The Glass Hotel

Alkaitis was interesting only in retrospect. He’d come to the Hotel Caiette with his wife, now deceased. He and his wife had fallen in love with the place, so when it’d come up for sale he’d bought the property, which he leased to the hotel’s management company. He lived in New York City and came to the hotel three or four times a year. He carried himself with the tedious confidence of all people with money, that breezy assumption that no serious harm could come to him. He was generically well dressed, tanned in the manner of people who spend time in tropical settings in the wintertime, reasonably but not spectacularly fit, unremarkable in every way. Nothing about him, in other words, suggested that he would die in prison.

Sanity depends on order.

In her hotel days, Vincent had always associated money with privacy—the wealthiest hotel guests have the most space around them, suites instead of rooms, private terraces, access to executive lounges—but in actuality, the deeper you go into the kingdom of money, the more crowded it gets, people around you in your home all the time, which is why Vincent only swam at night.

“She had real potential. Real potential. But an inability to recognize opportunity? That right there is a fatal flaw.”

Ghosts of Vincent’s earlier selves flocked around the table and stared at the beautiful clothes she was wearing.

“It’s interesting,” he said, “she’s got a very particular kind of gift.”

“What’s that?”

“She sees what a given situation requires, and she adapts herself accordingly.”

“So she’s an actress?” The conversation was beginning to make Olivia a little uneasy. It seemed to her that Jonathan was describing a woman who’d dissolved into his life and become what he wanted. A disappearing act, essentially.

“Not acting, exactly. More like a kind of pragmatism, driven by willpower. She decided to be a certain kind of person, and she achieved it.”

He doesn’t tell Julie Freeman this, but now that it’s much too late to flee, Alkaitis finds himself thinking about flight all the time. He likes to indulge in daydreams of a parallel version of events—a counterlife, if you will—in which he fled to the United Arab Emirates. Why not? He loves the UAE and Dubai in particular, the way it’s possible to live an entire life without going outdoors except to step into smooth cars, floating from beautiful interior to beautiful interior with expert drivers in between.

She had a significant financial stake in maintaining the appearance of happiness.

In the counterlife, Claire visits him in Dubai. She is happy to see him. She disapproves of his actions, but they can laugh about it. Their conversations are effortless. In the counterlife, Claire isn’t the one who called the FBI.

“The thing with Paul,” her mother said, while they were waiting for the water taxi on the pier at Grace Harbour, “is he’s always seemed to think that you owe him something.” Vincent remembered looking up at her mother, startled by the idea. “You don’t,” her mother said. “Nothing that happened to him is your fault.”

“It’s possible to both know and not know something.”

“I mean, here’s the question,” Joelle said, “and I’d be genuinely interested to hear your thoughts: How did he know we’d do it? Would anyone do something like this, given enough money, or is there something special about us? Did he look at me one day and just think, That woman seems conveniently lacking in a moral center, that person seems well suited to participate in a—"

One of our signature flaws as a species: will risk almost anything to avoid looking stupid.

“You know what’s permanent? You’re a person with a really excellent cocktail story. Ten, twenty years from now, at a cocktail party, you’ll be holding a martini in a circle of people, and you’ll be like, ‘Did I ever tell you about the time I worked for Jonathan Alkaitis?’ […] You get to walk away untarnished.”

You can know that you’re guilty of an enormous crime, that you stole an immense amount of money from multiple people and that this caused destitution for some of them and suicide for others, you can know all this and yet still somehow feel you’ve been wronged when your judgment arrives.

“Well, look at it this way. I believe we’re in agreement that it should have been obvious to any sophisticated investor that you were running a fraudulent scheme. […] So in order for your scheme to succeed for as long as it did, a great many people had to believe in a story that didn’t actually make sense. But everyone was making money, so no one cared, except Ella Kaspersky.”

But they were citizens of a shadow country that in his previous life he’d only dimly perceived, a country located at the edge of an abyss. He’d been aware of the shadowland forever, of course. He’d seen its more obvious outposts: shelters fashioned from cardboard under overpasses, tents glimpsed in the bushes alongside expressways, houses with boarded-up doors but a light shining in an upstairs window. He’d always been vaguely aware of its citizens, people who’d slipped beneath the surface of society, into a territory without comfort or room for error; they hitchhiked on roads with their worldly belongings in backpacks, they collected cans on the streets of cities, they stood on the Strip in Las Vegas wearing T-shirts that said GIRLS TO YOUR ROOM IN 20 MINUTES, they were the girls in the room. He’d seen the shadow country, its outskirts and signs, he’d just never thought he’d have anything to do with it.

“I’m sorry,” he says. “I’m sorry for all of it.,”

“I was a thief too,” I tell him, “we both got corrupted.”