The Fault in Our Stars Quotes

Late in the winter of my seventeenth year, my mother decided I was depressed, presumably because I rarely left the house, spent quite a lot of time in bed, read the same book over and over, ate infrequently, and devoted quite a bit of my abundant free time thinking about death.

There is only one thing in this world shittier than biting it from cancer when you are sixteen, and that’s having a kid who bites it from cancer.

There was a time before organisms experienced consciousness, and there will be a time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.

“Why are you looking at me like that?”
Augustus half smiled. “Because you’re beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence…I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything.”

Cancer perks are the little things cancer kids get that regular kids don't: basketballs signed by sports heroes, free passes on late homework, unearned drivers licenses, etc.

“That’s exactly what we found with families at Memorial when we were in the thick of it with Gus’s treatment…Everybody was so kind. Strong, too. In the darkest days, the Lord puts the best people into your life.”

I liked my mom, but her perpetual nearness sometimes made me feel weirdly nervous. And I liked Kaitlyn, too. I really did. But three years removed from proper full-time schoolic exposure to my peers, I felt a certain unbridgeable distance between us.

Any attempts to feign normal social interactions were just depressing because it was so glaringly obvious that everyone I spoke to for the rest of my life would feel awkward and self-conscious around me, except maybe kids like Jackie who just didn’t know any better.

Cancer kids are essentially side effects of the relentless mutation that made the diversity of life on earth possible.

“Oh,” he said. “Caroline is no longer suffering from personhood.”
“Oh,” I said.
“Yeah,” he said.
“I’m sorry,” I said. I’d known plenty of dead people, of course. But I’d never dated one. I couldn't even imagine it, really.
“Not your fault, Hazel Grace. We’re all just side effects, right?”
“Barnacles on the container ship of consciousness,” I said, quoting AIA.

“I’m like. Like. I’m like a grenade, Mom. I’m a grenade and at some point I’m going to blow up and I would like to minimize the casualties, Okay…I just want to stay away from people and read books and think and be with you guys because there is nothing I can do about hurting you; you’re too invested, so just please let me do that, okay?”

“You are not a grenade Hazel, not to us. Thinking about you dying makes us sad, Hazel, but you are not a grenade. You are amazing. You can’t know, sweetie, because you’ve never had a baby become a brilliant young reader with a side interest in horrible television shows, but the joy you bring us is so much greater than the sadness we feel about your illness.”

Mom and Dad left us alone, which felt awkward. I worked hard to meet his eyes, even though they were the kind of pretty that’s hard to look at. “I missed you,” Augustus said.

Everyone in this tale has a rock-solid hamartia: hers, that she is so sick; yours, that you are so well. Were she better or you sicker, then the stars would not be so terribly crossed, but it is the nature of stars to cross, and never was Shakespeare more wrong than when he had Cassius note, “The fault, dear Brutus, is not in our stars/But in our selves.”

It’s not like I had some utterly poignant, well-lit memory of a healthy father pushing a healthy child and the child saying higher higher higher or some other metaphorically resonant moment. The swing set was just sitting there, abandoned, the two little swings hanging still and sad from a greyed plank of wood, the outline of the seats like a kid’s drawing of a smile.

I could feel everyone watching us, wondering what was wrong with us, and whether it would kill us, and how heroic my mom must be, and everything else. That was the worst part about having cancer, sometimes: The physical evidence of disease separates you from other people.

You could glance at Augustus and never know he was sick, but I carried my disease with me on the outside, which is part of why I’d become such a homebody in the first place.

“I’m in love with you,” he said quietly.
“Augustus,” I said.
“I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasures of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have and I am in love with you.”

It looked like an old painting, but real—everything achingly idyllic in the morning light—and I thought about how wonderfully strange it would be to live in a place where almost everything had been built by the dead.

Van Houten pursed his lips. “I regret that I cannot indulge your childish whims, but I refuse to pity you in the manner to which you are well accustomed.”
“I don’t want your pity,” I said.
“Like all sick children,” he answered dispassionately, “you say you don’t want pity but your very existence depends on it…sick children inevitably become arrested: You are fated to live out your days as the child you were before you were diagnosed, the child who believes there is life after a novel ends.”

“You get to battle cancer,” I said. “That’s your battle. And you’ll keep fighting,” I told him.
…
“Some war,” he said dismissively. “What am I at war with? My cancer. And what is my cancer? My cancer is me. The tumors are made of me. They’re made of me as surely as my brain and my heart are made of me. It is a civil war, Hazel Grace, with a predetermined winner.”

I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million… There are days, many of them, when I resent the size of my unbounded set. I want more numbers than I’m likely to get, and God, I want more numbers for Augustus Waters than he got. But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me a forever within the numbered days, and I’m grateful.”

“Would you like to share a memory of Augustus with the group?”
“I wish I would just die, Patrick. Do you ever wish you would just die?”
“Yes,” Patrick said, without his usual pause. “Yes, of course. So why don't you?”
I thought about it. My old stock answer was that I wanted to stay alive for my parents, because they would be all gutted and childless in the wake of me, and that was still true kind of, but that wasn't it, exactly. “I don’t know.”

I missed the future…I would probably never again see the ocean from thirty thousand feet above, so far up that you can’t make out the waves or any boats, so that the ocean is a great and endless monolith. I could imagine it. I could remember it. But I could never see it again, and it occurred to me that the voracious ambition of humans is never sated by dreams coming true, because there is always the thought that everything might be done better and again.

You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
I do, Augustus.
I do.