The House of the Spirits

by

Isabel Allende

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The House of the Spirits: Chapter 11 Summary & Analysis

Summary
Analysis
At age 18, Alba becomes a woman. She goes to her room, mixes some red paint with some white paint, and paints a big pint heart on her wall. Alba is in love with Miguel, a leftist leader in his last year of law school with a serious passion for justice. Alba is in her first year at university, studying philosophy and music to annoy Esteban. Her grandfather says that marriage is usually a good thing for women, but for girls like Alba, marriage only hurts them. She knows he will never understand her feelings for Miguel.
While Esteban is clearly still sexist, he believes that Alba can do whatever she wants in life, which is why he doesn’t want her to marry. Miguel is obviously Amanda’s little brother, whom Alba and her family knew years ago, but they don’t initially realize this. Like Pedro, Miguel is a leftist leader, and Esteban, a conservative, will never approve of Alba’s relationship with him.
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The first time Alba meets Miguel, she notices the tiny insignia of a raised fist on his sleeve. He talks of revolution and of answering the violence of their oppressive system with more violence. He is inspiring, and after a night with Miguel, Alba is convinced she would give her life for a noble cause. But when the students at the university seize a building in solidarity with striking workers, Alba joins the protest out of love for Miguel, not ideological conviction. 
A raised fist is symbolic of unity and resistance, which is also reflected in the protest Miguel organizes in solidarity with the striking workers. Miguel clearly advocates for Marxist ideals and for the violent revolution of the people to take back power held by the upper classes. The fact that Alba joins the protest for Miguel again illustrates love’s power to guide one’s actions.
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To Alba, the protest feels like a game. The students barricade themselves in the building, along with Sebastián Gómez, a disabled professor. Miguel, however, is the unofficial leader of the operation. He drains the toilets, reserving the water, and organizes a makeshift kitchen that provides them with cookies and instant coffee. Sebastián is hopeful that other students and unions will join their protest and that they can bring down the government, but Miguel thinks it unlikely.
The goal of Marxism is to dismantle the capitalist power structure, which is why Sebastián is hoping their protest will eventually bring down the government. Miguel, however, thinks this is unlikely because he believes that the government can only be brought down through violence and class warfare.
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After a day barricaded in the building, Alba calls home. She tells Blanca that she will be staying “until victory or death,” which feels ridiculous coming out of her mouth, and Esteban grabs the phone. He tells her to come home immediately, or he will send the police in to get her. Alba has no business being with “all those communists,” Esteban says, and Alba hangs up the phone. Sebastián doesn’t think the police will come in to get them. The public won’t stand for it. “It’s not a dictatorship and it never will be,” he says.
Esteban’s reference to the student activists as “communists” reflects his hatred for those who don’t share his conservative beliefs and his opinion that he and his family are superior to such people. As Allende has already hinted that the country will become a dictatorship, Sebastián’s words again foreshadow the political unrest to come. 
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That night, Alba begins to feel terrible stomach cramps, which only seem to grow worse. It is cold, too, and the students are looking tired. The only one who seems unaffected is Sebastián Gómez, who is rumored to have taken machinegun fire to the legs while in Bolivia. Suddenly, Alba feels warm fluid leak between her legs. She is mortified, so she curls up in the corner in misery. Ana Díaz, one of the student protestors, comments that Alba’s pains are evidence of her class status—“proletarian women” don’t even complain during childbirth, Ana says.
During the 1960s and early 1970s, there were three coup d’états in Bolivia connected with peasant revolutions, and it is implied here that Sebastián was injured fighting on behalf of the peasants. Obviously, Alba has started her period, and Ana implies that Alba is weak because she is of the upper class. According to Ana, “proletarian women”—those of the working class—are stronger than the wealthy. 
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Sebastián approaches and, finding Alba curled up in the corner, is instantly irritated. “That’s what happens when you let women get involved in men’s affairs!” he says. No, Ana corrects, this is what happens when you let the bourgeoisie get involved. Sebastián tells Alba that she must go home, and Alba is secretly relieved. Miguel helps her to the door, and despite her recent criticism, Ana helps, too. They escort Alba to the front door, where the police are waiting to meet them. A gun is pointed directly at Alba’s face, and she finds herself looking into the eyes of Esteban García.
Sebastián’s words reflect society’s sexist assumptions that women aren’t equipped to fight in wars, but Ana again claims Alba is weak because she is rich, not because she is a woman. However, Ana’s support of Alba as she helps her outside illustrates the importance of women supporting each other, even when they don’t agree. 
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Esteban García laughs. “I see it’s Senator Trueba’s granddaughter!” he says. He asks Alba what is wrong with her and says it looks as if she has just had an abortion. Alba tells him it is none of his business and demands to be taken home. He hesitates. Esteban García isn’t used to people talking to him like that, but he orders another officer to take Alba home. When she arrives, Blanca begins to scream, and she doesn’t calm down until Jaime assures her that Alba is fine. 
Esteban García’s crass comment reflects his hate for Alba as well as his disrespect for women in general, and her disrespect for him likely fuels this hate. Blanca begins to scream at the sight Alba covered in blood because she likely assumes that Alba has been seriously hurt during the protest, when really she’s just started her period.
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Alba stays in bed for two days, and the student protest is resolved peacefully. She thinks about Esteban García. She remembers the incident with him in the library, but her most vivid memory of Esteban García is from her 14th birthday. Alba was in the garden waiting for Jaime, who was taking her shopping for a present, and she could see Esteban García talking to Esteban Trueba through the window of his library. She recognized Esteban García immediately in his police uniform, and when he left, she ran into him in the garden on his way out. He asked her if she remembered him, and she lied and said no. 
The fact that the student protest is resolved peacefully while Alba stays in bed reflects her privilege as a member of the upper class and as the Senator’s granddaughter. Likely, had Alba been just another student, she would have been arrested instead of being allowed to simply go home. Furthermore, those of the lower classes can’t just go home; their fight continues regardless of how they physically feel. 
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Alba told Esteban García that it was her 14th birthday, and he said he had a present for her. He smiled, and even though she tried to look away, he grabbed her firmly by the face and kissed her. He smelled of tobacco and violence, and when he let go, he grabbed her by the throat. He tightened his grip before releasing her and began to laugh. Esteban García left the garden, laughing all the while, and Alba sat and cried. She felt “dirty and humiliated,” and she immediately ran into the house and washed her mouth out with soap. While Alba doesn’t know it, her thoughts about Esteban García are “a premonition.”
Alba’s “premonition” suggests that she has inherited Clara’s supernatural powers, although Alba doesn’t yet realize this. In Alba’s flashback, Esteban García again sexually assaults her in order to exert power over her and to make her feel “dirty and humiliated.” Esteban’s actions demonstrate his hatred for Alba, and more broadly reflect his general disrespect for woman and his belief that he can treat them however he wants.
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Miguel’s anger at Alba for not telling him she is Esteban Trueba’s granddaughter doesn’t last long, and their relationship heats up. They sneak around together, but Alba soon discovers that the safest place for them to have sex is the big house on the corner. If the servants hear anything, Alba says, they will just think it is the ghosts. They have sex in each of the empty rooms, and then they move to the basement. Alba constructs a bed out of old mattresses and sheets from damask curtains, and they spend hours together in the dark. For the first time, Alba wants to be beautiful; looking at herself through Miguel’s eyes, she believes that she is. One day, Miguel tells Alba that he will be joining the guerrillas, and that it is too dangerous for her to come along.
Like Blanca’s relationship with Pedro Tercero, Alba’s relationship with Miguel goes on right under Esteban’s nose. Esteban distances himself from his family and doesn’t acknowledge things he doesn’t want to see, like Pedro’s songs on the radio. Meanwhile, Alba clearly loves Miguel, and she begins to see herself differently because of that love. Miguel is going to war to fight for the revolution, which is why he believes it is too dangerous for Alba to come along with him.
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Jaime believes that after so many years of struggle, the Socialist Party is finally going to win an election. Alba laughs at his optimism. She repeats Miguel’s beliefs and informs Jaime that the Socialist Party will never win without a revolution. Violent oppression can only be resolved with violence she says, but Jaime disagrees. He believes in a peaceful approach to progress. Later that night, Jaime says again that the Socialist Party will win the election, but since he rarely speaks, no one pays attention to him.
Jaime’s self-imposed silence is like Clara’s own silence, which she used to punish Esteban; however, Jaime’s silence likely doesn’t have the same effect on Esteban. Unlike Miguel, Jaime supports a nonviolent approach to revolution through legal, political channels and the Socialist Party. 
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Jaime, however, knows for a fact that the Socialist Party will win. He knows this because of his close friendship with the Candidate, who has been vying for the presidency for the last 18 years. Jaime met the Candidate years ago on a routine medical call, and they struck up a friendship. The Candidate’s experience with losing tells him that this time he is going to win, but he asked Jaime to keep it quiet. Jaime said no one would believe it if he did talk about it, so to prove it, he tells Esteban
Allende repeatedly implies that the unnamed country in the novel is Chile, and it is thought that the inspiration for the Candidate is Salvador Allende, author Allende’s second cousin and an important politician in Chile’s Socialist Party. Like the Candidate, Salvador Allende ran for the presidency of Chile for 18 years before finally being elected in 1970.
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Jaime is not involved at all in politics and talk of a violent revolution makes him uncomfortable. Esteban, however, takes every chance he gets to warn Jaime of the dangers of communism and the evil they are headed for if the left wins the election. When Jaime discovers Esteban is organizing a terror campaign, he decides it is all too much and goes to live at the hospital. During this time, political tensions begin to escalate, and posters of the candidates are hung all over town. Jaime worries excessively about Alba and her relationship with Miguel, a known revolutionary.   
Jaime is not comfortable with Miguel or talk of violent revolution because he is a pacifist, and thus believes in peacefully obtaining justice and equality. Esteban’s involvement in a terror campaign again suggests that the country’s government is corrupt and willing to do whatever it takes to remove the threat of communism, even if that means overthrowing a democratically elected official. 
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One day, Alba comes to Jaime and begs him to talk to Miguel. His sister is sick, and she hopes that Miguel will open up to Jaime and tell him what is wrong. Jaime agrees, and when he sees Miguel, a young kid obviously worried about his sister, Jaime begins to soften. He tells Miguel to take him to his sister, and he leads Jaime to a small apartment in the bohemian quarter. Inside, Jaime finds Amanda. She is 20 years older and skin and bones, but she is the woman Jaime remembers. Miguel is surprised that they know each other, and Jaime is struck with a feeling of profound loss. He understands that years of poverty and frustration have brought Amanda here, and he tells Miguel they must get her to a hospital. “Only a detoxification program can save her now,” Jaime says. 
Jaime doesn’t initially like Miguel, but Miguel’s obvious love for Amanda changes Jaime’s mind. Allende implies that Amanda is sick because she is addicted to drugs of some kind, which Amanda likely turned to as a coping mechanism for living her life in poverty. In this way, Allende underscores the risk factors of poverty and the overall effect it can have on one’s life. Jaime feels a profound sense of loss because he no longer has any of the feelings of love for Amanda that previously dominated his life.
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