The Lady With the Dog
by Anton Chekhov
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Anna Sergeevna Von Dideritz Character Analysis

Anna is the titular character of the story, the Lady with the dog. She travels to Yalta ostensibly for a vacation her that husband will join later on. Instead, she begins an affair with Dmitri Gurov that persists after both have left Yalta. She is described as fair-haired, with charming grey eyes, of medium height, and, most importantly, young. Married at 20, she’s closer to being in school than to having children. While Gurov initiates their affair as a practiced womanizer, she likely responds to it as the first significant thing that’s happened to her since her marriage. She cares deeply what Gurov thinks of her and thinks little of herself. Anna begins the story more or less already in the place that Gurov ultimately ends up—feeling her inner life deeply, desperate to escape her day-to-day existence with her “flunkey” husband, and hungry to be really, truly loved. She is tormented by how those desires conflict with the societal expectations of her place in the world, and throughout the affair in Yalta, she interprets her feelings for Gurov as the torments of the Devil. Gradually, however, Anna goes from passively accepting the tragedy of her situation, calling the end of the affair in Yalta the “finger of Destiny,” to actively traveling to Moscow to be with Gurov and trying to pursue a solution that will allow them to be together without having to hide it.

Anna Sergeevna Von Dideritz Quotes in The Lady With the Dog

The The Lady With the Dog quotes below are all either spoken by Anna Sergeevna Von Dideritz or refer to Anna Sergeevna Von Dideritz . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Truth in Deception  Theme Icon
).

Part I Quotes

Repeated experience, and bitter experience indeed, had long since taught him that every intimacy, which in the beginning lends life such pleasant diversity and presents itself as a nice and light adventure, inevitably, with decent people—especially Muscovites, who are slow starters—grows into a major task, extremely complicated, and the situation finally becomes burdensome. But at every new meeting with an interesting woman, this experience somehow slipped from his memory, and he wanted to live, and everything seemed quite simple and amusing.

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 3622
Explanation and Analysis:
As Gurov observes Anna for the first time, he reflects on his previous experiences with women. He begins the story longing for simple flings, which he has long used to escape his unfulfilling life and marriage. He believes that societal complications inevitably make continuing such affairs too “burdensome,” yet continues to pursue them nonetheless. Indeed, he will soon enough embark upon what he initially believes to be yet another fleeting affair with Anna. This moment establishes Gurov’s hypocrisy and tendency towards self-delusion. That Gurov longs for such connections with women, despite knowing the consequences, also reveals that he is unsatisfied Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperi

Afterwards, in his hotel room, he thought about her, that tomorrow she would probably meet him again. It had to be so. Going to bed, he recalled that still quite recently she had been a schoolgirl, had studied just as his daughter was studying now, recalled how much timorousness and angularity there was in her laughter, her conversation with a stranger—it must have been the first time in her life that she was alone in such a situation, when she was followed, looked at, and spoken to with only one secret purpose, which she could not fail to guess. He recalled her slender, weak neck, her beautiful gray eyes.

“There’s something pathetic in her all the same,” he thought and began to fall asleep.

Related Characters: Gurov’s Daughter , Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Related Symbols: Gray
Page Number and Citation: 363
Explanation and Analysis:
After Gurov speaks with Anna for the first time over dinner and the two then walk along the seashore, he returns to his hotel and is consumed by thoughts of her. True to his initially hypocritical and self-deceptive nature, he dismisses Anna as pathetic even as he has clearly already become somewhat infatuated with her. He’s acutely aware of the age difference between the two of them in this moment as well, which lends Anna an air of innocence and naivete. Later, however, Gurov’s awareness of his own age will prompt him to reflect on his mortality and the dwindling Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea s

Anna Sergeevna was not a dream, she followed him everywhere like a shadow and watched him. Closing his eyes, he saw her as if alive, and she seemed younger, more beautiful, more tender than she was; and he also seemed better to himself than he had been then, in Yalta.

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Page Number and Citation: 369
Explanation and Analysis:
In contrast to the fantasies and dreams that are all that’s left of Gurov’s previous affairs, Anna remains a constant, vibrant presence in Gurov’s everyday life in Moscow. Crucially, he doesn’t just see her everywhere he goes; Gurov sees her “younger, more beautiful, more tender than she was.” Gurov is beginning to transcend his expectations for this relationship (i.e., that it should be over and done with) and embrace a more generous view of both Anna and himself. Just as he envision Anna as growing ever lovelier, Gurov also envisions himself as “better” than he was in Yalta. Being able Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur

Part II Quotes

Then he looked at her intently and suddenly embraced her and kissed her on the lips, and he was showered with the fragrance and moisture of the flowers, and at once looked around timorously—had anyone seen them?

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 364
Explanation and Analysis:
Gurov and Anna watch the arrival of a ship from the jetty in Yalta. After the crowd has dispersed and Gurov and Anna find themselves alone, Gurov takes advantage of their solitude to finally kiss her. Even as the romantic aspect of their relationship begins, however, he immediately worries about the judging eyes of society, reflecting that broader social judgment would condemn their actions regardless of the validity of their feelings. There is also a contrast between the boldness of Gurov kissing Anna and the “timorous” way he looks around afterwards. This will plague Gurov and Anna throughout the story, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas

The leaves of the trees did not stir, cicadas called, and the monotonous, dull noise of the sea, coming from below, spoke of the peace, of the eternal sleep that awaits us. So it had sounded below when neither Yalta nor Oreanda were there, so it sounded now and would go on sounding with the same dull indifference when we are no longer here. And in this constancy, in this utter indifference to the life and death of each of us, there perhaps lies hidden the pledge of our eternal salvation, the unceasing movement of life on earth, of unceasing perfection. Sitting beside the young woman, who looked so beautiful in the dawn, appeased and enchanted by the view of this magical odor—sea, mountains, clouds, the open sky—Gurov reflected that, essentially, if you thought of it, everything was beautiful in this world, everything except for what we ourselves think and do when we forget the higher goals of being and our human dignity.

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 366-367
Explanation and Analysis:
After sleeping together for the first time, Gurov and Anna travel out to the countryside of Oreanda and watch the sun rise. In the quiet stillness Gurov reflects on his surroundings, his perception colored by the joy of his new love. He realizes the “indifference” of the earth to human life and death, yet such understanding fills him with a newfound appreciation for the vastness of the world and the chance to observe the beauty that surrounds him. He connects the loveliness of the natural world to the love he feels for Anna and even to his own morality, suggesting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibu

Gurov listened to the chirring of the grasshoppers and the hum of the telegraph wires with a feeling as if he had just woken up. And he thought that now there was one more affair or adventure in his life, and it, too, was now over, and all that was left was the memory. . . He was touched, saddened, and felt some slight remorse; this young woman whom he was never to see again had not been happy with him; he had been affectionate with her, and sincere, but all the same, in his treatment of her, in his tone and caresses, there had been a slight shade of mockery, the somewhat coarse arrogance of a happy man, who was, moreover, almost twice her age. She had all the while called him kind, extraordinary lofty; obviously, he had appeared to her not as he was in reality and therefore he had involuntarily deceived her . . .

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Page Number and Citation: 368
Explanation and Analysis:
After Gurov puts Anna on a train back to St. Petersburg, he stands on the platform and reflects on the relationship that he assumes is now ended. He justifies this ending to himself by deeming the whole experience a dream from which he has “just woken up.” For the moment, he has ended this adventure seemingly in the same spot he was in at the start of the story: bored, unhappy, and feeling old.   Unlike in his previous affairs, however, Gurov feels remorse for having “deceived” Anna into thinking so well of him. He seemingly doesn’t make the connection Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusant

Part III Quotes

A month would pass and Anna Sergeevna, as it seemed to him, would be covered by mist in his memory and would only appear to him in dreams with a touching smile, as other women did. But more than a month passed, deep winter came, and yet everything was as clear in his memory as if he had parted with Anna Sergeevna only the day before. And the memories burned brighter and brighter.

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 369

Anna Sergeevna came in. She sat in the third row, and when Gurov looked at her, his heart was wrung, and he realized clearly that there was now no person closer, dearer, or more important for him in the whole world; this small woman, lost in the provincial crowd, not remarkable for anything, with a vulgar lorgnette in her hand, now filled his whole life, was his grief, his joy, the only happiness he now wished for himself; and to the sounds of the bad orchestra, with its trashy local violins, he thought how beautiful she was. He thought and dreamed.

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Page Number and Citation: 372
Explanation and Analysis:
Gurov goes to the opening of an opera and spots Anna entering among the throng of St. Petersburg well-to-dos. This is another important moment of truth for Gurov, as he realizes upon seeing Anna again that he cannot deceive himself any longer by denying the strength of his feelings for her.   Moreover, his love for Anna transforms how he sees the rest of the world. While on the surface, there is nothing remarkable about Anna, that does not matter at all to Gurov. It is instead his deep connection to her that fills his whole life. No one but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus

Part IV Quotes

He had two lives: an apparent one, seen and known by all who needed it, filled with conventional truth and conventional deceit, which perfectly resembled the lives of his acquaintances and friends, and another that went on in secret. And by some strange coincidence, perhaps an accidental one, everything that he found important, interesting, necessary, in which he was sincere and did not deceive himself, which constituted the core of his life, occurred in secret from others, while everything that made up his life, his shell, in which he hid in order to conceal the truth—for instance, his work at the bank, his arguments at the club, his “inferior race,” his attending official celebrations with his wife—all this was in full view.

Related Characters: Anna Sergeevna Von Dideritz , Gurov’s Daughter , Dmitri Dmitritch Gurov
Page Number and Citation: 374
Explanation and Analysis:
One day after Gurov and Anna have resumed seeing each other in Moscow, Gurov walks his daughter to school on his way to go be with his lover. He thinks about the double-life he is leading, calling it “a strange coincidence” that the outward life he leads is the shallow one while his secret life is the one that’s truly meaningful to him. Gurov distinguishes between his “core” self and a “shell” that protects the secret most dear to him. Chekhov complicates both Gurov’s and the reader’s understanding of truth through the suggestion that truth must be hidden away and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipi

And he judged others by himself, did not believe what he saw, and always supposed that every man led his own real and very interesting life under the cover of secrecy, as under the cover of night. Every personal existence was upheld by a secret, and it was perhaps partly for that reason that every cultivated man took such anxious care that his personal secret should be respected.

Related Characters: Gurov’s Daughter , Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Page Number and Citation: 374
Explanation and Analysis:
Gurov continues reflecting on his relationship with Anna as he walks his daughter to school. Gurov builds on the personal realizations he’s had about himself and the ways in which he deceives the world in order to create a safe space for the genuine emotion of his relationship with Anna. He then applies that need for secrecy, privacy, and deception to all mankind. Chekhov suggests that it’s human nature to keep some things, often the most important things, to oneself in order to protect the purity of those feelings and experiences, and that the shielded nature of one’s inner-life is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores s

His head was beginning to turn gray. And it seemed strange to him that he had aged so much in those last years, had lost so much of his good looks. The shoulders on which his hands lay were warm and trembled. He felt compassion for this life, still so warm and beautiful, but probably already near the point where it would begin to fade and wither, like his own life.

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Related Symbols: Gray
Page Number and Citation: 375
Explanation and Analysis:
Towards the end of the story, Gurov arrives to a hotel room to meet Anna only for her to burst into tears at having to hide their love. As he goes to comfort her he spies himself in a mirror and is struck by the sudden realization that his hair is turning gray—a sign that he has aged. Gurov is suddenly confronted with his own mortality and the fleeting nature of his time with Anna, who is approaching the point when she, too, will begin to show physical signs of aging. Even though the last few years have been the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

He and Anna Sergeevna loved each other like very close, dear people, like husband and wife, like tender friends; it seemed to them that fate itself had destined them for each other, and they could not understand why he had a wife and she a husband; and it was as if they were two birds of passage, a male and a female, who had been caught and forced to live in separate cages. They had forgiven each other the things they were ashamed of in the past, they forgave everything in the present, and they felt that this love of theirs had changed them both.

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 375
Explanation and Analysis:
Near the end of the story, while in a hotel room with Anna, Gurov reflects on what their relationship really means: forgiveness, tenderness, sincerity, and change. While the two don’t understand why their timing has been so poor or why there are such seemingly insurmountable societal obstacles to their relationship, they don’t respond with meanness or spite. They instead feel a sense of forgiveness. Whatever society may think of it, theirs is an incredibly generous, transformative love, and one that goes beyond the immediate pleasures of an affair. The goodwill engendered by this love spurs transformative growth for both Gurov Dolorem et
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Anna Sergeevna Von Dideritz Character Timeline in The Lady With the Dog

The timeline below shows where the character Anna Sergeevna Von Dideritz appears in The Lady With the Dog. The colored dots and icons indicate which themes are associated with that appearance.
Part I
Truth in Deception  Theme Icon
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Time, Mortality, and Purpose Theme Icon
The Transformative Power of Love Theme Icon
...having been on vacation in Yalta for two weeks, Dmitri Gurov spots a new arrival: a young woman who routinely walks through the seaside town with her little white Pomeranian dog. No one... (full context)
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Society and Morality  Theme Icon
...banker from Moscow and learns that she is a married woman from St. Petersburg named Anna Sergeevna. (full context)
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Time, Mortality, and Purpose Theme Icon
The Transformative Power of Love Theme Icon
That night, in his hotel room, Gurov fixates on details about Anna such as her youth and beautiful eyes. He notes that she is not much older... (full context)
Part II
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A week after their initial meeting, Gurov and Anna spend a hot Yalta day together, having ice cream and soft drinks. In the evening,... (full context)
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The steamer takes the steamer a long time to come into port, which gives Anna and Gurov even more time together. Once the ship arrives, Anna seems captivated, looking at... (full context)
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After the crowd disperses, Gurov and Anna remain on the docks for a moment as though they are waiting for someone else... (full context)
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The Transformative Power of Love Theme Icon
...back in the room, after consummating their relationship, Gurov is again struck by how different Anna is from other women that he’s been with in the past. She seems awkward and... (full context)
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Gurov tries to reason with Anna that her anxieties are unfounded. Anna wells up and confesses that she’s come to Yalta... (full context)
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Gurov tenderly comforts Anna to assuage her concerns about being perceive as a trite woman, still noticing how scared... (full context)
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Later, Gurov and Anna drive out from Yalta to the scenic suburb of Oreanda. “Not a soul” is out... (full context)
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Gurov and Anna sit in silence. Gurov observes the natural surroundings, reflecting on how the sea has sounded... (full context)
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Gurov and Anna develop a routine of meeting for meals, kissing in gardens, and driving out late in... (full context)
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Word finally comes that Anna’s husband is sick, forcing Anna to return to St. Petersburg. Gurov takes her to the... (full context)
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Time, Mortality, and Purpose Theme Icon
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...affair as a sweet madness that has now ended. He feels he has involuntarily deceived Anna, who seems to think him a better man than the man he really is. There... (full context)
Part III
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Deep winter arrives, and Gurov still can’t shake thoughts of Anna from his mind. He begins romanticizing their time together in Yalta and to feel Anna’s... (full context)
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Gurov comes up with a pretext to go to St. Petersburg to try and see Anna. He takes a hotel room and easily finds out the street where Anna and her... (full context)
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Gurov goes to the street where Anna lives and stands by an imposing-looking gray fence just opposite it. He considers what would... (full context)
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...decides not to approach the house, and instead watches its comings and goings without seeing Anna. At one point, he hears a piano playing inside and thinks it must be Anna... (full context)
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...for the opera “The Geisha” and decides to attend the premiere on the chance that Anna may also be there. When he goes, the opera is packed, and Gurov judges how... (full context)
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Gurov spots Anna amidst the crowd. Despite the fact that she seems outwardly unremarkable in the “provincial” theater,... (full context)
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Gurov spots Anna’s husband as well. He is a slightly balding man with side-whiskers who is continually stooping,... (full context)
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During the opera’s intermission, Gurov approaches Anna in her seat. He scares her badly with his reappearance, which in turn frightens him.... (full context)
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Anna leads Gurov away from the seats into a staircase off of the main auditorium and,... (full context)
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Anna asks what he’s doing and Gurov responds by pulling her to him and kissing her,... (full context)
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Anna reiterates her love for Gurov and promises to go to Moscow to see him if... (full context)
Part IV
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After an indeterminate number of months, Anna begins coming to Moscow on a medical pretext to see Gurov. Her husband both does... (full context)
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Gurov develops a pattern of meeting Anna at her hotel after she sends a porter to notify him of her arrival. The... (full context)
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On a winter morning, Gurov walks his daughter to school on his way to see Anna. He explains to his daughter that it’s snowing because, though it is above freezing near... (full context)
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After dropping his daughter off, Gurov gets to Anna’s hotel room and is hardly in the door before the two embrace as though they... (full context)
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Gurov concludes that his attachment to Anna and her attachment to him are more serious, and more permanent, than is convenient for... (full context)
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Gurov reflects again on how his love for Anna is different from all the other relationships he’s experienced before in his life. He’s known... (full context)
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Gurov thinks further, to how he and Anna love each other and forgive each other unconditionally. He realizes he can no longer argue... (full context)
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Gurov finally makes the decision that he wants to embrace the way he is with Anna all the time, not just in stolen, secret moments. He comforts Anna and suggests that... (full context)
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...Gurov concludes that this hardship is only the beginning of the story of his and Anna’s relationship, and that they have long, complicated, and difficult road ahead of them. (full context)