The French Lieutenant’s Woman

The French Lieutenant’s Woman

by

John Fowles

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Ernestina Freeman Character Analysis

Ernestina, modeled after the conventional love interest of a Victorian novel, is Charles’s fiancée. She comes from an upper-middle-class family, and even though her family is actually wealthier than Charles’s, she feels very anxious about their status difference, since Charles’s family are aristocrats. She’s prone to be jealous in her relationship with Charles, partly because she truly loves him. She’s also an only child, which makes her rather spoiled and selfish, but her sense of irony keeps her from seeming so too often. Ernestina acts as the safe, conventional choice of a wife, as she never questions Victorian society. However, after meeting Sarah, Charles begins to realize that Ernestina is too innocent and shallow to really make him happy. It’s precisely her failure to question Victorian society that makes her too dull to keep his interest.

Ernestina Freeman Quotes in The French Lieutenant’s Woman

The The French Lieutenant’s Woman quotes below are all either spoken by Ernestina Freeman or refer to Ernestina Freeman. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Fiction and History vs. Reality Theme Icon
).
Chapter 5 Quotes

For what had crossed her mind... was a sexual thought.... It was not only her profound ignorance of the reality of copulation that frightened her; it was the aura of pain and brutality that the act seemed to require....

Thus she had evolved a kind of private commandment—those inaudible words were simply “I must not”—whenever the physical female implications of her body, sexual, menstrual, parturitional, tried to force and entry into her consciousness. But though one may keep the wolves from one’s door, they still howl out there in the darkness. Ernestina wanted a husband, wanted Charles to be that husband, wanted children; but the payment she vaguely divined she would have to make for them seemed excessive.

Related Characters: Charles Smithson, Ernestina Freeman
Page Number: 28-29
Explanation and Analysis:
Chapter 25 Quotes

The master went back into his room; and there entered his mind a brief image of that ancient disaster he had found recorded in the blue lias and brought back to Ernestina—the ammonites caught in some recession of water, a micro-catastrophe of ninety million years ago. In a vivid insight, a flash of black lightning, he saw that all life was parallel: that evolution was not vertical, ascending to a perfection, but horizontal. Time was the great fallacy; existence was without history, was always now, was always this being caught in the same fiendish machine. All those painted screens erected by man to shut out reality—history, religion, duty, social position, all were illusions, mere opium fantasies.

Related Characters: The narrator (speaker), Charles Smithson, Ernestina Freeman
Related Symbols: Fossils
Page Number: 206
Explanation and Analysis:
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Ernestina Freeman Quotes in The French Lieutenant’s Woman

The The French Lieutenant’s Woman quotes below are all either spoken by Ernestina Freeman or refer to Ernestina Freeman. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Fiction and History vs. Reality Theme Icon
).
Chapter 5 Quotes

For what had crossed her mind... was a sexual thought.... It was not only her profound ignorance of the reality of copulation that frightened her; it was the aura of pain and brutality that the act seemed to require....

Thus she had evolved a kind of private commandment—those inaudible words were simply “I must not”—whenever the physical female implications of her body, sexual, menstrual, parturitional, tried to force and entry into her consciousness. But though one may keep the wolves from one’s door, they still howl out there in the darkness. Ernestina wanted a husband, wanted Charles to be that husband, wanted children; but the payment she vaguely divined she would have to make for them seemed excessive.

Related Characters: Charles Smithson, Ernestina Freeman
Page Number: 28-29
Explanation and Analysis:
Chapter 25 Quotes

The master went back into his room; and there entered his mind a brief image of that ancient disaster he had found recorded in the blue lias and brought back to Ernestina—the ammonites caught in some recession of water, a micro-catastrophe of ninety million years ago. In a vivid insight, a flash of black lightning, he saw that all life was parallel: that evolution was not vertical, ascending to a perfection, but horizontal. Time was the great fallacy; existence was without history, was always now, was always this being caught in the same fiendish machine. All those painted screens erected by man to shut out reality—history, religion, duty, social position, all were illusions, mere opium fantasies.

Related Characters: The narrator (speaker), Charles Smithson, Ernestina Freeman
Related Symbols: Fossils
Page Number: 206
Explanation and Analysis: