The Epic of Gilgamesh
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Themes and Colors
Civilization and the Fall from Innocence Theme Icon
Heroism in Nature vs. Comfort in the City Theme Icon
Friendship, Love, and Sexuality Theme Icon
Mortality and Meaning Theme Icon
Pride and the Gods Theme Icon
LitCharts assigns a color and icon to each theme in The Epic of Gilgamesh, which you can use to track the themes throughout the work.
Mortality and Meaning Theme Icon
Mortality and Meaning Theme Icon

The Epic of Gilgamesh confronts a number of important themes, but none is more prominent than that of confronting one’s mortality. As is famously portrayed in Percy Shelly’s poem Ozymandias, even the works of great kings and heroes turn eventually turn to dust.

At the beginning of the epic, Gilgamesh seeks to make a name for himself: he wants to accomplish heroic feats so that he will be remembered forever. This drives him, but ultimately leads to Enkidu’s death as punishment for his hubris.

Importantly, it is Enkidu’s death that makes Gilgamesh face his own mortality. The epic shows that through our relationships with others, we can wake up to life as it really is, as opposed to being deluded in thinking that our accomplishments will last forever. At first, Enkidu’s death causes Gilgamesh to become obsessed with overcoming his own mortality. This motivates his search for the secret to everlasting life. After he loses the plant that restores youth, though, he comes to accept that he will remain mortal and the best he can hope for is to do good deeds and share what he’s learned with the people of Uruk. This realization is a direct result of his friendship with Enkidu, which teaches him that there is more to life than heroic accomplishments or achieving physical immortality.

On his return to Uruk, Gilgamesh accepts his mortality; his name may not live on forever, but his feats and story will inspire the people of Uruk (and, ironically, in accepting this Gilgamesh’s name has lived on—his epic is the oldest written story known to humankind). The Epic does not provide clear answers on how himans can create meaning in the face of death. Rather, it wrestles with the question, looking at it from all sides, challenging the reader to reconsider whatever it is they believe.

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Mortality and Meaning ThemeTracker

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Mortality and Meaning Quotes in The Epic of Gilgamesh

Below you will find the important quotes in The Epic of Gilgamesh related to the theme of Mortality and Meaning.

Part 2 Quotes

The meaning of the dream is this. The father of the gods has given you kingship, such is your destiny, everlasting life is not your destiny. Because of this do not be sad at heart, do not be grieved or oppressed. He has given you power to bind and to loose, to be the darkness and light of mankind.

Related Characters: Enkidu (speaker), Gilgamesh
Page Number and Citation: 70
Explanation and Analysis:
Enkidu functions, here, as an oracle for Gilgamesh, using the dream to make sense of the the will of the gods. Here, he interprets the visions Gilgamesh had the night before as a sign of Gilgamesh’s mortality. To explain the dream, Enkidu contrasts the gift Gilgamesh has been given to rule—“kingship”—with what has been withheld: “everlasting life.” Despite the power he has from being two-thirds divine, Gilgamesh remains one-third human and thus will die like all mortals do. Yet Enkidu cautions Gilgamesh not to be distraught at this realization, for he still maintains impressive abilities. “To bind and to loose” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. A

Gilgamesh replied: ‘Where is the man who can clamber to heaven? Only the gods live for ever with glorious Shamash, but as for us men, our days are numbered, our occupations are a breath of wind. How is this, already you are afraid!’

Related Characters: Gilgamesh (speaker), Shamash, Enkidu
Page Number and Citation: 71
Explanation and Analysis:
To rally Enkidu to hunt the giant Humbaba with him, Gilgamesh offers this inspiring speech on human mortality. He takes their eventual death as a justification for not fearing death due to any particular cause. Gilgamesh here responds explicitly to the way that Enkidu differentiated him from an immortal god. He asks rhetorically if any man can “clamber to heaven”—that is, whether a mortal could somehow become equal to the gods. But he quickly answers his own question, vanquishing any potential for men to gain immortality. These observations could easily lead him to a state of hopelessness (as in fact Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestia

O my lord, you do not know this monster and that is the reason you are not afraid. I who know him, I am terrified. His teeth are dragon’s fangs, his countenance is like a lion, his charge is the rushing of the flood, with his look he crushes alike the trees of the forest and reeds in the swamp. O my Lord, you may go on if you choose into this land, but I will go back to the city. I will tell the lady your mother all your glorious deeds till she shouts for joy: and then I will tell the death that followed till she weeps for bitterness.

Related Characters: Enkidu (speaker), Gilgamesh, Humbaba, Ninsun
Page Number and Citation: 80
Explanation and Analysis:
Having finally arrived close to Humbaba’s lair, Enkidu and Gilgamesh are both beset by fear of the giant. Yet while Gilgamesh rouses himself and ignores these instincts, Enkidu gives in and expresses his wish to return to civilization. This speech represents an important turn in the relationship of Enkidu and Gilgamesh. Before, Gilgamesh’s bravery was represented in purely positive terms, for it allowed him to overcome the fear of mortality and to journey into the wilderness. Yet here, Enkidu implies that his bravery may be the result of ignorance rather than wisdom: he claims that Gilgamesh is only “not afraid” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus

Part 3 Quotes

‘Who is there in strong-walled Uruk who has wisdom like this? Strange things have been spoken, but why does your heart speak strangely? The dream was marvelous but the terror was great; we must treasure the dream whatever the terror; for the dream has shown that misery comes at last to the healthy man, the end of life is sorrow.’ And Gilgamesh lamented, ‘Now I will pray to the great gods, for my friend had an ominous dream.’

Related Characters: Gilgamesh (speaker), Enkidu
Page Number and Citation: 93
Explanation and Analysis:
Enkidu has just told Gilgamesh about a recent horrifying dream, which he has interpreted as his own impending death at the hands of the gods. Gilgamesh is deeply moved by the tale, and reflects on the terror of what it professes—but also on the value of that terror. Gilgamesh’s response shows a striking shift in his character away from arrogance and toward personal reflection. He puts emphasis on the “wisdom” that comes from the dream by implying that it is poignant beyond the comprehension of those others in Uruk. There is an inherent strangeness to the dream that defies his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad t

Part 4 Quotes

How can I rest, how can I be at peace? Despair is in my heart. What my brother is now, that shall I be when I am dead.

Related Characters: Gilgamesh (speaker), Enkidu
Page Number and Citation: 97
Explanation and Analysis:
After Enkidu’s death and funeral, Gilgamesh enters the wilderness. There, he once more becomes consumed by grief and the fear of his own mortality. Gilgamesh's return to the wilderness represents a rejection of the artifice of human civilization, and also renders him closer to Enkidu’s original state in nature. Yet having already experienced the human revelation of mortality, Gilgamesh can find no “peace” in the wilderness. The “despair” cannot be removed by changing his physical environment because it is lodged in his “heart.” Again, the text stresses the importance of the friendship between Gilgamesh and Enkidu. Whereas Gilgamesh responded bravely, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Ve

Now that I have toiled and strayed so far over the wilderness, am I to sleep, and let the earth cover my head for ever? Let my eyes see the sun until they are dazzled with looking. Although I am no better than a dead man, still let me see the light of the sun.

Related Characters: Gilgamesh (speaker), Shamash
Page Number and Citation: 100
Explanation and Analysis:
Having traveled through twelve leagues of darkness, Gilgamesh arrives at the sea that borders the garden of the gods. Though he is told by Shamash that his quest for immortality is foolhardy, Gilgamesh refuses to give up. Instead, he expresses this striking desire to continue regardless of whether or not the quest itself is successful. Gilgamesh juxtaposes the darkness of the “wilderness” he has experienced thus far with the divine light he sees upon approaching the garden. Though the gods caution him to avoid the light, Gilgamesh presents abstention as cowardly and akin to death. To avoid the light would Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae

She answered, ‘Gilgamesh, where are you hurrying to? You will never find that life for which you are looking. When the gods created man they allotted to him death, but life they retained in their own keeping. As for you, Gilgamesh, fill your belly with good things; day and night, night and day, dance and be merry, feast and rejoice. Let your clothes be fresh, bathe yourself in water, cherish the little child that holds your hand, and make your wife happy in your embrace; for this too is the lot of man.’

Related Characters: Siduri (speaker), Gilgamesh
Page Number and Citation: 102
Explanation and Analysis:
These lines are spoken by a god of wine, Siduri, whom Gilgamesh meets as he approaches the sea. As others have before, Siduri tells Gilgamesh to abandon his quest, recommending instead that he experience the mortal leisures available and appropriate to humans. Beneath these relatively straightforward images lies a strong philosophical contention with Gilgamesh’s quest. Siduri explains that “death” is destined for mortals, while “life” remains in the grasp of the gods. She presents immortality, then, as a possession, an object that could potentially be distributed to men but that has not been released. (It is exactly such an object Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et

There is no permanence. Do we build a house to stand for ever, do we seal a contract to hold for all time? Do brothers divide an inheritance to keep forever, does the flood-time of rivers endure? It is only the nymph of the dragon-fly who sheds her larva and sees the sun in his glory. From the days of old there is no permanence. The sleeping and the dead, how alike they are, they are like a painted death.

Related Characters: Utnapishtim (speaker), Gilgamesh
Page Number and Citation: 106
Explanation and Analysis:
Having finally arrived at Utnapishtim’s island, Gilgamesh questions him on the significance of and route to immortality. Yet instead of offering the secret, Utnapishtim gives this heady speech on how all things in life are ephemeral. Whereas other characters have cautioned Gilgamesh based on the pragmatics of succeeding on his quest, Utnapishtim opts for a more philosophical explanation. He begins with his thesis statement—not specifically on human life but on the stability of any type of existence. Then he follows with four compelling rhetorical questions on transience, drawing examples from both human and natural realms. A legal contract, he explains, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia

I look at you now, Utnapishtim, and your appearance is no different from mine; there is nothing strange in your features. I thought I should find you like a hero prepared for battle, but you lie here taking your ease on your back. Tell me truly, how was it that you came to enter the company of the gods and to possess everlasting life?

Related Characters: Gilgamesh (speaker), Utnapishtim
Page Number and Citation: 107
Explanation and Analysis:
Here Gilgamesh is perturbed by Utnapishtim’s appearance and demeanor. He reveals that he had expected Utnapishtim’s immortality to be accompanied by physical vigor and a martial nature, and is surprised to find the opposite. The first observation on their physical similarity expresses Gilgamesh’s frustration that immortality was bestowed on Utnapishtim and not on him. To Gilgamesh’s eyes, there is no significant difference between the two, and thus Utnapishtim has no greater right to live forever. Recall how frequently the text has focused on descriptions of Gilgamesh’s physical stature and beauty as an indication of his divine power: He has likely Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempor

Part 5 Quotes

‘Alas the days of old are turned to dust because I commanded evil; why did I command this evil in the council of all the gods? I commanded wars to destroy the people, but are they not my people, for I brought them forth? Now like the spawn of fish they float in the ocean.’ The great gods of heaven and hell wept, they covered their mouths.

Related Characters: Utnapishtim (speaker), Ishtar (speaker)
Related Symbols: Water
Page Number and Citation: 110
Explanation and Analysis:
As she watches the flood destroy mankind, Ishtar laments her own actions. The other gods follow in turn, saddened that they have slaughtered the very humans they brought forth into the world. This passage shows a surprising affection from the gods toward humans. Though Enlil may have acted originally out of anger, others such as Ea did not agree with his actions—and still others resent it once they observe the consequences. When Ishtar says, “but are they not my people” she shows that the gods' pity stems from a paternal ownership over humans. Like children, humans were brought forth by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non i

Part 6 Quotes

Go now, banished from the shore. But this man before whom you walked, bringing him here, whose body is covered with foulness and the grace of whose limbs has been spoiled by wild skins, take him to the washing-place. There he shall wash his long hair clean as snow in the water, he shall throw off his skins and let the sea carry them away, and the beauty of his body shall be shown, the fillet on his forehead shall be renewed, and he shall be given clothes to cover his nakedness.

Related Characters: Utnapishtim (speaker), Urshanabi, Gilgamesh
Related Symbols: Water
Page Number and Citation: 115
Explanation and Analysis:
After Gilgamesh fails the test to stay awake for seven nights, Utnapishtim sends him back with the now-banished ferryman Urshanabi. Utnapishtim instructs Urshanabi to wash Gilgamesh and offers these specifications on the way he should return to human civilization. This description focuses on the water imagery that plays a key role throughout the epic. Gilgamesh has previously engaged in cleansing rituals, and Utnapishtim’s tale on the flood presented water as a way to cleanse humanity of its hubris (and its life). Here, water is used to extract the “foulness” from Gilgamesh and specifically to the “wild skins” that he has Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. S

Gilgamesh spoke to him, to Urshanabi the ferryman, ‘Urshanabi, climb up on to the wall of Uruk, inspect its foundation terrace, and examine well the brickwork; see if it is not of burnt bricks; and did not the seven wise men lay these foundations? One third of the whole is city, one is garden, and one third is field, with the precinct of the goddess Ishtar. These parts and the precinct are all Uruk.’

Related Characters: Gilgamesh (speaker), Urshanabi, Ishtar
Page Number and Citation: 117
Explanation and Analysis:
Gilgamesh and Urshanabi have arrived empty-handed in Uruk, but the narrative suddenly shifts to a more hopeful tone. Here, the speaker recounts how Gilgamesh explained to Urshanabi the wonder of the city walls he had built. The text shows, then, a striking character shift in Gilgamesh. Having abandoned his previous quest for immortality, the hero can return to Uruk with fresh eyes and notice his true accomplishment: the way he has built a civilization that will endure long beyond his death. These walls are not an indication of his personal strength or of any triumph against the gods. Rather they Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a de

This too was the work of Gilgamesh, the king, who knew the countries of the world. He was wise, he saw mysteries and knew secret things, he brought us a tale of the days before the flood. He went a long journey, was weary, worn with labour, and returning engraved on a stone the whole story.

Related Characters: Gilgamesh
Page Number and Citation: 117
Explanation and Analysis:
Having established Gilgamesh’s longevity through the legacy of the walls of Uruk, the speaker now references a second way he will endure beyond death: through the myth of the flood he has brought back, and the stone tablets he has engraved with stories. The language used to describe Gilgamesh has shifted from references to physical power to instead praise of his knowledge and wisdom. His adventures are valued not for specific acts of heroisms, but rather the “mysteries” and “secret things” that are transmitted back to humanity and that can serve as lessons for people in the future. Most notable, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. A

Part 7 Quotes

In those days the lord Gilgamesh departed, the son of Ninsun, the king, peerless, without an equal among men, who did not neglect Enlil his master. O Gilgamesh, lord of Kullab, great is thy praise.

Related Characters: Ninsun, Gilgamesh, Enlil
Page Number and Citation: 119
Explanation and Analysis:
These final lines of the epic come after Gilgamesh has died and been honored by gods and men alike. They return to the laudatory tone of the opening, but shift the emphasis from Gilgamesh’s physical prowess to his comportment toward others. Many of the features of the opening are repeated here. We are told once more of Gilgamesh's divine heritage through Ninsun, as well as his complete uniqueness within humanity. Yet it is also noted that he “did not neglect Enlil his master,” indicating that Gilgamesh has learned the lesson on how to respect the gods. In particular, Enlil was Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. D