The Faerie Queene
The Faerie Queene
by Edmund Spenser

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Virtue, Allegory, and Symbolism Theme Analysis

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The Role of Women Theme Icon
LitCharts assigns a color and icon to each theme in The Faerie Queene, which you can use to track the themes throughout the work.
Virtue, Allegory, and Symbolism Theme Icon
Virtue, Allegory, and Symbolism Theme Icon

Edmund Spenser’s The Faerie Queene is divided into six books, and each book explores a different virtue: holiness, temperance, chastity, friendship, justice, and courtesy. While there are recurring characters who appear in multiple books, the main character is different for each book and is always a knight who represents the book’s central virtue. For example, the protagonist of Book I is the Redcross Knight, who embodies the book’s theme of holiness. His name comes from the red Christian cross emblem on his shield, which has magic power to protect him. Later in the book, it’s revealed that the Redcross Knight is in fact a version of St. George, an English saint famous for slaying a dragon, further confirming the character’s holiness.

The obstacles that the Redcross Knight faces on his way to slay the dragon are all full of holy symbolism. For example, he encounters a monster named Error, which is a half-serpent with a knotted-up tail and which prefers to live in the darkness. The monster’s name makes the symbolism clear: Error represents errors, with its knotty tail and preference for darkness showing how errors thrive on confusion and ignorance. But while Error is a fearsome monster, the Redcross Knight manages to slay it by chopping off its head, providing a visual representation of how holiness is able to overcome errors. Though the allegory with Error may seem simple, The Faerie Queene is dense with these kinds of symbols and often contains shocking imagery, such as when Error’s children eat its corpse until they gorge themselves and explode. Echoing the Bible, stories from Greek and Roman mythology, and the work of previous writers like Geoffrey Chaucer, Edmund Spenser structures The Fairie Queene so that each section has a clear moral. While it’s never a surprise when virtue triumphs over evil, Spenser portrays this conflict in creative ways, using surprising imagery and poetic language to bring everyday moral problems to life for readers.

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Virtue, Allegory, and Symbolism ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Virtue, Allegory, and Symbolism appears in each book of The Faerie Queene. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
book length:
Book
Book I: Proem
1.P
Book I: Canto I
1.1
Book I: Canto II
1.2
Book I: Canto III
1.3
Book I: Canto IV
1.4
Book I: Canto V
1.5
Book I: Canto VI
1.6
Book I: Canto VII
1.7
Book I: Canto VIII
1.8
Book I: Canto IX
1.9
Book I: Canto X
1.10
Book I: Canto XI
1.11
Book I: Canto XII
1.12
Book II: Proem
2.P
Book II: Canto I
2.1
Book II: Canto II
2.2
Book II: Canto III
2.3
Book II: Canto IV
2.4
Book II: Canto V
2.5
Book II: Canto VI
2.6
Book II: Canto VII
2,7
Book II: Canto VIII
2.8
Book II: Canto IX
2.9
Book II: Canto X
2.10
Book II: Canto XI
2.11
Book II: Canto XII
2.12
Book III: Proem
3.P
Book III: Canto I
3.1
Book III: Canto II
3.2
Book III: Canto III
3.3
Book III: Canto IV
3.4
Book III: Canto V
3.5
Book III: Canto VI
3.6
Book III: Canto VII
3.7
Book III: Canto VIII
3.8
Book III: Canto IX
3.9
Book III: Canto X
3.10
Book III: Canto XI
3.11
Book III: Canto XII
3.12
Book IV: Proem
4.P
Book IV: Canto I
4.1
Book IV: Canto II
4.2
Book IV: Canto III
4.3
Book IV: Canto IV
4.4
Book IV: Canto V
4.5
Book IV: Canto VI
4.6
Book IV: Canto VII
4.6
Book IV: Canto VIII
4.8
Book IV: Canto IX
4.9
Book IV: Canto X
4.10
Book IV: Canto XI
4.11
Book IV: Canto XII
4.12
Book V: Proem
5.P
Book V: Canto I
5.1
Book V: Canto II
5.2
Book V: Canto III
5.3
Book V: Canto IV
5.4
Book V: Canto V
5.5
Book V: Canto VI
5.6
Book V: Canto VII
5.7
Book V: Canto VIII
5.8
Book V: Canto IX
5.9
Book V: Canto X
5.10
Book V: Canto XI
5.11
Book V: Canto XII
5.12
Book VI: Proem
6.P
Book VI: Canto I
6.1
Book VI: Canto II
6.2
Book VI: Canto III
6.3
Book VI: Canto IV
6.4
Book VI: Canto V
6.5
Book VI: Canto VI
6.6
Book VI: Canto VII
6.7
Book VI: Canto VIII
6.8
Book VI: Canto IX
6.9
Book VI: Canto X
6.10
Book VI: Canto XI
6.11
Book VI: Canto XII
6.12
Two Cantos of Mut...
M.6
Two Cantos of Mut...
M.7
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Virtue, Allegory, and Symbolism Quotes in The Faerie Queene

Below you will find the important quotes in The Faerie Queene related to the theme of Virtue, Allegory, and Symbolism.

Book I: Proem Quotes

Lo I the man, whose Muse whilome did maske,
As time her taught in lowly Shepheards weeds,
Am now enforst a far unfitter taske,
For trumpets sterne to chaunge mine Oaten reeds,
And sing of Knights and Ladies gentle deeds;

Related Characters: Narrator (speaker)
Related Literary Devices:
Page Number and Citation: 39
Explanation and Analysis:
This quote is from the proem (introductory part) of the first book of The Faerie Queene, and it introduces the narrator of the poem, who is very much a character of his own. The narrator starts this long epic poem by calling on the help of his Muse. Muses are ancient Greek and Roman goddesses of the arts and sciences, and many ancient epic poems (like Homer’s Odyssey or Vergil’s Aeneid) also started with the narrator asking the Muses for help telling the story. Both the plots and the characters of The Faerie Queene draw inspiration from classical epic poetry, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo

Book I: Canto I Quotes

A Gentle Knight was pricking on the plaine,
Y clad in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many a bloudy fielde;

[…]

But on his brest a bloudie Crosse he bore,
The dear remembrance of his dying Lord,
For whose weete sake that glorious badge he wore,
And dead as living ever him ador’d:
Upon his shield the like was also scor’d

Related Characters: Redcross Knight
Related Symbols: Shields
Related Literary Devices:
Page Number and Citation: 41
Explanation and Analysis:
This passage introduces The Redcross Knight, the protagonist of the first book of the poem and one of the overall most important characters in it. Many characters in the poem get only brief descriptions of their physical appearances that cover one or two important features, so the Redcross Knight’s several lines of description actually make him one of the most intricately described heroes in the story. The “dints” on the Redcross Knight’s armor suggest that he is no new knight, but rather a veteran who has been through plenty of battles before. Even great knights in the poem get wounded, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus po

Book I: Canto IV Quotes

Young knight, what ever that does armes professe,
And through long labours huntest after fame,
Beware of fraud, beware of ficklenesse,
In choice, and change of thy deare loved Dame

Related Characters: Narrator (speaker), Redcross Knight, Duessa, Una
Page Number and Citation: 79
Explanation and Analysis:
This quote by the narrator of the poem comes at the beginning of Book I, Canto IV and poses some advice directly to a potential reader. Many cantos begin with commentary from the narrator, sometimes framed as advice to a reader, other times just presented as general musings. Often, these commentaries deal with the virtue or vice that is most important to the action of the canto. Here, for example, the narrator warns of “fraud” and “ficklenesse.” While the narrator’s advice is general, it could also be interpreted specifically as a warning to the Redcross Knight to beware the tricky Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sin

Book I: Canto IX Quotes

Come, come away, fraile, feeble, fleshly wight,
Ne let vaine words bewitch thy manly hart,
Ne divelish thoughts dismay thy constant spright.

Related Characters: Una (speaker), Redcross Knight, Despair
Page Number and Citation: 159
Explanation and Analysis:
This quote is spoken by Una to the Redcross Knight when he is confronting Despair, one of the most significant episodes in the first book of the poem. Fittingly enough, the Redcross Knight’s encounter with the monster Despair is an allegory for him confronting his own despair and facing up to all the ways he has potentially sinned by abandoning his lady, Una. Despair is a monster who kills knights by providing them the means to commit suicide, and the Redcross Knight seems to be on the verge of killing himself when Una intervenes at the last minute. The scene Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque plac

Book I: Canto XII Quotes

Now strike your sailes ye jolly Mariners,
For we come unto a quiet rode,
Where we must land some of our passengers,
And light this wearie vessel of her lode.

Related Characters: Narrator (speaker), Redcross Knight, Una
Page Number and Citation: 202
Explanation and Analysis:
This quote by the narrator ends the last canto of the first book of The Faerie Queene and helps establish how the different books of the poem will have an episodic structure. The nautical metaphor, particularly the part about how it’s time to “land some of our passengers,” suggests that the poem itself is a long journey, and that “passengers” (i.e., the characters in the story) will be coming and going at different parts of the narrative. Although this passage implies that the story of the Redcross Knight and Una has reached its end, in fact the Redcross Knight will Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Exp

Book II: Canto I Quotes

His carriage was full comely and upright,
His countenance demure and temperate,
But yet so sterne and terrible in sight,
That cheard his friends, and did his foes amate:
He was an Elfin borne of noble state
[…]

Him als accopanyd upon the way
A comely Palmer, clad in blacke attire,
Of ripest years, and haries all hoarie gray

Related Characters: Acrasia, Sir Guyon, Gloriana (The Faerie Queene), The Palmer
Page Number and Citation: 206
Explanation and Analysis:
This passage introduces the new protagonist of Book II of The Fairie Queene, whose name is Sir Guyon. While the Redcross Knight was the knight of holiness, Sir Guyon is the knight of temperance. In many ways, Sir Guyon resembles his predecessor the Redcross Knight. They are both powerful, noble knights who are half-elf and who have pledged undying allegiance to Gloriana, the Faerie Queene. It might seem logical to wonder, then, why Redcross was replaced with a new knight at all. To begin with, the introduction of Sir Guyon provides a new opportunity to tell a story of moral Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur

Book II: Canto IV Quotes

And round the wreath, this word was writ,
Burnt I do burne. Right well beseemed it,
To be the shield of some redoubted knight

Related Characters: Pyrochles, Atin, Sir Guyon, Redcross Knight, The Palmer
Related Symbols: Shields
Page Number and Citation: 254
Explanation and Analysis:
This quote describes the shield of the evil knight Pyrochles (which is carried by his servant Atin). The shield is one of a knight’s most important objects, and just as the Redcross Knight’s shield featured a cross to signify his holy status, the shield of Pyrochles features a motto, “Burnt I do burne,” that exemplifies his greatest flaw. While Pyrochles has some of the elements of a good knight, such as strength and zeal, he takes things too far—both his name and his shield suggest a fiery personality, which leads him to destruction rather than justice. Pyrochles attacks first and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi nec

Book II: Canto VIII Quotes

There the good Guyon he found slumbring fast
In senseless dream; which sight at first him sore aghast.

Beside his head there sate a faire young man,
Of woundrous beautie, and of freshest years.

Related Characters: Sir Guyon, The Palmer, Mammon
Page Number and Citation: 298
Explanation and Analysis:
This passage describes a moment when the Palmer finally sees Sir Guyon again after a couple cantos of being separated. The scene is surprising because the beautiful young man sitting next to the sleeping Sir Guyon is a character who has never been seen before, and he quickly disappears. The Palmer realizes that the young man was an angel who was protecting Sir Guyon. During the early parts of Book II, the Palmer himself was the protector of Sir Guyon, providing him spiritual guidance and, in particular, advising him to remain temperate at times when he risked becoming too passionate. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque p

Book II: Canto X Quotes

After him Uther, which Pendragon hight,
Succeeding There abruptly did end

Related Characters: Sir Guyon, Arthur , Alma
Page Number and Citation: 345
Explanation and Analysis:
This section comes at the end of a long passage that paraphrases an account of British history that Arthur reads in the castle of Alma. While it might seem like a strange diversion to pause the action of the poem for a character to spend a whole canto reading a book, in many ways Canto X is one of the most important cantos of the whole poem, since British history (both real and mythological) is one of the central themes of The Faerie Queene. The character of Arthur in the poem is a young version of the mythological King Arthur, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis cons

Book II: Canto XII Quotes

Said Guyon, See the mind of beastly man,
That hath so soone forgot the excellence
Of his creation, when he life began,
That now he chooseth, with vile difference
To be a beast, and lack intelligence

Related Characters: Sir Guyon (speaker), Acrasia, The Palmer
Page Number and Citation: 382
Explanation and Analysis:
This passage, spoken by Sir Guyon, is one of the last images described in Book II of the poem. Having just destroyed the pleasure-seeking witch Acrasia’s Bower of Bliss, Sir Guyon and the Palmer head back to leave her island. Along the way, the Palmer sees a man who was turned into a wild beast by Acrasia’s enchantments, and so he restores the man to a state of humanity. But even after being made human again, the man continues to act like a wild beast. As Sir Guyon concludes, this man was not just an innocent victim of Acrasia, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem acc

Book III: Proem Quotes

It falls me here to write of Chastity
That fairest virtue, farre above the rest;
For which what needs me fetch from Faery
Forreine ensamples, it to have exprest?
Sith it is shrined in my Soveraines brest

Related Characters: Narrator (speaker), Britomart
Related Literary Devices:
Page Number and Citation: 383
Explanation and Analysis:
This quote from the proem to Book III finds the narrator musing on the concept of chastity. While the entire poem is filled with references to Queen Elizabeth and characters that are specifically intended to represent (and often flatter) her, this is one of the few cases of a direct mention of her (referred to here as “my Soveraine”). In case there was ever any doubt, this passage confirms that The Faerie Queene’s obsession with chastity has a direct link to Queen Elizabeth, a monarch whose famously unmarried status was controversial during her reign. Because some British citizens thought Queen Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta i

Book III: Canto III Quotes

The man whom Heavens have ordaynd to bee
The spouse of Britomart, is Arthegall:
He wonneth in the land of Fayeree

Related Characters: Merlin (speaker), Britomart, Arthegall, Glauce
Page Number and Citation: 422
Explanation and Analysis:
This quote, spoken by the famous wizard Merlin, describes to Britomart his vision about her future husband, Arthegall. This passage is part of a flashback to before Britomart became a knight and traveled to faerie land. As her name suggests, Britomart is from Britain, and Spenser ties her to British history and mythology by invoking Merlin (who, according to legend, also helped King Arthur). The language in the passage about how heaven has “ordaynd” Britomart’s future helps establish that she is a consequential character (as well as suggesting that her journey will have a religious tone to it). Britomart is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis

Book III: Canto VIII Quotes

Now when the Beast, which by her wicked art
Late forth she sent, she backe returning spyde,
Tyde with her broken girdle, it a part
Of her rich spoyles, whom he had earst destroyd,
She weend, and woundrous gladnesse to her hart applyde.

Related Characters: Sir Satyrane, Venus, Florimell, Marinell
Related Symbols: Florimell’s Gold Belt
Page Number and Citation: 492
Explanation and Analysis:
This quote describes the moment after a jealous hag sends a hyena-like beast out to get Florimell. It returns with her golden girdle (also called a belt or a ribbon at various times), leading the hag to believe Florimell is dead. While this scene might not seem significant to the plot on its own, it marks one of the first appearances of Florimell’s gold belt, a symbol that will show up again and again in the coming cantos. Florimell’s belt, which was originally owned by Venus and helps its owner engage in chaste love, represents her as a whole, as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam of

Book III: Canto XII Quotes

But Britomart uprearing her from ground,
Said, Gentle Dame, reward enough I weene
For many labours more, then I have found,
This, that in safety now I have you seen,
And meane of your deliverance have beene

Related Characters: Britomart (speaker), Amoretta (Amoret), Sir Scudamore
Page Number and Citation: 560
Explanation and Analysis:
This quote from near the end of Book III is part of a conversation between Britomart and Amoretta. Just before this quote, Amoretta falls on her knees before Britomart and asks if there’s anything she can possibly do for Britomart to thank her for saving her. Britomart gives the reply that any good knight would give: that being able to help people is a reward in itself. Britomart’s answer shows that, while she is an unconventional knight in many ways, particularly because of her gender, she nevertheless follows the code of chivalry just as well as any other knight. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde e

Book IV: Canto I Quotes

Of lovers sad calamities of old,
Full many piteous stories doe remaine,
But none more piteous ever was ytold,
Then that of Amorets hart-binding chaine,
And this of Florimels unworthie paine

Related Characters: Narrator (speaker), Florimell, Marinell, Britomart, Sir Scudamore, Amoretta (Amoret)
Page Number and Citation: 383
Explanation and Analysis:
This passage from near the beginning of Book IIII mentions the characters of Amoretta (also sometimes called Amoret) and Florimell, two fair maidens who play an important role in the upcoming cantos. Book IIII is unusual because while its subtitle suggests that it will be about the friendship of Cambell and Triamond, in fact those characters play a comparatively small role in the book. One of the major plots of the book involves the long journey to reunite Amoretta (recently saved by Britomart) with her lover Scudamore. A different but similar plot involves reuniting Florimell with her lover Marinell, as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nes

Book IV: Canto II Quotes

Though now their acts be no where to be found
As that renowned Poet them compyled,
With warlike numbers and Heroicke sound,
Dan Chaucer well of English undefiled,
On Fames eternall beadroll worthie to be fyled.

Related Characters: Narrator (speaker), Priamond, Diamond, and Triamond, Cambina, Canacee, Cambell
Page Number and Citation: 587
Explanation and Analysis:
This quote describes the two characters Cambell and Triamond, who originally appeared in Geoffrey Chaucer’s Canterbury Tales and who reappear in different versions in The Faerie Queene. While classical Greek and Roman epic poems are one of the main influences on Spenser’s writing, one of the other big influences was medieval writing, particularly Chaucer’s. At the time Spenser wrote, Chaucer had been dead for almost 200 years and was well-regarded. Spenser presents the adventures of Cambell and Triamond as if they are real stories that happened in the past and which Chaucer simply didn’t have the time to record. When Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim

Book IV: Canto IV Quotes

Then all with one consent did yield the prize
To Triamond and Cambell as the best.
But Triamond to Cambell it relest.
And Cambell it to Triamond transferd;
Each labouring t’advance the others gest,
And make his praise before his owne preferd:

Related Characters: Cambell, Priamond, Diamond, and Triamond
Page Number and Citation: 616
Explanation and Analysis:
This passage describes the end of a day’s fighting in a tournament of knights when Triamond and Cambell heroically fought to help each other on the battlefield. Each knight refuses the highest prize, believing that his friend deserves it more. Triamond and Cambell have quite a history with each other—Cambell killed two of Triamond’s brothers in a tournament (although their souls flew into Triamond afterwards). Triamond himself fought Cambell to a standstill, and so things ended with Triamond marrying Cambell’s sister and Cambell marrying Triamond’s sister. The actions of Triamond and Cambell in the tournament present a knightly ideal of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum

Book IV: Canto V Quotes

Then was that golden belt by doome of all
Graunted to her, as to the fairest Dame.
Which being brought, about her middle small
They thought to gird, as best it her became;
But by no meanes they could it thereto frame.

Related Characters: Florimell
Related Symbols: Florimell’s Gold Belt
Page Number and Citation: 624
Explanation and Analysis:
This passage describes the results of a beauty contest that happens after a tournament of knights. The people in attendance agree that the fairest maiden among all of them is “Florimell,” not realizing that the Florimell they see is actually a sprite in disguise. The ruse is revealed, however, when fake Florimell tries to wear the real Florimell’s golden belt and it keeps falling off. Later other women also try to wear the belt and find that it doesn’t fit them, either. It seems that, while Florimell’s belt gives its wearer the power of chaste love, it only allows wearers Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Ve

Book V: Canto I Quotes

And such was he, of whome I have to tell,
The Champion of true Justice Artegall.
Whom (as ye lately mote remember well)
An hard adventure, which did then befall,
Into redoubted perill forth did call.

Related Characters: Narrator (speaker), Arthegall, Britomart, Gloriana (The Faerie Queene)
Page Number and Citation: 727
Explanation and Analysis:
This quote from near the beginning of Book V reintroduces the character of Arthegall, who appeared in previous cantos but who is elevated to the status of main character in Book V. Just as previous books focused on a particular virtue, Book V is all about justice. While the knights in the previous books all fought well, Arthegall is one of the most violent knights in the story, reflecting how this poem’s version of justice often demands harsh consequences. Nevertheless, Arthegall also has moments where he shows more restrained judgment and even mercy, suggesting that justice requires a range of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfere

Book V: Canto IV Quotes

For eqaull right in equall things doth stand,
For what the mighty Sea hath once possest,
And plucked quite from all possessors hand,
Whether by rage of waves, that never rest,
Or else by wracke, that wretches hath distrest,
He may dispose by his imperial might.

Related Characters: Arthegall (speaker), Lucy, Philtera, Amidas, Bracidas
Page Number and Citation: 764
Explanation and Analysis:
This quote, spoken by Arthegall, is his judgment regarding a land dispute that has divided the brothers Bracidas and Amidas. The two brothers each inherited an island to themselves. The islands started out the same size, but over time, part of Bracidas’s island drifted on the sea over to Amidas’s island. This caused Bracidas’s fickle fiancée, Philtera, to leave him. But a twist comes when Amidas’s old fiancée Lucy tries to kill herself in the sea and ends up riding on a treasure chest to Bracidas’s island. Both brothers try to lay claim to the treasure chest. Arthegall’s answer to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum do

Book V: Canto VII Quotes

Where being layd, the wrothfull Britonesse
Stayd not, till she came to her selfe againe,
But in revenge both of her loves distresse,
And her late vile reproach, though vaunted vaine,
And also of her wound, which sore did paine,
She with one stroke both head and helmet cleft.

Related Characters: Arthegall, Radigund, Britomart
Page Number and Citation: 807
Explanation and Analysis:
This passage describes a climactic moment when Britomart comes to rescue Arthegall from the clutches of a proud Amazon warrior named Radigund. Radigund has defeated Arthegall in battle and humbled him by locking him in a dungeon and forcing him to complete jobs while wearing women’s clothes. In the poem, Radigund represents a bad woman who is too rebellious. She wages war against good knights because one scorned her. Britomart, on the other hand, is the epitome of a good knight. Even though she is a woman, she respects the code of chivalry. She is chaste and devoted to one Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

Book V: Canto X Quotes

When they had seene and heard her doome a rights
Against Duessa, damned by them all;
But by her tempred without griefe or gall,
Till strong constraint did her thereto enforce.

Related Characters: Duessa, Mercilla, Arthegall
Page Number and Citation: 838
Explanation and Analysis:
This quote describes a scene in the court of the good queen Mercilla. The trickster Duessa, who has appeared several times in previous books, has finally been brought forth for a trial. Although Mercilla is a merciful queen who feels pity for Duessa, the implication seems to be that ultimately Duessa is executed. This scene can be interpreted as a parallel to the judgment and execution of Mary, Queen of Scots by Queen Elizabeth, a controversial event that happened not too long before Spenser wrote his poem. Though Spenser was a Protestant who approved of the Protestant Queen Elizabeth taking Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas

Book V: Canto XII Quotes

But ere he could reform it thoroughly,
He through occasion called was away,
To Faerie Court, that of necessity
His course of Justice he was forst to stay,
And Talus to revoke from the right way

Related Characters: Eirena, Grantorto, Arthegall, Talus
Related Symbols: Faerie Court
Page Number and Citation: 870
Explanation and Analysis:
This quote wraps up the plot at the end of Book V. After saving Eirena from the tyrant Grantorto and returning her to her rightful place on the throne, Arthegall spends some time in her kingdom, doing what he can to try to bring about justice. But despite his best efforts, he is called back by Gloriana to Faerie Court before he can bring about meaningful reforms in Eirena’s kingdom. This passage seems to be an acknowledgment that the reality of creating justice can be complicated and that Arthegall’s grand judgments and displays of justice are only a small part Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaqu

Book VI: Canto I Quotes

But mongst them all was none more courteous Knight,
Then Calidore, beloved over all,
in whom it seemes that gentlenesse of spright
And manners mylde were planted naturall

Related Characters: Narrator (speaker), Sir Turpine, Calidore
Related Symbols: Faerie Court
Page Number and Citation: 878
Explanation and Analysis:
This quote, from near the beginning of the sixth and final book of The Faerie Queene, introduces the character of Sir Calidore, a knight who is defined by his courtesy. Courtesy was an important part of chivalry, and it involved more than simply good manners. Hospitality and, in particular, the willingness to do good deeds for strangers were both important parts of courtesy, and Sir Calidore embodies all these traits. The villains in Book VI, like Sir Turpine, are defined not just by the evil things they do but also by the good things they refuse to do. Being a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo m

Book VI: Canto VI Quotes

No wound, which warlike hand of enemy
Inflicts with dint of sword, so sore doth light,
As doth the poysnous sting, which infamy
Infixeth in the name of noble wight:
For by no art, nor any leaches might
It ever can recured be againe;

Related Characters: Narrator (speaker), Calidore, The Blatant Beast
Page Number and Citation: 938
Explanation and Analysis:
This musing by the narrator from near the beginning of Canto VI of Book VI reflects on how a wound to a noble person’s reputation can be even worse than a physical wound. This statement is validated by the actions of all the virtuous knights in the story, who are so concerned with their reputations that they will do anything to avoid being seen as cowardly or discourteous. The comparison of wounds to a reputation to a “poysnous sting” is a clear comparison to the Blatant Beast, a creature with many tongues who also poisons people that it bites. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi nec

Book VI: Canto VII Quotes

And after all, for greater infamie,
He by the heeles him hung upon a tree,
And baffuld so, that all which passed by,
The picture of his punishment might see,
And by the like ensample warned bee

Related Characters: The Blatant Beast, Sir Turpine, Arthur , Serena, Sir Calepine
Page Number and Citation: 956
Explanation and Analysis:
This quote describes the punishment that Arthur gives to evil Sir Turpine, who on multiple occasions refused to offer help to Serena and Sir Calepine as well as cowardly attacking Arthur. While most evil knights get slain at some point in the story, Arthur spares Sir Turpine’s life and instead strips him of all his knightly possessions and hangs him up as a warning for any other knights who might act discourteous or cowardly. While this might seem lenient compared to the treatment some other villains in the story get, it is a severe punishment in its own way, given Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officii

Book VI: Canto IX Quotes

So there that night Sir Calidore did dwell,
And long while after, whilest him list remaine,
Dayly beholding the faire Pastorell,
And feeding on the bayt of his owne bane.
During which time he did her entertaine
With all kind courtesies, he could invent;
And every day, her companiee to gaine

Related Characters: Colin Clout, Coridon, Melibee, Calidore, Pastorella
Page Number and Citation: 984
Explanation and Analysis:
This quote comes from the beginning of a long interlude when the genre of the poem temporarily changes to pastoral. Pastorals were a genre of poetry in ancient Greece and Rome that celebrated rural life, and variations of this genre existed in some form up until Spenser’s day and beyond. In fact, some of Spenser’s other poetry is entirely in the pastoral genre. In this passage, Sir Calidore begins to fall in love with the fair maiden Pastorella, which in a larger sense symbolizes that he is falling in love with a pastoral shepherd’s lifestyle and perhaps even considering leaving Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas.

Book VI: Canto XII Quotes

Ne may this homely verse, of many meanest,
Hope to escape his venomous despite,
More than my former writes, all were they clearest
From blamefull blot, and free from all that wite,
With which some wicked tongues did it backebite,
and bring into a mighty Peres displeasure,
That never so deserved to endite.
Therefore do you my rimes keep better measure,
And seeke to please, that now is counted wisemens threasure.

Related Characters: Narrator (speaker), The Blatant Beast
Page Number and Citation: 1023
Explanation and Analysis:
This quote ends The Faerie Queene (not counting any of the “Cantos of Mutabilitie,” which were published after Spenser’s death). It’s not clear if this is the ending that Spenser would have picked for his epic, given that he still planned six more books at the time of his death, but it nevertheless provides a fitting conclusion. The narrator of the poem, who is a sort of stand-in for Spenser, writes that he knows his poetry isn’t much, but he hopes the reader will ignore critics and still find something in his writing to like. This message is particularly interesting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit