Prince Don Fabrizio Corbèra Character Analysis

– The Prince of Salina is the head of an ancient noble lineage in 19th-century Sicily. His armorial symbol is the leopard, and he is frequently described as “leonine,” fierce, dignified, and aloof. The Prince is 45 years old at the start of the novel and is married to Princess Maria Stella, with whom he has seven children. The Prince has a temper and occasionally rages at people around him. The son of a German princess, he has an authoritarian and morally rigid streak and is more inclined to abstract thought than to pragmatism. His main hobby, for instance, is astronomy; he has even discovered two small planets. The Prince also prefers other solitary pursuits like hunting. Both these hobbies—focused on the stars and the ancient Sicilian wilderness, respectively—allow the Prince to maintain the illusion that his world is stable. The Prince is perceptive: he knows the noble class is falling into decline even before the Revolution comes to Sicily, but he feels powerless to act on or to change his circumstances. The Prince is also a philanderer and cannot resist the charms of any beautiful woman, regardless of age or class—and regardless of his own married status. The Prince loves his nephew and ward, Tancredi, (whom he rescued from orphanhood and poverty) even more than he loves his own children. Though Tancredi is an eager partisan of Garibaldi’s revolution, the Prince remains convinced that nothing is going to change in Sicily. After arranging Tancredi’s marriage to Angelica, daughter of Don Calogero Sedàra (the socially ascendant mayor of Donnafugata), the Prince begins to change his mind. Nevertheless, he declines a position in the new Italian Senate, believing that he is too trapped in Sicily’s past to be of use in shaping its future. When the Prince dies in his seventies, he looks back on his life and believes that he can only add up a year or two of real happiness. He also realizes that the Salina family legacy is dying with him—his descendants are blending into the Italian middle class. The Prince welcomes the oblivion of death, having sensed its approach, alongside the decades-long death of the noble class.

Prince Don Fabrizio Corbèra Quotes in The Leopard

The The Leopard quotes below are all either spoken by Prince Don Fabrizio Corbèra or refer to Prince Don Fabrizio Corbèra . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Cultural Survival and Decline Theme Icon
).

Chapter 1. Introduction to the Prince Quotes

The divinities frescoed on the ceiling awoke […] the major gods and goddesses, the Princes among gods, thunderous Jove and frowning Mars and languid Venus, had already preceded the mob of minor deities and were amiably supporting the blue armorial shield of the Leopard. They knew that for the next twenty-three and a half hours they would be lords of the villa once again.

Related Characters: Prince Don Fabrizio Corbèra
Related Symbols: Leopards
Page Number and Citation: 6
Explanation and Analysis:

Suddenly he was swept by a gust of tenderness toward himself. “I’m just a poor, weak creature,” he thought as his heavy steps crunched the dirty gravel. “I’m weak and without support. Stella! Oh well, the Lord knows how much I’ve loved her; but I was married at twenty. And now she’s too bossy, as well as too old […] seven children I’ve had with her, seven; and never once have I seen her navel. Is that right?” Now, whipped by this odd anguish, he was almost shouting, “Is it right? I ask you all […] Why, she’s the real sinner!”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Princess Maria Stella
Page Number and Citation: 24
Explanation and Analysis:

The lad had one of those sudden serious moods which made him so mysterious and so endearing. “Unless we ourselves take a hand now, they’ll foist a republic on us. If we want things to stay as they are, things will have to change. D’you understand?”

Related Characters: Tancredi Falconeri (speaker), Giuseppe Garibaldi, Prince Don Fabrizio Corbèra
Page Number and Citation: 28
Explanation and Analysis:

Now he had penetrated all the hidden meanings: the enigmatic words of Tancredi, the rhetorical ones of Ferrara, the false but revealing ones of Russo, had yielded their reassuring secret. Much would happen, but all would be playacting; a noisy, romantic play with a few spots of blood on the comic costumes. […] He felt like saying to Russo, but his innate courtesy held him back, “I understand now; you don’t want to destroy us, who are your ‘fathers.’ You just want to take our places. Gently, nicely, putting a few thousand ducats in your pockets meanwhile. […] For all will be the same. Just as it is now: except for an imperceptible shifting about of classes.”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Tancredi Falconeri, Russo, Don Ciccio Ferrara
Page Number and Citation: 35
Explanation and Analysis:

Supported, guided, it seemed, by calculations which were invisible at that hour yet ever present, the stars cleft the ether in those exact trajectories of theirs. The comets would be appearing as usual, punctual to the minute, in sight of whoever was observing them […] their appearance at the time foreseen was a triumph of the human mind’s capacity to project itself and to participate in the sublime routine of the skies.

Related Characters: Prince Don Fabrizio Corbèra
Related Symbols: Stars
Page Number and Citation: 40
Explanation and Analysis:

Chapter 2. Donnafugata Quotes

At the bottom of the steps the authorities took their leave, and the Princess […] invited the Mayor, the Archpriest, and the notary to dine that same evening. […] And [the Prince] added, turning to the others, “And after dinner, at nine o’clock, we shall be happy to see all our friends.” For a long time Donnafugata commented on these last words. And the Prince, who had found Donnafugata unchanged, was found very much changed himself, for never before would he have issued so cordial an invitation; and from that moment, invisibly, began the decline of his prestige.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Don Calogero Sedàra , Giuseppe Garibaldi, Princess Maria Stella
Page Number and Citation: 62
Explanation and Analysis:

No laugh […] came from the Prince, on whom, one might almost say, this news had more effect than the bulletin about the landing at Marsala. That had been an event not only foreseen but also distant and invisible. Now, with his sensibility to presages and symbols, he saw revolution in that white tie and two black tails moving at this moment up the stairs of his own home. Not only was he, the Prince, no longer the major landowner in Donnafugata, but he now found himself forced to receive, when in afternoon dress himself, a guest appearing in evening clothes.

Related Characters: Don Calogero Sedàra , Giuseppe Garibaldi, Prince Don Fabrizio Corbèra
Page Number and Citation: 76
Explanation and Analysis:

The soul of the Prince reached out toward them, toward the intangible, the unattainable, which gave joy without laying claim to anything in return; as many other times, he tried to imagine himself in those icy tracts, a pure intellect armed with a notebook for calculations: difficult calculations, but ones which would always work out. “They’re the only really genuine, the only really decent beings,” thought he, in his worldly formulae. “Who worries about dowries for the Pleiades, a political career for Sirius, matrimonial joy for Vega?”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Concetta Salina, Tancredi Falconeri
Related Symbols: Stars
Page Number and Citation: 83
Explanation and Analysis:

Chapter 3. The Troubles of Don Fabrizio Quotes

[T]he scrub clinging to the slopes was still in the very same state of scented tangle in which it had been found by Phoenicians, Dorians, and Ionians when they disembarked in Sicily […] Don Fabrizio and Tumeo […] saw the same objects, their clothes were soaked with just as sticky a sweat, the same indifferent breeze blew steadily from the sea, moving myrtles and broom, spreading a smell of thyme. […] Reduced to these basic elements, its face washed clear of worries, life took on a tolerable aspect.

Related Characters: Prince Don Fabrizio Corbèra , Don Ciccio Tumeo
Related Symbols: Stars
Page Number and Citation: 101
Explanation and Analysis:

Don Ciccio’s negative vote, fifty similar votes at Donnafugata, a hundred thousand “noes” in the whole Kingdom, would have had no effect on the result, would in fact have made it, if anything, more significant; and this maiming of souls would have been avoided. Six months before they used to hear a rough despotic voice saying, “Do what I say or you’ll catch it!” Now there was an impression already of such a threat being replaced by the soapy tones of a moneylender: “But you signed it yourself, didn’t you? Can’t you see? It’s quite clear. You must do as we say, for here are the IOUs; your will is identical with mine.”

Related Characters: Prince Don Fabrizio Corbèra , Don Ciccio Tumeo
Page Number and Citation: 112
Explanation and Analysis:

Don Calogero’s heraldic impromptu gave the Prince the incomparable artistic satisfaction of seeing a type realized in all its details […] [Don Calogero] was accompanied through two of the drawing rooms, embraced again, and began descending the stairs as the Prince, towering above him, watched this little conglomeration of astuteness, ill-cut clothes, money, and ignorance who was now to become almost a part of the family getting smaller and smaller.

Related Characters: Don Calogero Sedàra , Prince Don Fabrizio Corbèra
Page Number and Citation: 131
Explanation and Analysis:

Chapter 4. Love at Donnafugata Quotes

Gradually Don Calogero came to understand that a meal in common need not necessarily be all munching and grease stains; that a conversation may well bear no resemblance to a dog fight […] that sometimes more can be obtained by saying “I haven’t explained myself well” than “I can’t understand a word”; and that the adoption of such tactics can result in a greatly increased yield[.]

It would be rash to affirm that Don Calogero drew an immediate profit from what he had learned; he did try to shave a little better and complain a little less about the waste of laundry soap; but from that moment there began, for him and his family, that process of continual refining which in the course of three generations transforms innocent peasants into defenseless gentry.

Related Characters: Tancredi Falconeri, Don Calogero Sedàra , Prince Don Fabrizio Corbèra , Angelica Sedàra
Page Number and Citation: 137
Explanation and Analysis:

“In Sicily it doesn’t matter whether things are done well or done badly; the sin which we Sicilians never forgive is simply that of ‘doing’ at all. We are old, Chevalley, very old. For more than twenty-five centuries we’ve been bearing the weight of a superb and heterogeneous civilization, all from outside, none made by ourselves, none that we could call our own. We’re as white as you are, Chevalley, and as the Queen of England; and yet for two thousand and five hundred years we’ve been a colony. I don’t say that in complaint; it’s our fault. But even so we’re worn out and exhausted.”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Aimone Chevalley di Monterzuolo
Page Number and Citation: 177
Explanation and Analysis:

“This violence of landscape, this cruelty of climate, this continual tension in everything, and these monuments, even, of the past, magnificent yet incomprehensible because not built by us and yet standing around like lovely mute ghosts; all those rulers who landed by main force from every direction, who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn’t understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind.”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Aimone Chevalley di Monterzuolo
Page Number and Citation: 179
Explanation and Analysis:

I belong to an unfortunate generation, swung between the old world and the new, and I find myself ill at ease in both. And what is more, as you must have realized by now, I am without illusions; what would the Senate do with me, an inexperienced legislator who lacks the faculty of self-deception, essential requisite for wanting to guide others? We of our generation must draw aside and watch the capers and somersaults of the young around this ornate catafalque.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Aimone Chevalley di Monterzuolo
Page Number and Citation: 180
Explanation and Analysis:

Chevalley thought, “This state of things won’t last; our lively new modern administration will change it all.” The Prince was depressed: “All this shouldn’t last; but it will, always; the human ‘always,’ of course, a century, two centuries…and after that it will be different, but worse. We were the Leopards, the Lions; those who’ll take our place will be little jackals, hyenas; and the whole lot of us. Leopards, jackals, and sheep, we’ll all go on thinking ourselves the salt of the earth.”

Related Characters: Aimone Chevalley di Monterzuolo (speaker), Prince Don Fabrizio Corbèra (speaker)
Related Symbols: Leopards
Page Number and Citation: 185
Explanation and Analysis:

Chapter 5. Father Pirrone Pays a Visit Quotes

Two days later Father Pirrone left to return to Palermo. As he was jolted along he went over impressions that were not entirely pleasant; that brutish love affair come to fruition in St. Martin’s summer, that wretched half almond grove reacquired by means of calculated courtship, seemed to him the rustic poverty-stricken equivalent of other events recently witnessed. Nobles were reserved and incomprehensible, peasants explicit and clear; but the Devil twisted them both around his little finger all the same.

Related Characters: Don Calogero Sedàra , Tancredi Falconeri, Angelica Sedàra, Turi Pirrone, Prince Don Fabrizio Corbèra , Father Pirrone, ‘Ncilina, Santino Pirrone
Page Number and Citation: 209
Explanation and Analysis:

Chapter 6. A Ball Quotes

They were the most moving sight there, two young people in love dancing together, blind to each other’s defects, deaf to the warnings of fate, deluding themselves that the whole course of their lives would be as smooth as the ballroom floor, unknowing actors made to play the parts of Juliet and Romeo by a director who had concealed the fact that tomb and poison were already in the script. Neither of them was good, each full of self-interest, swollen with secret aims; yet there was something sweet and touching about them both; those murky but ingenuous ambitions of theirs were obliterated by the words of jesting tenderness he was murmuring in her ear, by the scent of her hair, by the mutual clasp of those bodies of theirs destined to die.

Related Characters: Tancredi Falconeri, Princess Maria Stella, Prince Don Fabrizio Corbèra , Angelica Sedàra
Page Number and Citation: 225
Explanation and Analysis:

Chapter 7. Death of a Prince Quotes

It was useless to try to avoid the thought, but the last of the Salinas was really he himself, this gaunt giant now dying on a hotel balcony. For the significance of a noble family lies entirely in its traditions, that is in its vital memories; and he was the last to have any unusual memories, anything different from those of other families […] the meaning of his name would change more and more to empty pomp […] He had said that the Salinas would always remain the Salinas. He had been wrong. The last Salina was himself. That fellow Garibaldi […] had won after all.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Fabrizietto Salina, Giuseppe Garibaldi
Related Symbols: Leopards
Page Number and Citation: 248
Explanation and Analysis:

Chapter 8. Relics Quotes

Until today, on the rare occasions when she thought over what had happened at Donnafugata that distant summer, she had felt upheld by a sense of being martyred, being wronged, of resentment against a father who had neglected her, of torturing emotion for that other dead man. Now, however, these secondhand feelings which had formed the skeleton of her whole mode of thought were also collapsing. There had been no enemies, just one single adversary, herself; her future had been killed by her own imprudence, by the rash Salina pride[.]

Related Characters: Concetta Salina, Tancredi Falconeri, Senator Tassoni, Angelica Sedàra, Prince Don Fabrizio Corbèra
Page Number and Citation: 273
Explanation and Analysis:

As the carcass was dragged off, the glass eyes stared at her with the humble reproach of things that are thrown away, that are being annulled. A few minutes later what remained of Bendicò was flung into a corner of the courtyard visited every day by the dustman. During the flight down from the window his form recomposed itself for an instant; in the air one could have seen dancing a quadruped with long whiskers, and its right foreleg seemed to be raised in imprecation. Then all found peace in a heap of livid dust.

Related Characters: Concetta Salina, Bendicò, Prince Don Fabrizio Corbèra
Related Symbols: Leopards
Page Number and Citation: 279
Explanation and Analysis:
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Prince Don Fabrizio Corbèra Character Timeline in The Leopard

The timeline below shows where the character Prince Don Fabrizio Corbèra appears in The Leopard. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1. Introduction to the Prince
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As the Salina children and the small, domineering Princess depart, the huge Prince, Fabrizio, towers over them all. He is tall and strong with... (full context)
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...his mother) and a sensual and irresponsible streak (from his father) have combined to make Prince Fabrizio discontent. He is watching his class and his family fall into decline, but he... (full context)
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The Prince follows his excitable Great Dane, Bendicò, into the enclosed garden. The garden has a muted,... (full context)
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The Prince’s brother-in-law, Màlvica, who often speaks for their circle of friends, would claim that the soldier... (full context)
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The Prince thinks about his frequent audiences with King Ferdinand. He recalls a particular meeting with the... (full context)
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The Prince recalls that on another visit, King Ferdinand had been less cordial and had scolded him... (full context)
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...including children, governesses, and tutors) has a typically grand, albeit slightly shabby, dinner. As the Prince ladles out soup for his family, his hand shakes; his 16-year-old son, Francesco Paolo, arrived... (full context)
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As they travel to Palermo, they pass the Falconeri villa, property of the Prince’s nephew Tancredi. Tancredi is the son of the Prince’s sister; Tancredi’s father had squandered the... (full context)
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...through a soldiers’ patrol, Father Pirrone is dropped off at the Jesuit house, and the Prince arrives at his city palace. From there, he walks through “a quarter of ill repute”... (full context)
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Two hours later, the Prince and the priest head home. Father Pirrone has heard a rumor of an impending Piedmontese... (full context)
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The next morning Tancredi comes in while the Prince is shaving. Having seen the Prince in Palermo last night, Tancredi teases his uncle, which... (full context)
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The Prince goes to his estate office. Paintings of the several Salina estates decorate its walls. The... (full context)
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A bit later, the Prince’s agent, Russo, comes in. To the Prince, Russo, too, seems representative of the up-and-coming class.... (full context)
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A few minutes later, the Prince escapes into his garden with Bendicò. He can’t help worrying what will become of the... (full context)
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The Prince, feeling calm and reassured by the morning’s political conclusions, looks down at the Sicilian countryside.... (full context)
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At lunch, the Prince is calmer, and the meal has a more relaxed and cheerful air than usual. Only... (full context)
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Later, the Prince finds his son Paolo in his study, clearly having worked up his courage to speak... (full context)
Chapter 2. Donnafugata
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...destination. They alight from the carriages and refresh themselves at the wells before lunch. The Prince is excited to be nearing Donnafugata, a place he loves. Tancredi is among the group,... (full context)
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An hour later, as the family continues through familiar lands, the Prince is still beaming. He always enjoys spending three months at Donnafugata, but especially now, with... (full context)
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...of Verdi’s operas, and church bells ring. Everything seems reassuringly typical. Among the dignitaries, the Prince is greeted by the new town mayor, Don Calogero Sedàra, who’s wearing a tricolor sash.... (full context)
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The Prince is in high spirits, and the crowd of peasants looks on without hostility—the Prince has... (full context)
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After the service, the Princess invites the Mayor and a couple of other dignitaries to dinner; everyone is amazed when... (full context)
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...in which they had left it. (Don Onofrio is renowned for once having left the Princess’s liqueur sitting untouched for an entire year.) The Prince takes an approving tour of the... (full context)
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Over tea, Don Onofrio catches the Prince up on local news—chiefly, Don Calogero’s rise in fortunes. Through land acquisitions and profitable grain... (full context)
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The Prince proceeds upstairs for his bath, savoring the peace of the house. Just as he’s about... (full context)
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The Prince knows without being told that Concetta loves Tancredi, and he is annoyed that his arrival... (full context)
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Later the Prince visits the garden, where Tancredi catches him gazing at a sensual-looking sculpture, lost in memories.... (full context)
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...on everyone there, especially compared to the unkempt 13-year-old of a few years ago. The Prince, attracted, uses gracious tones as he greets her. Though Tancredi says little, he is enchanted. (full context)
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That night, the Prince gazes toward the stars from his bedroom balcony, longing to be “a pure intellect” engaged... (full context)
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...customarily visits the Convent of the Holy Spirit to pray at the tomb of the Prince’s ancestor Blessed Corbèra, who founded the convent. The Prince is the only man permitted to... (full context)
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After an otherwise successful visit, the family returns home, and when the Prince paces on the library balcony, he catches sight of Tancredi, wearing what Tancredi calls his... (full context)
Chapter 3. The Troubles of Don Fabrizio
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By October, the rainy season has come and gone, bringing milder weather. The Prince goes hunting daily with his friend Don Ciccio Tumeo, savoring the early morning solitude and... (full context)
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The Prince has been consumed by worries over the past two months—worries about the political situation, the... (full context)
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Last night, the Prince received an especially neat and carefully worded letter from Tancredi. In formal words, Tancredi informs... (full context)
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The Prince goes to the countryside with his friend Tumeo to escape from all this. There, the... (full context)
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The Prince asks Tumeo how he voted in the Plebiscite, startling his friend. When Tumeo recovers, he... (full context)
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So Italy had become a nation that night; the Prince accepted this. Yet he was bothered by a vague sense of unease, as if something... (full context)
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As the men resume hunting, the Prince is troubled by another question. Thinking of the upcoming conversation about Tancredi’s marriage, he encourages... (full context)
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...found shot to death two years after Don Calogero and Donna Bastiana eloped. Though the Prince has heard this story before, he feels shaken—how, he wonders, can Tancredi be associated with... (full context)
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The Prince tells Tumeo to restrain himself and reveals that Tancredi is seeking Angelica’s hand. He tells... (full context)
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Later that afternoon, the Prince takes care in dressing before he meets with Don Calogero, trying to imagine that he’s... (full context)
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The two men quickly get to the point: The Prince admits that he received a letter from Tancredi, in which the young man declared his... (full context)
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The two men embrace awkwardly, the mayor’s short legs lifted off the floor. The Prince moves the discussion forward: the Falconeri family has a long and honorable history in Sicily,... (full context)
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...will be bestowed on the couple on their wedding day. Despite the mayor’s vulgarity, the Prince is amazed by this dowry. Don Calogero adds that the Sedàras, too, are an old... (full context)
Chapter 4. Love at Donnafugata
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By November, 1860, the Prince has developed a grudging admiration for Don Calogero—particularly his intelligence, which is unencumbered by the... (full context)
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...Tancredi’s fiancée, it’s obvious that she has been carefully coached in advance. She wins the Prince’s heart by warmly embracing him and calling him “Uncle mine,” and she is received with... (full context)
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In the evenings before dinner, the Prince reads novels aloud to his family, though he chooses and censors them carefully, avoiding any... (full context)
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...Carlo are the first military officers the Salina girls have seen close up. Puzzled, the Prince asks the young “Garibaldini” why they aren’t wearing red shirts. The men respond with shock—they’re... (full context)
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...show Angelica the tangled maze of the massive palace complex, corners of which even the Prince has never seen. The two always set off with a chaperone, whether Cavriaghi or the... (full context)
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Around this time, the Prince receives an official letter announcing the visit of the Secretary of the Prefecture, a man... (full context)
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That afternoon, Chevalley joins the Prince in his study. He immediately begins explaining the reason he was sent. “After the happy... (full context)
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...approve legislation and help heal Italy as it emerges into the modern world. Finally, the Prince says that if this were simply a title of honor, he’d be happy to accept... (full context)
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Chevalley must understand, the Prince explains, that Sicilians never forgive the sin of “doing.” Sicilians are old: for 2,500 years,... (full context)
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Anyway, the Prince doubts that the new Italian Kingdom offers gifts worth having. Sicilians’ sensuality, violence, and laziness... (full context)
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Chevalley is disturbed by this lecture and tries to interrupt, but the Prince keeps going. There are exceptions to the rule, of course; but by the time a... (full context)
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Chevalley quietly pities the Prince’s hopelessness, much as he pities the poverty and squalor he’s witnessed since arriving in Sicily.... (full context)
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The Prince tells Chevalley the same thing: Sicilians will never improve their lives, because they believe they’re... (full context)
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The next morning, the Prince and Tumeo accompany Chevalley to the post station at dawn. Donnafugata’s  town square is filled... (full context)
Chapter 5. Father Pirrone Pays a Visit
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...Don Pietrino heads off to harvest rosemary under the new moon, he asks what the Prince of Salina has to say about all these new developments. Father Pirrone finds it a... (full context)
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...the chilly night. He sums up the foregoing speech by telling Don Pietrino that the Prince of Salina thinks there has been no revolution, and that life will continue as before.... (full context)
Chapter 6. A Ball
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In November 1862, the Salinas are headed to a ball. The Prince, Princess, Concetta, and Carolina cram into a carriage. Now that outbreaks of revolutionary violence have... (full context)
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The Prince looks forward to the impression Angelica will make, but he also dreads seeing Don Calogero’s... (full context)
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...regret that they hadn’t discovered her for themselves—but it’s common knowledge that she was the Prince of Salina’s to bestow. Angela also fits in smoothly with the other ladies and soon... (full context)
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The Prince wanders through the house, his mood worsening. The décor seems outdated, and when he sees... (full context)
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Regretting that he came at all, the Prince finally wanders into the ballroom. The muted colors remind him achingly of Donnafugata, and the... (full context)
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Sensing the death awaiting them all, the Prince feels compassion for everyone present—they are savoring what enjoyments they can before being snuffed out... (full context)
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It is two o’clock in the morning, and the Prince is growing tired. He finally finds comfortable solitude in the library, gazing at a painting,... (full context)
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...at the painting—death is abstract to them, not real. Angelica has a request for the Prince: she’s heard of his reputation as a dancer and wants him to dance the next... (full context)
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The Prince and Angelica make a beautiful couple; his niece-to-be chatters warmly as they dance. The Prince... (full context)
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Soon after, the Prince heads into the supper room, where mountains of cakes and delicacies are piled beneath an... (full context)
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...someday, the red shirts will return. They’re like Italy’s fixed stars—but even these, as the Prince knows, only appear to be permanent. The Prince feels chilled by these words. (full context)
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...be the first to leave. Instead of taking the carriage home with his family, the Prince decides to walk home to enjoy the fresh air. He also wants to look at... (full context)
Chapter 7. Death of a Prince
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It is July 1888. For the past 12 years or more, the Prince has felt life ebbing out of him slowly, like grains of sand slowly falling down... (full context)
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Once, Tancredi wryly told the Prince that his uncle was “courting death.” The Prince believes the courtship is over and that... (full context)
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When the Prince sees the forced, cheerful faces of his family on the arrival platform, he suddenly realizes... (full context)
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At the hotel, a haggard-looking doctor prescribes camphor drops, and soon the Prince feels a little stronger. He gazes at himself in the mirror: he looks withered and... (full context)
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A servant comes in and undresses and bathes the Prince, washing off layers of railway soot. Bothered by the stale smells of the hotel room,... (full context)
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The Prince thinks of his sons. Giovanni is the only one who resembles him; he sends occasional... (full context)
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The Prince hears Concetta talking in the next room; she’s fussing about sending for a priest. Fleetingly,... (full context)
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Tancredi and Fabrizietto come back into the room and hold the Prince’s hands. His grandson looks at him with frank curiosity; Tancredi chats gaily about work and... (full context)
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The Prince thinks of other bits of satisfaction in his life, which are just “grains of gold... (full context)
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The Prince realizes that Tancredi has hurried from the room; the waterfall noise has given way to... (full context)
Chapter 8. Relics
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After the Prince’s death, the villa had become the property of the three sisters. They decided to establish... (full context)
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...because of her Salina pride. If this is true, she’s spent her life resenting the Prince and hiding pictures of Tancredi for no reason. Concetta had misunderstood Tancredi’s desire to enter... (full context)