Definition of Imagery
Key Examples in The Emperor Jones
In Scene 4 of The Emperor Jones, Eugene O’Neill uses controlled staging and props to enhance the visual imagery at play. The appearance of the uniformed, whip-wielding prison guard and small gang of Black convicts bearing picks and shovels is contrasted with Jones’s dishevelment and empty hands—an image all the more striking for Jones’s near zombie-like bodily imitation of his hallucination:
[The PRISON GUARD points sternly at JONES with his whip, motions him to take his place among the other shovelers. JONES gets to his feet in a hypnotized stupor. He mumbles subserviently.] Yes, suh! Yes, suh! I’se comin’. [As he shuffles, dragging one foot, over to his place, he curses under his breath with rage and hatred.]... [As if there were a shovel in his hands he goes through weary, mechanical gestures of digging up dirt, and throwing it to the roadside.]