Some of the context for this chapter is that Fielding was himself born into a relatively upper-class family, while some of his literary rivals like Samuel Richardson (whose novel
Pamela Fielding satirized in
Joseph Andrews) came from more modest backgrounds. The narrator speaks about the lower class being more interesting because they have more variety, although it’s debatable whether the novel itself reflects this view given how much time the narration spends with Sophia, one of the novel’s higher-class characters.