In “The Great Automatic Grammatizator,” the romance novelist is the first writer who Adolph Knipe convinces to sign his contract, forfeiting the right to produce her own creative work in exchange for a substantial paycheck. Initially skeptical of the machine’s abilities, she quickly changes her mind after witnessing it in action and agrees to sell her name to Knipe. Later, Knipe remarks to John Bohlen that she didn’t sign because of the money but because she knew the machine could produce better work than her own—a comment underscoring his own obsession with the Grammatizator’s potential.