The House of Mirth
by Edith Wharton

The House of Mirth: Satire 4 key examples

Definition of Satire

Satire is the use of humor, irony, sarcasm, or ridicule to criticize something or someone. Public figures, such as politicians, are often the subject of satire, but satirists can take... read full definition
Satire is the use of humor, irony, sarcasm, or ridicule to criticize something or someone. Public figures, such as politicians, are often the subject of... read full definition
Satire is the use of humor, irony, sarcasm, or ridicule to criticize something or someone. Public figures, such as politicians... read full definition

Key Examples in The House of Mirth

Book 1: Chapter 3
Explanation and Analysis—Boring Her Forever:

When Lily is forced to discuss the boring subjects that Percy Gryce passes his time “working” on, she thinks about how much she dreads having to marry someone like him. Wharton employs satire and hyperbole to emphasize how displeased Lily is with her lot in life:

She had been bored all the afternoon by Percy Gryce—the mere thought seemed to waken an echo of his droning voice—but she could not ignore him on the morrow, she must follow up her success, must submit to more boredom, must be ready with fresh compliances and adaptabilities, and all on the bare chance that he might ultimately decide to do her the honour of boring her for life.

Book 1: Chapter 5
Explanation and Analysis—The Bellomont Omnibus:

When describing the omnibus that the Trenors hire to take them to church, Wharton satirizes the fact that their religious practices are mostly empty and performative:

The observance of Sunday at Bellomont was chiefly marked by the punctual appearance of the smart omnibus destined to convey the household to the little church at the gates. Whether any one got into the omnibus or not was a matter of secondary importance, since by standing there it not only bore witness to the orthodox intentions of the family, but made Mrs. Trenor feel, when she finally heard it drive away, that she had somehow vicariously made use of it.

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Book 1: Chapter 6
Explanation and Analysis—Omar Khayyám:

Lily is pleased that Selden is regarded as being an intellectual man, especially because she herself carries a book by Omar Khayyám around to demonstrate her appreciation of literature. Wharton makes this allusion satirically, displaying the vanity of this choice:

His reputed cultivation was generally regarded as a slight obstacle to easy intercourse, but Lily, who prided herself on her broad-minded recognition of literature, and always carried an Omar Khayyam in her travelling-bag, was attracted by this attribute, which she felt would have had its distinction in an older society.

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Book 1: Chapter 12
Explanation and Analysis—Tableaux Vivants:

As Selden observes the performance of the tableaux vivants (people impersonating famous paintings) at a party at Bellomont, Wharton makes several allusions to art and history. As she describes the fabulously costumed and adorned high-society women, she also employs powerful visual and tactile imagery and satirizes the opulence and silliness of such activities:

The scenes were taken from old pictures, and the participators had been cleverly fitted with characters suited to their types. No one, for instance, could have made a more typical Goya than Carry Fisher, with her short dark-skinned face, the exaggerated glow of her eyes, the provocation of her frankly-painted smile. A brilliant Miss Smedden from Brooklyn showed to perfection the sumptuous curves of Titian's Daughter, lifting her gold salver laden with grapes above the harmonizing gold of rippled hair and rich brocade.

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