The Lady With the Dog
by Anton Chekhov
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Themes and Colors
Truth in Deception  Theme Icon
Society and Morality  Theme Icon
Time, Mortality, and Purpose Theme Icon
The Transformative Power of Love Theme Icon
LitCharts assigns a color and icon to each theme in The Lady With the Dog, which you can use to track the themes throughout the work.
Society and Morality  Theme Icon
Society and Morality  Theme Icon

Despite the illicit nature of Gurov and Anna’s affair, Chekhov refuses to pass clear moral judgment on his characters’ actions. Instead, he makes a distinction between the social expectations placed on the lovers—which the story presents as petty and deeply hypocritical—and the actual, positive change that the Gurov and Anna have on each other through the deepening of their allegedly immoral relationship. In doing so, “The Lady with the Dog” suggests the arbitrary nature of societal conceptions of morality. What’s more, that fact that society in Chekhov’s story would keep those with genuine love apart ultimately serves as a condemnation of shallow societal mores.

Gurov and Anna’s affair notably begins while they are separated from the judging eyes of society. Though there is anxiety that someone will spot them in Yalta—Chekhov writes that though they kiss in broad daylight, such displays of affection are often accompanied by “furtive looks around”—their relationship is able to grow in large part because they have the space to explore their feelings without fear of repercussions. That something so genuine can form in such circumstances suggests the oppressive nature of social expectations, which would have quashed any burgeoning attraction between Gurov and Anna before it had a chance to begin. As such, they both assume their relationship must end when they leave the fantasy of Yalta for their real lives Moscow and St. Petersburg.

Moscow is cold and dark, distinctly contrasting with the brightness of Yalta in Gurov’s memory. This further suggests the oppressive, isolating nature of the society keeping Gurov and Anna apart. Chekhov describes Gurov as a Muscovite, who “gradually became immersed in Moscow life” upon his return—“drawn to restaurants, clubs, to dinner parties, celebrations”—yet ultimately unsatisfied by shallow social preening. Indeed, as Gurov’s longing for Anna grows, so, too, does his frustration with the meaninglessness of his well-to-do Moscow existence: “Frenzied card-playing, gluttony, drunkenness, constant talk about the same thing,” Chekhov writes. “Useless matters and conversations about the same thing took for their share the best part of one’s time, the best of one’s powers, and what was left in the end was some sort of curtailed, wingless life…” Here, Gurov directly connects aimless societal pleasures with the curtailing of life—that is, they are distractions that prevent people from truly living.

By the time that Gurov sees Anna again in St. Petersburg, his sense of propriety and societal values have radically shifted. He’s lost all taste for Moscow social life and instead is filled with joy upon seeing “this little woman, in no way remarkable, lost in a provincial crowd.” The usual, expected trappings of a love story—of a woman standing out in a crowd—don’t matter. When the two finally have a chance to talk in the stairwell of the opera house, Gurov embraces Anna heedless of the schoolboys coming up the stairs. In that moment, he’s overcome his estimation of societal appearances and taken a risky step towards a more genuine relationship. Gurov’s journey into love with Anna is a journey of overcoming the societal expectations that have made him unhappy towards being worthy of the woman who does make him happy (even if that means sneaking around).

The characters in “The Lady with the Dog” are knotty, ambiguous people who nonetheless feel genuine love for each other and allow themselves to be guided by that love. By creating a realistic, complex understanding of human actions, Chekhov rejects a binary world in which truth and faithfulness are inherently good and lying and cheating are inherently bad. In this world, people can only gauge their relative worth against their understanding of themselves.

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Society and Morality Quotes in The Lady With the Dog

Below you will find the important quotes in The Lady With the Dog related to the theme of Society and Morality .

Part I Quotes

Repeated experience, and bitter experience indeed, had long since taught him that every intimacy, which in the beginning lends life such pleasant diversity and presents itself as a nice and light adventure, inevitably, with decent people—especially Muscovites, who are slow starters—grows into a major task, extremely complicated, and the situation finally becomes burdensome. But at every new meeting with an interesting woman, this experience somehow slipped from his memory, and he wanted to live, and everything seemed quite simple and amusing.

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Page Number and Citation: 3622
Explanation and Analysis:
As Gurov observes Anna for the first time, he reflects on his previous experiences with women. He begins the story longing for simple flings, which he has long used to escape his unfulfilling life and marriage. He believes that societal complications inevitably make continuing such affairs too “burdensome,” yet continues to pursue them nonetheless. Indeed, he will soon enough embark upon what he initially believes to be yet another fleeting affair with Anna. This moment establishes Gurov’s hypocrisy and tendency towards self-delusion. That Gurov longs for such connections with women, despite knowing the consequences, also reveals that he is unsatisfied Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperi

Part II Quotes

Then he looked at her intently and suddenly embraced her and kissed her on the lips, and he was showered with the fragrance and moisture of the flowers, and at once looked around timorously—had anyone seen them?

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 364
Explanation and Analysis:
Gurov and Anna watch the arrival of a ship from the jetty in Yalta. After the crowd has dispersed and Gurov and Anna find themselves alone, Gurov takes advantage of their solitude to finally kiss her. Even as the romantic aspect of their relationship begins, however, he immediately worries about the judging eyes of society, reflecting that broader social judgment would condemn their actions regardless of the validity of their feelings. There is also a contrast between the boldness of Gurov kissing Anna and the “timorous” way he looks around afterwards. This will plague Gurov and Anna throughout the story, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas

Gurov listened to the chirring of the grasshoppers and the hum of the telegraph wires with a feeling as if he had just woken up. And he thought that now there was one more affair or adventure in his life, and it, too, was now over, and all that was left was the memory. . . He was touched, saddened, and felt some slight remorse; this young woman whom he was never to see again had not been happy with him; he had been affectionate with her, and sincere, but all the same, in his treatment of her, in his tone and caresses, there had been a slight shade of mockery, the somewhat coarse arrogance of a happy man, who was, moreover, almost twice her age. She had all the while called him kind, extraordinary lofty; obviously, he had appeared to her not as he was in reality and therefore he had involuntarily deceived her . . .

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 368
Explanation and Analysis:
After Gurov puts Anna on a train back to St. Petersburg, he stands on the platform and reflects on the relationship that he assumes is now ended. He justifies this ending to himself by deeming the whole experience a dream from which he has “just woken up.” For the moment, he has ended this adventure seemingly in the same spot he was in at the start of the story: bored, unhappy, and feeling old.   Unlike in his previous affairs, however, Gurov feels remorse for having “deceived” Anna into thinking so well of him. He seemingly doesn’t make the connection Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusant

Part III Quotes

He gradually became immersed in Moscow life, now greedily read three newspapers a day and said that he never read the Moscow newspapers on principle. He was drawn to restaurants, clubs, to dinner parties, celebrations, and felt flattered that he had famous lawyers and actors among his clients, and that at the Doctors' Club he played cards with a professor. He could eat a whole portion of selyanka from the pan…

Related Characters: Dmitri Dmitritch Gurov
Page Number and Citation: 369
Explanation and Analysis:
When Gurov returns to Moscow from Yalta, he’s briefly distracted by all the old pleasures and habits of his life in the big city. He slips back into petty societal hypocrisies, as well as indulging his appetite for good food and the flattery of the well-to-do. This is the rhythm of his life before he met Anna and there is a genuine affection and pleasure to it, but that pleasure is shallow, hypocritical, and no longer enough for Gurov. Chekhov lets this paragraph drift off into an ellipsis, suggesting that Gurov ultimately can’t be satisfied by the life he once Dolor

Those words, so very ordinary for some reason suddenly made Gurov indignant, struck him as humiliating, impure. Such savage manners, such faces! These senseless nights, and such uninteresting, unremarkable days! Frenzied card-playing, gluttony, drunkenness, constant talk about the same thing. Useless matters and conversations about the same thing took for their share the best part of one’s time, the best of one’s powers, and what was left in the end was some sort of curtailed, wingless life, some sort of nonsense, and it was impossible to get away or fee, as if you were sitting in a mad- house or a prison camp!

Related Characters: Dmitri Dmitritch Gurov, An Official
Page Number and Citation: 370
Explanation and Analysis:
Gurov attempts to tell an official that he’s dining with about Anna, but that official doesn’t seem to hear him or think the confession is important, instead commenting on the quality of the fish they’d just eaten. This is the final straw for Gurov, who has by this point already grown frustrated with the shallow nature of Moscow society, and spurs him to decide to pursue his relationship with Anna. Here, Gurov completely rejects the shallowness and falseness of what Moscow society has to offer, recasting it as nothing but “gluttony, darkness, constant talk about the same thing.” He now Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus e

Part IV Quotes

He had two lives: an apparent one, seen and known by all who needed it, filled with conventional truth and conventional deceit, which perfectly resembled the lives of his acquaintances and friends, and another that went on in secret. And by some strange coincidence, perhaps an accidental one, everything that he found important, interesting, necessary, in which he was sincere and did not deceive himself, which constituted the core of his life, occurred in secret from others, while everything that made up his life, his shell, in which he hid in order to conceal the truth—for instance, his work at the bank, his arguments at the club, his “inferior race,” his attending official celebrations with his wife—all this was in full view.

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov, Gurov’s Daughter
Page Number and Citation: 374
Explanation and Analysis:
One day after Gurov and Anna have resumed seeing each other in Moscow, Gurov walks his daughter to school on his way to go be with his lover. He thinks about the double-life he is leading, calling it “a strange coincidence” that the outward life he leads is the shallow one while his secret life is the one that’s truly meaningful to him. Gurov distinguishes between his “core” self and a “shell” that protects the secret most dear to him. Chekhov complicates both Gurov’s and the reader’s understanding of truth through the suggestion that truth must be hidden away and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipi

He and Anna Sergeevna loved each other like very close, dear people, like husband and wife, like tender friends; it seemed to them that fate itself had destined them for each other, and they could not understand why he had a wife and she a husband; and it was as if they were two birds of passage, a male and a female, who had been caught and forced to live in separate cages. They had forgiven each other the things they were ashamed of in the past, they forgave everything in the present, and they felt that this love of theirs had changed them both.

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Page Number and Citation: 375
Explanation and Analysis:
Near the end of the story, while in a hotel room with Anna, Gurov reflects on what their relationship really means: forgiveness, tenderness, sincerity, and change. While the two don’t understand why their timing has been so poor or why there are such seemingly insurmountable societal obstacles to their relationship, they don’t respond with meanness or spite. They instead feel a sense of forgiveness. Whatever society may think of it, theirs is an incredibly generous, transformative love, and one that goes beyond the immediate pleasures of an affair. The goodwill engendered by this love spurs transformative growth for both Gurov Dolorem et