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Class (Old Money, New Money, No Money)
Themes and Colors
LitCharts assigns a color and icon to each theme in The Great Gatsby, which you can use to track the themes throughout the work.
Nick and Gatsby are continually troubled by time—the past haunts Gatsby and the future weighs down on Nick. When Nick tells Gatsby that you can't repeat the past, Gatsby says "Why of course you can!" Gatsby has dedicated his entire life to recapturing a golden, perfect past with Daisy. Gatsby believes that money can recreate the past. Fitzgerald describes Gatsby as "overwhelmingly aware of the youth and mystery that wealth imprisons and preserves." But Gatsby mixes up "youth and mystery" with history; he thinks a single glorious month of love with Daisy can compete with the years and experiences she has shared with Tom. Just as "new money" is money without social connection, Gatsby's connection to Daisy exists outside of history.
Nick's fear of the future foreshadows the economic bust that plunged the country into depression and ended the Roaring Twenties in 1929. The day Gatsby and Tom argue at the Plaza Hotel, Nick suddenly realizes that it's his thirtieth birthday. He thinks of the new decade before him as a "portentous menacing road," and clearly sees in the struggle between old and new money the end of an era and the destruction of both types of wealth.
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Past and Future ThemeTracker
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Past and Future Quotes in The Great Gatsby
Below you will find the important quotes in The Great Gatsby related to the theme of Past and Future.
Chapter 1 Quotes
He stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward – and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock.
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Nick observes, for the first time, Gatsby’s odd nighttime ritual: He looks out at a green light across the water. The “green light” is undoubtably the most famous symbol from Fitzgerald’s novel, and it has been interpreted in a vast number of ways—from an indication of his love for Daisy to a model for the roaring-twenties aspirations of Americans. Part of that ambiguity comes from the writing itself: Nick describes the action as “curious” and dilutes its certainty with the phrase “could have sworn”—as opposed to simply saying “he was trembling.” The phrase “that might have been” to describe the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus p
Her husband, among various physical accomplishments, had been one of the most powerful ends that ever played football at New Haven—a national figure in a way, one of those men who reach such an acute limited excellence at twenty-one that everything afterward savors of anti-climax. […] They had spent a year in France, for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. This was a permanent move, said Daisy over the telephone, but I didn’t believe it—I had no sight into Daisy’s heart but I felt that Tom would drift on forever seeking a little wistfully for the dramatic turbulence of some irrecoverable football game.
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In this passage, Nick introduces Daisy Buchannan’s husband, Tom. Nick frames Tom as something of a has-been: someone who achieved tremendous success in his past but now can’t seem to move on from the glory days of his youth. This passage implies that Tom’s “various physical accomplishments”—such as his success on the Yale football team—gave his life a strong sense of purpose and direction in his youth. Now, in adulthood, he “drift[s] here and there unrestfully” with his wife in tow and is “forever seeking a little wistfully for the dramatic turbulence of some irrecoverable football game.” The language that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qu
Chapter 2 Quotes
But above the grey land and the spasms of bleak dust which drift endlessly over it, you perceive, after a moment, the eyes of Doctor T. J. Eckleburg. The eyes of Doctor T. J. Eckleburg are blue and gigantic—their retinas are one yard high. They look out of no face but, instead, from a pair of enormous yellow spectacles which pass over a nonexistent nose. Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens, and then sank down himself into eternal blindness or forgot them and moved away. But his eyes, dimmed a little by many paintless days under sun and rain, brood on over the solemn dumping ground.
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This passage introduces one of the novel’s central symbols: the billboard of an eye doctor named Doctor T. J. Eckleburg, which towers over the Valley of Ashes. Although the giant billboard’s eyes have a few different layers of symbolic significance throughout the novel, in this passage Nick associates them with remnants of the past. He reasons that the eye doctor must have once constructed the billboard to drum up new clients, but that the doctor’s medical practice is now a thing of the past—either Doctor T. J. Eckleburg “sank down himself into eternal blindness” (likely meaning that he died) or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dic
Chapter 4 Quotes
“I am the son of some wealthy people in the middle-west—all dead now. I was brought up in America but educated at Oxford because all my ancestors have been educated there for many years. It is a family tradition.”
He looked at me sideways—and I knew why Jordan Baker had believed he was lying. He hurried the phrase “educated at Oxford,” or swallowed it or choked on it as though it had bothered him before. And with this doubt his whole statement fell to pieces and I wondered if there wasn’t something a little sinister about him after all.
He looked at me sideways—and I knew why Jordan Baker had believed he was lying. He hurried the phrase “educated at Oxford,” or swallowed it or choked on it as though it had bothered him before. And with this doubt his whole statement fell to pieces and I wondered if there wasn’t something a little sinister about him after all.
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As Nick and Gatsby drive into the city, Gatsby gives this brief (and somewhat suspicious) backstory of his life. Gatsby firmly positions himself as being from old money—and having not just the inherited wealth but also the prestigious education, sophistication, heritage, and traditions to match. Each of these things, the novel implies, is just as important to being considered authentically “old money” as the wealth itself. So in this passage, Gatsby is attempting to underscore his credibility—but his “sideways” glance at Nick and hurried speech seem to undermine that very credibility. As the novel will go on to show, people Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odi
“Why didn’t he ask you to arrange a meeting?”
“He wants her to see his house,” she explained. “And your house is right next door.”
“Oh!”
“He wants her to see his house,” she explained. “And your house is right next door.”
“Oh!”
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At tea, Jordan Baker reveals to Nick what Gatsby said in private at his last party: Gatsby and Nick’s cousin Daisy Buchanan were romantically involved five years ago, and Gatsby, who’s still deeply in love with her, wants Nick to help the ex-lovers reconnect. This passage is comical for its childishness; too embarrassed to explain all of this to Nick himself, Gatsby uses Jordan as the messenger. Throughout this day, Nick has been beginning to see through the veneer of Gatsby’s carefully curated persona, and this moment adds to this. No longer seeming perfectly polished and intriguing, Gatsby now seems Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. P
Chapter 5 Quotes
"It makes me sad because I've never seen such — such beautiful shirts before."
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On her tour of Gatsby’s home, Daisy becomes distraught. Though the nature of her response is not entirely clear, it is induced by observing the extent of his new wealth. The comment speaks first and foremost to Daisy’s superficiality. Her emotional response is not triggered by anything personally significant but rather by “beautiful shirts.” Yet these shirts also represent her newfound ability to be with Gatsby, for his current wealth would have made him acceptable to her overbearing family. Thus Daisy must accept that her choice to be with Tom was not necessary as she had thought it to be—and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum.
They were sitting at either end of the couch looking at each other as if some question had been asked or was in the air, and every vestige of embarrassment was gone. Daisy’s face was smeared with tears and when I came in she jumped up and began wiping at it with her handkerchief before a mirror. But there was a change in Gatsby that was simply confounding. He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room.
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After observing the awkwardness between Daisy and Gatsby during their reunion, Nick excuses himself—but when he returns, the energy in the room is entirely different. Daisy’s tears are unexplained, but it seems that they’re either from happiness over reconnecting with Gatsby after all these years or regret that she broke things off with Gatsby to marry someone else. Either way, her tears seem to suggest that she has lingering romantic feelings for Gatsby. This explains Gatsby’s own dramatic shift in demeanor; he’s gone from deathly nervous to coy to radiantly happy in a matter of minutes.For most characters in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ips
“That huge place THERE?” she cried pointing.
“Do you like it?”
“I love it, but I don’t see how you live there all alone.”
“I keep it always full of interesting people, night and day. People who do interesting things. Celebrated people.”
“Do you like it?”
“I love it, but I don’t see how you live there all alone.”
“I keep it always full of interesting people, night and day. People who do interesting things. Celebrated people.”
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After Gatsby and Daisy have tea at Nick’s house, Gatsby leads them both across the lawn to his mansion, which elicits this reaction from Daisy. Even though this excerpt is pure dialogue, it’s easy to imagine that Gatsby is incredibly smug; the whole reason he wanted the reunion to happen at Nick’s house was so that Gatsby could impress Daisy with his own mansion next door. Daisy’s awe, then, suggests that Gatsby’s plan is thus far unfolding perfectly. Daisy’s concern that Gatsby might be lonely living in such a big house by himself implicitly comments on life in 1920s America. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sin
He hadn’t once ceased looking at Daisy and I think he revalued everything in his house according to the measure of response it drew from her well-loved eyes. Sometimes, too, he stared around at his possessions in a dazed way as though in her actual and astounding presence none of it was any longer real. Once he nearly toppled down a flight of stairs.
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Following their reunion, Gatsby gives Daisy a tour of his sprawling mansion, and Nick notices that Gatsby has had his eyes lovingly locked on Daisy the entire time. Jordan Baker made it clear to Nick earlier that Gatsby specifically wanted Daisy to see his house—presumably so she could see the lavish life that he could give her. Building up his fortune, mansion, and reputation in the past five years to ultimately show it all off to Daisy has been Gatsby’s version of the American Dream. For many characters in the novel, the American Dream is simply about accruing more and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam cons
“If it wasn’t for the mist we could see your home across the bay,” said Gatsby. “You always have a green light that burns all night at the end of your dock.”
Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one.
Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one.
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As Gatsby concludes his tour of his mansion, he explains to Daisy that he can usually see a green light at the end of her dock across the bay. The green light is one of the central symbols in the novel and it represents Gatsby’s longtime love for Daisy while marking her physical and emotional distance from him, given that she lives in East Egg and is married to someone else. The green light was special to Gatsby because it marked her presence; it is physically close to her—just at the end of her dock—so it pointed him to where Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. H
As I went over to say goodbye I saw that the expression of bewilderment had come back into Gatsby’s face, as though a faint doubt had occurred to him as to the quality of his present happiness. Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams—not through her own fault but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
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After having tea with Gatsby and Daisy—their first reunion in five years—and accompanying them on the tour of Gatsby’s mansion, Nick takes his leave and notices a peculiar look on Gatsby’s face. From what Nick can tell, Gatsby looks happy, doubtful, and disappointed all at once, which is perhaps a surprising combination of emotions for a man who has finally reconnected with the woman he’s spent half a decade longing for. Nick realizes, though, that this pining was perhaps destructive. In fantasizing about Daisy for years, Gatsby put her on a pedestal and turned her into a dream rather than Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit
Chapter 6 Quotes
The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God—a phrase which, if it means anything, means just that—and he must be about His Father's business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen year old boy would be likely to invent, and to this conception he was faithful to the end.
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As Nick recounts Gatsby’s backstory, he offers both factual information and this more abstract description. He notes how artificially Gatsby has created his personality and identity, but also seems to respect the commitment he shows to that artifice. To better articulate the fraudulence of Gatsby’s identity, Nick employs several sets of symbols. First he describes him as a “Platonic conception of himself,” implying that Gatsby projected an ideal (“Platonic”) way his life could exist and then avidly pursued that end. Next, Nick swaps in monotheistic religion for Plato’s Greek philosophy, likening Gatsby to a self-imagined Jesus pursuing a holy end Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidun
"I wouldn't ask too much of her," I ventured. "You can't repeat the past."
"Can't repeat the past?" he cried incredulously. "Why of course you can!"
He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand.
"Can't repeat the past?" he cried incredulously. "Why of course you can!"
He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand.
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Nick and Gatsby have this conversation after a failed party in which Gatsby tries to recreate his romance with Daisy. They disagree, pivotally, on whether it will be possible for Gatsby and Daisy to reignite their relationship. On a literal level, Nick is simply saying that Gatsby cannot “repeat” his liaisons with Daisy, whereas Gatsby claims that he will in fact be able to do so. Yet their divergent viewpoints speak far more broadly to two ideological positions held by Americans at the time. Gatsby is fundamentally future-oriented as a “new money” person: he believes that anything can be accomplished Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. E
For over a year he had been beating his way along the south shore of Lake Superior as a clam digger and a salmon fisher or in any other capacity that brought him food and bed. […]
A universe of ineffable gaudiness spun itself out in his brain while the clock ticked on the wash-stand and the moon soaked with wet light his tangled clothes upon the floor.
A universe of ineffable gaudiness spun itself out in his brain while the clock ticked on the wash-stand and the moon soaked with wet light his tangled clothes upon the floor.
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In this passage, Nick gives a brief backstory of Jay Gatsby—or Jimmy Gatz, which is his real name. For all his polish and sophistication in the present, Gatsby did not come from old money; his beginnings were in fact as humble as they come. As a clam digger and salmon fisher, Jimmy began dreaming up a grandiose new life and persona for himself, and these fantasies transported him to “A universe of ineffable gaudiness.” This phrase is significant, because it’s an apt description of Gatsby’s infamous parties and his life more generally in West Egg. Stepping foot into one of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accu
“I wonder where in the devil he met Daisy. By God, I may be old-fashioned in my ideas, but women run around too much these days to suit me. They meet all kinds of crazy fish.”
[…]
Tom was evidently perturbed at Daisy’s running around alone, for on the following Saturday night he came with her to Gatsby’s party. Perhaps his presence gave the evening its peculiar quality of oppressiveness—it stands out in my memory from Gatsby’s other parties that summer. There were the same people, or at least the same sort of people, the same profusion of champagne, the same many-colored, many-keyed commotion, but I felt an unpleasantness in the air, a pervading harshness that hadn’t been there before.
[…]
Tom was evidently perturbed at Daisy’s running around alone, for on the following Saturday night he came with her to Gatsby’s party. Perhaps his presence gave the evening its peculiar quality of oppressiveness—it stands out in my memory from Gatsby’s other parties that summer. There were the same people, or at least the same sort of people, the same profusion of champagne, the same many-colored, many-keyed commotion, but I felt an unpleasantness in the air, a pervading harshness that hadn’t been there before.
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When Gatsby somewhat combatively tells Tom that he knows Tom’s wife, Daisy, Tom is nonchalant but later gives this glimpse of his true feelings. It’s possible that Tom feels threatened by Gatsby himself (perhaps because he’s just seen Gatsby’s stunning mansion, a clear marker of Gatsby’s wealth and power), but he feels particularly threatened by Daisy’s agency. Because of this, he accompanies Daisy to Gatsby’s next party like a ball and chain, but Daisy isn’t the only one he weighs down—Tom’s mere presence is enough to shift the entire energy of the party from jovial to “oppressive[],” “unpleasant[],” and “harsh[].”This Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia ea
He wanted nothing less of Daisy than that she should go to Tom and say: “I never loved you.” After she had obliterated four years with that sentence they could decide upon the more practical measures to be taken. One of them was that, after she was free, they were to go back to Louisville and be married from her house—just as if it were five years ago.
“And she doesn’t understand,” he said. “She used to be able to understand. We’d sit for hours—”
“And she doesn’t understand,” he said. “She used to be able to understand. We’d sit for hours—”
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After the party that Tom attends, Gatsby sulks, knowing that Daisy didn’t have a good time and that Tom’s mere presence spoiled the evening. He feels like he’s losing Daisy all over again after recently courting her, which is why he laments, “she doesn’t understand […] She used to be able to understand. We’d sit for hours—.” It’s possible that Gatsby is referring to their closeness when they were first seeing each other years ago, or he could be referring to recent times they’ve had together now that they’re having an affair. Regardless, this statement—“She used to be able to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit
Chapter 7 Quotes
“Oh, you want too much!” she cried to Gatsby. “I love you now—isn’t that enough? I can’t help what’s past.” She began to sob helplessly. “I did love him once—but I loved you too.”
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Tom Buchanan has just caught on that his wife, Daisy, is having an affair with Gatsby, and in this scene everything tumbles out into the open. Gatsby pushes Daisy to admit that she loves him and doesn’t love Tom, but even that’s unsatisfying for Gatsby. When he pushes Daisy to declare that she never loved Tom, Daisy objects that Gatsby “want[s] too much”—he wants Daisy to have always loved him and never loved Tom, which simply isn’t true. Earlier in the novel, Nick sensed that this was what Gatsby had been fantasizing about for years; he was fixated on a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo
“She’s not leaving me!” Tom’s words suddenly leaned down over Gatsby. “Certainly not for a common swindler who’d have to steal the ring he put on her finger.”
[…]
“Who are you, anyhow?” broke out Tom. “You’re one of that bunch that hangs around with Meyer Wolfsheim—that much I happen to know. I’ve made a little investigation into your affairs—and I’ll carry it further tomorrow. […] I found out what your ‘drug stores’ were.” He turned to us and spoke rapidly. “He and this Wolfsheim bought up a lot of side-street drug stores here and in Chicago and sold grain alcohol over the counter. That’s one of his little stunts. I picked him for a bootlegger the first time I saw him and I wasn’t far wrong.”
[…]
“Who are you, anyhow?” broke out Tom. “You’re one of that bunch that hangs around with Meyer Wolfsheim—that much I happen to know. I’ve made a little investigation into your affairs—and I’ll carry it further tomorrow. […] I found out what your ‘drug stores’ were.” He turned to us and spoke rapidly. “He and this Wolfsheim bought up a lot of side-street drug stores here and in Chicago and sold grain alcohol over the counter. That’s one of his little stunts. I picked him for a bootlegger the first time I saw him and I wasn’t far wrong.”
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After Gatsby pushes Daisy to declare her love for him and reject her husband, Gatsby smugly announces that Daisy is leaving Tom—which Tom quickly denies. In this passage, Tom brings to light Gatsby’s shady connections and businesses in an effort to deter Daisy from him. Tom is right in saying that he “picked [Gatsby] for a bootlegger the first time [he] saw him”—soon after meeting Gatsby, Tom had asked Nick if Gatsby was “some big bootlegger” because “a lot of these newly rich people are just big bootleggers.” At the time, Nick had denied this, but now the evidence is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore
Chapter 8 Quotes
“You ought to go away,” I said. “It’s pretty certain they’ll trace your car.”
“Go away NOW, old sport?”
“Go to Atlantic City for a week, or up to Montreal.”
He wouldn’t consider it. He couldn’t possibly leave Daisy until he knew what she was going to do. He was clutching at some last hope and I couldn’t bear to shake him free.
“Go away NOW, old sport?”
“Go to Atlantic City for a week, or up to Montreal.”
He wouldn’t consider it. He couldn’t possibly leave Daisy until he knew what she was going to do. He was clutching at some last hope and I couldn’t bear to shake him free.
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Daisy and Gatsby drive home together after a disastrous day in the city, and Daisy (who was driving Gatsby’s car) accidentally strikes and kills Myrtle Wilson, who had run out into the street. Later, Nick advises Gatsby to leave town, since the authorities investigating Myrtle’s death will no doubt have a description of the car and trace it back to Gatsby, who will be blamed and tried for the murder. Nick’s advice is reasonable, and he stresses how grave this situation is, but Gatsby can’t be reasoned with—he’s too focused on whether or not Daisy will leave Tom. That Gatsby Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis
However glorious might be his future as Jay Gatsby, he was at present a penniless young man without a past, and at any moment the invisible cloak of his uniform might slip from his shoulders. So he made the most of his time. He took what he could get, ravenously and unscrupulously—eventually he took Daisy one still October night, took her because he had no real right to touch her hand.
He might have despised himself, for he had certainly taken her under false pretenses. I don’t mean that he had traded on his phantom millions, but he had deliberately given Daisy a sense of security; he let her believe that he was a person from much the same stratum as herself—that he was fully able to take care of her. As a matter of fact he had no such facilities—he had no comfortable family standing behind him and he was liable at the whim of an impersonal government to be blown anywhere about the world.
He might have despised himself, for he had certainly taken her under false pretenses. I don’t mean that he had traded on his phantom millions, but he had deliberately given Daisy a sense of security; he let her believe that he was a person from much the same stratum as herself—that he was fully able to take care of her. As a matter of fact he had no such facilities—he had no comfortable family standing behind him and he was liable at the whim of an impersonal government to be blown anywhere about the world.
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In this passage, Nick provides some background surrounding Gatsby and Daisy’s romantic relationship in their younger years, prior to Daisy’s marriage to Tom. The Gatsby that appears in this passage is dramatically different from the one that Nick has come to know over the course of his time on the West Egg. Rather than the impossibly polished party host with the stunning mansion, Gatsby is a “penniless young man without a past.” At that point, Gatsby was unable to provide for Daisy, because he had neither wealth nor the status. It’s with the idea of being able to care for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur
Chapter 9 Quotes
And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors' eyes—a fresh, green breast of the new world.... And as I sat there, brooding on the old, unknown world, I thought of Gatsby's wonder when he first picked out Daisy's light at the end of his dock. He had come such a long way to this blue lawn, and his dream must have seemed so close he could hardly fail to grasp it. But what he did not know was that it was already behind him, somewhere in the vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
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In the novel’s closing passage, Nick reflects on how Gatsby’s dogged pursuit of Daisy is similar to the dreams of early settlers landing on the American continent. He uses the comparison to both elevate and belittle Gatsby’s character. To introduce this idea, Nick first describes dissociating from the immediate surroundings: “the inessential houses began to melt away,” distancing him from the environment of wealth and commodities. This is a startling narrative technique, considering how Nick had earlier denied to Gatsby the potential of returning to the past: here he seems to do just that, indicating that storytelling and reflection may Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est.
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—tomorrow we will run faster, stretch out our arms farther.... And then one fine morning—So we beat on, boats against the current, borne back ceaselessly into the past.
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In these last lines of the novel, Nick continues to offer an equivocal set of comments on his perception of Gatsby. Once more, he points out the flaws in his characteristic commitment, while simultaneously praising the way he so doggedly pursues an ideal. To articulate this ambiguity, Nick once more summons the symbol of the “green light”—here defining it as something that can fundamentally never be obtained. Its vital quality is not actually the “orgastic future” but rather the perception of such a future that “recedes” and is “eluded.” Indeed, this is how it has symbolically functioned in the novel: Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut
“Did you start him in business?” I inquired.
“Start him! I made him.”
“Oh.”
“I raised him up out of nothing, right out of the gutter. I saw right away he was a fine appearing, gentlemanly young man, and when he told me he was an Oggsford I knew I could use him good. I got him to join up in the American Legion and he used to stand high there. Right off he did some work for a client of mine up to Albany. We were so thick like that in everything—” He held up two bulbous fingers “—always together.”
“Start him! I made him.”
“Oh.”
“I raised him up out of nothing, right out of the gutter. I saw right away he was a fine appearing, gentlemanly young man, and when he told me he was an Oggsford I knew I could use him good. I got him to join up in the American Legion and he used to stand high there. Right off he did some work for a client of mine up to Albany. We were so thick like that in everything—” He held up two bulbous fingers “—always together.”
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After Gatsby’s death, Nick visits with Meyer Wolfsheim—the notorious gambler who fixed the World Series in 1919 and who also happened to be Gatsby’s closest friend. Wolfsheim gives Nick this backstory of Gatsby, explaining that Gatsby essentially came from the “gutter.” In a way, Wolfsheim spins a classic rags-to-riches story—the idea that someone can come from humble beginnings and still manage to propel themselves to the wealthiest ranks in society. Of course, the idea of putting in hard, honest work is integral to the concept of the American Dream, and while Gatsby’s life as a bootlegger may have had its Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta
I shook hands with him; it seemed silly not to, for I felt suddenly as though I were talking to a child. Then he went into the jewelry store to buy a pearl necklace—or perhaps only a pair of cuff buttons—rid of my provincial squeamishness forever.
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After Gatsby’s death, Nick runs into Tom in New York City, and they have this stilted encounter. When Tom admits that he told George Wilson that Gatsby was the one who murdered Myrtle, Nick likens Tom to a child. Young children are often self-centered, unable or unwilling to take responsibility for their own actions, and they frequently make self-serving decisions. Nick suggests that Tom is no different. Of course, Tom doesn’t seem to know that it was his wife, Daisy, who was driving the car that struck and killed Myrtle, so Tom likely thinks it was Gatsby. But telling George Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum vol
