanted to go. For a moment Lil looked at our Else very doubtfully. But then our Else twitched her skirt again. She started forward. Kezia led the way. Like two little stray cats they followed across the courtyard to where the doll's house stood.

Related Characters: Else Kelvey, Lil Kelvey
Page Number and Citation: 320
Explanation and Analysis:
Just as Kezia, as the youngest in her family, is the only one still innocent and independent enough to disregard society’s strict class rules, the young Else also lacks a fully-formed sense of class-consciousness. Though her older sister Lil clearly does not want to enter the Burnell’s courtyard when Kezia invites them inside, knowing that to do so would be a breach of social order, Else desperately wants to go and communicates that to her sister by repeatedly tugging her skirt and looking at her with imploring eyes. This again underscores the sisters’ bond and ease of communication with each Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam vol

"Off you go immediately!" she called, cold and proud.

They did not need telling twice. Burning with shame, shrinking together, Lil huddling along like her mother, our Else dazed, somehow they crossed the big courtyard and squeezed through the white gate.

Related Characters: Lil Kelvey, Aunt Beryl, Else Kelvey
Related Symbols: The White Gates
Page Number and Citation: 320
Explanation and Analysis:
Though Kezia and Else were innocent enough to want to play together with the doll’s house, Aunt Beryl, who is much older and set in the ways of society, reacts strongly when she sees her Kezia with the lower-class Kelvey girls. Her violent reaction reflects just how prejudiced one can become over time when constantly steeped in the same classist views of society. When Lil and Else scamper off through the white gates, they leave the Burnell home and return to their status as outsiders, just where Aunt Beryl wants them. Lil notably runs off in a way that resembles Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam volupta

The afternoon had been awful. A letter had come from Willie Brent, a terrifying, threatening letter, saying if she did not meet him that evening in Pulman's Bush, he'd come to the front door and ask the reason why! But now that she had frightened those little rats of Kelveys and given Kezia a good scolding, her heart felt lighter. That ghastly pressure was gone. She went back to the house humming.

Related Characters: Else Kelvey, Lil Kelvey, Kezia Burnell, Willie Brent, Aunt Beryl
Related Literary Devices:
Page Number and Citation: 321
Explanation and Analysis:
After Aunt Beryl scolds Kezia and shoos the Kelveys away, the narrator reveals that her outburst was not merely provoked by the Kelveys having been inside the courtyard, but also by having received a letter earlier that afternoon from Willie Brent. Though Willie’s identity is not made explicitly clear, it is implied that he and Aunt Beryl are in some kind of secret relationship. His threat to come to the front door if Aunt Beryl does not meet him would expose this relationship. Aunt Beryl finds it terrifying that he would do such a thing, suggesting that she would be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Expli

Presently our Else nudged up close to her sister. But now she had forgotten the cross lady. She put out a finger and stroked her sister's quill; she smiled her rare smile.

"I seen the little lamp," she said, softly. Then both were silent once more.

Related Characters: Else Kelvey (speaker), Kezia Burnell, Lil Kelvey
Related Symbols: The Lamp
Related Literary Devices:
Page Number and Citation: 321
Explanation and Analysis:
In the only line she speaks, and the final line of dialogue in the story, Else declares that she saw the little lamp that Kezia, too, loves. While all of the other girls had dismissed or seemed to ignore the lamp, Else has noticed this seemingly mundane item, just like Kezia did. That each girl notices the lamp suggests that they are not that different despite their obvious class differences. It also further underscores their shared innocence. As the youngest characters in the story, neither has succumbed to the prejudices that surround them, and are instead able to appreciate the Dolorem et quae. Exercitationem non au
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