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Chapter 2
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in The Girl with Seven Names, which you can use to track the themes throughout the work.
Oppression, Human Rights, and North Korea
Identity and Nationality
Family
Kindness
Summary
Analysis
Hyeonseo’s family arrives in Anju in 1984. The city’s main industry is coal mining, and it is terribly polluted and frequently floods during the rainy season. There are only a few Soviet-style buildings in town, along with the requisite Kim Il-sung statue. Mother is distraught by this new city. She is used to privilege, but their life is still good. Father’s job allows them fish or meat with most meals—something most North Koreans only eat on the birthdays of the Leaders, when rations are increased.
The birthdays of Kim Il-sung, Kim Jong-il, and now, Kim Jong-un, are celebrated as national holidays in North Korea. Children are given presents and candy, and elaborate meals are eaten throughout the country. All major North Korean cities—and many smaller villages, for that matter—have statues of the Great Leaders, which again reflects the power of the Kim regime in North Korea.
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Hyeonseo’s family lives on the military base, and in the middle of their new house is a wall-mounted speaker, which can’t be turned off or down. The speaker is used to broadcast announcements from the banjang, the head of the neighborhood unit. Banjangs are usually middle-aged women, who deliver warnings and spy on people for the government. On the day Hyeonseo’s family moves in, the banjang delivers them two portraits of the Leaders. The portraits are of the Great Leader, Kim Il-sung, and his son, the Dear Leader, Kim Jong-il.
The banjang and the wall-mounted speaker reflect the oppression of the people by the Kim regime. The watchful eye of the powerful regime can’t be escaped, not even in remote cities and villages. The idea of a speaker that screeches out warnings and intimidation invading one’s home and family life is unthinkable in other countries, but to North Koreans, it is completely normal.
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The portraits must hang in all North Korean homes, and each home is issued a special white cloth with which to clean them. The cloth cannot be used to clean anything else, and the portraits must hang at the highest point in the home. Once a month, government officials wearing white gloves come to inspect the portraits and ensure they are clean and in compliance. Anyone found with dusty or crooked portraits is punished. Stories of heroic acts of portrait-saving are popular in North Korea, and every year on the birthdays of the Leaders, everyone lines up before the portraits and takes a long, deep bow.
One week after arriving in Anju, Mother is stopped in town by volunteers wearing red armbands, who wander the city looking for anyone violating social laws—like women wearing foreign perfume or jewelry (signs of “capitalist decadence”), or those neglecting to wear the pins of the Great Leaders over their hearts. On this day, mother is wearing trousers, not a skirt, with is considered unladylike and enough to get the attention of the volunteers. She bribes them and they let her go.
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Life is different on the military base, but Hyeonseo’s family slowly grows used to life there. Mother keeps her distance from most people. One of the downsides of life in North Korea is that people wear “masks,” and mother’s hides a fun and compassionate woman. Hyeonseo begins kindergarten, which marks the point from which she no longer belongs to her parents, but to the state.
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