The Idiot

The Idiot

by

Fyodor Dostoevsky

Teachers and parents! Our Teacher Edition on The Idiot makes teaching easy.

The Idiot: Part Four, Chapter Eight Summary & Analysis

Summary
Analysis
Following the fit, Myshkin feels very sad. Vera comes to take care of him, but when he kisses her hand she becomes embarrassed and leaves. Before leaving, she tells him that Lebedev had earlier gone to see General Ivolgin, who is likely about to die. Later, Lebedev comes to visit Myshkin, as does Kolya, who asks Myshkin to tell him everything. Myshkin makes an effort to do so, but Kolya still seems to think he is withholding something. In the afternoon, the Epanchins come, and Mrs. Epanchin tells Myshkin to come and see them if he starts to feel better. Myshkin notices that Aglaya looks pale, as if she hasn’t slept well. After they leave, Vera comes with a message from Aglaya: she asks that Myshkin stay at home until late, without leaving even for a second. 
The drawn-out nature of Aglaya and Myshkin’s (non)engagement is obviously very painful for both of them. Part of the problem is that they can’t communicate directly with each other, and have in fact never been able to do so. Often they must rely on letters, notes, and messages conveyed via third parties. However, even when they are speaking to each other face-to-face, they have rarely been able to directly articulate their feelings. This creates an impasse between them.
Themes
Innocence v. Foolishness Theme Icon
Social Hierarchy, Authority, and Rebellion Theme Icon
Half an hour after the Epanchins’ visit, Ippolit comes in and collapses straight into a chair. Myshkin tries to speak to him, but Ippolit does not respond. Suddenly Ippolit announces that he’s leaving, and then clarifies that he means he is going to lie down for the final time today and die. He then says that earlier he saw Aglaya meeting with Ganya in the park. He remarks on Myshkin’s lack of surprise, but then continues with his story. He says that he also had a meeting on the park bench that day, but that when he sat down to Aglaya he saw Ganya and Varya coming along. However, Aglaya’s encounter with the brother and sister only lasted a second. She expressed gratitude for their “sincere and friendly feelings.”
Ippolit obviously delights in spreading this gossip to Myshkin, and is disappointed when Myshkin doesn’t have a more dramatic reaction. Myshkin’s lack of surprise may be the product of his calm, open nature, yet it might also be caused by a general sense of exhaustion—not only from his illness, but from the never-ending saga of his and Aglaya’s on-again, off-again engagement.
Themes
Innocence v. Foolishness Theme Icon
Ganya was humiliated, and Varya had to drag him away. Ippolit himself was there to arrange a meeting between Aglaya and Nastasya. He says that the night before he dreamed that Rogozhin smothered him to death with a wet rag. Ippolit expresses surprise that Myshkin doesn’t know about the meeting between Nastasya and Aglaya, for which Nastasya is coming all the way from St. Petersburg. In disbelief, Myshkin asks if Aglaya is really going to see Nastasya that evening, and Ippolit says he believes this is what will happen. He thinks that the meeting will take place around 7 or 8 p.m., and suggests that Myshkin send Kolya as a spy. Ippolit leaves.
While only a moment ago Myshkin was resigned, on hearing about the imminent meeting between Nastasya and Aglaya he has a radical shift in mood. Indeed, it seems that at this point the only person capable of provoking such an intense reaction in him is Aglaya. This could either indicate that he is in love with her, or that she has a particular, demonic hold on him that makes him lose all sense of reason. 
Themes
Innocence v. Foolishness Theme Icon
Social Hierarchy, Authority, and Rebellion Theme Icon
Passion, Violence, and Christianity Theme Icon
Alone, Myshkin is left in a state of horror. He is overwhelmed by Nastasya’s repeated capacity to show up and “snap his whole destiny like a rotten thread.” He is so afraid of Nastasya that he feels as if he is losing his grip on reality. Things only become clear again that evening, when Aglaya comes to the terrace of his dacha, looking pale. She tells Myshkin she can see that he has already been warned about what’s happening, and guesses that it was Ippolit who told him. She insists that he accompany her, and he follows “like a slave.” They arrive at Darya’s dacha, and Rogozhin lets them in, announcing that they the only four people in the house.
Here, the narrator employs decidedly dramatic language to describe how Myshkin is controlled by both Aglaya and Nastasya. While Nastasya can alter his fate in an instant as if snapping an old thread, Myshkin’s attachment to Aglaya is compared to enslavement. Both metaphors serve to underline how little control Myshkin has over his own life thanks to these two exceptionally strong-willed women. 
Themes
Innocence v. Foolishness Theme Icon
Social Hierarchy, Authority, and Rebellion Theme Icon
Get the entire The Idiot LitChart as a printable PDF.
The Idiot PDF
Aglaya tells Nastasya that although she doesn’t like her, she hasn’t come to argue. She says that it is clear from the letters Nastasya wrote that she is a deeply selfish person. Myshkin, on the other hand, is the most pure-hearted person Aglaya has ever met, and he was hurt by Nastasya’s abandonment of him. She asks Nastasya how she dared to write her letters and interfere with her life. She also asks why Nastasya didn’t quietly break ties with Totsky if she really wanted to be an “honest woman,” rather than doing it so dramatically. Nastasya scorns Aglaya for judging her. The argument escalates, with both women hurling insults at each other.
In this moment, Aglaya reveals  feeling that she has been keeping secret for the entirety of the novel thus far. This passage stands out for being one of the times in which she speaks most straightforwardly about her admiration of Myshkin. It seems obvious that all her insults and teasing of him were indeed attempts to conceal the nature of her true feelings.
Themes
Innocence v. Foolishness Theme Icon
Money, Greed, and Corruption Theme Icon
Social Hierarchy, Authority, and Rebellion Theme Icon
Nastasya starts crying, and taunts that Myshkin would marry her if she asked him to, while Aglaya would be left alone. She tells Rogozhin to leave, and declares that if Myshkin doesn’t come to her that instant then Aglaya can have him. Myshkin, who does not fully understand the position in which he is being put, cries out in anguish about how miserable Nastasya is. He does nothing, but nonetheless Aglaya runs out of the room, followed by Rogozhin. Myshkin goes to follow her, but Nastasya grips him and faints in his arms. Returning, Rogozhin wakes Nastasya by pouring a glass of water on her. Laughing maniacally, Nastasya shouts “Mine!” and tells Rogozhin to leave. He does, and Myshkin stays, comforting Nastasya.
Even though part of Nastasya seems to genuinely want Myshkin to marry Aglaya and the two of them to be happy together, in the end she cannot help but exercise her power one last time. Perhaps this is simply revenge for the cruel words Aglaya just hurled at her. On some level, it must also be a product of Nastasya’s trauma. Reduced to state of total powerlessness by Totsky as an adolescent, she cannot help but assert and reassert the power she has over men even when this clashes with her actual desires.
Themes
Innocence v. Foolishness Theme Icon
Absurdity and Nihilism Theme Icon
Passion, Violence, and Christianity Theme Icon