The Lemon Orchard

by

Alex La Guma

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Themes and Colors
Apartheid and Racial Hierarchy Theme Icon
Power, Fear, and Violence Theme Icon
Discrimination and Hypocrisy Theme Icon
LitCharts assigns a color and icon to each theme in The Lemon Orchard, which you can use to track the themes throughout the work.
Power, Fear, and Violence Theme Icon

“The Lemon Orchard” is largely a story of how an imbalance of power harms the underclass in society—but also how it corrupts the upper classes. The four white men who take a “coloured” (multiracial) man captive in the story clearly benefit from their privileged position relative to him, as they’re able to move through society without being judged by or punished for the color of their skin the way that non-white people are. But it becomes clear that they’re also possessed by a deep-seated fear of losing that social status, and as a result, they inflict senseless violence upon oppressed people like the coloured man. The story makes the case that such an imbalance of power is often unearned—and that the fear of this losing privilege that’s so arbitrarily given can lead those in the higher tiers of society to violently suppress others in order to secure their social standing.

The story takes place during South African apartheid (a period of legally enforced racial segregation), and it’s clear that white South Africans have immense power and privilege while non-white South Africans are treated as an underclass—regardless of whether or not white people have actually earned that power. The white men in the story steal away the coloured man in the night to whip him as punishment for a perceived crime: being rude to a white minister at the men’s church. The fact that something as benign as talking back to a white person of authority is treated an offense that’s punishable with violence suggests that white people hold an immense amount of social and legal influence over non-white people.

This imbalance of power along racial lines exists in spite of the fact that many non-white South Africans, like the coloured man in the story, are well-educated and have important roles in society. As the four white men march the coloured man through the titular lemon orchard to whip him, the leader of the group points out that the coloured man is “one of those educated bushmen” and “a teacher in a school for which we pay.” The white men, by contrast, are implied to be less educated and perhaps of a lower socioeconomic status given their use of crude language and racial slurs, their mockery of educated people, and their complaints about funding the school. The power that white people hold over non-white people in apartheid South Africa, then, is seemingly unearned: it’s based solely on skin color rather than on individuals’ achievements, competence, or earning power. That the white men feel justified in enacting vigilante justice against the coloured man also suggests that they don’t fear legal repercussions in the same way that non-white people do. The coloured man was already whipped once for his supposed transgression against the white minister, yet he didn’t seek legal repercussions for this abuse—likely because he knew he’d lose the case given the court’s bias in favor of white people. The white men, however, are confident that they can get away with “teach[ing] him [the coloured man] a lesson” by whipping him. It’s clear that under apartheid, white people enjoy undue privilege and are able to exert violent control over non-white people simply because the system is built to enable such an imbalance of power.

Though this vast inequality between white and non-white people under apartheid is socially advantageous for white people, it also creates a constant sense of fear and insecurity for them, leading them to violently suppress those they perceive as a threat to their privileged position. One of the white men in the group accuses the coloured man of “shivering with fear” as they walk through the orchard, yet the white men are clearly the ones who are afraid (and the coloured man is clearly shivering because the white men only allowed him to wear a thin jacket on a cold night). The impending whipping is an extreme overreaction to the coloured man’s perceived slight, suggesting that the white men are actually terrified of the coloured man and feel the need to suppress him at all costs. The fact that the men’s privileged position in society is unearned and based on something as arbitrary their skin color means that they’ll always feel a sense of insecurity over their status, as evidenced by the leader’s insistence that the coloured man refer to him as baas (“master”) to reaffirm his sense of power over the situation. Within this tenuous dynamic, any challenge to a white person’s authority is seen as a threat to their power that must be met with violence.

This deep-seated insecurity and fear is further highlighted by the white men’s need to threaten and belittle the coloured man and inflict smaller acts of violence upon him. As they walk through the orchard, the leader hurls racial slurs at the coloured man and threatens to kill him with his shotgun; one of the other white men, Andries, punches the coloured man in the face when he refuses to respond to their provocations. Despite their claims that the coloured man is pathetic and inferior to them, it logically follows that they wouldn’t treat him with this level of brutality if they didn’t see him as a formidable threat. In their eyes, the coloured man’s willingness to challenge the minister was perhaps a symbolic act of challenging white authority in general—a terrifying prospect for the white men that leads them to violently suppress the coloured man.

The four white men in “The Lemon Orchard” have seemingly done nothing to earn the social status they’ve been given; they were simply lucky to have been born white under an oppressive regime that happens to privilege their race over others. Yet the secret way in which they carry out the late-night whipping suggests that, on some level, they know that the power they hold is undeserved and that the violence they’re committing is unjustified. The story thus implies that even those who benefit from apartheid know that the system is unfairly tipped to favor them—and that eradicating this power imbalance altogether is the only way to do away with the fear and violence that it perpetuates.

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Power, Fear, and Violence ThemeTracker

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Power, Fear, and Violence Quotes in The Lemon Orchard

Below you will find the important quotes in The Lemon Orchard related to the theme of Power, Fear, and Violence.
The Lemon Orchard Quotes

‘Do not go so fast,’ the man who brought up the rear of the party called to the man with the lantern. ‘It’s as dark as a kaffir’s soul here at the back.’ He called softly, as if the darkness demanded silence.

Related Characters: The Leader (speaker), The Coloured Man, The Man with the Lantern
Related Symbols: Light and Darkness
Page Number: 188
Explanation and Analysis:

‘Wag’n oomblikkie. Wait a moment,’ the leader said, speaking with forced casualness. ‘He is not dumb. He is a slim hotnot; one of those educated bushmen. Listen, hotnot,’ he addressed the coloured man, speaking angrily now. ‘When a baas speaks to you, you answer him. Do you hear?’ The coloured man's wrists were tied behind him with a riem and the leader brought the muzzle of the shotgun down, pressing it hard into the small of the man’s back above where the wrists met. ‘Do you hear, hotnot? Answer me or I will shoot a hole through your spine.’

Related Characters: The Leader (speaker), The Coloured Man, Andries
Page Number: 189
Explanation and Analysis:

‘For God’s sake, don’t shoot him,’ the man with the light said, laughing a little nervously. ‘We don’t want to be involved in any murder.’

‘What are you saying, man?’ the leader asked. Now with the beam of the battery-lamp on his face the shadows in it were washed away to reveal the mass of tiny wrinkled and deep creases which covered the red-clay complexion of his face like the myriad lines which indicate rivers, streams, roads and railways on a map. They wound around the ridges of his chin and climbed the sharp range of his nose and the peaks of his chin and cheekbones, and his eyes were hard and blue like two frozen lakes.

Related Characters: The Leader (speaker), The Man with the Lantern (speaker), The Coloured Man
Related Symbols: Light and Darkness
Page Number: 189
Explanation and Analysis:

‘This is mos a slim hotnot,’ he said again. ‘A teacher in a school for which we pay. He lives off our sweat, and he had the audacity to be cheeky and uncivilised towards a minister of our church and no hotnot will be cheeky to a white man while I live.’

‘Ja, man,’ the lantern-bearer agreed. ‘But we are going to deal with him. There is no necessity to shoot him. We don’t want that kind of trouble.’

‘I will shoot whatever hotnot or kaffir I desire, and see me get into trouble over it. I demand respect from these donders. Let them answer when they’re spoken to.’

Related Characters: The Leader (speaker), The Man with the Lantern (speaker), The Coloured Man
Page Number: 189
Explanation and Analysis:

The man who had jeered about the prisoner’s fear stepped up then, and hit him in the face, striking him on a cheekbone with the clenched fist which still held the sjambok. He was angry over the delay and wanted the man to submit so that they could proceed. ‘Listen you hotnot bastard,’ he said loudly. ‘Why don’t you answer?’

The man stumbled, caught himself and stood in the rambling shadow of one of the lemon trees. The lantern-light swung on him and he looked away from the centre of the beam. He was afraid the leader would shoot him in anger and he had no wish to die. He straightened up and looked away from them.

‘Well?’ demanded the man who had struck him.

‘Yes, baas,’ the bound man said, speaking with a mixture of dignity and contempt which was missed by those who surrounded him.

Related Characters: The Coloured Man (speaker), Andries (speaker), The Leader
Related Symbols: Light and Darkness
Page Number: 189–190
Explanation and Analysis:

‘And afterwards he won’t be seen around here again. He will pack his things and go and live in the city where they’re not so particular about the dignity of the volk. Do you hear, hotnot?’ This time they were not concerned about receiving a reply but the leader went on, saying, ‘We don’t want any educated hottentots in our town.’

‘Neither black Englishmen,’ added one of the others.

Related Characters: The Leader (speaker), The Coloured Man
Page Number: 190
Explanation and Analysis:

They walked a little way further in the moonlight and the man with the lantern said, ‘This is as good a place as any, Oom.’

They had come into a wide gap in the orchard, a small amphitheatre surrounded by fragrant growth, and they all stopped within it. The moonlight clung for a while to the leaves and the angled branches, so that along their tips and edges the moisture gleamed with the quivering shine of scattered quicksilver.

Related Characters: The Man with the Lantern (speaker), The Coloured Man
Related Symbols: Light and Darkness
Page Number: 190
Explanation and Analysis: