The Duchess of Malfi
by John Webster

The Duchess of Malfi: Foreshadowing 3 key examples

Definition of Foreshadowing

Foreshadowing is a literary device in which authors hint at plot developments that don't actually occur until later in the story. Foreshadowing can be achieved directly or indirectly, by making... read full definition
Foreshadowing is a literary device in which authors hint at plot developments that don't actually occur until later in the story. Foreshadowing can be achieved... read full definition
Foreshadowing is a literary device in which authors hint at plot developments that don't actually occur until later in the... read full definition
Act 1, Scene 1
Explanation and Analysis—The Ring:

In Act 1, Scene 1, Ferdinand and Antonio are introduced, and their innocuous conversation about jousting and horsemanship foreshadows the play’s future conflict. Antonio has recently won a jousting competition, and his success is the subject of much talk and speculation in the court. Upon his return, Ferdinand asks about the champion of the jousting tournament. Significantly, this is Ferdinand’s first piece of dialogue. He wants to know who has put his lance through the ring successfully, which leads him to the question: 

Who took the ring oft’nest? 

Act 4, Scene 1
Explanation and Analysis—Duped Duchess:

In Act 4, Scene 1, Ferdinand and Bosola play a trick on the Duchess that creates a moment of dramatic irony that ultimately leads to some foreshadowing. The Duchess is tricked into thinking that Antonio and her children have been killed, and she is devastated by the apparent loss of her family and spouse. However, the audience knows ahead of time that Antonio is still alive.

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Act 5, Scene 4
Explanation and Analysis—Malateste's Promise:

In Act 5, Scene 4, the Cardinal tries to convince a group of men to leave and give up their watch over Ferdinand. He tells them that no matter what they hear, they must not enter the chamber in the night, even saying that he would pretend to be mad in order to test their obedience. The Cardinal’s insistence and position of great power ultimately convinces the men, but their vow foreshadows the violence to come. Malateste promises not to enter, saying: 

If your throat were cutting, I’d not come at you, now I have protested against it.

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