LitCharts assigns a color and icon to each theme in The Go-Between, which you can use to track the themes throughout the work.
Social Class and Hierarchy
Coming of Age and Trauma
Masculinity
Fate, Myth, and Magic
Love, Sex, and Marriage
Summary
Analysis
Over the next few days, Leo continues carrying messages between Marian and Ted: “three notes from her, one note and two verbal messages from him.” Ted’s verbal messages were “tell her it’s alright” the first time, and “tell her it’s no go” the second. It’s easy for Leo to find Ted: he’s usually working on the harvest fields.
Leo remains oblivious to the nature of Marian and Ted’s communications. The pattern of behavior starts to become normalized, and Leo is now instrumental in the organization of the lovers’ meetings.
Active
Themes
On one of the message deliveries, Leo sees Ted aiming his gun to kill any rabbits that come out of the rushes as they’re cut. When Leo gives him the envelope, Ted’s bloody hands smear the letter as he reads it. He’s too engrossed in the letter to notice he’s making it bloodied. Each time Leo visits Ted, he enjoys sliding down the straw-stack.
This is another hint that there may be violence to come. Ted is too excited by Marian’s letter to keep decorum and clean off the blood before reading it. Leo enjoys going to Ted’s because it gives him a break from his new identity in which he can briefly enjoy behaving like a boy again.
Active
Themes
Quotes
Leo takes his duties as Mercury—the go-between—“very seriously.” Marian always seems to be more urgent with the letters than when dealing with anyone else. Leo feels that “to be of service to her was infinitely sweet to me, nor did I look beyond it.”
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Active
Themes
Leo wonders what the meaning of Ted and Marian’s secret communication might be. He has a few theories, none of which completely satisfy him. Perhaps, he reasons, the envelopes contain money gifted from Marian to Ted to help him with his “business.” Maybe they’re comparing notes about the “temperature,” he wonders. Leo’s favorite theory—the most “sensational”—is that Ted is in trouble with the police and Marian is trying to help him, but even that theory doesn’t quite ring true.
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Leo is “half ashamed” of his urge to know the nature of Ted and Marian’s relationship, but is committed to his “privilege in being associated with the movement of the heavenly bodies.”
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On Friday, Marcus comes downstairs for the first time since his sickness. It appears he will be well enough for the cricket match. Leo is glad his friend is starting to feel better, but realizes that if Marcus is around it will be impossible for Leo to take any secret messages between Ted and Marian. Leo feels he could tell his friend “many things but not my fantasy of myself as Robin Hood and his sister as Maid Marian.”
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Leo doesn’t like the idea of lying to Marcus about the letters, feeling it goes against the schoolboys’ “no-sneaking tradition”. Besides, even if he lied, Marcus’s shrewdness would quickly discover the truth. On the other hand, Leo is “still in love with the adventure” of taking the letters and fears that without his role as messenger he will have to reckon with an “emotional impoverishment.”
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After breakfast, Leo starts to head off with Marcus, both hopeful and fearful that Marian will not stop him to give him a letter. But she calls out for him, and Leo tells Marcus to wait for him while he goes off with Marian for a moment.
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Leo is about to tell Marian about the newfound difficulty he foresees in taking the letters when Trimingham appears in the room. “Like lightning” Marian thrusts the letter in Leo’s pocket before Trimingham can see.
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Leo goes back to Marcus and tells him he wants to go and slide on the straw-stack. Marcus is bored by this idea and declines to go with Leo. Instead, he says, he will kill time by sitting at “yonder window and watch [the adults] spooning.” They both laugh at the thought of spooning, before Leo says seriously that he’s sure Marian doesn’t spoon: “she’s got too much sense.” Marcus is unconvinced, and says that rumor has it that she even spoons with Leo—at this, the two boys wrestle before Marcus cries, “Pax!”
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Leo heads towards the farm. Fingering the envelope in his pocket, he realizes that it is unsealed. At Leo’s school, the rules (between schoolboys) about reading other people’s letters are that it’s okay to do so if they’ve been left lying about. Often notes get passed around at school, and Leo frequently reads the ones that aren’t sealed.
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Leo thinks it’s fair that he can read Marian’s letter, but he hesitates. He knows she probably meant to seal it, but the fact is that she hadn’t. “If Marian had made a slip, well, then, she must pay for it,” he thinks to himself. “That was only logical.” Leo, though, is very divided about whether to read the letter.
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Leo decides that, as this might be the last letter he can take because of Marcus’s return, it’s okay for him to read it. Furthermore, if the letter reveals a matter of “life and death,” he resolves that he will find a way to continue taking their letters. He doesn’t take the letter out of the envelope but reads the words that he can see by looking inside it. They read “Darling, Darling, darling, same place, same time, this evening. But take care not to—.” The rest of the message is hidden by the envelope.
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