Edward Ashburnham Character Analysis

I don’t know how it is best to put this thing down—whether it would be better to try and tell the story from the beginning, as if it were a story; or whether to tell it from this distance of time, as it reached me from the lips of Leonora or from those of Edward himself.

So I shall just imagine myself for a fortnight or so at one side of the fireplace of a country cottage, with a sympathetic soul opposite me.

Good God, what did they all see in him? for I swear there was all there was of him, inside and out; though they said he was a good soldier. Yet, Leonora adored him with a passion that was like an agony, and hated him with an agony that was as bitter as the sea. How could he arouse anything like a sentiment, in anybody?

It really worried poor Florence that she couldn’t, in matters of culture, ever get the better of Leonora. I don't know what Leonora knew or what she didn't know, but certainly she was always there whenever Florence brought out any information. And she gave, somehow, the impression of really knowing what poor Florence gave the impression of having only picked up.

She continued, looking up into Captain Ashburnham’s eyes: “It's because of that piece of paper that you're honest, sober, industrious, provident, and clean-lived. If it weren’t for that piece of paper you’d be like the Irish or the Italians or the Poles, but particularly the Irish....”

And she laid one finger upon Captain Ashburnham’s wrist.

But just think of that poor wretch.... I, who have surely the right, beg you to think of that poor wretch. Is it possible that such a luckless devil should be so tormented by blind and inscrutable destiny? For there is no other way to think of it. None. I have the right to say it, since for years he was my wife's lover, since he killed her, since he broke up all the pleasantnesses that there were in my life. There is no priest that has the right to tell me that I must not ask pity for him, from you, silent listener beyond the hearth-stone, from the world, or from the God who created in him those desires, those madnesses....

You ask how it feels to be a deceived husband. Just Heavens, I do not know. It feels just nothing at all. It is not Hell, certainly it is not necessarily Heaven. So I suppose it is the intermediate stage. What do they call it? Limbo. No, I feel nothing at all about that. They are dead; they have gone before their Judge who, I hope, will open to them the springs of His compassion.

Well, Julius was so overcome with grief at being left behind that he must needs go and drop the precious grip. I saw red, I saw purple. I flew at Julius. On the ferry, it was, I filled up one of his eyes; I threatened to strangle him. And, since an unresisting negro can make a deplorable noise and a deplorable spectacle, and, since that was Florence’s first adventure in the married state, she got a pretty idea of my character. It affirmed in her the desperate resolve to conceal from me the fact that she was not what she would have called “a pure woman.” For that was really the mainspring of her fantastic actions. She was afraid that I should murder her....

A long time afterwards I pulled myself out of the lounge and went up to Florence’s room. She had not locked the door—for the first time of our married life. She was lying, quite respectably arranged, unlike Mrs. Maidan, on her bed. She had a little phial that rightly should have contained nitrate of amyl, in her right hand. That was on the 4th of August, 1913.

I don't know why they never had any children—not that I really believe that children would have made any difference. The dissimilarity of Edward and Leonora was too profound. It will give you some idea of the extraordinary naïveté of Edward Ashburnham that, at the time of his marriage and for perhaps a couple of years after, he did not really know how children are produced. Neither did Leonora. I don’t mean to say that this state of things continued, but there it was. I dare say it had a good deal of influence on their mentalities. At any rate, they never had a child. It was the Will of God.

I call this the Saddest Story, rather than “The Ashburnham Tragedy,” just because it is so sad, just because there was no current to draw things along to a swift and inevitable end. There is about it none of the elevation that accompanies tragedy; there is about it no nemesis, no destiny. Here were two noble people—for I am convinced that both Edward and Leonora had noble natures—here, then, were two noble natures, drifting down life, like fireships afloat on a lagoon and causing miseries, heartaches, agony of the mind and death. And they themselves steadily deteriorated. And why? For what purpose? To point what lesson? It is all a darkness.

And, when one discusses an affair—a long, sad affair—one goes back, one goes forward. One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places and that one may have given, by omitting them, a false impression. I console myself with thinking that this is a real story and that, after all, real stories are probably told best in the way a person telling a story would tell them. They will then seem most real.

And the longer I think about them the more certain I become that Florence was a contaminating influence—she depressed and deteriorated poor Edward; she deteriorated, hopelessly, the miserable Leonora. There is no doubt that she caused Leonora’s character to deteriorate.

I have told you, I think, that Edward spent a great deal of time, and about two hundred pounds for law fees on getting a poor girl, the daughter of one of his gardeners, acquitted of a charge of murdering her baby. That was positively the last act of Edward’s life. It came at a time when Nancy Rufford was on her way to India; when the most horrible gloom was over the household; when Edward himself was in an agony and behaving as prettily as he knew how. Yet even then Leonora made him a terrible scene about this expenditure of time and trouble. She sort of had the vague idea that what had passed with the girl and the rest of it ought to have taught Edward a lesson—the lesson of economy. She threatened to take his banking account away from him again. I guess that made him cut his throat.

“This is the most atrocious thing you have done in your atrocious life.” He never moved and he never looked at her. God knows what was in Leonora’s mind exactly.

I like to think that, uppermost in it was concern and horror at the thought of the poor girl’s going back to a father whose voice made her shriek in the night. And, indeed, that motive was very strong with Leonora. But I think there was also present the thought that she wanted to go on torturing Edward with the girl’s presence. She was, at that time, capable of that.

“He is going to telephone to your mother,” Leonora said. “He will make it all right for her.” She got up and closed the door. She came back to the fire, and added bitterly: “He can always make it all right for everybody, except me—excepting me!”

For I can’t conceal from myself the fact that I loved Edward Ashburnham—and that I love him because he was just myself. If I had had the courage and virility and possibly also the physique of Edward Ashburnham I should, I fancy, have done much what he did. He seems to me like a large elder brother who took me out on several excursions and did many dashing things whilst I just watched him robbing the orchards, from a distance. And, you see, I am just as much of a sentimentalist as he was...

When he saw that I did not intend to interfere with him his eyes became soft and almost affectionate. He remarked:

“So long, old man, I must have a bit of a rest, you know.”

I didn’t know what to say. I wanted to say, “God bless you,” for I also am a sentimentalist. But I thought that perhaps that would not be quite English good form, so I trotted off with the telegram to Leonora. She was quite pleased with it.