The Frogs
by Aristophanes
✓

or to save your progress

Need another quote?
Need analysis on another quote?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
Request it
Request it
Request analysis
Request analysis
Request analysis

Act 1, Scene 1 Quotes

XANTHIAS Do you mean to say that I’ve been lugging these props around but I’m not allowed to use them to get a laugh? That’s what usually happens. Phrynichus, Lycis, Ameipsias – all the popular playwrights do it. The comic porter scene. There’s one in every comedy.

DIONYSUS Not in this one. Every time I go to a show and have to sit through one of those scintillating routines, I come away more than a year older.

Related Characters: Dionysus (speaker), Xanthias (speaker), Aeschylus, Euripides, Heracles, Sophocles
Page Number and Citation: 134
Explanation and Analysis:
Dionysus and Xanthias are headed to Heracles’s house to ask for directions to Hades (Dionysus wants to go there to resurrect the poet Euripides, who has recently died). To pass the time and amuse Dionysus, Xanthias makes a crass joke about farting so loud he blows the luggage he’s carrying right off his back. The joke disgusts Dionysus, but Xanthias complains that if he has to haul around all their luggage, he should at least be able to make light of his discomfort with humor. To further defend his joke, he cites a few contemporary comedic playwrights—Phrynichus, Lycis, and Ameipsias—claiming Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum.

DIONYSUS I need a poet who can really write. Nowadays it seems like ‘many are gone, and those that live are bad’.

Related Characters: Dionysus (speaker), Heracles, Xanthias, Euripides, Aeschylus, Sophocles
Page Number and Citation: 136
Explanation and Analysis:
Dionysus and Xanthias have arrived at Heracles’s house (Dionysus stops there on his way to Hades to ask Heracles, who previously journeyed to Hades to retrieve the hell hound Cerberus, for directions). There, Dionysus explains to Heracles his reason for going to Hades: he wants to find and bring back the great tragedian Euripides, who has recently died. “I need a poet who can really write,” says Dionysus, offering an explanation for why he wants to bring back Euripides specifically. As Dionysus has alluded to previously in his comedic banter with Xanthias, he’s thoroughly dissatisfied with the state of contemporary Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea

FROGS Brekekekex, koax, koax,
Brekekekex, koax, koax!
Oh we are the musical Frogs!
We live in the marshes and bogs!
Sweet, sweet is the hymn
We sing as we swim,
And our voices are known
For their beautiful tone
When on festival days
We sing out in praise
Of the genial god –
And we don’t think it odd
When the worshipping throng,
To the sound of our song,
Rolls home through the marshes and bogs;
Brekekekex!
Rolls home through the marshes and bogs.

Related Characters: Frog-Chorus (speaker), Charon, Heracles, Xanthias, Dionysus
Page Number and Citation: 141-142
Explanation and Analysis:
This is an excerpt from the opening of the Frog-Chorus’s song, a choral interlude that takes place as Dionysus is traveling on Charon’s ferry to Hades. Interestingly (and rather comically), this is the only appearance the eponymous frogs make in the entire play. The Frogs open their song with a series of grand, sweeping croaks: “Brekekekex, koax, koax, / Brekekekex, koax, koax!” From there, they sing of the “marshes and bogs” in which they live and sing, an allusion to Dionysus-in-the-Marshes, the location near the Acropolis where the Anthesteria (one of four Athenian festivals that honor Dionysus) takes place. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut.

Act 1, Scene 2 Quotes

XANTHIAS Come on, don’t dither. Remember you’re supposed to be Heracles!

Related Characters: Xanthias (speaker), Dionysus, Heracles, Pluto
Page Number and Citation: 152
Explanation and Analysis:
Dionysus and Xanthias have arrived at Pluto’s palace in Hades, but Dionysus is suddenly nervous and hesitates to knock on the front door. Xanthias impatiently urges Dionysus to get on with it, reminding him that he’s “supposed to be Heracles!” (Dionysus is wearing a lion-skin and robe to disguise himself as his half-brother, the divine hero Heracles, who has been to Hades before.) Xanthias’s remark is played for comedic effect, highlighting the irony that though Dionysus is a god and thus (one would think) should be brave and powerful, he’s in fact cowardly, bumbling, and flawed. But Xanthias also gestures Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciu

DIONYSUS Well, if you’re feeling so brave and heroic, how about taking my place? Here you are, you take the club and lion-skin – a chance to show your courage – and I’ll carry the luggage for you.

XANTHIAS Anything you say. You’re the boss.

[They exchange roles.]

There, how do I look? Xanthias as Heracles! I reckon the​ part suits me better than it does you, you old coward!

DIONYSUS It’s a very good imitation of a slave dressed up as Heracles. Come on, let me have those bundles.

Related Characters: Dionysus (speaker), Xanthias (speaker), Heracles, Pluto, Aeacus
Page Number and Citation: 153
Explanation and Analysis:
Dionysus and Xanthias arrive at Pluto’s palace and are greeted by Aeacus, the gatekeeper. The moment Aeacus lays eyes on “Heracles” (recall that Dionysus is disguised as his half-brother Heracles), he angrily promises to torture and unleash fearsome monsters on him as punishment for Heracles stealing the hellhound Cerberus. As soon as Aeacus goes back inside to fetch the necessary monsters and instruments of torture, the terrified Dionysus urges Xanthias to trade costumes with him, which Xanthias does without question. This passage gives the audience more insight into Dionysus’s and Heracles’s personalities. The nonchalance with which Xanthias agrees (though of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iu

CHORUS
Well now you’re dressed up just the same as before,
A sight to make anyone tremble,
You must roll your eyes and swagger and roar
Like the god you’re supposed to resemble.

If you flinch or waver or fluff your role
And forget to speak bravely and brag, man,
You’ll be putting those suitcases back on that pole
And going back to your job as a bagman.

Related Characters: Chorus (speaker), Xanthias, Dionysus, Heracles, Pluto
Page Number and Citation: 156
Explanation and Analysis:
Persephone’s maid has just emerged from Pluto’s palace and told “Heracles” (Xanthias wearing Dionysus’s Heracles disguise) about the grand feast and dancing women Persephone has arranged to entertain Heracles. Dionysus demanded that Xanthias give him back his Heracles disguise. But after they traded costumes (with Dionysus now embodying Heracles), two landladies came out and berated “Heracles” for the rudeness he displayed the last time he was in Hades—so now Dionysus, in a cowardly attempt at self-preservation, demands that Xanthias once more assume the Heracles costume, hoping that Xanthias, not Dionysus, will receive any punishment intended for Heracles. Here, as the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut

CHORUS-LEADER
We chorus folk two privileges prize:
To amuse you, citizens, and to advise.

Related Characters: Chorus (speaker), Aeschylus, Euripides, Sophocles
Page Number and Citation: 160
Explanation and Analysis:
This passage comes from the parabasis, the part of an Ancient Greek comedy in which the Chorus, addressing the audience, conveys the play’s central ideas and offers advice to the audience. Here, the Chorus states its two core purposes: “To amuse you, citizens, and to advise.” Though the play is a comedy and should entertain its audience, it has a more serious and important purpose: to educate and instill good values in its audience, just as the works of tragic theater (i.e., the works of Aeschylus, Euripides, and Sophocles) the play repeatedly espouses did. Interestingly, though the play repeatedly advocates Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis cons

CHORUS-LEADER
[…]
These we abuse, and look instead to knaves,
Upstarts, nonentities, foreigners and slaves –
Rascals all! Honestly, what men we choose!
There was a time when you’d have scorned to use
Men so debased, so far beyond the pale,
Even as scapegoats to be dragged from jail
And flogged to death outside the city gates.
Misguided friends, change now, it’s not too late!
Try the good ones again: if they succeed,
You will have shown that you have sense indeed;
And if things don’t go well, if these good men
All fail, and Athens comes to grief, why, then
Discerning folk will murmur (let us hope):
‘She hanged herself, but with a first-rate rope!’

Related Characters: Chorus (speaker)
Page Number and Citation: 161-162
Explanation and Analysis:
This passage comes from the parabasis, the part of an Ancient Greek comedy in which the Chorus, addressing the audience, conveys the play’s central ideas and offers advice to the audience. Here, the Chorus outlines one of the main social and political ills inflicting present-day Athens: citizens (i.e., the play’s audience) have forgotten how to identify truly noble people, and as a result, they’ve instated undeserving “Rascals” to leadership positions, which ultimately has contributed to the city’s weakened state (at the time of the play’s first production, Athens was on the verge of losing the Peloponnesian War to Sparta). If Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidun

Act 2, Scene 1 Quotes

SLAVE He’s a real gentleman, your master, by Zeus.

XANTHIAS Of course. Like all real gentlemen he only understands two things: swigging and frigging.

Related Characters: Pluto’s Slave (speaker), Xanthias (speaker), Dionysus, Heracles, Pluto
Page Number and Citation: 163
Explanation and Analysis:
After Xanthias and Dionysus arrive at Pluto’s palace in Hades, Xanthias and one of Pluto’s slaves are working on some tedious chores together. As they work, Pluto’s slave, who has apparently heard about Xanthias and Dionysus swapping costumes outside Pluto’s palace earlier that day (with Xanthias masquerading as a god and Dionysus posing as a slave) calls Dionysus “a real gentleman,” suggesting that Xanthias is lucky that Dionysus didn’t punish Xanthias for impersonating him. In response, Xanthias sarcastically agrees: “Like all real gentleman [Dionysus] only understands two things: swigging and frigging.” With this, Xanthias insults Dionysus, arguing that he’s not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accus

SLAVE Well, Euripides came along and started showing off to all the other people we’ve got down here, you know, cut-throats, highwaymen, murderers, burglars – a right rough lot they are – and of course he soon had them all twisted round his little finger, with all his arguments and clever talking. So they’ve all started saying he’s the best, and he’s decided to lay claim to the chair instead of Aeschylus.

Related Characters: Pluto’s Slave (speaker), Xanthias, Euripides, Aeschylus, Pluto
Page Number and Citation: 164
Explanation and Analysis:
As Xanthias and Pluto’s slave do chores in Pluto’s palace, Pluto’s slave catches Xanthias up to speed on the ongoing feud between Euripides and Aeschylus. Though it should be obvious that Aeschylus is clearly the better of the two poets, Pluto’s slave explains, the problem is that Euripides, through “his arguments and clever talking,” has won over all the “cut-throats, highwaymen, murderers, [and] burglars” that reside in Hades. This passage reaffirms the play’s stance that the culture of contemporary Athens is debased and immoral and thus has bred a generation of citizens who are incapable of judging good character (or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro p

XANTHIAS Weighing poetry? What, like slices of meat?

SLAVE Oh, yes, it’s all got to be measured properly, with rulers, yardsticks, compasses and wedges, and god knows what else.

XANTHIAS A regular torture chamber.

Related Characters: Xanthias (speaker), Pluto’s Slave (speaker), Dionysus, Pluto, Euripides, Aeschylus
Related Symbols: The Scale
Page Number and Citation: 165
Explanation and Analysis:
After Xanthias overhears Aeschylus and Euripides arguing, Pluto’s slave tells Xanthias about the contest that Pluto has organized to determine which of them is the better poet. He explains that Pluto will provide all kinds of measuring equipment so that the judge (Dionysus) can objectively “weigh” which poet is better. The literal “weighing” of poetry satirizes literary criticism, comically exaggerating the practice of closely analyzing the mechanics of literature. The play doesn’t condemn literary criticism; to the contrary, it uses the “weighing” of poetry that takes place during Euripides and Aeschylus’s contest to pay homage to great poetry, allowing each Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiore

AESCHYLUS My plays have outlived me so I don’t have them to hand down here. His died with him. But never mind. Let’s have a contest, if we must, by all means.

Related Characters: Aeschylus (speaker), Dionysus, Euripides
Page Number and Citation: 167
Explanation and Analysis:
Aeschylus and Euripides are about to commence the contest that will determine which of them is the better poet. Before the contest begins, Aeschylus, whom Euripides has been goading, speaks up to defend himself and his work and to attack Euripides. Here, he delivers a caustic insult to Euripides, comparing the lasting influence of his own work to the insignificance of Euripides’s work. Unlike Euripides, whose poetry has “died with him,” Aeschylus’s “plays have outlived [him],” meaning that people continue to perform and find inspiration in his poetry even after his death around 456 B.C.E.E. But this line of dialogue Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem a

CHORUS
We’re expecting, of course, to pick up a few tips
From these poets so clever and wise,
As elegant utterance falls from their lips
And their temperatures gradually rise.

Since neither is lacking in brains or in grit
It should be a thrilling debate:
While one pins his hopes on his neatly turned wit,
The other relies on his weight.

For shrewd dialectic he cares not a jot;
Though traps be contrived for his fall,
He’ll swoop down like thunder and quell the lot –
Quips, quibbles, his rival and all!

Related Characters: Chorus (speaker), Euripides, Aeschylus
Page Number and Citation: 168-169
Explanation and Analysis:
Before Euripides and Aeschylus’s poetry contest begins, the Chorus interjects to introduce the two competitors and outline what it hopes the contest will accomplish. The opening lines of this passage, “We’re expecting, of course, to pick up a few tips / From these poets so clever and wise,” alludes to the Chorus’s (and thus indirectly, Aristophanes’s) view of poetry’s value and purpose. Here, the chorus is suggesting that good poetry should enable audiences “to pick up a few tips,” or that it should educate them. As the contest unfolds, both Euripides and Aeschylus will agree with this sentiment, asserting that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repel

EURIPIDES I taught them how to apply subtle rules, how to turn a phrase neatly. I taught them to observe, to discern, to interpret; to use spin, to massage the facts; to suspect the worst, to take nothing at face value…

Related Characters: Euripides (speaker), Aeschylus
Page Number and Citation: 171
Explanation and Analysis:
During Euripides’s and Aeschylus’s contest to determine who is the better poet, Euripides defends his own poetry, lauding what he perceives as its most impressive features. In particular, he praises his ability to teach audiences “how to apply subtle rules, how to turn a phrase neatly,” and how “to observe, to discern, to interpret.” What he’s alluding to here is the Socratic dialectic’s influence. In this method, people arrive at the truth through dialogue and debate—they interrogate every aspect of the world around them and, as Euripides claims here, “take nothing at face value.” But though Euripides uses this in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nis

DIONYSUS That’s right: whenever an Athenian comes home nowadays, he shouts at the servants and starts asking, ‘Why is the flour jar not in its proper place? Who bit the head off this sprat? What’s happened to that cup I had last year? Where is yesterday’s garlic? Who’s been nibbling at this olive?’ Whereas before Euripides came along they just sat there staring blankly.

Related Characters: Dionysus (speaker), Euripides
Page Number and Citation: 171
Explanation and Analysis:
After Euripides praises his own work for how it has taught audiences to interrogate the world around them and take no truths for granted—a characteristic of his work the play ultimately criticizes most harshly—Dionysus mockingly suggests that in teaching Athenians to ask questions, Euripides has done Athens more harm than good. He suggests that Athenians were doing fine before Euripides supposedly enlightened them, but now they’re constantly caught up with unhelpful skepticism about mundane features of everyday life, wasting time and energy asking about misplaced cups and flour jars, half-eaten olives, and missing bulbs of garlic. Dionysus’s lines are played Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetu

EURIPIDES Technical ability. A poet should also teach people how to be better citizens.

Related Characters: Euripides (speaker), Aeschylus
Page Number and Citation: 172
Explanation and Analysis:
During Euripides and Aeschylus’s contest, Aeschylus asks Euripides what he thinks is the most important quality of a good poet. In addition to a poet’s “Technical ability,” Euripides claims that good poets “should also teach people how to be better citizens.” On this point, Euripides and Aeschylus agree: good poetry is more than mere entertainment, and its primary purpose should be to instill good values in audiences and teach them how to make sense of and behave in the world. As such, poets have a responsibility, at least as Aristophanes sees it, to ensure that their plays are successfully and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Un

AESCHYLUS Well, now, look at the characters I left him. Fine, stalwart figures, larger than life. Men who didn’t shirk their duty. My heroes weren’t like these marketplace loafers, delinquents and rogues they write about nowadays. They were real heroes, breathing spears and lances, white-plumed helmets, breastplates and greaves; heroes with hearts of oxhide, seven layers thick.

Related Characters: Aeschylus (speaker), Euripides
Page Number and Citation: 172
Explanation and Analysis:
During Aeschylus and Euripides’s contest, Aeschylus compares the moral superiority of his tragedies to the comedies that are popular in present-day Athens. In contrast to these modern plays, Aeschylus’s tragedies featured characters “who didn’t shirk their duty.” His protagonists “weren’t like these marketplace loafers, delinquents and rogues they write about nowadays.” Aeschylus will apply this same criticism to Euripides’s tragedies, citing Oedipus and Hippolytus in particular as examples of Euripides’s unsavory characters and the questionable morals they instill in audiences (both plays feature themes of incest). To Aeschylus, since the point of poetry is to instruct audiences on how to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dict

AESCHYLUS […] Schoolboys have a master to teach them, adults have poets. We have a duty to see that what we teach them is right and proper.

Related Characters: Aeschylus (speaker), Euripides, Dionysus
Page Number and Citation: 174
Explanation and Analysis:
During Aeschylus and Euripides’s contest, Aeschylus critiques Euripides for featuring morally corrupt characters and lurid subject matter in his tragedies; in particular, he references the character Phaedra from Euripides’s Hippolytus and the character Stheneboea, who appears in the play Bellerophon. Both are married women who fall in love with other men and then make false accusations against them when the men reject them. Aeschylus suggests that such plays have scandalized and set bad examples for audiences. Instead, Aeschylus suggests, poets should think of themselves as teachers, and they should think of their audience as impressionable young school children. “We have Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt.

AESCHYLUS Look, you fool, noble themes and sentiments need to be couched in suitably dignified language. If your characters are demigods, they should sound like demigods – what’s more, they should dress like them. I set an example in this respect, which you totally perverted.

EURIPIDES How?

AESCHYLUS By dressing your kings in rags so that they appear as objects of pity.

EURIPIDES What harm is there in that?

AESCHYLUS Well, these days you can’t get the wealthy to pay their ship levy. They dress up in rags and claim exemption on the grounds of poverty.

Related Characters: Aeschylus (speaker), Euripides (speaker)
Page Number and Citation: 174
Explanation and Analysis:
During Aeschylus and Euripides’s contest, Aeschylus criticizes Euripides for writing plays that confuse audiences and send them immoral messages. Here, Aeschylus establishes his own work as the gold standard for what good poetry should be: he writes in an elevated style and features noble, virtuous characters and themes that teach audiences how to think and act and what characteristics they should value in their leaders. He writes “in suitably dignified language,” thereby presenting noble characters as identifiably, obviously noble and leaving no room for doubt and ambiguity. Euripides, by contrast, has “totally perverted” this structure. Aeschylus claims that Euripides’s use Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum

AESCHYLUS And look how you’ve encouraged people to babble. The wrestling schools are empty. And where have all the young men gone? Off to these notorious establishments where they practise the art of debating – and that’s not all they practise either! These days even the sailors argue with their officers; in my day the only words they knew were ‘slops’ and ‘heave-ho’!

Related Characters: Aeschylus (speaker), Euripides
Page Number and Citation: 175
Explanation and Analysis:
During Aeschylus and Euripides’s contest, Aeschylus accuses Euripides of confusing his audiences, encouraging them to take nothing for granted and to doubt everything. In a broader sense, Aeschylus is criticizing the Socratic influence that’s present in Euripides’s work. Euripides’s contemporaries associated him with Socrates and the Western philosophy Socrates pioneered. The Socratic method is a method of critical thinking in which people engage in argumentative debate, seeking deeper understanding through asking questions and challenging assumptions about the world around them. Put simply, the basic gist of Socrates’s philosophy is that the only thing people can know for certain is that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci volupta

EURIPIDES [after some thought]
I loathe a citizen who acts so fast
To harm his country and yet helps her last,
Who’s deft at managing his own success,
But useless when the city’s in a mess.

Related Characters: Euripides (speaker), Aeschylus, Dionysus, Alcibiades
Page Number and Citation: 187
Explanation and Analysis:
At the conclusion of Euripides and Aeschylus’s contest, Dionysus, still unable to determine which poet is better, asks them multiple questions to assess which poet is better equipped to restore Athens to its former glory. One of these questions is what the poets think Athenians should do about the disgraced former Athenian general Alcibiades. Alcibiades was the nephew of Pericles and was friends with Socrates. He was arrested in 415 B.C.E.E for profaning the Mysteries, at which point he went over to Sparta (Athens’s enemy in the Peloponnesian War). After his involvement in a scandal led him to fall out Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam

AESCHYLUS
It is not very wise for city states
To rear a lion cub within their gates;
But if they do so, they will find it pays
To tolerate its own peculiar ways.

Related Characters: Aeschylus (speaker), Euripides, Dionysus, Chorus , Alcibiades
Page Number and Citation: 187
Explanation and Analysis:
At the conclusion of Euripides and Aeschylus’s contest, Dionysus, yet unable to determine which poet is better, asks them multiple questions to assess which poet is better equipped to restore Athens to its former glory. One of these questions is what Athens should do about the disgraced former general Alcibiades. After Euripides condemns Alcibiades’s betrayal of Athens, suggesting that his punishment is warranted, Aeschylus offers this in response. His answer is vaguer and more poetic than Euripides’s, but he seems to suggest that while he condemns Alcibiades’s actions (referring to the former general as “a lion cub” with “peculiar ways”), Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui

DIONYSUS I’ll judge between you on this score alone: I shall select the man my soul desires.

Related Characters: Dionysus (speaker), Euripides, Aeschylus, Pluto
Related Symbols: The Scale
Page Number and Citation: 188
Explanation and Analysis:
At the end of Euripides and Aeschylus’s contest, Dionysus finds that he’s still unable to determine which poet is better, even after the measuring equipment Pluto has provided to “weigh” their poetry has twice determined that Aeschylus’s poetry is “weightier” than Euripides’s. Thus, Dionysus announces that he’s no longer judging the poets on their technical abilities; instead, he will “select the man [his] soul desires”—in other words, the man whose poetry inspires a greater emotional response. Dionysus’s decision gestures back toward his motivation for journeying to Hades in the first place: a fierce longing for the poetry of Euripides. Thus, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corp

CHORUS
[…]

So it’s not smart to sit and chat
With Socrates, tossing aside
Artistic merit, shedding all
That’s best of the tragedian’s art.
To fritter away all one’s time
On quibbling and pretentious talk,
And other such inane pursuits,
Is truly the mark of a fool.

Related Characters: Chorus (speaker), Euripides, Dionysus, Aeschylus
Page Number and Citation: 189-190
Explanation and Analysis:
After Dionysus announces that Aeschylus is the winner of the contest (and thus, the superior poet), the Chorus interjects to elaborate on why, specifically, Euripides has lost. The Chorus explains that “it’s not smart to sit and chat / With Socrates,” implicitly criticizing the Socratic method, in which people arrive at the truth through discussion and debate. The Chorus rather scathingly dismisses the dialectical method as “quibbling and pretentious talk,” insisting that only “a fool” would engage in the practice. Basically, Aristophanes, through the Chorus, is suggesting that Euripides’s dialectical approach to tragedy diminishes the capacity of his work to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Po

CHORUS
[…]
To the city’s counsels may he wisdom lend;
Then of war and suffering shall there be an end.

Related Characters: Chorus (speaker), Dionysus, Aeschylus, Euripides
Page Number and Citation: 190
Explanation and Analysis:
These lines, which come from the play’s exodos, or exit song, are the final lines of the play. Dionysus has just deemed Aeschylus the winner of the contest between Aeschylus and Euripides. As they prepare to embark on their journey to the land of the living, the Chorus sends its well wishes, hopeful that Aeschylus, through his instructive, virtue-espousing poetry, will be able to set “the city’s counsels” on the right path and so restore Athens to its former glory. This passage encapsulates one of the play’s central ideas about the value of poetry, namely that it can be a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel voluptatum. Assumenda officia maiores. Voluptatem sint velit. Quod quia sapiente. Cum sunt quo. Accusamus veritatis voluptatum. Rerum est et.
No matches.