The Happy Prince
by Oscar Wilde

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Wilde was a dedicated Christian throughout his life, and religious themes run through “The Happy Prince.” The titular Happy Prince represents a Christlike figure who supports analogous teachings to those of Christian parables. Much like Christ in the Bible, the Happy Prince chooses to sacrifice himself to alleviate the sufferings of the poor and downtrodden. Ultimately, God rewards the Prince in paradise, confirming both the narrative’s religious subtext and the Christian roots of the Happy Prince’s values. Although the intended parallels between the narrative and Christianity lie in its values, the story also portrays other religions using stereotypes. In doing so, religious values in “The Happy Prince” sometimes fall flat. Ultimately, the intended religious influences in this story teach one to value making sacrifices for those who are oppressed by poverty and cannot advocate for themselves.

The story draws clear thematic parallels to biblical teachings, centered on its Christlike central figure. The heroic statue in “The Happy Prince” spends the story sacrificing his beauty to save the citizens of the town from poverty. The statue gives up the ruby from his sword-hilt for the seamstress and one of his sapphire eyes for the playwright, and even gives up his other eye for “a little match-girl” who “has no shoes or stockings” and will be beaten by her father if she comes home with no money.

The Bible includes many examples encouraging great sacrifice—from Jesus giving his life on the cross to an old widow sacrificing her last two coins in Luke’s gospel. In this story, as in the Bible, the wealthy end up greedy and corrupt whereas those living in poverty are industrious and generous. The Christian God himself appears at the end of this story, in fact. He asks one of the angels to bring “the two most precious things in the city,” and says the angel has “rightly chosen” for bringing “the leaden heart and the dead bird,” for “in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me.” The Happy Prince receives the gift of eternity in paradise for his sacrifice, which confirms the importance that the narrative places on trying to protect and save people oppressed by poverty.

Despite the altruistic roots of its Christian moral teaching, the story also shows its loyalty to Christianity through its treatment of other religions. Many of the Swallow’s stories about Egypt paint an exoticized picture of the country’s culture and values. He describes how “on a great granite throne sits the God Memnon. All night long he watches the stars, and when the morning star shines he utters one cry of joy, and then he is silent.” He also cites his companions as “building a nest in the Temple of Baalbec.” These references to Egyptian religion do not provide an accurate picture of their faith, but rather some exotic color to situate the story’s town as Western and Christian in contrast.

Even depictions of other religions in the town contain stereotypes. In a short cameo, Wilde describes an arguably anti-Semitic—but certainly stereotypical—scene in Jewish ghetto. The Swallow “passed over the Ghetto, and saw the old Jews bargaining with each other, and weighing out money in copper scales.” The association between Judaism and moneylending has a long history in European literature, and these anti-Semitic stereotypes led to prejudice and violence at various points in history, from the Crusades to the Holocaust. 

While the story’s religiosity primarily shines through its moral dedication to combat poverty, there is a darker undercurrent. On the one hand, Wilde presents a parable of Christian teachings of compassion, martyrdom, and care for the oppression of the poor. On the other hand, there is some hypocrisy in the story itself—for a story that condemns judgment, especially appearance-based judgment, the matter of religion remains mired in stereotype. In this case, Wilde’s intended evocations of religion—Christianity, specifically—clash with his treatments of other religions.

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Religion Quotes in The Happy Prince

Below you will find the important quotes in The Happy Prince related to the theme of Religion.

The Happy Prince Quotes

The eyes of the Happy Prince were filled with tears, and tears were running down his golden cheeks. His face was so beautiful in the moonlight that the little Swallow was filled with pity. "Who are you?" he said: "I am the Happy Prince." "Why are you weeping then?" asked the Swallow; "you have quite drenched me."

Related Characters: The Happy Prince (speaker), The Swallow (speaker)
Page Number and Citation: 33
Explanation and Analysis:
The Swallow lands underneath the statue of the Happy Prince to take shelter overnight—however, he is surprised to be soaked by the Happy Prince’s tears. These tears reveal his true sorrow and the irony of his name—though he should be happy, the Prince is truly sad. The simple inversion of his name grows more complicated when one reflects on the Prince’s external beauty and the admiration that he receives from passersby—if his name disguises a deeper truth about him, it indicates that other aspects of his cheerful and beautiful appearance might be disguising something deeper and more profound. The compassion Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accu

"When I was alive and had a human heart," answered the statue, "l did not know what tears were, for I lived in the Palace of Sans Souci, where sorrow is not allowed to enter. In the daytime I played with my companions in the garden, and in the evening, I led the dance in the Great Hall. Round the garden ran a very lofty wall, but I never cared to ask what lay beyond it, everything about me was so beautiful. My courtiers called me the Happy Prince, and happy indeed I was, if pleasure be happiness. So I lived, and so I died. And now that I am dead they have set me up here so high that I can see all the ugliness and all the misery of my city, and though my heart is made of lead yet I cannot choose but weep."

Related Characters: The Happy Prince (speaker)
Related Symbols: The Lead Heart
Related Literary Devices:
Page Number and Citation: 33
Explanation and Analysis:
The Happy Prince decides to tell the Sparrow of his past as a human prince who lived in the Palace of San Souci in Potsdam, in order to explain his tears. He received the name “Happy Prince” during his lifetime, and he explains that the moniker reflects the life of pleasure that he led back then—however, he now questions whether pleasure and happiness are the same thing at all. The beautiful things that he describes (dances, gardens, life at court) belong to high civilized society, but the Prince now realizes the emptiness in them. He was able to live in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Veli

He passed over the river, and saw the lanterns hanging to the masts of the ships. He passed over the Ghetto, and saw the old Jews bargaining with each other, and weighing out money in copper scales. At last he came to the poor house and looked in. The boy was tossing feverishly on his bed, and the mother had fallen asleep, she was so tired. In he hopped, and laid the great ruby on the table beside the woman's thimble. Then he flew gently round the bed, fanning the boy's forehead with his wings. 'How cool I feel," said the boy, "l must be getting better"; and he sank into a delicious slumber.

Related Characters: The Swallow
Related Symbols: Children
Page Number and Citation: 35
Explanation and Analysis:
The Sparrow has just agreed to deliver a ruby to the seamstress sewing passion-flowers on the dress of one of the Queen’s ladies-in-waiting. The dress represents a socially-recognized form of superficial beauty, and will be worn at a fine event. By connecting the production of a beautiful object with the suffering of a child, Wilde ascribes a negative cost to beauty. This anecdote reveals the positive effect that doing a good deed has on the Swallow’s character. Swallow already shows a sign of moral development when he creates cool air for the feverish boy with his wings—he could have dropped Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde en

"l am waited for in Egypt," answered the Swallow. "Tomorrow my friends will fly up to the Second Cataract. The river-horse couches there among the bulrushes, and on a great granite throne sits the God Memnon. All night long he watches the stars, and when the morning star shines he utters one cry of joy, and then he is silent. At noon the yellow lions come down to the water's edge to drink. They have eyes like green beryls, and their roar is louder than the roar of the cataract."

Related Characters: The Swallow (speaker)
Related Symbols: Egypt
Page Number and Citation: 35-36
Explanation and Analysis:
After the Swallow returns from delivering the ruby, the Prince asks him to stay another night and the Swallow refuses, giving this alluring description of Egypt as his reason to leave. The images he chooses are full of vibrant colors and sounds, indicating a textured and pleasurable world—a beautiful one. However, at this point in the story the reader knows to be cautious of anything too beautiful and to wonder what darker undercurrent might be hiding behind it. In this case, a shadow overcasts the exoticized description of the Egyptian religion—this description of Memnon, while compelling, ultimately disrespects the religious Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimu

"ln the square below," said the Happy Prince, "there stands a little matchgirl. She has let her matches fall in the gutter, and they are all spoiled. Her father will beat her if she does not bring home some money, and she is crying. She has no shoes or stockings, and her little head is bare. Pluck out my other eye, and give it to her, and her father will not beat her." "l will stay with you one night longer," said the Swallow, "but I cannot pluck out your eye. You would be quite blind then." "Swallow, Swallow, little Swallow," said the Prince, "do as I command you," So he plucked out the Prince's other eye, and darted down with it. He swooped past the match-girl, and slipped the jewel into the palm of her hand. "What a lovely bit of glass," cried the little girl; and she ran home, laughing. Then the Swallow came back to the Prince. "You are blind now," he said 'so I will stay with you always."

Related Characters: The Happy Prince (speaker), The Swallow (speaker), The Little Match-Girl
Related Symbols: Children
Page Number and Citation: 37
Explanation and Analysis:
By this point, the Swallow has already delivered the ruby from the Prince’s sword-hilt to the seamstress and his first sapphire eye to a young playwright. The matchgirl represents the final test of the Swallow’s loyalty and his moral transformation, as to help her requires a large sacrifice from his beloved Prince. He ultimately agrees, proving both his spiritual growth and the depth of his love for the Prince—that he decides to remain in the city, without being asked, indicates true love on his part, as swallows cannot survive in cold temperatures. The Prince’s willingness to give up his sight Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatu

"Dear little Swallow," said the Prince, “you tell me of marvellous things, but more marvellous than anything is the suffering of men and of women. There is no Mystery so great as Misery. Fly over my city, little Swallow, and tell me what you see there." So the Swallow flew over the great city, and saw the rich making merry in their beautiful houses, while the beggars were sitting at the gates. He flew into dark lanes, and saw the white faces of starving children looking out listlessly at the black streets. Under the archway of a bridge two little boys were lying in one another's arms to try and keep themselves warm. "How hungry we are!" they said. “You must not lie here," shouted the Watchman, and they wandered out into the rain.

Related Characters: The Happy Prince (speaker), The Swallow
Related Symbols: Children
Page Number and Citation: 38
Explanation and Analysis:
The Swallow decides to stay with the Prince out of love, and he tells the Prince many marvelous stories of his worldly adventures to provide distraction and entertainment.  However, the Happy Prince has no interest in beautiful stories and distraction—as he says, he finds the harsh truth more compelling than any lovely fantasy. The truth that the Swallow uncovers seals the connection between extreme wealth and extreme poverty—the rich making merry in their warm homes contrasts the individuals forced to beg outside their gates. While inside they enjoy warmth and brightness, outside innocent children suffer in the dark. The very Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimu

But at last he knew that he was going to die. He had just strength to fly up to the Prince's shoulder once more. “Good-bye, dear Prince!" he murmured, "will you let me kiss your hand?" "l am glad that you are going to Egypt at last, little Swallow," said the Prince, “You have stayed too long here; but

you must kiss me on the lips, for I love you."

Related Characters: The Swallow (speaker), The Happy Prince (speaker)
Related Symbols: Egypt
Page Number and Citation: 39
Explanation and Analysis:
Winter arrives in the town and the Swallow still remains. Prior to this moment, he delivered the last of the gold leaf from the Prince’s skin to hungry children and tried in vain to keep himself warm by flapping his wings. However, he realizes that he is going to die—an unusually dark conclusion for a children’s tale. The kiss and declaration that the two exchange in this poignant moment of death confirms the homosexual connection between the pair of them. Wilde considered this story a parallel of his own life, where he initially married a woman (Constance Lloyd) but then Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volupt

"What a strange thing!" said the overseer of the workmen at the foundry. "This broken lead heart will not melt in the furnace. We must throw it away." So they threw it on a dust-heap where the dead Swallow was also lying. "Bring me the two most precious things in the city," said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird. "You have rightly chosen," said God, "for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me."

Related Characters: God (speaker), The Happy Prince, The Swallow
Related Symbols: The Lead Heart
Related Literary Devices:
Page Number and Citation: 40
Explanation and Analysis:
The politicians wanted to melt down the statue of the Happy Prince and have him recast in one of their images—however, the lead heart refuses to melt. The lead heart represents both the Prince’s love for the Sparrow and his steadfastness as a character. Although the overseer chooses to throw it away onto a dust-heap, that just demonstrates further how blind all of the townspeople are to true value. God calls the broken heart, along with the body of the Sparrow, the two most precious items in the city (against all odds, as readers know that the city also contains Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti solu