The Fountainhead

The Fountainhead

by Ayn Rand

Henry Cameron Character Analysis

Roark’s mentor, Henry Cameron used to be one of the most admired architects in New York City. He built the highest skyscrapers as well as several other buildings with strong engineering and a focus on the comfort of inhabitants, rather than on mere decorative flourishes. Roark appreciates Cameron’s work and wants to work with him, despite the fact that Cameron has fallen out of style and has no prestige and barely any current work. Cameron notices Roark’s talent right away and desperately wants to see Roark succeed, but is afraid that he will be beaten down by the world, just like Cameron was. He initially tells Roark that the battle he will fight against the world is not worth it and that he must give in rather than struggle pointlessly. However, he changes his mind on his deathbed, telling Roark that he must succeed in his fight and thereby fulfill the dreams of all the independent-minded thinkers who came before him. Cameron treasures the drawing of a skyscraper he always dreamed of building but never got the opportunity to undertake. At the end of the novel, when Roark is building a skyscraper, Rand suggests that Roark has won this battle and has fulfilled Cameron’s dream.

Henry Cameron Quotes in The Fountainhead

The The Fountainhead quotes below are all either spoken by Henry Cameron or refer to Henry Cameron . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Individualism Theme Icon
).

Part 1: Chapter 4 Quotes

“You’re fired,” said Cameron. […] “You’re too good for what you want to do with yourself. It’s no use, Roark. Better now than later.”

“What do you mean?”

“It’s no use wasting what you’ve got on an ideal that you’ll never reach. It’s no use, taking that marvelous thing you have and making a torture rack for yourself out of it. Sell it, Roark. […] You’ve got what they’ll pay you for, and pay plenty, if you use it their way. Accept them, Roark. Compromise. Compromise now, because you’ll have to later, anyway, only then you’ll have gone through things you’ll wish you hadn’t. You don’t know. I do. Save yourself from that. […]”

“Did you do that?”

Related Characters: Henry Cameron (speaker), Howard Roark (speaker)
Related Symbols: Crowds and Groups
Page Number and Citation: 62-63
Explanation and Analysis:

Part 1: Chapter 11 Quotes

“It doesn’t say much. Only ‘Howard Roark, Architect.’ But it’s like those mottoes men carved over the entrance of a castle and died for. It’s a challenge in the face of something so vast and so dark, that all the pain on earth—and do you know how much suffering there is on earth?—all the pain comes from that thing you are going to face. I don’t know what it is, I don’t know why it should be unleashed against you. I know only that it will be. And I know that if you carry these words through to the end, it will be a victory, Howard, not just for you, but for something that should win, that moves the world—and never wins acknowledgement. It will vindicate so many who have fallen before you, who have suffered as you will suffer.”

Related Characters: Henry Cameron (speaker), Howard Roark
Page Number and Citation: 133
Explanation and Analysis:

Part 4: Chapter 8 Quotes

When Keating had gone, Roark leaned against the door, closing his eyes. He was sick with pity.

He had never felt this before—not when Henry Cameron collapsed in the office at his feet, not when he saw Steven Mallory sobbing on a bed before him. Those moments had been clean. But this was pity—this complete awareness of a man without worth or hope, this sense of finality, of the not to be redeemed. There was shame in this feeling—his own shame that he should have to pronounce such judgment upon a man, that he should know an emotion which contained no shred of respect.

This is pity, he thought, and then he lifted his head in wonder. He thought that there must be something terribly wrong with a world in which this monstrous feeling is called a virtue.

Related Characters: Howard Roark, Peter Keating, Henry Cameron , Steven Mallory
Page Number and Citation: 582-583
Explanation and Analysis:
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Henry Cameron Character Timeline in The Fountainhead

The timeline below shows where the character Henry Cameron appears in The Fountainhead. The colored dots and icons indicate which themes are associated with that appearance.
Part 1: Chapter 2
Integrity vs. Conformity Theme Icon
Roark says he plans to go to New York, too, to work with Henry Cameron. Keating is shocked to hear this because Cameron was once a famous architect but is... (full context)
Part 1: Chapter 3
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
...marble in the Classical style. A few blocks away, the Dana Building designed by Henry Cameron offers a stark contrast—its lines are clean and neat, and its tenants are happy with... (full context)
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
Roark finds Cameron in his office in a rundown building. Cameron is ill-tempered and belligerent, and he initially... (full context)
Part 1: Chapter 4
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
Meanwhile, at Cameron’s office, Roark has been working hard at drafting with Cameron observing him quietly. One evening,... (full context)
Part 1: Chapter 5
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
Meanwhile, Cameron and Roark have been working late nights to land a project to design a bank.... (full context)
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
Cameron regrets not being able to see Roark get a real start in his career, but... (full context)
Part 1: Chapter 6
Integrity vs. Conformity Theme Icon
In February 1925, Cameron retires. He has been expecting this day to come for a while, and he has... (full context)
Part 1: Chapter 7
Rationality vs. Emotion Theme Icon
When Keating discovers that Cameron has retired, he is determined to bring Roark to work at Francon and Heyer. He... (full context)
Integrity vs. Conformity Theme Icon
...felt no sympathy except for mastery.” He tells Roark he despises all architects except Henry Cameron and is impressed that Roark worked with him for almost three years. (full context)
Part 1: Chapter 8
Integrity vs. Conformity Theme Icon
...him they have an odd client who wants an office building designed to look like Cameron’s Dana Building. They have shown the client sketches made by three others, but he has... (full context)
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
...his sketches, and it hurts Roark to show them to indifferent eyes. Sometimes, he visits Cameron in New Jersey and they talk about architecture. After being rejected everywhere, Roark tries to... (full context)
Part 1: Chapter 11
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
The first person Roark told about his new commission was Henry Cameron. Cameron was happy to hear the news even though his manner was gruff and dismissive.... (full context)
Part 1: Chapter 13
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
...store. He receives another commission from Whitford Sanborn, who owns an office building designed by Cameron and now wants to build a house in the country. Cameron recommends Roark for the... (full context)
Part 1: Chapter 14
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
In the meanwhile, Cameron suffers a relapse and asks for Roark, who immediately comes to him. Cameron asks him... (full context)
Integrity vs. Conformity Theme Icon
Right before he dies, Cameron asks Roark to forget what he’d said to him all those years ago when he’d... (full context)
Part 4: Chapter 20
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
...Roark, Architect,” and she feels great satisfaction to see it. Though she’d never known Henry Cameron, her feelings are akin to his when he’d told Roark that if he fights and... (full context)