The novel's point of view is third-person limited, focused on Jonas. The story is told in the third person, so Jonas is referred to by name or pronouns rather than "I." The narration stays close to Jonas’s thoughts and feelings. Readers understand the community mostly as Jonas understands it: at first it seems safe, orderly, and caring, but as Jonas receives memories from The Giver, the community’s cruelty and emotional emptiness become clearer.
This limited point of view helps emphasize the fact that many truths are hidden from Jonas. Early on, when he notices something strange about an apple, the narration gives only his confused perception: “The apple had changed. Just for an instant. It had changed in mid-air.” Readers do not yet know that he is beginning to see color. The mystery unfolds through Jonas’s experience.
The same pattern happens with Jonas's understanding of "release." Jonas grows up believing "release" means going Elsewhere (leaving the community), but readers learn the truth—that "release" refers to euthanasia—only when Jonas watches his father kill an infant. His reaction, “He killed it! My father killed it!", shows how the point of view makes the revelation shocking: the reader’s knowledge catches up to Jonas’s at the same moment.
By keeping the narration limited to Jonas, The Giver lets the reader experience his coming of age from inside his changing awareness. The point of view reinforces the novel’s tension between controlled ignorance and painful knowledge, since Jonas’s expanding vision becomes the reader’s expanding vision too.