The Good Woman of Setzuan

by

Bertolt Brecht

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The Good Woman of Setzuan: Scene 7 Summary & Analysis

Summary
Analysis
In the yard behind Shen Te’s shop, Shen Te and Mrs. Shin do laundry. Mrs. Shin tells Shen Te to “fight tooth and nail” to keep her shop. Shen Te replies that she must sell the tobacco to pay the old couple back today. Mrs. Shin declares that without a husband, tobacco, and a place to live, Shen Te is going to be destitute. Mrs. Shin pulls a pair of pants off the line—she declares that they are Shui Ta’s. Shen Te says that Shui Ta has many pairs of pants and he must have left these behind after his last visit. She collects them hurriedly from Mrs. Shin.
Shen Te is drowning in debt and worry. Not only that, but she is becoming sloppy about keeping up her dual identity—when Mrs. Shin finds the pants on the line, Shen Te realizes that her disguise is perhaps not as foolproof as she believed it to be.
Themes
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Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
Shu Fu enters. He tells Shen Te that he has seen her sacrifice her own happiness so as not to hurt the old carpet sellers—Shen Te truly is “the Angel of the Slums.” Shu Fu declares that he cannot let Shen Te lose her shop. Every morning, he has watched her give food to the poor. He cannot let “the good woman of Setzuan” disappear. He pulls out his checkbook and he gives Shen Te a blank check. He instructs her to fill out “any sum in the world,” and then he hurries away.
Shu Fu really cares for Shen Te and he deeply admires her goodness. He wants her to be happy—unlike Yang Sun, who only ever wanted to take her money and leave her high and dry.
Themes
The Pursuit of Goodness Theme Icon
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
Mrs. Shin urges Shen Te to hurry up and cash the check for s thousand silver dollars. Shen Te, however, has second thoughts. She is still hung up on Yang Sun. As she gathers up the washing, she staggers beneath its weight. Mrs. Shin asks if Shen Te is dizzy because she’s pregnant. If Shen Te is pregnant, Mrs. Shin suggests, Shu Fu will never let her have the money. Shen Te caresses her stomach and she excitedly declares that she is going to bring a blessed son into the world who will conquer mountains and become a flyer on his own one day. She takes the imaginary hand of a small boy and she pretends to show him around the town, introducing him to his neighbors. 
Though Shen Te knows that Yang Sun is cruel and terrible, she can’t seem to let him go. When she realizes that she is pregnant with his child, she begins thrusting Yang Sun’s own dreams upon the unborn baby. When Shen Te invokes flying here, Brecht symbolically signals Shen Te’s fears that her child will not be able to pursue his dreams should Shen Te fail to keep herself afloat right now.
Themes
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Greed, Capitalism, and Corruption Theme Icon
Wong enters with a real little boy. He tells Shen Te that the carpenter has lost his home and his business—his three children are out on the streets. Wong introduces the little boy to Shen Te as the carpenter’s youngest son. Shen Te takes the little boy by the hand and she declares that he can live in Shu Fu’s cabins. She may have to go there herself, she says, as she is expecting a child of her own.
Though the sleazy carpenter did try to swindle Shen Te out of some money, there are consequences to her and Shui Ta’s refusal to pay him—now, he is on the streets. This suggests that people can’t support themselves without stepping on others.
Themes
Greed, Capitalism, and Corruption Theme Icon
Quotes
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Shen Te asks Wong to go find Shu Fu. Before sending him off, though, she asks about his hand. Wong shows Shen Te his mangled hand—but he insists he can get along just fine. Shen Te begs him to take a cartful of tobacco, sell it, and go see a doctor. Wong quietly delights in the fact that Shen Te is “still good.” He goes off to get the carpenter, assuring Shen Te that he’ll take some tobacco to sell when he returns.
Even in the midst of her own problems, Shen Te is still worried about the well-being of others. Wong is relieved to realize that Shen Te is still good in spite of her recent struggles—he believes that there is hope not just for Shen Te, but for the world.
Themes
The Pursuit of Goodness Theme Icon
Humanity vs. The Divine Theme Icon
The husband, wife, and nephew enter, each dragging a large sack. They ask Shen Te if she’s alone. She says she is. They ask if Shui Ta is coming back. Shen Te says he isn’t—she’s giving up the shop. They ask if they can store their sacks in her new home. Shen Te says she’d be happy to let them. The husband says if anyone asks about the sacks, Shen Te should say they’re hers. When they ask where they should put them, though, Shen Te expresses nervousness about getting into trouble. The wife declares that “the good woman of Setzuan” is perhaps no longer good. The husband tells Shen Te that there is enough tobacco in the sacks to start a whole tobacco factory. Shen Te helps them bring the sacks to the back room. Alone on stage, the carpenter’s son eats scraps from a garbage can nearby.
Shen Te doesn’t want to have to bring Shui Ta back. She would rather lose everything than continue living a dual life and betraying her friends and neighbors with the cruel, ruthless Shui Ta’s words and actions. This passage shows, though, that without Shui Ta around, Shen Te’s neighbors continue picking on her the moment she shows any hesitation about doing whatever they ask of her, leveraging her reputation as a “good woman” against her and adding to the pressures she’s facing already.
Themes
The Pursuit of Goodness Theme Icon
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
Shen Te and the others return, making a plan to meet up at Shu Fu’s cabins soon. When Shen Te sees the carpenter’s son eating garbage, she shoos the others away and runs to the child. She declares that she will be a “tigress” if she has to in order to defend her own son from ever experiencing such a thing. She picks up Shui Ta’s trousers and she declares that her cousin must come back for one final visit. She goes inside.
Shen Te knows that she must return to living as Shui Ta—perhaps for a while—in order to save not just her own reputation but indeed her future child’s well-being. Shen Te is willing to be ruthless and to put her own desires on the backburner in order to ensure a better future for her unborn baby.
Themes
The Pursuit of Goodness Theme Icon
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
Mrs. Shin, the sister-in-law, and the grandfather all enter. They lament that the shop is closing down and that they will have to move to Shu Fu’s terrible cabins. The unemployed man enters and, upon seeing the shop is closing, suggests Shen Te call upon Shui Ta to save them all. Wong, the carpenter, and the carpenter’s other children enter; as they do, Shui Ta arrives and he asks what has brought the crowd together. Wong says that the shop is closing and that they are all headed to Shu Fu’s cabins. Shui Ta, however, declares that they can’t go there—the space will be “needed for other purposes.” The group can stay in the cabins if they agree to work for Shen Te making tobacco. The carpenter and the unemployed man, willing to take up the offer, go in for the sacks.
Shen Te (as Shui Ta) has a plan to turn things around. The means through which she plans to do so are tricky and nefarious—and the plan wouldn’t have come about had she not, moments earlier, witnessed the family of eight dragging the illegally-begotten tobacco into the shop.
Themes
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Women and Dual Identities Theme Icon
Mrs. Mi Tzu enters with 300 silver dollars for Shui Ta. Shui Ta, however, declares that he’s decided not to sell—he will sign the lease. Mrs. Mi Tzu asks if Shui Ta can pay rent in advance. Shui Ta pulls out Shu Fu’s check and he writes it out for 10,000 silver dollars, assuring Mrs. Mi Tzu that she will have six months’ rent by tonight. Mrs. Mi Tzu expresses amazement at how quickly Shen Te has moved on from Yang Sun to Shu Fu. She leaves.
Shui Ta declares his intent to use Shu Fu’s money to save the business. To others, it appears as if Shui Ta has decided to sell his cousin to Shu Fu. Shui Ta’s ruthlessness, it seems, knows no bounds. 
Themes
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Women and Dual Identities Theme Icon
The carpenter and the unemployed man drag the sacks of tobacco back across the stage. The carpenter begrudgingly says that he’s unhappy to be doing so. Shui Ta reminds the carpenter that his children need to eat. The sister-in-law, spying the sacks, declares that they contain her family’s tobacco. Shui Ta asks if he should “consult the police”—the sister-in-law, knowing the tobacco was obtained illegally, defeatedly falls silent. Shui Ta leads the carpenter and his children, the sister-in-law, the grandfather, and the unemployed man off to Shu Fu’s cabins, leaving Wong and Mrs. Shin behind.
Shui Ta continues blackmailing and manipulating people in order to make ends meet for himself. He is playing everyone around him ruthlessly and indiscriminately with no remorse. Shui Ta, again, can do all of the things that Shen Te can’t bring herself to do as someone struggling under the pressures to be “good” at all costs.
Themes
The Pursuit of Goodness Theme Icon
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
The old man and old woman enter. Mrs. Shin tells them that Shui Ta arrived wearing a pair of pants she found on the line just moments ago. The old woman asks where Shen Te is—Shen Te was supposed to give something to her and her husband. Wong declares that things will soon be okay—Shui Ta never stays long. Mrs. Shin, “approaching a conclusion,” declares that Wong is right.
Mrs. Shin has figured out Shen Te’s ruse—she knows that Shen Te has created Shui Ta as an alter ego who can do the things she can’t do and to make things turn out “okay.”
Themes
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon