The History of Tom Jones, a Foundling

The History of Tom Jones, a Foundling

by Henry Fielding

The Narrator Character Analysis

The narrator is a fictional stand-in for author Henry Fielding. He begins each of the novel’s 18 books with a chapter that touches on philosophical issues, sometimes in a mocking tone, rather than focusing on the main plot. Although the narrator is sincerely invested in the lives of the characters and in trying to entertain the audience, he frequently uses sarcasm and mockery, particularly when dealing with hypocritical characters.

The Narrator Quotes in The History of Tom Jones, a Foundling

The The History of Tom Jones, a Foundling quotes below are all either spoken by The Narrator or refer to The Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Virtue vs. Vice Theme Icon
).

Book 1, Chapter 1 Quotes

An author ought to consider himself, not as a gentleman who gives a private or eleemosynary treat, but rather as one who keeps a public ordinary, at which all persons are welcome for their money. In the former case, it is well known that the entertainer provides what fare he pleases; and though this should be very indifferent, and utterly disagreeable to the taste of his company, they must not find any fault; nay, on the contrary, good breeding forces them outwardly to approve and to commend whatever is set before them.

Related Characters: The Narrator (speaker), Tom Jones
Page Number and Citation: 35
Explanation and Analysis:

Book 1, Chapter 3 Quotes

Mr Allworthy had been absent a full quarter of a year in London, on some very particular business, though I know not what it was; but judge of its importance by its having detained him so long from home, whence he had not been absent a month at a time during the space of many years. He came to his house very late in the evening, and after a short supper with his sister, retired much fatigued to his chamber. Here, having spent some minutes on his knees—a custom which he never broke through on any account—he was preparing to step into bed, when, upon opening the cloathes, to his great surprize he beheld an infant, wrapt up in some coarse linen, in a sweet and profound sleep, between his sheets.

Related Characters: The Narrator (speaker), Mr. Allworthy, Tom Jones
Page Number and Citation: 40
Explanation and Analysis:

Book 4, Chapter 2 Quotes

But lest this should not have been thy fortune, we will endeavour with our utmost skill to describe this paragon, though we are sensible that our highest abilities are very inadequate to the task.

Related Characters: The Narrator (speaker), Sophia Western, Tom Jones
Page Number and Citation: 141
Explanation and Analysis:

Book 9, Chapter 6 Quotes

Here the Graces think proper to end their description, and here we think proper to end the chapter.

Related Characters: The Narrator (speaker), Tom Jones , Jenny Jones/Mrs. Waters, Ensign Northerton
Page Number and Citation: 450
Explanation and Analysis:

Book 13, Chapter 7 Quotes

It would be tedious to give the particular conversation, which consisted of very common and ordinary occurrences, and which lasted from two till six o’clock in the morning. It is sufficient to mention all of it that is anywise material to this history.

Related Characters: The Narrator (speaker), Lady Bellaston, Tom Jones , Sophia Western
Page Number and Citation: 629
Explanation and Analysis:

Book 15, Chapter 1 Quotes

There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that it is not true.

Related Characters: The Narrator (speaker), Tom Jones , Sophia Western, Mr. Allworthy, Mr. Blifil
Page Number and Citation: 689
Explanation and Analysis:

Book 17, Chapter 4 Quotes

But if a plump doe be discovered to have escaped from the forest, and to repose herself in some field or grove, the whole parish is presently alarmed, every man is ready to set his dogs after her; and, if she is preserved from the rest by the good squire, it is only that he may secure her for his own eating.

I have often considered a very fine young woman of fortune and fashion, when first found strayed from the pale of her nursery, to be in pretty much the same situation with this doe.

Related Characters: The Narrator (speaker), Sophia Western, Mr. Western, Mr. Blifil, Tom Jones
Page Number and Citation: 787
Explanation and Analysis:

Book 18, Chapter 13 Quotes

To conclude, as there are not to be found a worthier man and woman, than this fond couple, so neither can any be imagined more happy. They preserve the purest and tenderest affection for each other, an affection daily encreased and confirmed by mutual endearments and mutual esteem. Nor is their conduct towards their relations and friends less amiable than towards one another. And such is their condescension, their indulgence, and their beneficence to those below them, that there is not a neighbour, a tenant, or a servant, who doth not most gratefully bless the day when Mr Jones was married to his Sophia.

Related Characters: The Narrator (speaker), Tom Jones , Sophia Western
Page Number and Citation: 874
Explanation and Analysis:
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The Narrator Character Timeline in The History of Tom Jones, a Foundling

The timeline below shows where the character The Narrator appears in The History of Tom Jones, a Foundling. The colored dots and icons indicate which themes are associated with that appearance.
Book 1, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator writes that authors are not like people who give private feasts but instead like people... (full context)
Storytelling, Literature, and Structure Theme Icon
The narrator knows that some will complain human nature is a “common meal,” but the narrator argues... (full context)
Book 1, Chapter 2
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
...a little over 30. She has a reputation for being prudent but not beautiful. The narrator goes on a tangent about the role of women in society, then asks the audience... (full context)
Book 1, Chapter 9
Virtue vs. Vice Theme Icon
...someone to blame. They start pressing for a legal investigation into the whole matter. The narrator assures anyone reading, however, that Allworthy was innocent of any such thing. He simply helped... (full context)
Book 1, Chapter 11
Marriage, Romance, and Economics Theme Icon
Appearance vs. Reality Theme Icon
The narrator believes everyone loves at least once in life. It only takes Bridget a few times... (full context)
Book 1, Chapter 13
Marriage, Romance, and Economics Theme Icon
The narrator notes that it’s popular wisdom that once you rise, you should kick the stool out... (full context)
Book 2, Chapter 6
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
Appearance vs. Reality Theme Icon
...of Tom. As part of the punishment, Allworthy deprives Mr. Partridge of his income. The narrator notes that everyone has overlooked the fact that there was a young man of 18... (full context)
Book 3, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator decides to skip to when Tom is 14. He says that Allworthy and Bridget did... (full context)
Book 3, Chapter 4
Marriage, Romance, and Economics Theme Icon
Coming of Age Theme Icon
The narrator admits that he finds both Mr. Thwackum and Mr. Square to be hypocrites, but the... (full context)
Book 3, Chapter 7
Virtue vs. Vice Theme Icon
Appearance vs. Reality Theme Icon
...Seeing Blifil’s good qualities makes Allworthy more critical in how he views Tom’s actions. The narrator hopes that any young people reading will look on the example of the two boys... (full context)
Book 3, Chapter 10
Storytelling, Literature, and Structure Theme Icon
...with Mr. Western’s 17-year-old daughter, whom he can see is influential with her father. The narrator says that Mr. Western’s daughter is such a special person that it would be improper... (full context)
Book 4, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator says he wants to strike a balance in this novel, distinguishing it both from fanciful... (full context)
Book 4, Chapter 2
Virtue vs. Vice Theme Icon
Appearance vs. Reality Theme Icon
The narrator tells everyone to be quiet so that Miss Sophia Western can make her appearance. The... (full context)
Book 4, Chapter 5
Virtue vs. Vice Theme Icon
...and Square feel the same way. Allworthy once again approves of Tom’s actions, but the narrator warns that Fortune will soon turn Allworthy against Tom. (full context)
Book 4, Chapter 6
Marriage, Romance, and Economics Theme Icon
Storytelling, Literature, and Structure Theme Icon
The narrator admits that some will disagree with how Tom treats Sophia, either because he doesn’t return... (full context)
Book 4, Chapter 8
Virtue vs. Vice Theme Icon
Just then, the narrator calls upon the Muses for help in describing an epic battle scene, as a mob... (full context)
Book 5, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator thinks that people pay too much attention to critics, believing them to be smarter than... (full context)
Book 5, Chapter 5
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
Appearance vs. Reality Theme Icon
...who looks ridiculous and is wearing Molly’s nightcap. Everyone in the room is surprised. The narrator explains that even “philosophers” like Square are made of weak flesh that comes with desires.... (full context)
Book 5, Chapter 10
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
...reconcile, and within 15 minutes, they go off together to a nearby secluded grove. The narrator quotes philosophers who wrote on the subject of stupid things men do while drunk. (full context)
Book 5, Chapter 11
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
The narrator talks about how when stags (male deer) are interrupted in the middle of sex they... (full context)
Book 6, Chapter 1
Marriage, Romance, and Economics Theme Icon
Storytelling, Literature, and Structure Theme Icon
The narrator announces his intention to explore the topic of love more deeply in this book. He... (full context)
Book 6, Chapter 3
Marriage, Romance, and Economics Theme Icon
...Although Allworthy would stand to gain by having his nephew inherit Sophia’s family’s fortune, the narrator praises his self-restraint, believing that wise men are not motivated by greed. (full context)
Book 6, Chapter 7
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
The narrator remarks that misfortunes often happen all at once. At this point, Sophia goes to meet... (full context)
Book 7, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator muses on how previous writers have compared the world to a stage. The narrator supposes... (full context)
Book 7, Chapter 13
Virtue vs. Vice Theme Icon
Coming of Age Theme Icon
...it’s not very Christian to hold a grudge and finally reaches a decision, which the narrator promises to reveal in the next chapter. (full context)
Book 8, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator discusses the way that writers play with both reality and fantasy. The narrator believes that... (full context)
Book 9, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator muses about who is best equipped to write about history and the lives of other... (full context)
Book 9, Chapter 5
Virtue vs. Vice Theme Icon
Storytelling, Literature, and Structure Theme Icon
Even heroes from ancient legends get appetites, so the narrator sees nothing wrong with how ravenously Tom eats. Tom has grown very handsome, and Mrs.... (full context)
Book 9, Chapter 7
Virtue vs. Vice Theme Icon
Appearance vs. Reality Theme Icon
...Mrs. Waters and Northerton but ultimately feels it would be impolite to ask. But the narrator decides to reveal the story anyway. Captain Waters was at one point part of the... (full context)
Book 10, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator complains about how critics always misinterpret works. He asks critics not to criticize certain parts... (full context)
Book 10, Chapter 3
Marriage, Romance, and Economics Theme Icon
Appearance vs. Reality Theme Icon
...would draw attention. The landlady assumes Mr. Fitzpatrick must be a bad man, and the narrator confirms that, while Mr. Fitzpatrick is indeed a gentleman, he spent his wife’s fortune carelessly,... (full context)
Book 10, Chapter 8
Coming of Age Theme Icon
Storytelling, Literature, and Structure Theme Icon
The narrator suggests going back in time to see how Sophia and Mr. Western ended up in... (full context)
Book 11, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator admits that he was hard on critics in the first chapter of Book 10, as... (full context)
Book 11, Chapter 8
Virtue vs. Vice Theme Icon
Sophia then tells Mrs. Fitzpatrick her own story, which the narrator won’t repeat, and she omits some parts about Tom. Just as she’s finishing the story,... (full context)
Book 12, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator acknowledges that he often quotes ancient authors without being precise about citing his sources. He... (full context)
Book 12, Chapter 2
Virtue vs. Vice Theme Icon
Coming of Age Theme Icon
The narrator takes things back to Upton, where Mr. Western is still trying to track down Sophia,... (full context)
Book 12, Chapter 12
Appearance vs. Reality Theme Icon
Storytelling, Literature, and Structure Theme Icon
...it would be better to wait in the barn until the storm is over. The narrator doesn’t want the audience to get any false ideas about their being a demonic presence... (full context)
Appearance vs. Reality Theme Icon
Storytelling, Literature, and Structure Theme Icon
...for a month, all while his wife is allowed to be called a “whore.” The narrator explains that “gypsies” have a different sense of morality because they aren’t Christian. (full context)
Book 13, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator asks for help from the Muses to write about Sophia. She is a fictionalized version... (full context)
Book 13, Chapter 5
Virtue vs. Vice Theme Icon
...comes again to see Mrs. Fitzpatrick the next day, but she is apparently out. The narrator reveals that the Irish lord has forbidden Mrs. Fitzpatrick from seeing Tom anymore. Tom goes... (full context)
Virtue vs. Vice Theme Icon
Storytelling, Literature, and Structure Theme Icon
...by a writer named Mr. Nightingale, who has a reputation for being witty, although the narrator himself is skeptical if his work deserves that level of praise. Tom is frustrated when... (full context)
Book 13, Chapter 8
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
Coming of Age Theme Icon
...few hours, then summons Partridge, asking him to make change from a 50-pound note. The narrator explains that Lady Bellaston chose to give Tom the money out of a sense of... (full context)
Book 14, Chapter 1
Coming of Age Theme Icon
Storytelling, Literature, and Structure Theme Icon
The narrator believes that good writers should be familiar with the writers who came before them. They... (full context)
Book 15, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator comments that some religious writers believe virtue leads to happiness, but he disagrees. This principle... (full context)
Book 15, Chapter 6
Appearance vs. Reality Theme Icon
The narrator goes back in time to recount how Mr. Western discovers where Sophia was. Mrs. Fitzpatrick... (full context)
Book 15, Chapter 9
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
...of her past until Mr. Nightingale repeats it, with a level of detail that the narrator glosses over. (full context)
Book 16, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator complains that he’s committed himself to the structure of beginning each book with a prologue,... (full context)
Book 16, Chapter 6
Virtue vs. Vice Theme Icon
Like a parent, the narrator admits he is partial to Sophia. He wants to check on her but first has... (full context)
Book 17, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator muses that if he were a writer of tragedies, the story would nearly be over.... (full context)
Book 17, Chapter 4
Marriage, Romance, and Economics Theme Icon
The narrator describes Sophia as like a doe being hunted. Mrs. Western comes to her and tells... (full context)
Book 17, Chapter 7
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
Appearance vs. Reality Theme Icon
...comes back, bringing along the lawyer Mr. Dowling. They discuss some legal matters that the narrator considers too boring to recount. (full context)
Book 18, Chapter 1
Storytelling, Literature, and Structure Theme Icon
The narrator says this book is the last stage of the journey. He wants to stop joking... (full context)
Book 18, Chapter 13
Marriage, Romance, and Economics Theme Icon
The next morning, Sophia and Tom are married in a small, secret ceremony. The narrator concludes by saying that Tom is now, improbably, one of the happiest people there is. (full context)
Virtue vs. Vice Theme Icon
Marriage, Romance, and Economics Theme Icon
Appearance vs. Reality Theme Icon
Coming of Age Theme Icon
Storytelling, Literature, and Structure Theme Icon
...and Tom’s marriage to Sophia has cured him of any of his previous vices. The narrator concludes that they are one of the worthiest, happiest couples in the world. (full context)