The Faerie Queene
The Faerie Queene
by Edmund Spenser
✓

or to save your progress

Themes and Colors
Virtue, Allegory, and Symbolism Theme Icon
British Identity and Nationalism Theme Icon
Protestantism Theme Icon
Deception and Lies Theme Icon
Love and Friendship Theme Icon
The Role of Women Theme Icon
LitCharts assigns a color and icon to each theme in The Faerie Queene, which you can use to track the themes throughout the work.
Deception and Lies Theme Icon
Deception and Lies Theme Icon

Throughout Edmund Spenser’s The Faerie Queene, evil characters disguise their identities and tell lies in order to trick heroic characters into doing things they wouldn’t otherwise do. Archimago in Book I is one of the earliest examples of this type of trickster character, using magic and some mischievous sprites in order to trick the Redcross Knight into believing that his chaste lady Una has been unfaithful to him. Even more extreme is the Blatant Beast that Sir Calidore pursues in Book VI. It is slander personified: a doglike monster with many tongues, some human and others animal, in order to represent the many ways that slander ruins the reputations of knights and ladies with its lies. Though Calidore tames the beast for a while, the poem ends with the beast let loose again, showing the enduring and uncontainable power of deception.

According to Spenser, the most dangerous thing about deception is that it can make an evil thing appear like a good one—or even better than a good one. This is most humorously illustrated with the case of false Florimell in Book IIII, where the fair maiden Florimell competes in a beauty contest against a replica of herself (made from snow for skin, lamps for eyes, and gold wire for hair) that is controlled by an evil sprite. The episode shows how deception can be seductive—but it also shows how the allure of deception is temporary, since false Florimell is eventually outed as a fake, just like previous trickster characters like Archimago and Duessa get their comeuppance. In The Faerie Queene, Spenser portrays how the glamor of lies and deception can lead even virtuous characters astray, but he also shows how true virtue and honesty win out in the end.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Deception and Lies ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Deception and Lies appears in each book of The Faerie Queene. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
book length:
Book
Book I: Proem
1.P
Book I: Canto I
1.1
Book I: Canto II
1.2
Book I: Canto III
1.3
Book I: Canto IV
1.4
Book I: Canto V
1.5
Book I: Canto VI
1.6
Book I: Canto VII
1.7
Book I: Canto VIII
1.8
Book I: Canto IX
1.9
Book I: Canto X
1.10
Book I: Canto XI
1.11
Book I: Canto XII
1.12
Book II: Proem
2.P
Book II: Canto I
2.1
Book II: Canto II
2.2
Book II: Canto III
2.3
Book II: Canto IV
2.4
Book II: Canto V
2.5
Book II: Canto VI
2.6
Book II: Canto VII
2,7
Book II: Canto VIII
2.8
Book II: Canto IX
2.9
Book II: Canto X
2.10
Book II: Canto XI
2.11
Book II: Canto XII
2.12
Book III: Proem
3.P
Book III: Canto I
3.1
Book III: Canto II
3.2
Book III: Canto III
3.3
Book III: Canto IV
3.4
Book III: Canto V
3.5
Book III: Canto VI
3.6
Book III: Canto VII
3.7
Book III: Canto VIII
3.8
Book III: Canto IX
3.9
Book III: Canto X
3.10
Book III: Canto XI
3.11
Book III: Canto XII
3.12
Book IV: Proem
4.P
Book IV: Canto I
4.1
Book IV: Canto II
4.2
Book IV: Canto III
4.3
Book IV: Canto IV
4.4
Book IV: Canto V
4.5
Book IV: Canto VI
4.6
Book IV: Canto VII
4.6
Book IV: Canto VIII
4.8
Book IV: Canto IX
4.9
Book IV: Canto X
4.10
Book IV: Canto XI
4.11
Book IV: Canto XII
4.12
Book V: Proem
5.P
Book V: Canto I
5.1
Book V: Canto II
5.2
Book V: Canto III
5.3
Book V: Canto IV
5.4
Book V: Canto V
5.5
Book V: Canto VI
5.6
Book V: Canto VII
5.7
Book V: Canto VIII
5.8
Book V: Canto IX
5.9
Book V: Canto X
5.10
Book V: Canto XI
5.11
Book V: Canto XII
5.12
Book VI: Proem
6.P
Book VI: Canto I
6.1
Book VI: Canto II
6.2
Book VI: Canto III
6.3
Book VI: Canto IV
6.4
Book VI: Canto V
6.5
Book VI: Canto VI
6.6
Book VI: Canto VII
6.7
Book VI: Canto VIII
6.8
Book VI: Canto IX
6.9
Book VI: Canto X
6.10
Book VI: Canto XI
6.11
Book VI: Canto XII
6.12
Two Cantos of Mut...
M.6
Two Cantos of Mut...
M.7
Get the entire The Faerie Queene LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
The Faerie Queene PDF

Deception and Lies Quotes in The Faerie Queene

Below you will find the important quotes in The Faerie Queene related to the theme of Deception and Lies.

Book I: Canto IV Quotes

Young knight, what ever that does armes professe,
And through long labours huntest after fame,
Beware of fraud, beware of ficklenesse,
In choice, and change of thy deare loved Dame

Related Characters: Narrator (speaker), Redcross Knight, Duessa, Una
Page Number and Citation: 79
Explanation and Analysis:
This quote by the narrator of the poem comes at the beginning of Book I, Canto IV and poses some advice directly to a potential reader. Many cantos begin with commentary from the narrator, sometimes framed as advice to a reader, other times just presented as general musings. Often, these commentaries deal with the virtue or vice that is most important to the action of the canto. Here, for example, the narrator warns of “fraud” and “ficklenesse.” While the narrator’s advice is general, it could also be interpreted specifically as a warning to the Redcross Knight to beware the tricky Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sin

Book I: Canto IX Quotes

Come, come away, fraile, feeble, fleshly wight,
Ne let vaine words bewitch thy manly hart,
Ne divelish thoughts dismay thy constant spright.

Related Characters: Una (speaker), Redcross Knight, Despair
Page Number and Citation: 159
Explanation and Analysis:
This quote is spoken by Una to the Redcross Knight when he is confronting Despair, one of the most significant episodes in the first book of the poem. Fittingly enough, the Redcross Knight’s encounter with the monster Despair is an allegory for him confronting his own despair and facing up to all the ways he has potentially sinned by abandoning his lady, Una. Despair is a monster who kills knights by providing them the means to commit suicide, and the Redcross Knight seems to be on the verge of killing himself when Una intervenes at the last minute. The scene Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque plac

Book II: Canto XII Quotes

Said Guyon, See the mind of beastly man,
That hath so soone forgot the excellence
Of his creation, when he life began,
That now he chooseth, with vile difference
To be a beast, and lack intelligence

Related Characters: Sir Guyon (speaker), Acrasia, The Palmer
Page Number and Citation: 382
Explanation and Analysis:
This passage, spoken by Sir Guyon, is one of the last images described in Book II of the poem. Having just destroyed the pleasure-seeking witch Acrasia’s Bower of Bliss, Sir Guyon and the Palmer head back to leave her island. Along the way, the Palmer sees a man who was turned into a wild beast by Acrasia’s enchantments, and so he restores the man to a state of humanity. But even after being made human again, the man continues to act like a wild beast. As Sir Guyon concludes, this man was not just an innocent victim of Acrasia, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem acc

Book III: Canto IV Quotes

Who through foresight of his eternall skill,
Bad her from womankind to keepe him well:
For of a woman he should have much ill,
A virgin strange and stout him should dismay, or kill.

Related Characters: Marinell, Proteus, Florimell, Britomart, Cymoent
Page Number and Citation: 438
Explanation and Analysis:
This quote describes a prophecy that Proteus made about Marinell. Basically, Proteus predicted that the nymph Cymoent should make sure that her son, a knight named Marinell, avoided all contact with women because a virgin woman will seriously hurt or even kill him. Marinell follows this prophecy dutifully, but he is a rash knight, and when he sees Britomart enter his territory in full armor, he assumes she’s a man and rides forth to attack her. Britomart strikes back and does indeed wound Marinell severely, fulfilling the prophecy. Like many ancient prophecies, what’s interesting about Proteus’s prediction is not simply Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus

Book IV: Canto V Quotes

Then was that golden belt by doome of all
Graunted to her, as to the fairest Dame.
Which being brought, about her middle small
They thought to gird, as best it her became;
But by no meanes they could it thereto frame.

Related Characters: Florimell
Related Symbols: Florimell’s Gold Belt
Page Number and Citation: 624
Explanation and Analysis:
This passage describes the results of a beauty contest that happens after a tournament of knights. The people in attendance agree that the fairest maiden among all of them is “Florimell,” not realizing that the Florimell they see is actually a sprite in disguise. The ruse is revealed, however, when fake Florimell tries to wear the real Florimell’s golden belt and it keeps falling off. Later other women also try to wear the belt and find that it doesn’t fit them, either. It seems that, while Florimell’s belt gives its wearer the power of chaste love, it only allows wearers Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Ve

Book V: Canto IV Quotes

For eqaull right in equall things doth stand,
For what the mighty Sea hath once possest,
And plucked quite from all possessors hand,
Whether by rage of waves, that never rest,
Or else by wracke, that wretches hath distrest,
He may dispose by his imperial might.

Related Characters: Arthegall (speaker), Bracidas, Lucy, Amidas, Philtera
Page Number and Citation: 764
Explanation and Analysis:
This quote, spoken by Arthegall, is his judgment regarding a land dispute that has divided the brothers Bracidas and Amidas. The two brothers each inherited an island to themselves. The islands started out the same size, but over time, part of Bracidas’s island drifted on the sea over to Amidas’s island. This caused Bracidas’s fickle fiancée, Philtera, to leave him. But a twist comes when Amidas’s old fiancée Lucy tries to kill herself in the sea and ends up riding on a treasure chest to Bracidas’s island. Both brothers try to lay claim to the treasure chest. Arthegall’s answer to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum do

Book V: Canto VII Quotes

Where being layd, the wrothfull Britonesse
Stayd not, till she came to her selfe againe,
But in revenge both of her loves distresse,
And her late vile reproach, though vaunted vaine,
And also of her wound, which sore did paine,
She with one stroke both head and helmet cleft.

Related Characters: Arthegall, Radigund, Britomart
Page Number and Citation: 807
Explanation and Analysis:
This passage describes a climactic moment when Britomart comes to rescue Arthegall from the clutches of a proud Amazon warrior named Radigund. Radigund has defeated Arthegall in battle and humbled him by locking him in a dungeon and forcing him to complete jobs while wearing women’s clothes. In the poem, Radigund represents a bad woman who is too rebellious. She wages war against good knights because one scorned her. Britomart, on the other hand, is the epitome of a good knight. Even though she is a woman, she respects the code of chivalry. She is chaste and devoted to one Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

Book V: Canto X Quotes

When they had seene and heard her doome a rights
Against Duessa, damned by them all;
But by her tempred without griefe or gall,
Till strong constraint did her thereto enforce.

Related Characters: Duessa, Mercilla, Arthegall
Page Number and Citation: 838
Explanation and Analysis:
This quote describes a scene in the court of the good queen Mercilla. The trickster Duessa, who has appeared several times in previous books, has finally been brought forth for a trial. Although Mercilla is a merciful queen who feels pity for Duessa, the implication seems to be that ultimately Duessa is executed. This scene can be interpreted as a parallel to the judgment and execution of Mary, Queen of Scots by Queen Elizabeth, a controversial event that happened not too long before Spenser wrote his poem. Though Spenser was a Protestant who approved of the Protestant Queen Elizabeth taking Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas

Book VI: Canto I Quotes

But mongst them all was none more courteous Knight,
Then Calidore, beloved over all,
in whom it seemes that gentlenesse of spright
And manners mylde were planted naturall

Related Characters: Narrator (speaker), Sir Turpine, Calidore
Related Symbols: Faerie Court
Page Number and Citation: 878
Explanation and Analysis:
This quote, from near the beginning of the sixth and final book of The Faerie Queene, introduces the character of Sir Calidore, a knight who is defined by his courtesy. Courtesy was an important part of chivalry, and it involved more than simply good manners. Hospitality and, in particular, the willingness to do good deeds for strangers were both important parts of courtesy, and Sir Calidore embodies all these traits. The villains in Book VI, like Sir Turpine, are defined not just by the evil things they do but also by the good things they refuse to do. Being a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo m

Book VI: Canto VI Quotes

No wound, which warlike hand of enemy
Inflicts with dint of sword, so sore doth light,
As doth the poysnous sting, which infamy
Infixeth in the name of noble wight:
For by no art, nor any leaches might
It ever can recured be againe;

Related Characters: Narrator (speaker), Calidore, The Blatant Beast
Page Number and Citation: 938
Explanation and Analysis:
This musing by the narrator from near the beginning of Canto VI of Book VI reflects on how a wound to a noble person’s reputation can be even worse than a physical wound. This statement is validated by the actions of all the virtuous knights in the story, who are so concerned with their reputations that they will do anything to avoid being seen as cowardly or discourteous. The comparison of wounds to a reputation to a “poysnous sting” is a clear comparison to the Blatant Beast, a creature with many tongues who also poisons people that it bites. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi nec

Book VI: Canto VII Quotes

And after all, for greater infamie,
He by the heeles him hung upon a tree,
And baffuld so, that all which passed by,
The picture of his punishment might see,
And by the like ensample warned bee

Related Characters: Sir Turpine, Arthur , Serena, Sir Calepine, The Blatant Beast
Page Number and Citation: 956
Explanation and Analysis:
This quote describes the punishment that Arthur gives to evil Sir Turpine, who on multiple occasions refused to offer help to Serena and Sir Calepine as well as cowardly attacking Arthur. While most evil knights get slain at some point in the story, Arthur spares Sir Turpine’s life and instead strips him of all his knightly possessions and hangs him up as a warning for any other knights who might act discourteous or cowardly. While this might seem lenient compared to the treatment some other villains in the story get, it is a severe punishment in its own way, given Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officii

Book VI: Canto XII Quotes

Ne may this homely verse, of many meanest,
Hope to escape his venomous despite,
More than my former writes, all were they clearest
From blamefull blot, and free from all that wite,
With which some wicked tongues did it backebite,
and bring into a mighty Peres displeasure,
That never so deserved to endite.
Therefore do you my rimes keep better measure,
And seeke to please, that now is counted wisemens threasure.

Related Characters: Narrator (speaker), The Blatant Beast
Page Number and Citation: 1023
Explanation and Analysis:
This quote ends The Faerie Queene (not counting any of the “Cantos of Mutabilitie,” which were published after Spenser’s death). It’s not clear if this is the ending that Spenser would have picked for his epic, given that he still planned six more books at the time of his death, but it nevertheless provides a fitting conclusion. The narrator of the poem, who is a sort of stand-in for Spenser, writes that he knows his poetry isn’t much, but he hopes the reader will ignore critics and still find something in his writing to like. This message is particularly interesting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit