The Golden Compass
by Philip Pullman
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Chapter One Quotes

"I didn't have anything in mind, and well you know it," she snapped quietly. "But now I've seen what the Master did, I haven't got any choice. You're supposed to know about conscience, aren't you? How can I just go and sit in the library or somewhere and twiddle my thumbs, knowing what's going to happen? I don't intend to do that, I promise you."

Related Characters: Lyra (speaker), Pan, The Master, Lord Asriel
Page Number and Citation: 9
Explanation and Analysis:
Once Lyra and Pan find themselves stuck in the Retiring Room and witness the Master poison wine intended for Lord Asriel, Lyra insists that they have a responsibility to save Lord Asriel. The way that Lyra chastises Pan sheds light on the role that a dæmon is supposed to play for people in Lyra's world. As her dæmon, he's supposed to function as her conscience and, under most circumstances, she'd expect her conscience to take issue with poisoning someone. However, the fact that Pan positions himself as opposing Lyra in this situation suggests that due to their age, Pan is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium r

Chapter Two Quotes

Ever since Pope John Calvin had moved the seat of the Papacy to Geneva and set up the Consistorial Court of Discipline, the Church's power over every aspect of life had been absolute. The Papacy itself had been abolished after Calvin's death, and a tangle of courts, colleges, and councils, collectively known as the Magisterium, had grown up in its place.

Related Characters: The Master, The Librarian
Related Symbols: Dust
Page Number and Citation: 30
Explanation and Analysis:
Following his failed assassination attempt of Lord Asriel, the Master and the Librarian drink and discuss the trouble brewing in the world. The Librarian here is considering how the Magisterium came to power. It's telling that he believes that the Magisterium's control is absolute, as this suggests that Lyra's world is one that's run by an organization that has little to push back on its power. The fact that it has so many entities under its jurisdiction also means that its power can probably be detected in every corner of the world, since it appears easy enough to install a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollit

"Yes. Lyra has a part to play in all this, and a major one. The irony is that she must do it all without realizing what she's doing. She can be helped, though, and if my plan with the Tokay had succeeded, she would have been safe for a little longer."

Related Characters: The Master (speaker), The Librarian, Lord Asriel
Related Symbols: The Alethiometer
Page Number and Citation: 31
Explanation and Analysis:
The Master tells the Librarian about the prophecy concerning Lyra. Structurally, telling the reader that Lyra's life has been dictated by prophecy first establishes that destiny exists in this world, and then it positions the reader in a state of not fully following Lyra on her journey of discovery while withholding other pertinent information. In this sense, the reader assumes a sort of adolescence, just like Lyra: they know some things about how her world works before she does, and in that way get to exist like the Master and the Librarian, while not knowing about the panserbjørne, for example, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui

Chapter Three Quotes

Lyra was frightened. No one worried about a child gone missing for a few hours, certainly not a gyptian: in the tight-knit gyptian boat world, all children were precious and extravagantly loved, and a mother knew that if a child was out of sight, it wouldn't be far from someone else's who would protect it instinctively.

Related Characters: Lyra, Ma Costa, Billy Costa, The Gobblers
Page Number and Citation: 55
Explanation and Analysis:
Following Billy Costa's disappearance, Ma Costa is unusually anxious and upset. This tips Lyra off to the fact that there's something sinister going on. The way that the narrator describes the gyptian people explains in part why the General Oblation Board (the Gobblers) would target them: in general, they’re used to their children running free and not always being kept close to their parents. This makes the gyptian children vulnerable and gyptian parents vulnerable as well, as the Gobblers certainly have far more time to make off with a child than they might if the child were expected to spend Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus te

Chapter Four Quotes

The Master sighed. In his black suit and black tie he looked as much like his dæmon as anyone could, and suddenly Lyra thought that one day, quite soon, he would be buried in the crypt under the oratory, and an artist would engrave a picture of his dæmon on the brass plate for his coffin, and her name would share the space with his.

Related Characters: The Master, Lyra
Page Number and Citation: 68
Explanation and Analysis:
When the Master speaks to Lyra before she leaves with Mrs. Coulter, Lyra flashes on the fact that the Master is old and soon will die. This shows that Lyra is starting to mature, come of age, and think more critically about the people around her—and importantly, recognize that the adults in her life are mortal and won't always be there for her. This realization more broadly fits in with the way that, throughout the novel, Lyra gradually sees bits and pieces of wider politics become personal and, as this happens, she starts to figure out how she fits into Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut

Mrs. Coulter came into the bathroom to wash Lyra's hair, and she didn't rub and scrape like Mrs. Lonsdale either. She was gentle. Pantalaimon watched with powerful curiosity until Mrs. Coulter looked at him, and he knew what she meant and turned away, averting his eyes modestly from these feminine mysteries as the golden monkey was doing. He had never had to look away from Lyra before.

Related Characters: Lyra, Pan, Mrs. Coulter, The Golden Monkey, Mrs. Lonsdale
Page Number and Citation: 77
Explanation and Analysis:
When Mrs. Coulter washes Lyra's hair, she makes Pan look away from Lyra's body in the bath. The simple fact that Mrs. Coulter sees fit to force this issue makes it clear that Lyra is quickly approaching puberty and that her body will soon begin to change. Forcing Pan to look away, however, also speaks to the idea that part of growing up and becoming adult means experiencing shame surrounding one's body, something that the novel later suggests is the work of original sin. Forcing this kind of shame and modesty on Lyra at this point, before she's totally ready Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea susc

Chapter Seven Quotes

Indeed, Tony heard from gossip in pubs along the way that the police were making raids on houses and farms and building yards and factories without any explanation, though there was a rumor that they were searching for a missing girl. And that in itself was odd, considering all the kids that had gone missing without being looked for.

Related Characters: Tony Costa, Ma Costa, Lyra
Page Number and Citation: 110
Explanation and Analysis:
As Lyra travels to the fens with the gyptians, Tony Costa discovers that the Oblation Board and the police are searching for Lyra—though they haven't bothered to search for any other children reported missing. This makes it clear that the Oblation Board and the Gobblers are targeting vulnerable children that society sees as disposable. Someone like Lyra, however—who, aside from being connected to Mrs. Coulter herself, is highborn in general—is seen as far more valuable and therefore, worthy of resources in a way that the other children aren't. With this, the novel shows how the Magisterium more broadly gains power Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi.

"And the Church in recent times, Lyra, it's been getting more commanding. There's councils for this and councils for that; there's talk of reviving the Office of Inquisition, God forbid. And the Master has to tread warily between all these powers. He has to keep Jordan College on the right side of the Church, or it won't survive."

Related Characters: John Faa (speaker), The Master, Farder Coram, Lyra
Page Number and Citation: 127
Explanation and Analysis:
During a conversation with Lyra, John Faa explains the tight spot that the Master must be in, given how the Magisterium behaves and the Master's role at Jordan College. This makes it clear to Lyra and to the reader how dangerous the political climate is at this time, and how far-reaching the Magisterium's power is (the “Office of Inquisition” is presumably the equivalent of the Spanish Inquisition in our world, a dark and tyrannical time in the Church’s history). The Master found himself possibly in danger by denying Mrs. Coulter Lyra, as doing that would mean going against the Oblation Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volup

Chapter Ten Quotes

He had to stay close to the ship, of course, for he could never go far from her; but she sensed his desire to speed as far and as fast as he could, for pure exhilaration. She shared his pleasure, but for her it wasn't simple pleasure, for there was pain and fear in it too. Suppose he loved being a dolphin more than he loved being with her on land? What would she do then?

Related Characters: Lyra, Pan, Jerry
Page Number and Citation: 166
Explanation and Analysis:
On the ship headed to Trollesund, Pan experiments with taking a dolphin form, which both exhilarates and worries Lyra. Some of Lyra's fear is that she might grow up to be someone she's not sure she wants to be—specifically in this case, someone who must spend all her time on the water. The simple fact that Lyra never seems to share her fears with Pan about this indicates that there might be more separation between human and dæmon than the reader had previously been led to believe, and it also suggests that Lyra doesn't have much control over what form Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi n

"Anyway, there's compensations for a settled form."

"What are they?"

"Knowing what kind of person you are. Take old Belisaria. She's a seagull, and that means I'm kind of a seagull too. I'm not grand and splendid nor beautiful, but I'm a tough old thing and I can survive anywhere and always find a bit of food and company. That's worth knowing, that is. And when your dæmon settles, you'll know the sort of person you are."

Related Characters: Lyra (speaker), Jerry (speaker), Pan
Page Number and Citation: 167
Explanation and Analysis:
When Jerry the sailor notices that Lyra seems worried that Pan is experimenting with being a dolphin, he kindly gives her a pep talk and assures her that having a settled dæmon isn't a bad thing. As Jerry tells it, dæmons function as much as a person's conscience for the individual in question as they do as a window into the soul for others. This shows the reader that as they evaluate characters, it's important to look at their dæmons and the kind of qualities or lifestyle suggested by what a person's dæmon is. Importantly, Jerry makes it clear that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volup

Lyra's heart was thumping hard, because something in the bear's presence made her feel close to coldness, danger, brutal power, but a power controlled by intelligence; and not a human intelligence, nothing like a human, because of course bears had no dæmons. The strange hulking presence gnawing its meat was like nothing she had ever imagined, and she felt a profound admiration and pity for the lonely creature.

Related Characters: Lyra, Pan, Iorek Byrnison
Page Number and Citation: 179-80
Explanation and Analysis:
When Lyra first meets Iorek, she finds him disturbing mostly because he's not human and doesn't have a dæmon. While Lyra isn't wrong, per se, that Iorek isn't human—he isn't—she’s partly wrong about what makes him so different and scary. Though she doesn't know it yet, Iorek doesn't possess his armor at this point, which contains his soul. With this knowledge, it's easy to see that Iorek simply looks cold and soulless to her. Lyra's fixation on the fact that Iorek doesn't have a dæmon speaks to her youth and innocence, as well as her identity as a human. She Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asp

Chapter Eleven Quotes

She felt angry and miserable. His badger claws dug into the earth and he walked forward. It was such a strange tormenting feeling when your dæmon was pulling at the link between you; part physical pain deep in the chest, part intense sadness and love. And she knew it was the same for him. Everyone tested it when they were growing up: Seeing how far they could pull apart, coming back with intense relief.

Related Characters: Lyra, Pan, Iorek Byrnison
Page Number and Citation: 195
Explanation and Analysis:
When Lyra refuses to approach Iorek, Pan decides to force the issue by trying to pull as far away from Lyra as he can, something that causes them both physical pain. His choice to pull her is a physical representation of the struggle that many people in the real world go through as they attempt to override emotions, instincts, or desires in order to do what they want to do or know they need to do. By suggesting that this is a normal part of being a child in Lyra's world, the book implies that doing this work means that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Pr

"My armor is made of sky iron, made for me. A bear's armor is his soul, just as your dæmon is your soul. You might as well take him away"—indicating Pantalaimon—"and replace him with a doll full of sawdust. That is the difference."

Related Characters: Iorek Byrnison (speaker), Lyra, Pan
Page Number and Citation: 196-97
Explanation and Analysis:
When Lyra approaches Iorek and asks why he doesn't make himself more armor, he explains the importance of creating armor out of sky iron (metal from a meteorite) and the role that armor plays in the bears' conception of self. By putting this information in terms of dæmons, Iorek frames things in a format that Lyra can understand—while she might not actually know what it’s like to not have a dæmon, she can guess. This allows her to empathize with Iorek and begin to see that he only seems so strange to her because he doesn't have his soul with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaec

Chapter Twelve Quotes

"Because, Iorek, listen: I got this symbol reader that tells me things, you see, and it's told me that there's something important I got to do over in that village, and Lord Faa won't let me go there. He just wants to get on quick, and I know that's important too. But unless I go and find out what it is, we might not know what the Gobblers are really doing."

Related Characters: Lyra (speaker), Iorek Byrnison, The Gobblers, Tony Makarios
Related Symbols: The Alethiometer
Page Number and Citation: 206
Explanation and Analysis:
Following John Faa's disinterest in the "ghost" mentioned by the alethiometer, Lyra calls on Iorek and explains why she feels she has to go check it out. Remember that prior to this moment, Lyra has had several experiences in which her inability to either interpret the alethiometer or her unwillingness to take what it says seriously has resulted in tragedy of some sort. Because of this, Lyra is starting to learn that she has a responsibility to listen when the alethiometer starts to tell her something. Doing this also means that Lyra is following her destiny, though she still doesn't Dolorem et quae. Exercitationem n

Chapter Thirteen Quotes

Her first impulse was to turn and run, or to be sick. A human being with no dæmon was like someone without a face, or with their ribs laid open and their heart torn out: something unnatural and uncanny that belonged to the world of night-ghasts, not the waking world of sense.

Related Characters: Lyra, Tony Makarios, Ratter, Pan, Iorek Byrnison
Page Number and Citation: 214
Explanation and Analysis:
The narrator describes Lyra's reaction to finding Tony Makarios, a boy who underwent intercision and so doesn't have a dæmon. The physicality of Lyra's reaction suggests that what the Oblation Board is doing is something wholly evil and unnatural—it's something that, within the logic of this world, simply doesn't compute or is the stuff of nightmares. This should tell Lyra that the Magisterium more broadly is attempting to fundamentally change the population and how it functions so that it can better control people. Part of Lyra's disgust also comes from the fact that she knows that cutting people's dæmons away Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi n

"How do you do that?"

"By not being human," he said. "That's why you could never trick a bear. We see tricks and deceit as plain as arms and legs. We can see in a way humans have forgotten. But you know about this; you can understand the symbol reader."

"That en't the same, is it?" [...]

"It is the same," he said. "Adults can't read it, as I understand. As I am to human fighters, so you are to adults with the symbol reader."

"Yes, I suppose," she said, puzzled and unwilling. "Does that mean I'll forget how to do it when I grow up?"

Related Characters: Lyra (speaker), Iorek Byrnison (speaker)
Related Symbols: The Alethiometer
Page Number and Citation: 226
Explanation and Analysis:
Iorek invites Lyra to fence with him so he can show her how it's impossible to trick bears, a way of understanding that Iorek suggests is akin to the way that Lyra can read the alethiometer when adults can't. All of this starts to point to the idea that within the world of the novel, children aren't entirely human in a similar way that bears aren't human—there's something about them that makes them fundamentally different. The novel suggests that in Lyra's case especially, what differentiates her from adults is that she has an uncanny knack for ascertaining the truth with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupt

Chapter Fifteen Quotes

"We dunno," said Annie. "Just something from space. Not real dust. If you en't got any Dust, that's good. But everyone gets Dust in the end."

Related Characters: Annie (speaker), Lyra, The Gobblers
Related Symbols: Dust
Page Number and Citation: 246
Explanation and Analysis:
At Bolvanger, a girl named Annie tells Lyra that the doctors are looking for Dust—and that while many of the children don't have Dust, they all will at some point. Though Annie, Lyra, and their companions don't know what Dust is yet, the book thus far has hinted that it is a manifestation of original sin and the onset of puberty, Annie's statement makes much more sense: every child will enter puberty and begin to grow up, something that, in this world, coincides with attracting Dust. This suggests that growing up itself is inevitable and it's not something that people Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occ

Chapter Sixteen Quotes

"I think he's got an entirely different idea of the nature of Dust. That's the point. It's profoundly heretical, you see, and the Consistorial Court of Discipline can't allow any other interpretation than the authorized one. And besides, he wants to experiment—"

"To experiment? With Dust?"

Related Characters: The Gobblers (speaker), Lord Asriel, Lyra
Related Symbols: Dust
Page Number and Citation: 274
Explanation and Analysis:
From the ceiling, Lyra listens as several Bolvanger doctors discuss what Lord Asriel is doing and why the Magisterium is so afraid of him. When the doctor mentions that the Consistorial Court of Discipline can't allow anyone to spread ideas that don't align with the "authorized" interpretation, it drives home the fact that in this world, the Magisterium exists to police the flow of ideas so that nothing that challenges its authority ever comes to light. The very fact that the doctors are talking about Lord Asriel's research suggests that the Magisterium hasn't been particularly successful in this endeavor, even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam

Chapter Seventeen Quotes

"If he's got Dust and you've got Dust, and the Master of Jordan and every other grownup's got Dust, it must be all right. When I get out I'm going to tell all the kids in the world about this. Anyway, if it was so good, why'd you stop them doing it to me? If it was good, you should've let them do it. You should have been glad."

Related Characters: Lyra (speaker), Mrs. Coulter, Pan, The Gobblers, The Master
Related Symbols: Dust
Page Number and Citation: 283
Explanation and Analysis:
After Mrs. Coulter saves Lyra from undergoing intercision, Lyra hysterically calls Mrs. Coulter on her hypocrisy and demands to know what's so bad about Dust. Now that Mrs. Coulter has saved Lyra, it's easier for Lyra to see that Mrs. Coulter knows that intercision isn't safe or good; she's only still experimenting with it because she has access to children that society doesn't think are important, and are therefore essentially disposable lab subjects. Lyra, however, is Mrs. Coulter's daughter as well as a highborn child—and therefore, is considered too valuable to experiment with. Lyra's suggestion that Dust must be good Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque erro

Chapter Eighteen Quotes

"We are all subject to the fates. But we must all act as if we are not," said the witch, "or die of despair."

Related Characters: Serafina Pekkala (speaker), Lee Scoresby, Lyra
Page Number and Citation: 310
Explanation and Analysis:
In the balloon, the witch Serafina Pekkala tells Lee Scoresby about how destiny and free will function in tandem. Specifically, the idea that it's important to act as though one has free will, even if one actually doesn't, suggests that free will and destiny aren't actually opposing ideas, as Lee Scoresby seems to think they are. Rather, they're two parts of the same idea and it's necessary to have both. The acknowledgement that it’s soul-crushing to know one's destiny and consequently feel a lack of all agency makes it clear that free will is actually more important than destiny, if Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt

"When bears act like people, perhaps they can be tricked," said Serafina Pekkala. "When bears act like bears, perhaps they can't. No bear would normally drink spirits. Iorek Byrnison drank to forget the shame of exile, and it was only that which let the Trollesund people trick him."

Related Characters: Serafina Pekkala (speaker), Iorek Byrnison, Lyra, Iofur Raknison
Page Number and Citation: 317
Explanation and Analysis:
As Serafina Pekkala and Lyra discuss the differences between bears and humans and whether or not bears can be tricked, Serafina suggests that it comes down to whether or not a bear acts like a bear. The implication here is that when a person is content with who they are and has a soul that fits them, they're far more impervious to tricks and deceit than someone who, as Iofur Raknison is, doesn't want to be who they are. This also reaffirms something that Jerry said to Lyra about a person whose dæmon takes a form they don't like needing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscip

Chapter Twenty Quotes

But his armor was his soul. He had made it and it fitted him. They were one. Iofur was not content with his armor; he wanted another soul as well. He was restless while Iorek was still.

Related Characters: Lyra, Iorek Byrnison, Iofur Raknison
Page Number and Citation: 349
Explanation and Analysis:
As Lyra watches Iorek and Iofur circle each other before the fight, she notes that Iorek looks at home in his armor while Iofur looks uncomfortable in his. She sees this as proof that Iorek will emerge victorious, given that the novel has already established that a being who is content with who they are will be much more successful and fulfilled in life. The simple fact that Lyra can observe this and make sense of it speaks to how far she's come in her development. She now understands that a being doesn't need a dæmon to be happy and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Inc

Because Iorek was moving backward only to find clean dry footing and a firm rock to leap up from, and the useless left arm was really fresh and strong. You could not trick a bear, but, as Lyra had shown him, Iofur did not want to be a bear. He wanted to be a man; and Iorek was tricking him.

Related Characters: Lyra, Iorek Byrnison, Iofur Raknison
Page Number and Citation: 353
Explanation and Analysis:
As Lyra experiences a moment of doubt and thinks that Iorek is going to lose in his fight against Iofur, the narrator notes that Iorek is actually using what Lyra taught him about Iofur's mental state to trick the bear. While under normal circumstances bears can't be tricked, Iofur doesn't represent a normal circumstance: he desperately wants to be a human and possess a dæmon. His soul in his armor isn't enough for him, so he's uncomfortable in it and isn't able to tap into all of the qualities that bears have that would otherwise help him best Iorek. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptate

Chapter Twenty-One Quotes

"She guessed that the two things that happen in adolescence might be connected: the change in one's dæmon and the fact that Dust began to settle. Perhaps if the dæmon were separated from the body, we might never be subject to Dust—to original sin."

Related Characters: Lord Asriel (speaker), Mrs. Coulter, Lyra
Related Symbols: Dust
Page Number and Citation: 375
Explanation and Analysis:
When Lyra arrives at Lord Asriel's home on Svalbard, he explains to her what Dust is and how Mrs. Coulter came up with the idea to separate children from their dæmons in an attempt to keep them from being subjected to original sin. Within the world of the novel, children don’t experience original sin—while they may have the power to choose and to learn about good and evil, they don't have the experience and the knowledge that the novel suggests stick to adults via Dust. Keep in mind that getting rid of Dust and original sin would make a adult Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occ

Chapter Twenty-Three Quotes

"We've heard them all talk about Dust, and they're so afraid of it, and you know what? We believed them, even though we could see that what they were doing was wicked and evil and wrong...We thought Dust must be bad too, because they were grown up and they said so. But what if it isn't? What if it's—"

She said breathlessly, "Yeah! What if it's really good..."

Related Characters: Pan (speaker), Lyra (speaker), Lord Asriel, Mrs. Coulter, The Gobblers
Related Symbols: Dust
Page Number and Citation: 398
Explanation and Analysis:
After Roger's death and after Lord Asriel enters the world in the Aurora, Lyra and Pan deduce that Dust might not actually be a bad thing. This is a wildly heretical thought, as it suggests that original sin (as represented by Dust) isn't actually bad—instead, it's what makes humans human. The fact that Lyra realizes this makes it clear that while she's still a child at this point, she now understands that it's necessary to grow up and that doing so won't be a bad thing. She'll get the experience and the knowledge that she doesn't have now and which Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum vol
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